Songs like Power of Nines by Dean McPhee
Based on a tempo of (+/- 10%) and a similar genre
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Hanakiv
Lies
103 bpm • E min • 04:58 • -13.7db
10% Popularity • 52% Danceability • 45% Energy • 17% Liveness
85% Instrumentalness • 6% Positiveness
10% Popularity • 52% Danceability • 45% Energy • 17% Liveness
85% Instrumentalness • 6% Positiveness
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Faux Amis
Bumble Bee
103 bpm • F Maj • 01:12 • -18.42db
18% Popularity • 31% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
18% Popularity • 31% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Tara Clerkin Trio
Once Around
103 bpm • F# min • 05:21 • -21.41db
21% Popularity • 31% Danceability • 11% Energy • 17% Liveness
41% Instrumentalness • 21% Positiveness
21% Popularity • 31% Danceability • 11% Energy • 17% Liveness
41% Instrumentalness • 21% Positiveness
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Dean McPhee
Glass Hills
103 bpm • G Maj • 04:02 • -10.51db
2% Popularity • 28% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
2% Popularity • 28% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Held By Trees
Wave Upon Wave
104 bpm • F# Maj • 03:07 • -25.69db
10% Popularity • 39% Danceability • 8% Energy • 40% Liveness
96% Instrumentalness • 13% Positiveness
10% Popularity • 39% Danceability • 8% Energy • 40% Liveness
96% Instrumentalness • 13% Positiveness
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Prairiewolf
Eternal Master
102 bpm • E Maj • 06:53 • -18.84db
7% Popularity • 65% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
7% Popularity • 65% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Quade
The Balance
104 bpm • C Maj • 06:07 • -15.41db
24% Popularity • 36% Danceability • 33% Energy • 24% Liveness
70% Instrumentalness • 13% Positiveness
24% Popularity • 36% Danceability • 33% Energy • 24% Liveness
70% Instrumentalness • 13% Positiveness
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Steven R. Smith
Last Opening
104 bpm • F Maj • 03:38 • -16.29db
19% Popularity • 46% Danceability • 32% Energy • 14% Liveness
88% Instrumentalness • 61% Positiveness
19% Popularity • 46% Danceability • 32% Energy • 14% Liveness
88% Instrumentalness • 61% Positiveness
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Warrington Runcorn New Town Development Plan
The Cornerstone
104 bpm • B min • 04:17 • -14.56db
10% Popularity • 47% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 47% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
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Dean McPhee
Power of Nines
103 bpm • C min • 08:35 • -15.17db
2% Popularity • 35% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
2% Popularity • 35% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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Dan Caine
Hold Me
104 bpm • C# min • 04:41 • -12.32db
12% Popularity • 54% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
12% Popularity • 54% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Andrew Wasylyk
In Balgay Silhouettes - Alternate Mix
104 bpm • F min • 03:43 • -13.17db
8% Popularity • 61% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
8% Popularity • 61% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Esmerine
Wakesleep
102 bpm • G min • 02:22 • -21.2db
9% Popularity • 20% Danceability • 13% Energy • 17% Liveness
77% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 13% Energy • 17% Liveness
77% Instrumentalness • 6% Positiveness
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Barsmark
daarskab
105 bpm • A# Maj • 04:14 • -17.06db
10% Popularity • 53% Danceability • 22% Energy • 41% Liveness
60% Instrumentalness • 23% Positiveness
10% Popularity • 53% Danceability • 22% Energy • 41% Liveness
60% Instrumentalness • 23% Positiveness
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Jasmine Wood
II
105 bpm • D Maj • 06:52 • -28.03db
15% Popularity • 16% Danceability • 16% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 16% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Dean McPhee
The Blood of St John
102 bpm • A min • 05:48 • -14.72db
5% Popularity • 22% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 22% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Gunn
I
101 bpm • G Maj • 08:49 • -20.88db
19% Popularity • 33% Danceability • 18% Energy • 21% Liveness
83% Instrumentalness • 5% Positiveness
19% Popularity • 33% Danceability • 18% Energy • 21% Liveness
83% Instrumentalness • 5% Positiveness
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Mark Van Hoen
Climates
105 bpm • F Maj • 03:37 • -25.92db
11% Popularity • 41% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
11% Popularity • 41% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Golden Brown
The Kirghiz Light
101 bpm • C Maj • 03:06 • -16.62db
18% Popularity • 30% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 30% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Utopia Strong
Disaster 2
105 bpm • A min • 05:17 • -11.83db
9% Popularity • 23% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 23% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Steven R. Smith
Mantis
105 bpm • C min • 04:02 • -13.14db
21% Popularity • 47% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
21% Popularity • 47% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
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Dean McPhee
Witch's Ladder
104 bpm • D min • 12:45 • -11.79db
3% Popularity • 24% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
3% Popularity • 24% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Ann Annie
Magnolias
101 bpm • D min • 02:43 • -21.44db
34% Popularity • 34% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
34% Popularity • 34% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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MIZU
Prelude (An Eternity of Light)
105 bpm • A Maj • 04:00 • -16.32db
14% Popularity • 15% Danceability • 16% Energy • 45% Liveness
93% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 16% Energy • 45% Liveness
93% Instrumentalness • 3% Positiveness
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Golden Brown
Terrarium
105 bpm • D Maj • 05:46 • -16.44db
17% Popularity • 39% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
17% Popularity • 39% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Oddarrang
Lull
101 bpm • F# Maj • 01:47 • -19.63db
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Jean Michel P.s
Flight of the Nightingale
106 bpm • C Maj • 03:30 • -10.9db
11% Popularity • 18% Danceability • 22% Energy • 9% Liveness
30% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 22% Energy • 9% Liveness
30% Instrumentalness • 5% Positiveness
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Dean McPhee
Ether
105 bpm • A min • 05:16 • -13.4db
15% Popularity • 32% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
15% Popularity • 32% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Ariel Kalma
A Treasure Chest
105 bpm • G# min • 06:12 • -13.19db
18% Popularity • 21% Danceability • 32% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 32% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Chris Abrahams
Placelessness 1.2
100 bpm • D Maj • 06:01 • -28.64db
10% Popularity • 20% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Golden Brown
Weird Choices
106 bpm • E Maj • 03:09 • -18db
13% Popularity • 32% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
13% Popularity • 32% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Jim White
Bitterroot Valley Suite I: Water
100 bpm • D Maj • 04:58 • -14.39db
23% Popularity • 36% Danceability • 54% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
23% Popularity • 36% Danceability • 54% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
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Phil Manzanera
Yazz
100 bpm • A min • 05:49 • -13.65db
8% Popularity • 29% Danceability • 40% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 29% Danceability • 40% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Dean McPhee
Stony Ground
105 bpm • E min • 07:40 • -12.53db
3% Popularity • 32% Danceability • 26% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
3% Popularity • 32% Danceability • 26% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
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Benoît Pioulard
Guilt and Beauty
106 bpm • B min • 04:56 • -19.13db
14% Popularity • 16% Danceability • 21% Energy • 17% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 21% Energy • 17% Liveness
89% Instrumentalness • 4% Positiveness
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Held By Trees
Mysterium
100 bpm • D Maj • 04:54 • -18.49db
8% Popularity • 28% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 9% Positiveness
8% Popularity • 28% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 9% Positiveness
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Dan Deacon
The Island
100 bpm • C Maj • 02:20 • -18.67db
9% Popularity • 55% Danceability • 34% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
9% Popularity • 55% Danceability • 34% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
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Emil Amos
Zone Black
100 bpm • C min • 02:50 • -13.77db
28% Popularity • 52% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
28% Popularity • 52% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
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Henrik Meierkord
Venusia
100 bpm • A min • 02:39 • -16.04db
8% Popularity • 48% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Dean McPhee
Golden Bridge
106 bpm • B min • 10:05 • -14.07db
1% Popularity • 41% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
1% Popularity • 41% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Bryan Senti
Ojalá
100 bpm • G min • 03:39 • -16.12db
11% Popularity • 15% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
11% Popularity • 15% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
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Josiah Steinbrick
Every Night from Now
100 bpm • D# min • 02:37 • -22.99db
16% Popularity • 56% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
16% Popularity • 56% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Steven R. Smith
In the End
99 bpm • C# Maj • 02:38 • -11.87db
20% Popularity • 22% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
20% Popularity • 22% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Anika
The Wolf Is Hungry
108 bpm • D min • 04:46 • -11.85db
11% Popularity • 19% Danceability • 41% Energy • 25% Liveness
55% Instrumentalness • 10% Positiveness
11% Popularity • 19% Danceability • 41% Energy • 25% Liveness
55% Instrumentalness • 10% Positiveness
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Laura Cannell
The Earth Under the Sea
99 bpm • G Maj • 02:46 • -9.71db
9% Popularity • 21% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Dean McPhee
Sky Burial
108 bpm • D min • 03:45 • -15.42db
16% Popularity • 31% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
16% Popularity • 31% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Anja Lauvdal
Up
98 bpm • C min • 02:55 • -27.2db
10% Popularity • 25% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
10% Popularity • 25% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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David Gergen
drifting sky (lofi ambient mix)
108 bpm • G Maj • 03:09 • -19.83db
10% Popularity • 30% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
10% Popularity • 30% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Cole Pulice
wishbone split clean and perfect
109 bpm • F# Maj • 04:15 • -14.8db
10% Popularity • 25% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 25% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Mark Van Hoen
Mrs Who
98 bpm • G# Maj • 03:18 • -14.78db
10% Popularity • 57% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
10% Popularity • 57% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Shida Shahabi
Remain
109 bpm • F Maj • 06:50 • -21.91db
16% Popularity • 21% Danceability • 16% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 16% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Steve Gunn
II
109 bpm • C# Maj • 09:18 • -20.06db
17% Popularity • 26% Danceability • 11% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 11% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Rumpistol
Be Open
109 bpm • G min • 04:59 • -14.22db
8% Popularity • 27% Danceability • 33% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
8% Popularity • 27% Danceability • 33% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Forest
Zelda
109 bpm • C# Maj • 02:01 • -18.51db
17% Popularity • 47% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
17% Popularity • 47% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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SUSS
Shimmer (Reflection)
109 bpm • D min • 04:31 • -15.17db
10% Popularity • 29% Danceability • 31% Energy • 38% Liveness
89% Instrumentalness • 3% Positiveness
10% Popularity • 29% Danceability • 31% Energy • 38% Liveness
89% Instrumentalness • 3% Positiveness
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Dean McPhee
The Alder Tree
97 bpm • A Maj • 06:41 • -12.7db
8% Popularity • 38% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 38% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Sedibus
Seti - Pt. 3
97 bpm • A min • 05:41 • -19.08db
14% Popularity • 35% Danceability • 23% Energy • 33% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 35% Danceability • 23% Energy • 33% Liveness
88% Instrumentalness • 6% Positiveness
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Exit North
The Unforeseen
109 bpm • C Maj • 04:42 • -17.06db
23% Popularity • 27% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
23% Popularity • 27% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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BCMC
The Swarm
110 bpm • G Maj • 09:26 • -16.34db
8% Popularity • 22% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Fran & Flora
Rockers
110 bpm • D min • 03:01 • -13.25db
9% Popularity • 19% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
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Vestbo Trio
Away From Home
110 bpm • C Maj • 05:20 • -19.64db
9% Popularity • 42% Danceability • 27% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
9% Popularity • 42% Danceability • 27% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
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Anja Lauvdal
No Gods Only Flowers
110 bpm • G# Maj • 06:52 • -24.87db
15% Popularity • 36% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 36% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Warrington Runcorn New Town Development Plan
The View From Halton Castle
110 bpm • E min • 03:32 • -13.15db
11% Popularity • 56% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 56% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Arushi Jain
Imagine An Orchestra
110 bpm • G# Maj • 03:27 • -9.79db
27% Popularity • 41% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
27% Popularity • 41% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
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Chris Abrahams
Placelessness 2.1
110 bpm • A Maj • 04:33 • -17.43db
10% Popularity • 22% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 4% Positiveness
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Luke Kucharski
Forgotten melody for an island
96 bpm • G Maj • 02:45 • -19.21db
31% Popularity • 42% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 29% Positiveness
31% Popularity • 42% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 29% Positiveness
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deadramones
Shine Dog
110 bpm • C Maj • 01:58 • -17.88db
11% Popularity • 62% Danceability • 9% Energy • 16% Liveness
96% Instrumentalness • 8% Positiveness
11% Popularity • 62% Danceability • 9% Energy • 16% Liveness
96% Instrumentalness • 8% Positiveness
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Emily Moonvale
Blue Note Serenade
110 bpm • D Maj • 01:49 • -17.54db
32% Popularity • 64% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
32% Popularity • 64% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Prins Emanuel
Boeotia
96 bpm • F min • 03:49 • -18.39db
11% Popularity • 67% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
11% Popularity • 67% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Craven Faults
Idols & Altars
96 bpm • D# Maj • 07:10 • -18.6db
16% Popularity • 38% Danceability • 22% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
16% Popularity • 38% Danceability • 22% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Blue Lake
Sun Arcs - Laraaji Remix
96 bpm • F Maj • 04:12 • -15.84db
26% Popularity • 22% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Dean McPhee
Danse Macabre
111 bpm • D min • 04:18 • -14.19db
9% Popularity • 56% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 11% Positiveness
9% Popularity • 56% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 11% Positiveness
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Loula Yorke
It's Been Decided That If You Lay Down N...
111 bpm • A Maj • 06:20 • -13.18db
11% Popularity • 72% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 63% Positiveness
11% Popularity • 72% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 63% Positiveness
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Chris Abrahams
Placelessness 2.3
111 bpm • A min • 03:24 • -14.67db
8% Popularity • 16% Danceability • 43% Energy • 62% Liveness
97% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 43% Energy • 62% Liveness
97% Instrumentalness • 4% Positiveness
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Michael A. Muller
Mirror 9
95 bpm • A# Maj • 03:27 • -23.48db
21% Popularity • 12% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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SabaSaba
Desert Cathedral
95 bpm • D Maj • 04:58 • -17.26db
10% Popularity • 18% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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Daniel Bachman
Leaves Lying On Each Side
95 bpm • D Maj • 02:41 • -14.66db
16% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
16% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Steven R. Smith
Nesting
96 bpm • D Maj • 01:56 • -13.07db
16% Popularity • 36% Danceability • 31% Energy • 24% Liveness
96% Instrumentalness • 23% Positiveness
16% Popularity • 36% Danceability • 31% Energy • 24% Liveness
96% Instrumentalness • 23% Positiveness
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Ariel Kalma
Stay Centered
95 bpm • A# min • 02:15 • -14.93db
22% Popularity • 18% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
22% Popularity • 18% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Galya Bisengalieva
Saryzhal
95 bpm • D Maj • 02:43 • -18.08db
17% Popularity • 38% Danceability • 32% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
17% Popularity • 38% Danceability • 32% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
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Rural Tapes
By dawn
112 bpm • G Maj • 03:36 • -17.35db
9% Popularity • 29% Danceability • 20% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 20% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Get The Blessing
Small star of the big silver
112 bpm • G min • 02:41 • -24.8db
11% Popularity • 36% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
11% Popularity • 36% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Chris Abrahams
Placelessness 2.5
112 bpm • D Maj • 02:39 • -21.22db
17% Popularity • 43% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
17% Popularity • 43% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Michael A. Muller
Mirror 4
112 bpm • A# min • 05:22 • -20.49db
21% Popularity • 17% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
21% Popularity • 17% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Lauren Helene Green
Canyon Loop
112 bpm • D Maj • 02:23 • -22.55db
13% Popularity • 40% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 40% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Daniel Bachman
Summer's Fingers Sweetly Linger (Everywh...
95 bpm • G# min • 04:21 • -11.28db
23% Popularity • 19% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
23% Popularity • 19% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Dean McPhee
The Sediment of Creation
112 bpm • E min • 10:42 • -11.35db
12% Popularity • 22% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
12% Popularity • 22% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Ariel Kalma
Ten Hour Wave
112 bpm • A# Maj • 03:25 • -9.77db
23% Popularity • 23% Danceability • 29% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
23% Popularity • 23% Danceability • 29% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
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Romance
Eric Forrester
112 bpm • C# Maj • 03:08 • -20.77db
11% Popularity • 20% Danceability • 16% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
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Golden Brown
Ambergris
112 bpm • D min • 05:18 • -17.01db
13% Popularity • 55% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 21% Positiveness
13% Popularity • 55% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 21% Positiveness
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Luke Schneider
somnificus
112 bpm • C Maj • 02:37 • -13.56db
8% Popularity • 31% Danceability • 33% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 33% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Warrington Runcorn New Town Development Plan
London's Moving Our Way
112 bpm • A Maj • 07:13 • -14.72db
15% Popularity • 36% Danceability • 64% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 36% Danceability • 64% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Maya Shenfeld
Interstellar
113 bpm • C# min • 04:37 • -13.62db
19% Popularity • 21% Danceability • 52% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
19% Popularity • 21% Danceability • 52% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Dean McPhee
Star Burial
113 bpm • G Maj • 05:26 • -15.12db
1% Popularity • 33% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
1% Popularity • 33% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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K. Leimer
01.04.22
113 bpm • B min • 04:56 • -18.38db
9% Popularity • 17% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Bardo Pond
War Is Over, Pt. 1
113 bpm • G Maj • 03:19 • -13.11db
15% Popularity • 26% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Josiah Steinbrick
Green Glass
94 bpm • G min • 01:58 • -20.23db
28% Popularity • 47% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
28% Popularity • 47% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Colleen
Night looping - Movement I
94 bpm • A min • 02:11 • -15.89db
28% Popularity • 78% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
28% Popularity • 78% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
