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Posing In Bondage
Songs like
Posing In Bondage
by
Japanese Breakfast
Based on a tempo of (+/- 10%) and a similar genre
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Dehd
Haha
105 bpm • B min • 02:11 • -6.7db
38% Popularity • 63% Danceability • 70% Energy • 38% Liveness
2% Instrumentalness • 81% Positiveness
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Japanese Breakfast
Posing In Bondage
105 bpm • C# Maj • 04:04 • -7.53db
46% Popularity • 58% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 20% Positiveness
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Mitski
Stay Soft
105 bpm • G Maj • 03:16 • -9db
59% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Fazerdaze
Jennifer
105 bpm • E Maj • 04:00 • -10.93db
32% Popularity • 67% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Big Thief
Simulation Swarm
105 bpm • C# Maj • 04:12 • -9db
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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BUMPER
Red Brick
104 bpm • C Maj • 03:05 • -7.19db
25% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Alice Phoebe Lou
Only When I
106 bpm • G Maj • 03:51 • -8.76db
53% Popularity • 70% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Japanese Breakfast
Moon on the Bath
104 bpm • G Maj • 01:29 • -17.87db
25% Popularity • 21% Danceability • 20% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Julien Baker
Favor
104 bpm • F Maj • 04:38 • -9db
48% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Cornelia Murr
Different This Time
106 bpm • F min • 03:53 • -12db
52% Popularity • 39% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Big Thief
Mythological Beauty
107 bpm • A# Maj • 05:06 • -9db
57% Popularity • 63% Danceability • 58% Energy • 12% Liveness
21% Instrumentalness • 47% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Father John Misty
Nancy From Now On
107 bpm • C Maj • 03:54 • -9.17db
66% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
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Japanese Breakfast
Be Sweet - Recorded At Electric Lady Stu...
106 bpm • F Maj • 03:14 • -10.42db
27% Popularity • 53% Danceability • 23% Energy • 10% Liveness
15% Instrumentalness • 44% Positiveness
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Ramona Lisa
Dominic
103 bpm • A min • 03:57 • -7.24db
9% Popularity • 36% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Tanukichan
Lazy Love
102 bpm • C# Maj • 03:02 • -5.53db
37% Popularity • 45% Danceability • 46% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Melody's Echo Chamber
Unfold
108 bpm • G# Maj • 01:30 • -6.09db
46% Popularity • 59% Danceability • 80% Energy • 8% Liveness
5% Instrumentalness • 76% Positiveness
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Drugdealer
Suddenly
108 bpm • E Maj • 03:17 • -7.54db
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Kate Bollinger
Yards / Gardens
108 bpm • A# Maj • 02:21 • -7.52db
61% Popularity • 80% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 74% Positiveness
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Tanukichan
This Time
108 bpm • F# Maj • 02:55 • -7.92db
44% Popularity • 48% Danceability • 44% Energy • 11% Liveness
35% Instrumentalness • 11% Positiveness
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The Greeting Committee
Is This It?
108 bpm • C Maj • 02:47 • -8db
42% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Lala Lala
Siren 042
108 bpm • B Maj • 02:41 • -7.37db
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Magdalena Bay
Secrets (Your Fire)
108 bpm • A# min • 04:05 • -5.57db
50% Popularity • 69% Danceability • 83% Energy • 42% Liveness
64% Instrumentalness • 83% Positiveness
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Hannah Jadagu
Say It Now
108 bpm • D# Maj • 03:40 • -7.24db
37% Popularity • 61% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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The Japanese House
Touching Yourself
108 bpm • D# Maj • 03:01 • -5.99db
66% Popularity • 71% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Melody's Echo Chamber
Where the Water Clears the Illusion
108 bpm • F# Maj • 03:03 • -7db
32% Popularity • 50% Danceability • 67% Energy • 33% Liveness
28% Instrumentalness • 42% Positiveness
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TOPS
Party Again
108 bpm • C min • 02:44 • -10db
37% Popularity • 75% Danceability • 62% Energy • 6% Liveness
43% Instrumentalness • 86% Positiveness
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Free Cake For Every Creature
All You Gotta Be When You're 23 Is Yours...
108 bpm • A Maj • 02:26 • -12.57db
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
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Crumb
BNR
102 bpm • A Maj • 03:01 • -8.41db
45% Popularity • 64% Danceability • 60% Energy • 12% Liveness
60% Instrumentalness • 38% Positiveness
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Lunko
Posing in Bondage
108 bpm • A# min • 02:07 • -8.73db
46% Popularity • 79% Danceability • 64% Energy • 8% Liveness
82% Instrumentalness • 65% Positiveness
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Girlpool
Pretty
101 bpm • C Maj • 03:25 • -7.32db
32% Popularity • 42% Danceability • 62% Energy • 6% Liveness
3% Instrumentalness • 38% Positiveness
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Melody's Echo Chamber
Shirim
101 bpm • C Maj • 04:46 • -10.99db
48% Popularity • 65% Danceability • 71% Energy • 25% Liveness
44% Instrumentalness • 53% Positiveness
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Sarah Kinsley
The King
109 bpm • F# Maj • 03:26 • -6db
59% Popularity • 63% Danceability • 67% Energy • 9% Liveness
11% Instrumentalness • 72% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
40% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Ratboys
I Go Out at Night
109 bpm • C Maj • 03:07 • -6.6db
40% Popularity • 52% Danceability • 53% Energy • 30% Liveness
60% Instrumentalness • 35% Positiveness
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Weyes Blood
Hearts Aglow
109 bpm • A Maj • 05:49 • -8.66db
42% Popularity • 42% Danceability • 50% Energy • 10% Liveness
26% Instrumentalness • 12% Positiveness
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Caroline Polachek
Pang
101 bpm • B Maj • 03:33 • -8.34db
49% Popularity • 71% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Angel Olsen
Ghost On
109 bpm • E Maj • 04:20 • -10db
37% Popularity • 45% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Hand Habits
4th of july
101 bpm • A# Maj • 02:56 • -10.89db
37% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Japanese Breakfast
The Woman That Loves You
110 bpm • F# min • 02:24 • -6db
40% Popularity • 52% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
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Lala Lala
Destroyer
110 bpm • A# Maj • 03:12 • -6.71db
41% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
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Weyes Blood
Mirror Forever
110 bpm • C Maj • 05:05 • -11db
44% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Hannah Jadagu
All My Time Is Wasted
110 bpm • F# Maj • 03:20 • -8db
36% Popularity • 64% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Fiona Apple
Valentine
110 bpm • D Maj • 03:32 • -15.67db
52% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Japanese Breakfast
Be Sweet - Spotify Singles
110 bpm • A# Maj • 03:14 • -8db
24% Popularity • 60% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Caroline Polachek
Bunny Is A Rider
110 bpm • F# min • 03:13 • -7db
58% Popularity • 80% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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The Beths
Jump Rope Gazers
100 bpm • F Maj • 05:12 • -11.91db
44% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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IAN SWEET
Sword
100 bpm • G Maj • 03:02 • -5.19db
36% Popularity • 64% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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beabadoobee
Last Day On Earth
100 bpm • F# Maj • 03:42 • -3.63db
52% Popularity • 44% Danceability • 93% Energy • 5% Liveness
45% Instrumentalness • 90% Positiveness
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Japanese Breakfast
The Body Is a Blade
110 bpm • G Maj • 03:40 • -6db
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
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Ethel Cain
Thoroughfare
100 bpm • A Maj • 09:27 • -11db
58% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Sharon Van Etten
Mistakes
100 bpm • F# Maj • 03:59 • -7.83db
47% Popularity • 57% Danceability • 78% Energy • 18% Liveness
59% Instrumentalness • 52% Positiveness
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Blood Orange
I Wanna C U
100 bpm • C min • 01:14 • -12db
60% Popularity • 79% Danceability • 30% Energy • 11% Liveness
18% Instrumentalness • 72% Positiveness
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Magdalena Bay
Dawning of the Season
111 bpm • F min • 03:24 • -7db
42% Popularity • 74% Danceability • 76% Energy • 41% Liveness
72% Instrumentalness • 62% Positiveness
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Sjowgren
I Don't Know
112 bpm • C# Maj • 03:15 • -8db
51% Popularity • 67% Danceability • 74% Energy • 37% Liveness
2% Instrumentalness • 96% Positiveness
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Japanese Breakfast
Be Sweet
110 bpm • D min • 03:15 • -5.82db
64% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Caroline Polachek
So Hot You're Hurting My Feelings
112 bpm • F# Maj • 03:03 • -4.97db
66% Popularity • 80% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Sharon Van Etten
Like I Used To
111 bpm • E Maj • 04:23 • -5.16db
48% Popularity • 53% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Long Beard
Sweetheart
112 bpm • D Maj • 05:34 • -5.43db
30% Popularity • 51% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Samia
Triptych
111 bpm • B Maj • 03:06 • -9db
19% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Weyes Blood
Children of the Empire
112 bpm • A# min • 06:03 • -8db
43% Popularity • 37% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Japanese Breakfast
Be Sweet - Korean Version
110 bpm • D min • 03:15 • -5db
33% Popularity • 63% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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FKA twigs
cellophane
98 bpm • D Maj • 03:24 • -11.86db
58% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Katy Kirby
Peppermint
98 bpm • D Maj • 02:20 • -7.88db
36% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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SPELLLING
Boys at School
112 bpm • A min • 07:28 • -13db
37% Popularity • 55% Danceability • 38% Energy • 22% Liveness
29% Instrumentalness • 8% Positiveness
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Alice Phoebe Lou
Velvet Mood
98 bpm • C Maj • 02:02 • -11.28db
53% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Free Cake For Every Creature
In Your Car
98 bpm • D Maj • 02:03 • -9db
49% Popularity • 61% Danceability • 48% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
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Japanese Breakfast
Sit
100 bpm • D Maj • 03:07 • -7.25db
41% Popularity • 32% Danceability • 83% Energy • 15% Liveness
20% Instrumentalness • 32% Positiveness
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Skullcrusher
Song for Nick Drake
98 bpm • E Maj • 02:57 • -12.26db
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
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Stella Donnelly
Old Man
98 bpm • C# min • 03:33 • -5db
32% Popularity • 69% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Leith Ross
(You) On My Arm
98 bpm • D# Maj • 04:04 • -6.97db
56% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Alice Phoebe Lou
Touch
98 bpm • G# Maj • 03:28 • -9.47db
45% Popularity • 64% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Hovvdy
True Love
98 bpm • F# Maj • 04:11 • -4.99db
42% Popularity • 51% Danceability • 76% Energy • 31% Liveness
82% Instrumentalness • 48% Positiveness
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Japanese Breakfast
Psychopomp
100 bpm • C# Maj • 01:15 • -15.29db
29% Popularity • 51% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Adrianne Lenker
ingydar
113 bpm • A# min • 04:08 • -16db
59% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Cate Le Bon
Moderation
113 bpm • D Maj • 04:04 • -7.56db
33% Popularity • 65% Danceability • 50% Energy • 15% Liveness
11% Instrumentalness • 48% Positiveness
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Weyes Blood
Everyday
113 bpm • D Maj • 05:07 • -7db
48% Popularity • 48% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Blood Orange
Jesus Freak Lighter
113 bpm • C# Maj • 02:32 • -10db
49% Popularity • 64% Danceability • 92% Energy • 17% Liveness
84% Instrumentalness • 14% Positiveness
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beabadoobee
Talk
113 bpm • C Maj • 02:38 • -4.86db
61% Popularity • 45% Danceability • 97% Energy • 22% Liveness
10% Instrumentalness • 53% Positiveness
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Japanese Breakfast
Kokomo, IN - Recorded At Electric Lady S...
100 bpm • A Maj • 03:20 • -12.05db
25% Popularity • 54% Danceability • 24% Energy • 22% Liveness
1% Instrumentalness • 18% Positiveness
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MUNA
Silk Chiffon
97 bpm • G# Maj • 03:26 • -6.22db
66% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Cate Le Bon
Harbour
97 bpm • F Maj • 04:08 • -7.81db
32% Popularity • 74% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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BUMPER
You Can Get It
97 bpm • E Maj • 03:02 • -7db
25% Popularity • 59% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Men I Trust
Sugar
114 bpm • A min • 02:56 • -12.75db
66% Popularity • 82% Danceability • 46% Energy • 14% Liveness
31% Instrumentalness • 80% Positiveness
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Faye Webster
Better Distractions
96 bpm • F# Maj • 04:09 • -9.54db
57% Popularity • 70% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Japanese Breakfast
Jane Cum
110 bpm • G Maj • 03:31 • -5.63db
27% Popularity • 16% Danceability • 46% Energy • 22% Liveness
15% Instrumentalness • 4% Positiveness
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Sidney Gish
Presumably Dead Arm (617 Sessions)
114 bpm • A# Maj • 03:34 • -9.46db
49% Popularity • 48% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Samia
The Promise
115 bpm • C Maj • 03:45 • -7.72db
38% Popularity • 70% Danceability • 85% Energy • 6% Liveness
6% Instrumentalness • 54% Positiveness
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Snail Mail
Let's Find an Out
96 bpm • C min • 02:13 • -9db
45% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Magdalena Bay
All You Do
115 bpm • C Maj • 04:28 • -7db
31% Popularity • 67% Danceability • 75% Energy • 18% Liveness
5% Instrumentalness • 80% Positiveness
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Weyes Blood
Twin Flame
96 bpm • G# Maj • 04:22 • -9db
52% Popularity • 73% Danceability • 41% Energy • 10% Liveness
44% Instrumentalness • 68% Positiveness
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Japanese Breakfast
Savage Good Boy - Recorded At Electric L...
112 bpm • D Maj • 02:39 • -12.33db
23% Popularity • 65% Danceability • 27% Energy • 21% Liveness
2% Instrumentalness • 33% Positiveness
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Best Coast
Boyfriend
115 bpm • C Maj • 02:29 • -4db
47% Popularity • 26% Danceability • 88% Energy • 14% Liveness
15% Instrumentalness • 60% Positiveness
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Sarah Kinsley
Cypress
115 bpm • E Maj • 04:12 • -8db
36% Popularity • 56% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Lala Lala
Fantasy Movie
115 bpm • C Maj • 03:52 • -6.57db
33% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Posing In Bondage