Songs like Power to the People, Free Our People by Black Panther Kids
Based on a tempo of (+/- 10%) and a similar genre
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Exuma
African Rythm
115 bpm • A# Maj • 04:44 • -14.37db
9% Popularity • 42% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 42% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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James Brown
Say It Loud - I'm Black And I'm Proud - ...
115 bpm • D# Maj • 02:47 • -6.32db
40% Popularity • 85% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 85% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Black Panther Kids
Power to the People, Free Our People
115 bpm • B Maj • 01:29 • -9.21db
5% Popularity • 65% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 65% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 53% Positiveness
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Wyclef Jean
Intro/Court/Clef/Intro - Skit/Interlude
115 bpm • A Maj • 03:15 • -16.23db
25% Popularity • 55% Danceability • 29% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 55% Danceability • 29% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
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Sister Souljah
The Hate That Hate Produced
115 bpm • B min • 03:02 • -12db
13% Popularity • 64% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 64% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Yasiin Bey
Magical Pajamas
115 bpm • A min • 01:48 • -14.31db
12% Popularity • 70% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
12% Popularity • 70% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
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Martha Reeves & The Sweet Things
Willie D
116 bpm • D# Maj • 04:12 • -7.28db
11% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Queen Latifah
Dance for Me
116 bpm • F# min • 03:46 • -13.64db
25% Popularity • 90% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 90% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Malcolm X
You Can't Hate the Roots of a Tree and N...
116 bpm • B Maj • 05:56 • -13.83db
16% Popularity • 53% Danceability • 41% Energy • 86% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 53% Danceability • 41% Energy • 86% Liveness
0% Instrumentalness • 41% Positiveness
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Linton Kwesi Johnson
Fite Dem Back
116 bpm • E min • 04:26 • -16.98db
33% Popularity • 88% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 88% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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The Last Poets
Niggers Are Scared of Revolution
114 bpm • E min • 05:16 • -11.34db
17% Popularity • 60% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 60% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Mos Def
Blue Black Jack
114 bpm • E min • 05:45 • -4.55db
23% Popularity • 67% Danceability • 79% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 67% Danceability • 79% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
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Exuma
We Got To Go
116 bpm • B min • 02:55 • -12.67db
17% Popularity • 61% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 61% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Queen Latifah
Dance for Me - Ultimatum Remix
114 bpm • A# min • 04:09 • -7.15db
13% Popularity • 84% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
13% Popularity • 84% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
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William S. Burroughs
Dr Benway Operates
114 bpm • G Maj • 02:44 • -17.75db
14% Popularity • 74% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 74% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Philip Cohran & The Artistic Heritage Ensemble
Malcolm X
114 bpm • C Maj • 05:21 • -9.36db
10% Popularity • 71% Danceability • 68% Energy • 11% Liveness
8% Instrumentalness • 86% Positiveness
10% Popularity • 71% Danceability • 68% Energy • 11% Liveness
8% Instrumentalness • 86% Positiveness
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Bill Landford & The Landfordaires
Trouble Of This World
114 bpm • F# Maj • 02:41 • -15.15db
11% Popularity • 69% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 69% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Invincible
Sledgehammer!
116 bpm • A# min • 02:49 • -7.73db
9% Popularity • 74% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 74% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Nina Simone
Revolution - Live in Munich, Germany - A...
117 bpm • C# Maj • 06:27 • -11.1db
14% Popularity • 53% Danceability • 70% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 53% Danceability • 70% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
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Pierce Freelon
Side by Side (interlude)
113 bpm • G# Maj • 01:02 • -12.72db
11% Popularity • 86% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 86% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Martin Luther King, Jr.
Racism And Injustice
117 bpm • A min • 04:20 • -18db
8% Popularity • 65% Danceability • 32% Energy • 74% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 65% Danceability • 32% Energy • 74% Liveness
0% Instrumentalness • 31% Positiveness
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The McIntosh County Shouters
Jubilee
117 bpm • E min • 02:17 • -14.68db
9% Popularity • 61% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 61% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Queen Latifah
Queen of Royal Badness
118 bpm • G Maj • 03:29 • -12.16db
17% Popularity • 78% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 78% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Curtis Mayfield
Get Down
117 bpm • C# min • 05:48 • -7.24db
30% Popularity • 70% Danceability • 96% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 70% Danceability • 96% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
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Peter La Farge
Hey, Mr. President
118 bpm • D# Maj • 01:35 • -16.39db
11% Popularity • 73% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 73% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Black Panther Kids
Power to the People
118 bpm • A# min • 00:30 • -7.37db
0% Popularity • 71% Danceability • 86% Energy • 90% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 71% Danceability • 86% Energy • 90% Liveness
0% Instrumentalness • 15% Positiveness
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Bessie Jones
Go to Sleep Little Baby
118 bpm • F min • 01:14 • -18.01db
21% Popularity • 72% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 72% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ms. Lauryn Hill
Neurotic Society (Compulsory Mix)
112 bpm • G Maj • 04:19 • -5.03db
18% Popularity • 65% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 65% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
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Resistance Revival Chorus
Rich Man's House
118 bpm • F# min • 03:47 • -8.3db
13% Popularity • 79% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 79% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Babatunde Olatunji
Wake Me When I'm Free
112 bpm • F min • 05:51 • -11.92db
17% Popularity • 63% Danceability • 50% Energy • 10% Liveness
14% Instrumentalness • 85% Positiveness
17% Popularity • 63% Danceability • 50% Energy • 10% Liveness
14% Instrumentalness • 85% Positiveness
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Solomon Linda's Original Evening Birds
Mbube
112 bpm • F# Maj • 02:43 • -7db
13% Popularity • 64% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 64% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Jack Kerouac
Mexico City Blues Excerpt, Pt. 2
112 bpm • A# Maj • 01:01 • -22.83db
12% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 71% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Freestyle Fellowship
Blood
119 bpm • A# Maj • 01:13 • -11.69db
12% Popularity • 73% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 73% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Al Green
Gotta Find a New World
112 bpm • A min • 02:29 • -17.08db
26% Popularity • 71% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 71% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Curtis Mayfield
Ghetto Child - Demo Version
111 bpm • F# min • 05:10 • -10.05db
26% Popularity • 81% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 81% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 68% Positiveness
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Babatunde Olatunji
Shango (Chan-go)
118 bpm • B min • 07:02 • -4.13db
15% Popularity • 38% Danceability • 92% Energy • 23% Liveness
65% Instrumentalness • 36% Positiveness
15% Popularity • 38% Danceability • 92% Energy • 23% Liveness
65% Instrumentalness • 36% Positiveness
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Spirit Fulfilled
Time
111 bpm • D# Maj • 02:10 • -11.94db
20% Popularity • 70% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 70% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Ms. Lauryn Hill
Consumerism
119 bpm • E min • 04:50 • -6.55db
21% Popularity • 60% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 60% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Blowfly
Sesame Street
119 bpm • E min • 02:34 • -12.98db
10% Popularity • 80% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 80% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Jack Kerouac
Hard Hearted Old Farmer
111 bpm • F Maj • 02:13 • -28.04db
8% Popularity • 62% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 62% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Shirley Ann Lee
How Can I Lose
111 bpm • G min • 01:58 • -9db
23% Popularity • 59% Danceability • 33% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 59% Danceability • 33% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
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Babatunde Olatunji
Menu Di Ye Jewe
119 bpm • C min • 03:22 • -4.33db
10% Popularity • 52% Danceability • 90% Energy • 10% Liveness
5% Instrumentalness • 57% Positiveness
10% Popularity • 52% Danceability • 90% Energy • 10% Liveness
5% Instrumentalness • 57% Positiveness
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Cannonball Adderley
Aries
120 bpm • F Maj • 04:54 • -13.04db
3% Popularity • 50% Danceability • 68% Energy • 22% Liveness
2% Instrumentalness • 46% Positiveness
3% Popularity • 50% Danceability • 68% Energy • 22% Liveness
2% Instrumentalness • 46% Positiveness
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Lil' Rascals Brass Band
Rascal's Got Fire
110 bpm • G# min • 05:31 • -4.27db
8% Popularity • 46% Danceability • 74% Energy • 10% Liveness
50% Instrumentalness • 68% Positiveness
8% Popularity • 46% Danceability • 74% Energy • 10% Liveness
50% Instrumentalness • 68% Positiveness
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The Last Poets
New York, New York
120 bpm • C Maj • 03:34 • -12.06db
11% Popularity • 75% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 75% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Jack Kerouac
San Francisco Scene - The Beat Generatio...
111 bpm • B min • 03:13 • -18db
15% Popularity • 71% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 71% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Martin Luther King, Jr.
Brown Chapel - Selma, Alabama
110 bpm • F# Maj • 01:47 • -10.11db
10% Popularity • 68% Danceability • 84% Energy • 94% Liveness
2% Instrumentalness • 59% Positiveness
10% Popularity • 68% Danceability • 84% Energy • 94% Liveness
2% Instrumentalness • 59% Positiveness
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Mohammed El-Kurd
Figs, Bitch!
120 bpm • F min • 05:00 • -12.12db
10% Popularity • 74% Danceability • 44% Energy • 77% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 74% Danceability • 44% Energy • 77% Liveness
0% Instrumentalness • 60% Positiveness
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Saul Williams
Our Father
120 bpm • F Maj • 07:06 • -8.67db
9% Popularity • 79% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 79% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Shirley Ann Lee
I've Got To Make It
120 bpm • E Maj • 03:25 • -9.57db
12% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Las Cafeteras
It's Movement Time
120 bpm • G min • 03:26 • -7.18db
19% Popularity • 69% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 69% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Swan Silvertones
Trouble in My Way
120 bpm • G Maj • 02:35 • -7.07db
18% Popularity • 51% Danceability • 74% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 51% Danceability • 74% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
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Suli Breaks
Adulthood
110 bpm • E min • 02:58 • -12db
15% Popularity • 88% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 88% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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Boogie Down Productions
You Must Learn
110 bpm • A# min • 03:51 • -14.02db
22% Popularity • 93% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 93% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Saul Williams
Robeson
120 bpm • A min • 04:21 • -10.11db
11% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 51% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ms. Lauryn Hill
I've Got Life (Version)
110 bpm • B min • 07:28 • -4.51db
20% Popularity • 71% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 71% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Spirit Fulfilled
I Worship You
110 bpm • C min • 01:20 • -20.77db
22% Popularity • 68% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 68% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Sister Gertrude Morgan
I was Healed by the Wounds in His Side
121 bpm • B Maj • 01:34 • -15.22db
22% Popularity • 84% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 84% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Exuma
Paul Simon Nontooth
121 bpm • E Maj • 05:25 • -22.37db
11% Popularity • 50% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 50% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Peggy Seeger
Lady, What Do You Do All Day?
121 bpm • A min • 03:46 • -15.65db
11% Popularity • 79% Danceability • 28% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 79% Danceability • 28% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
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Parliament
Chocolate City
109 bpm • A min • 05:36 • -8.14db
29% Popularity • 80% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 80% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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The Gospel Redeemers
Wrapped, Tied, & Tangled
121 bpm • G# Maj • 02:14 • -7.23db
12% Popularity • 69% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 69% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Yasiin Bey
Pacha's Dance
121 bpm • C# Maj • 03:50 • -13.02db
9% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Last Poets
Black Thighs
109 bpm • F Maj • 01:29 • -12.96db
11% Popularity • 81% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 81% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Queen Latifah
That's the Way We Flow
109 bpm • F# Maj • 03:22 • -12.75db
19% Popularity • 80% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 80% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Curtis Mayfield
Wild and Free
109 bpm • C Maj • 03:16 • -6.56db
26% Popularity • 56% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 56% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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The Haymarket Squares
Let's Start a Riot
109 bpm • B min • 03:23 • -4.18db
18% Popularity • 47% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 47% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Alan Lomax
Whoa Buck
109 bpm • A# Maj • 03:52 • -16.44db
12% Popularity • 54% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 54% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Webster Fabio
Glimpses
122 bpm • C Maj • 04:35 • -15.24db
10% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Sheyi Cole
Uprising
108 bpm • A# Maj • 01:32 • -7.01db
8% Popularity • 58% Danceability • 60% Energy • 71% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 58% Danceability • 60% Energy • 71% Liveness
0% Instrumentalness • 84% Positiveness
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Erykah Badu
Amerykahn Promise
108 bpm • E Maj • 04:16 • -6.95db
34% Popularity • 69% Danceability • 83% Energy • 50% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 69% Danceability • 83% Energy • 50% Liveness
0% Instrumentalness • 95% Positiveness
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Black Merda!
Think of Me
108 bpm • A Maj • 02:33 • -19.85db
12% Popularity • 64% Danceability • 4% Energy • 50% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 64% Danceability • 4% Energy • 50% Liveness
0% Instrumentalness • 48% Positiveness
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Vera Hall
Another Man Done Gone
108 bpm • D Maj • 01:24 • -20.31db
31% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Public Enemy
Show 'Em Whatcha Got
108 bpm • F min • 01:56 • -4.24db
32% Popularity • 53% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 53% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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Mix Master Mike
Kalakuta Show
108 bpm • F# Maj • 02:31 • -6.62db
19% Popularity • 88% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 88% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Afrika Bambaataa
Who You Funkin' With?
108 bpm • C Maj • 04:54 • -4.78db
17% Popularity • 72% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 72% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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The McIntosh County Shouters
Wade the Water to My Knees
107 bpm • A# min • 01:12 • -16.73db
9% Popularity • 57% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 57% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
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Elaine Brown
The End of Silence
107 bpm • C Maj • 03:22 • -11.61db
11% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Curtis Mayfield
We the People Who Are Darker Than Blue
123 bpm • F# min • 06:05 • -7.46db
35% Popularity • 52% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 52% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Babatunde Olatunji
Akiwowo (Ah-Key-Woh-Woh)
124 bpm • G# min • 04:42 • -5.99db
22% Popularity • 62% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 62% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Free Radicals
Checkpoint / Dompass / Hajiz
124 bpm • D Maj • 03:19 • -10.21db
6% Popularity • 84% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
6% Popularity • 84% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Jack Kerouac
Desolation Angels
107 bpm • C min • 03:15 • -20.1db
10% Popularity • 73% Danceability • 13% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 73% Danceability • 13% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Olu Dara
Father Blues
124 bpm • F# Maj • 03:31 • -14.53db
11% Popularity • 56% Danceability • 6% Energy • 13% Liveness
5% Instrumentalness • 44% Positiveness
11% Popularity • 56% Danceability • 6% Energy • 13% Liveness
5% Instrumentalness • 44% Positiveness
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Elaine Brown
The Panther
124 bpm • C min • 01:26 • -10.37db
10% Popularity • 70% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 70% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Dock Reed
Free at Last
107 bpm • A# Maj • 01:41 • -13.85db
15% Popularity • 49% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 49% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Curtis Mayfield
Power to the People - Demo Version
107 bpm • G Maj • 02:47 • -8.81db
29% Popularity • 76% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 76% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Moneyman2x
Shots fired
107 bpm • E Maj • 01:16 • -14.04db
23% Popularity • 62% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 62% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Saba The Godis
Karma
106 bpm • C# Maj • 04:12 • -3.71db
10% Popularity • 50% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 50% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Nina Simone
Obeah Woman - Live at Philharmonic Hall,...
106 bpm • G# Maj • 06:20 • -10.36db
14% Popularity • 54% Danceability • 77% Energy • 95% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 54% Danceability • 77% Energy • 95% Liveness
0% Instrumentalness • 45% Positiveness
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The Coup
5 Million Ways To Kill A C.E.O.
106 bpm • C# Maj • 05:26 • -7db
29% Popularity • 72% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 72% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 27% Positiveness
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The Soul Children
Don't Take My Kindness For Weakness
106 bpm • A# Maj • 03:59 • -13.07db
22% Popularity • 79% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 79% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Shel Silverstein
Have Another Espresso
125 bpm • A Maj • 02:21 • -14.52db
9% Popularity • 70% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 70% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Calypso Rose
Fire
106 bpm • A# Maj • 01:53 • -9.82db
21% Popularity • 71% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 71% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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The Last Poets
Jones Comin' Down
125 bpm • F Maj • 02:51 • -9.74db
8% Popularity • 74% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 74% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Sister Souljah
Killing Me Softly: Deadly Code of Silenc...
106 bpm • A min • 03:04 • -10.42db
9% Popularity • 81% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 81% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Akala
Malcolm Said It
125 bpm • C Maj • 03:24 • -4db
22% Popularity • 80% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 80% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Guru
Introduction
125 bpm • B Maj • 01:20 • -18.92db
39% Popularity • 61% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 61% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Erykah Badu
My People
125 bpm • G Maj • 03:24 • -10.17db
28% Popularity • 50% Danceability • 58% Energy • 73% Liveness
75% Instrumentalness • 8% Positiveness
28% Popularity • 50% Danceability • 58% Energy • 73% Liveness
75% Instrumentalness • 8% Positiveness
