Songs like Pour Me - Live at the Hollywood Bowl by Coldplay
Based on a tempo of (+/- 10%) and a similar genre
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R.E.M.
Every Day Is Yours To Win
78 bpm • D Maj • 03:26 • -5.71db
32% Popularity • 48% Danceability • 66% Energy • 19% Liveness
79% Instrumentalness • 36% Positiveness
32% Popularity • 48% Danceability • 66% Energy • 19% Liveness
79% Instrumentalness • 36% Positiveness
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Incubus
Love Hurts - Live at HQ, Los Angeles, CA...
78 bpm • E min • 03:59 • -7.8db
26% Popularity • 49% Danceability • 76% Energy • 94% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 49% Danceability • 76% Energy • 94% Liveness
0% Instrumentalness • 48% Positiveness
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Coldplay
Pour Me - Live at the Hollywood Bowl
78 bpm • A min • 05:01 • -8.6db
31% Popularity • 30% Danceability • 63% Energy • 54% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 30% Danceability • 63% Energy • 54% Liveness
0% Instrumentalness • 15% Positiveness
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Passenger
What You're Thinking
79 bpm • C# Maj • 02:54 • -9.97db
55% Popularity • 47% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 47% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Elbow
Switching Off
78 bpm • B Maj • 05:05 • -9.29db
23% Popularity • 17% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 17% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Train
Something More
77 bpm • C Maj • 04:33 • -6.77db
30% Popularity • 39% Danceability • 71% Energy • 19% Liveness
64% Instrumentalness • 40% Positiveness
30% Popularity • 39% Danceability • 71% Energy • 19% Liveness
64% Instrumentalness • 40% Positiveness
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Biffy Clyro
Many of Horror - Live at Wembley
79 bpm • C# Maj • 05:20 • -5.98db
31% Popularity • 20% Danceability • 77% Energy • 96% Liveness
7% Instrumentalness • 27% Positiveness
31% Popularity • 20% Danceability • 77% Energy • 96% Liveness
7% Instrumentalness • 27% Positiveness
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Lenny Kravitz
Stillness Of Heart
77 bpm • G min • 04:15 • -7.23db
60% Popularity • 54% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 54% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Coldplay
Shiver (Jo Whiley Lunchtime Social)
79 bpm • E Maj • 04:21 • -11.31db
37% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Adele
Hello
79 bpm • F min • 04:55 • -6.13db
77% Popularity • 58% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
77% Popularity • 58% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Robbie Williams
Sexed Up
77 bpm • C Maj • 04:21 • -5.87db
61% Popularity • 54% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 54% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Train
Drops of Jupiter (Tell Me)
79 bpm • C Maj • 04:19 • -5.86db
81% Popularity • 48% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
81% Popularity • 48% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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James Morrison
Wonderful World
79 bpm • C# Maj • 03:30 • -4.62db
55% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
55% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Lenny Kravitz
Again
79 bpm • D Maj • 03:51 • -5.22db
72% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
72% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Coldplay
Amsterdam
79 bpm • D# Maj • 05:19 • -10db
58% Popularity • 27% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 10% Positiveness
58% Popularity • 27% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 10% Positiveness
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Blur
End of a Century - Live
79 bpm • G Maj • 03:39 • -7.98db
18% Popularity • 30% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 30% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 26% Positiveness
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Lifehouse
Somewhere In Between
77 bpm • C# min • 04:13 • -9db
42% Popularity • 50% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 50% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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R.E.M.
Boy In The Well
77 bpm • E min • 05:22 • -5.54db
27% Popularity • 46% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 46% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Pearl Jam
All Those Yesterdays
80 bpm • F Maj • 07:40 • -7.49db
37% Popularity • 40% Danceability • 39% Energy • 5% Liveness
1% Instrumentalness • 7% Positiveness
37% Popularity • 40% Danceability • 39% Energy • 5% Liveness
1% Instrumentalness • 7% Positiveness
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The Pineapple Thief
We Subside
80 bpm • C Maj • 04:59 • -8.18db
20% Popularity • 40% Danceability • 42% Energy • 8% Liveness
64% Instrumentalness • 14% Positiveness
20% Popularity • 40% Danceability • 42% Energy • 8% Liveness
64% Instrumentalness • 14% Positiveness
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Elbow
An Imagined Affair
80 bpm • G Maj • 04:43 • -11.74db
27% Popularity • 59% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
27% Popularity • 59% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
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Adele
Chasing Pavements
80 bpm • F min • 03:30 • -6.09db
77% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
77% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lifehouse
Central Park
76 bpm • C# Maj • 04:00 • -8db
35% Popularity • 51% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 51% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Counting Crows
Perfect Blue Buildings
80 bpm • F Maj • 05:00 • -13db
47% Popularity • 60% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
47% Popularity • 60% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Train
When I Look to the Sky
80 bpm • C Maj • 04:04 • -3.97db
46% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Incubus
Earth to Bella, Pt. 2
76 bpm • A min • 02:58 • -6.34db
33% Popularity • 39% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 41% Positiveness
33% Popularity • 39% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 41% Positiveness
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Coldplay
Bigger Stronger
76 bpm • G Maj • 04:49 • -5.93db
41% Popularity • 27% Danceability • 70% Energy • 7% Liveness
64% Instrumentalness • 23% Positiveness
41% Popularity • 27% Danceability • 70% Energy • 7% Liveness
64% Instrumentalness • 23% Positiveness
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Kasabian
Goodbye Kiss - Live from Spotify London
81 bpm • G Maj • 04:29 • -6.96db
27% Popularity • 27% Danceability • 55% Energy • 83% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 27% Danceability • 55% Energy • 83% Liveness
0% Instrumentalness • 20% Positiveness
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Two Door Cinema Club
Crystal
81 bpm • G Maj • 03:21 • -8.06db
22% Popularity • 16% Danceability • 31% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 31% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
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Counting Crows
Goodnight Elisabeth
80 bpm • A Maj • 05:18 • -8.18db
46% Popularity • 56% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Echo & the Bunnymen
What If We Are?
81 bpm • C Maj • 05:09 • -10.34db
14% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Blur
Under the Westway - Live from 13 - Matt ...
75 bpm • C Maj • 04:21 • -9.53db
19% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Tom Odell
Somehow
75 bpm • G# Maj • 06:41 • -11db
43% Popularity • 54% Danceability • 35% Energy • 13% Liveness
20% Instrumentalness • 31% Positiveness
43% Popularity • 54% Danceability • 35% Energy • 13% Liveness
20% Instrumentalness • 31% Positiveness
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Radiohead
Karma Police
75 bpm • G Maj • 04:24 • -9.13db
81% Popularity • 36% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
81% Popularity • 36% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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The Cinematic Orchestra
To Build A Home - Radio Version
74 bpm • A Maj • 03:15 • -14.79db
46% Popularity • 32% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 5% Positiveness
46% Popularity • 32% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 5% Positiveness
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Counting Crows
Sullivan Street
81 bpm • D Maj • 04:28 • -7.71db
50% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Red Hot Chili Peppers
Magpies on Fire
82 bpm • A# Maj • 03:44 • -5.67db
33% Popularity • 52% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 52% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Blur
The Universal - Live
81 bpm • A Maj • 04:45 • -6.73db
25% Popularity • 30% Danceability • 84% Energy • 69% Liveness
1% Instrumentalness • 30% Positiveness
25% Popularity • 30% Danceability • 84% Energy • 69% Liveness
1% Instrumentalness • 30% Positiveness
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Lifehouse
Better Luck Next Time
82 bpm • E Maj • 03:35 • -3.89db
32% Popularity • 48% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 48% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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fun.
Why Am I the One
82 bpm • F# Maj • 04:46 • -7db
48% Popularity • 41% Danceability • 50% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 41% Danceability • 50% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
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James Morrison
One Life
74 bpm • C Maj • 03:18 • -7.19db
44% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Counting Crows
Speedway
75 bpm • G Maj • 03:42 • -10.66db
41% Popularity • 64% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
41% Popularity • 64% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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Red Hot Chili Peppers
Never Is a Long Time
83 bpm • B min • 02:46 • -4.29db
32% Popularity • 41% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 41% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Blur
Under the Westway / Intermission - Live
74 bpm • A min • 06:33 • -8.31db
18% Popularity • 32% Danceability • 68% Energy • 95% Liveness
2% Instrumentalness • 23% Positiveness
18% Popularity • 32% Danceability • 68% Energy • 95% Liveness
2% Instrumentalness • 23% Positiveness
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The Magic Numbers
Gone Are The Day
83 bpm • D Maj • 03:08 • -12.67db
14% Popularity • 53% Danceability • 34% Energy • 16% Liveness
5% Instrumentalness • 44% Positiveness
14% Popularity • 53% Danceability • 34% Energy • 16% Liveness
5% Instrumentalness • 44% Positiveness
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Radiohead
Fake Plastic Trees
74 bpm • D Maj • 04:50 • -12.59db
74% Popularity • 46% Danceability • 23% Energy • 20% Liveness
10% Instrumentalness • 14% Positiveness
74% Popularity • 46% Danceability • 23% Energy • 20% Liveness
10% Instrumentalness • 14% Positiveness
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Lenny Kravitz
I'll Be Waiting
73 bpm • A# Maj • 04:19 • -6.47db
54% Popularity • 68% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
54% Popularity • 68% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Hard-FI
Move on Now
73 bpm • G# min • 05:07 • -13.96db
30% Popularity • 59% Danceability • 22% Energy • 9% Liveness
10% Instrumentalness • 22% Positiveness
30% Popularity • 59% Danceability • 22% Energy • 9% Liveness
10% Instrumentalness • 22% Positiveness
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The Enemy
Last Goodbye
84 bpm • A Maj • 04:51 • -7.57db
27% Popularity • 44% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 44% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Ed Sheeran
The A Team
85 bpm • A Maj • 04:18 • -9.92db
76% Popularity • 64% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
76% Popularity • 64% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Coldplay
Guns
85 bpm • A# Maj • 01:55 • -8.34db
48% Popularity • 48% Danceability • 56% Energy • 14% Liveness
19% Instrumentalness • 71% Positiveness
48% Popularity • 48% Danceability • 56% Energy • 14% Liveness
19% Instrumentalness • 71% Positiveness
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Kasabian
British Legion
86 bpm • E min • 03:18 • -9.06db
16% Popularity • 38% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 38% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Saybia
7 Demons
86 bpm • C Maj • 03:29 • -5.41db
26% Popularity • 42% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 42% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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The Last Shadow Puppets
Standing Next To Me - Live from Spotify ...
86 bpm • F Maj • 02:38 • -5.45db
4% Popularity • 52% Danceability • 70% Energy • 95% Liveness
0% Instrumentalness • 56% Positiveness
4% Popularity • 52% Danceability • 70% Energy • 95% Liveness
0% Instrumentalness • 56% Positiveness
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Lifehouse
Blind
87 bpm • D Maj • 05:00 • -4.8db
54% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Goo Goo Dolls
Before It's Too Late - Sam and Mikaela's...
87 bpm • C Maj • 03:05 • -4.02db
42% Popularity • 23% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 23% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Air Traffic
I Can't Understand
87 bpm • G# Maj • 04:25 • -5.84db
10% Popularity • 42% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
10% Popularity • 42% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
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Vega4
Bullets
87 bpm • C# min • 05:08 • -3.91db
16% Popularity • 44% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 44% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Radiohead
High and Dry
88 bpm • E Maj • 04:17 • -11.78db
79% Popularity • 42% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
79% Popularity • 42% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Train
Bulletproof Picasso
88 bpm • G Maj • 03:53 • -4.31db
45% Popularity • 53% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 53% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Lifehouse
All In All
87 bpm • E Maj • 02:56 • -4.88db
45% Popularity • 53% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 53% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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The Goo Goo Dolls
Without You Here
88 bpm • F Maj • 03:49 • -5db
50% Popularity • 49% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
50% Popularity • 49% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Reamonn
Head In My Hands
89 bpm • B min • 06:00 • -9.44db
17% Popularity • 52% Danceability • 56% Energy • 10% Liveness
42% Instrumentalness • 21% Positiveness
17% Popularity • 52% Danceability • 56% Energy • 10% Liveness
42% Instrumentalness • 21% Positiveness
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Saybia
At the End of Blue
68 bpm • A# Maj • 05:54 • -14.09db
13% Popularity • 23% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 23% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Jason Mraz
Details in the Fabric
90 bpm • D# min • 05:45 • -12.12db
40% Popularity • 54% Danceability • 34% Energy • 85% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 54% Danceability • 34% Energy • 85% Liveness
0% Instrumentalness • 33% Positiveness
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Mumford & Sons
Snake Eyes - Live
90 bpm • C Maj • 04:13 • -6.53db
15% Popularity • 46% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
15% Popularity • 46% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
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Lifehouse
From Where You Are
87 bpm • A min • 03:01 • -11db
55% Popularity • 36% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 36% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Robbie Williams
Millennium
91 bpm • F# Maj • 04:07 • -5.3db
65% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
65% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Twenty One Pilots
Holding on to You
90 bpm • B Maj • 04:23 • -3.64db
67% Popularity • 61% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
67% Popularity • 61% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Radiohead
Creep
92 bpm • G Maj • 03:58 • -9.94db
89% Popularity • 52% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
89% Popularity • 52% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Red Hot Chili Peppers
Dark Necessities
92 bpm • F min • 05:02 • -6.78db
76% Popularity • 70% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
76% Popularity • 70% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Longview
I Would
92 bpm • C Maj • 05:28 • -7.33db
12% Popularity • 40% Danceability • 60% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
12% Popularity • 40% Danceability • 60% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Sting
Seven Days
92 bpm • C Maj • 04:38 • -10.74db
55% Popularity • 69% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 69% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Brandon Flowers
Only The Young
92 bpm • A# min • 04:18 • -7db
55% Popularity • 62% Danceability • 55% Energy • 13% Liveness
5% Instrumentalness • 18% Positiveness
55% Popularity • 62% Danceability • 55% Energy • 13% Liveness
5% Instrumentalness • 18% Positiveness
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The Cranberries
Linger (Acoustic Version)
92 bpm • G Maj • 04:55 • -8.62db
54% Popularity • 42% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
54% Popularity • 42% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Mt. Desolation
On Your Way
93 bpm • A Maj • 03:57 • -7.52db
17% Popularity • 46% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 46% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Red Hot Chili Peppers
Catch My Death
92 bpm • F Maj • 04:16 • -4.34db
33% Popularity • 46% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 46% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Saybia
The Miracle in July - Demo oktober 2000
93 bpm • C Maj • 04:35 • -7.54db
11% Popularity • 30% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 30% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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Toploader
High Flying Bird
94 bpm • C Maj • 04:10 • -8.53db
18% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dido
Don't Think of Me
94 bpm • G# min • 04:32 • -8db
50% Popularity • 51% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 51% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Seafret
There's a Light
94 bpm • A# Maj • 03:42 • -6.36db
35% Popularity • 57% Danceability • 80% Energy • 30% Liveness
14% Instrumentalness • 52% Positiveness
35% Popularity • 57% Danceability • 80% Energy • 30% Liveness
14% Instrumentalness • 52% Positiveness
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Marillion
Whatever Is Wrong With You
94 bpm • A min • 04:12 • -7.25db
15% Popularity • 46% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 46% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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The Script
Breakeven
94 bpm • A# Maj • 04:21 • -4.5db
77% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Saybia
The Miracle in July
94 bpm • E min • 06:42 • -6.53db
20% Popularity • 27% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 27% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Brandon Flowers
Never Get You Right
95 bpm • F# Maj • 03:43 • -6.56db
35% Popularity • 64% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 64% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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R.E.M.
Leave
94 bpm • A# min • 07:17 • -6db
43% Popularity • 41% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 41% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Lifehouse
Sick Cycle Carousel
95 bpm • G# min • 04:21 • -5db
45% Popularity • 45% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 45% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Elbow
weather to fly - Live
95 bpm • F Maj • 08:03 • -15.29db
15% Popularity • 35% Danceability • 44% Energy • 91% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 35% Danceability • 44% Energy • 91% Liveness
0% Instrumentalness • 12% Positiveness
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The Script
Breakeven - Live At The Aviva Stadium, D...
94 bpm • A# Maj • 05:38 • -3.41db
36% Popularity • 36% Danceability • 92% Energy • 93% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 36% Danceability • 92% Energy • 93% Liveness
0% Instrumentalness • 31% Positiveness
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Blur
To the End - Live in Hyde Park, London 0...
96 bpm • D Maj • 04:24 • -5.54db
16% Popularity • 37% Danceability • 81% Energy • 80% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 37% Danceability • 81% Energy • 80% Liveness
0% Instrumentalness • 46% Positiveness
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INXS
Not Enough Time
96 bpm • D Maj • 04:10 • -6db
54% Popularity • 67% Danceability • 72% Energy • 43% Liveness
5% Instrumentalness • 28% Positiveness
54% Popularity • 67% Danceability • 72% Energy • 43% Liveness
5% Instrumentalness • 28% Positiveness
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Of Monsters and Men
From Finner
96 bpm • G# min • 03:43 • -6.66db
53% Popularity • 38% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 38% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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The Cranberries
You And Me
96 bpm • C min • 03:35 • -7.04db
54% Popularity • 50% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 50% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Train
Hey, Soul Sister
97 bpm • C# min • 03:36 • -4.44db
85% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
85% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Script
If You Ever Come Back
96 bpm • G Maj • 04:01 • -5db
57% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
57% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Coldplay
Amazing Day
97 bpm • F Maj • 04:31 • -5.8db
59% Popularity • 45% Danceability • 64% Energy • 14% Liveness
44% Instrumentalness • 29% Positiveness
59% Popularity • 45% Danceability • 64% Energy • 14% Liveness
44% Instrumentalness • 29% Positiveness
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Counting Crows
Walkaways
97 bpm • D Maj • 01:12 • -11.72db
57% Popularity • 53% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 53% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Jason Mraz
Love Someone
98 bpm • G Maj • 04:17 • -15db
58% Popularity • 58% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
58% Popularity • 58% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
