Songs like Prelude For Meditation by John Cage
Based on a tempo of (+/- 10%) and a similar genre
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Arvo Pärt
Fratres For Violin, String Orchestra And...
78 bpm • D Maj • 09:43 • -20.06db
10% Popularity • 17% Danceability • 16% Energy • 7% Liveness
62% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 16% Energy • 7% Liveness
62% Instrumentalness • 4% Positiveness
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Henry Cowell
The Tides of Manaunaun
78 bpm • F# Maj • 02:29 • -15.47db
7% Popularity • 57% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
7% Popularity • 57% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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John Cage
In A Landscape
78 bpm • D min • 09:01 • -38db
11% Popularity • 27% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
11% Popularity • 27% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Pauline Oliveros
Crossing the Sands
78 bpm • A Maj • 05:51 • -20.04db
12% Popularity • 7% Danceability • 9% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
12% Popularity • 7% Danceability • 9% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
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Thomas Adès
Arcadiana: VI. O Albion
78 bpm • D# Maj • 03:26 • -43db
32% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
78 bpm • E min • 04:19 • -32db
21% Popularity • 10% Danceability • 1% Energy • 14% Liveness
9% Instrumentalness • 3% Positiveness
21% Popularity • 10% Danceability • 1% Energy • 14% Liveness
9% Instrumentalness • 3% Positiveness
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John Adams
Shaker Loops (version for string orchest...
78 bpm • C Maj • 04:09 • -29.15db
25% Popularity • 17% Danceability • 4% Energy • 22% Liveness
57% Instrumentalness • 8% Positiveness
25% Popularity • 17% Danceability • 4% Energy • 22% Liveness
57% Instrumentalness • 8% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22: 7. Pittoresco
78 bpm • D Maj • 02:26 • -34db
13% Popularity • 38% Danceability • 1% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
13% Popularity • 38% Danceability • 1% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
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John Cage
In a Landscape
78 bpm • D min • 09:00 • -30.85db
10% Popularity • 56% Danceability • 33% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
10% Popularity • 56% Danceability • 33% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
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Pierre Boulez
12 Notations pour piano: I Fantasque - M...
79 bpm • C# Maj • 01:06 • -36.93db
23% Popularity • 50% Danceability • 0% Energy • 6% Liveness
9% Instrumentalness • 43% Positiveness
23% Popularity • 50% Danceability • 0% Energy • 6% Liveness
9% Instrumentalness • 43% Positiveness
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Thomas Adès
Arcadiana, Op. 12: VI. O Albion
77 bpm • D# Maj • 03:15 • -37db
33% Popularity • 11% Danceability • 1% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
33% Popularity • 11% Danceability • 1% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
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Franz Liszt
Abschied, S. 251
77 bpm • A min • 03:03 • -26.99db
12% Popularity • 46% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
12% Popularity • 46% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Sofia Gubaidulina
String Quartet No. 2
77 bpm • D Maj • 08:11 • -23db
10% Popularity • 14% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 3% Positiveness
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Toru Takemitsu
The Dorian Horizon for 17 Strings
77 bpm • A# min • 09:03 • -25.08db
15% Popularity • 17% Danceability • 7% Energy • 55% Liveness
10% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 55% Liveness
10% Instrumentalness • 4% Positiveness
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John Cage
The Seasons: 2. Winter
78 bpm • D min • 01:27 • -22.06db
13% Popularity • 64% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
13% Popularity • 64% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
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Maurice Ravel
Daphnis et Chloe: Part III: Lever du jou...
77 bpm • E min • 05:29 • -17db
42% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Meredith Monk
Dawn
77 bpm • A min • 03:20 • -22.86db
25% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
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Claude Debussy
Images inédites, L. 87: I. Lent (mélan...
77 bpm • C# min • 04:11 • -25.39db
27% Popularity • 41% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
27% Popularity • 41% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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György Ligeti
Lux aeterna
79 bpm • D# Maj • 08:50 • -40.71db
27% Popularity • 7% Danceability • 0% Energy • 9% Liveness
61% Instrumentalness • 2% Positiveness
27% Popularity • 7% Danceability • 0% Energy • 9% Liveness
61% Instrumentalness • 2% Positiveness
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John Adams
Adams: Harmonielehre, Pt. III: Meister E...
77 bpm • E min • 10:35 • -21.26db
14% Popularity • 18% Danceability • 12% Energy • 23% Liveness
76% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 23% Liveness
76% Instrumentalness • 3% Positiveness
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John Cage
The Seasons: Summer
79 bpm • F Maj • 04:30 • -38db
17% Popularity • 50% Danceability • 0% Energy • 6% Liveness
86% Instrumentalness • 35% Positiveness
17% Popularity • 50% Danceability • 0% Energy • 6% Liveness
86% Instrumentalness • 35% Positiveness
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Arvo Pärt
Pari Intervallo
77 bpm • C min • 04:04 • -19.12db
6% Popularity • 57% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
6% Popularity • 57% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Aus tiefer Not schrei ich zu dir, BWV 68...
79 bpm • B min • 05:23 • -28.62db
13% Popularity • 53% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
13% Popularity • 53% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
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Dobrinka Tabakova
Suite In Old Style: II. The Rose Garden,...
79 bpm • D min • 07:30 • -17db
11% Popularity • 14% Danceability • 18% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 18% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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György Ligeti
Lontano
79 bpm • C# Maj • 09:25 • -26.7db
31% Popularity • 7% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
31% Popularity • 7% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
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Kaija Saariaho
7 Papillons: No. 4. —
79 bpm • G Maj • 02:13 • -22db
15% Popularity • 11% Danceability • 3% Energy • 16% Liveness
52% Instrumentalness • 5% Positiveness
15% Popularity • 11% Danceability • 3% Energy • 16% Liveness
52% Instrumentalness • 5% Positiveness
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Camille Pépin
The Sound of Trees: Apaisé, boisé
79 bpm • B min • 03:27 • -19db
16% Popularity • 13% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Richard Wagner
Das Rheingold: Prelude
77 bpm • G# Maj • 05:31 • -28.79db
28% Popularity • 11% Danceability • 5% Energy • 22% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 11% Danceability • 5% Energy • 22% Liveness
95% Instrumentalness • 3% Positiveness
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Karlheinz Stockhausen
Kontakte
76 bpm • D Maj • 06:18 • -17db
9% Popularity • 40% Danceability • 32% Energy • 11% Liveness
34% Instrumentalness • 15% Positiveness
9% Popularity • 40% Danceability • 32% Energy • 11% Liveness
34% Instrumentalness • 15% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
76 bpm • A min • 03:17 • -23db
34% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Maurice Ravel
Pavane Pour Une Infante Défunte
80 bpm • E min • 06:21 • -29db
34% Popularity • 35% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
34% Popularity • 35% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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François Couturier
Solaris I
76 bpm • F Maj • 03:19 • -29.6db
8% Popularity • 18% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Nico Muhly
Four Studies: III. Slow Canons
80 bpm • C min • 03:52 • -24.92db
8% Popularity • 8% Danceability • 7% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 7% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
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John Cage
Dream
80 bpm • C min • 07:39 • -29.15db
9% Popularity • 55% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
9% Popularity • 55% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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John Adams
Shaker Loops (version for string orchest...
80 bpm • F Maj • 07:13 • -24db
9% Popularity • 18% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 17% Positiveness
9% Popularity • 18% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 17% Positiveness
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Arnold Schoenberg
Six Little Piano Pieces, Op. 19: Leicht,...
76 bpm • G Maj • 01:25 • -30db
18% Popularity • 43% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
18% Popularity • 43% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Iannis Xenakis
Herma
76 bpm • C Maj • 10:04 • -19db
9% Popularity • 37% Danceability • 23% Energy • 7% Liveness
41% Instrumentalness • 27% Positiveness
9% Popularity • 37% Danceability • 23% Energy • 7% Liveness
41% Instrumentalness • 27% Positiveness
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Paolo Pandolfo
Improvised Prelude
76 bpm • G# min • 01:36 • -30.43db
35% Popularity • 11% Danceability • 4% Energy • 19% Liveness
97% Instrumentalness • 23% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 19% Liveness
97% Instrumentalness • 23% Positiveness
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Giacinto Scelsi
Three Latin Prayers for solo voice: Ave ...
80 bpm • E min • 03:44 • -34db
9% Popularity • 12% Danceability • 1% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 1% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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John Cage
The Seasons: 3. Prelude II
76 bpm • F Maj • 00:48 • -23.27db
13% Popularity • 46% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
13% Popularity • 46% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VIII. Loua...
76 bpm • E Maj • 07:23 • -24.35db
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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AlyMusicGroup
Cyper Ball Woooom
76 bpm • G# Maj • 01:20 • -15.37db
10% Popularity • 37% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 37% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 2. Titanic H...
81 bpm • G# Maj • 05:09 • -37db
16% Popularity • 18% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Luciano Berio
6 Encores: No. 3, Wasserklavier
81 bpm • A# min • 02:10 • -31db
21% Popularity • 31% Danceability • 3% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
21% Popularity • 31% Danceability • 3% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
81 bpm • E min • 02:36 • -24.6db
8% Popularity • 34% Danceability • 2% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
8% Popularity • 34% Danceability • 2% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
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John Cage
Apartment House 1776: Harmony No. 2, Man...
76 bpm • F# Maj • 01:25 • -27db
11% Popularity • 26% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 26% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 09:03 • -31.19db
20% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
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Anja Lechner
Hymne
75 bpm • D min • 01:38 • -35.57db
35% Popularity • 46% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
35% Popularity • 46% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Balanescu Quartet
Butterflies
75 bpm • G# min • 03:36 • -18.81db
24% Popularity • 14% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Luciano Berio
6 Encores for Piano (1965): No. 3, Wasse...
75 bpm • C# Maj • 02:19 • -47.9db
55% Popularity • 26% Danceability • 0% Energy • 7% Liveness
36% Instrumentalness • 17% Positiveness
55% Popularity • 26% Danceability • 0% Energy • 7% Liveness
36% Instrumentalness • 17% Positiveness
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Arvo Pärt
Fratres (Version for Wind Octet & Percus...
75 bpm • D Maj • 08:10 • -30.22db
8% Popularity • 7% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
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Isaac Albéniz
Iberia: X. Malaga
82 bpm • F# Maj • 05:03 • -24db
8% Popularity • 37% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
8% Popularity • 37% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 08:48 • -23.19db
22% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
22% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
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Morton Feldman
Rothko Chapel 4
82 bpm • A min • 04:38 • -38db
19% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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John Luther Adams
The Wind in High Places: I. Above Sunset...
74 bpm • D Maj • 07:25 • -26db
8% Popularity • 7% Danceability • 1% Energy • 7% Liveness
23% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 1% Energy • 7% Liveness
23% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, Son...
74 bpm • D# Maj • 02:18 • -35db
50% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
50% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Tomasz Trzcinski
Minipulsars, Pt. 2: Bing 4
82 bpm • D min • 01:26 • -18.56db
17% Popularity • 30% Danceability • 28% Energy • 27% Liveness
76% Instrumentalness • 20% Positiveness
17% Popularity • 30% Danceability • 28% Energy • 27% Liveness
76% Instrumentalness • 20% Positiveness
► Preview
![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
Béla Bartók
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
György Ligeti
Ligeti: Lontano
74 bpm • C# Maj • 11:37 • -27.9db
17% Popularity • 14% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 2% Positiveness
17% Popularity • 14% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 2% Positiveness
► Preview
Pierre Boulez
Répons: Section 1
82 bpm • G# min • 02:58 • -20.75db
14% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Elegy for Solo Viola
82 bpm • C min • 05:29 • -25db
13% Popularity • 8% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
► Preview
Luciano Berio
Six Encores: Wasserklavier
82 bpm • C# Maj • 02:02 • -41.51db
23% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
23% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
► Preview
Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Morton Feldman
Rohtko Chapel 1
74 bpm • C# Maj • 09:06 • -37db
22% Popularity • 6% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
22% Popularity • 6% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
► Preview
György Ligeti
Violin Concerto: III. Intermezzo
82 bpm • A# Maj • 02:31 • -24db
15% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
15% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
► Preview
John Cage
Dream
74 bpm • C min • 07:48 • -49db
16% Popularity • 14% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
16% Popularity • 14% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Erik Satie
Trois Mélodies: Les Anges
74 bpm • G Maj • 02:45 • -27db
11% Popularity • 28% Danceability • 2% Energy • 9% Liveness
23% Instrumentalness • 8% Positiveness
11% Popularity • 28% Danceability • 2% Energy • 9% Liveness
23% Instrumentalness • 8% Positiveness
► Preview
Olivier Messiaen
Oraison
74 bpm • E Maj • 07:42 • -25db
13% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Angélica Negrón
Sueno Recurrente
83 bpm • D# Maj • 02:46 • -27db
15% Popularity • 38% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
15% Popularity • 38% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Morton Feldman
Rothko Chapel 3
74 bpm • C# Maj • 02:56 • -46db
23% Popularity • 20% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
23% Popularity • 20% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
Toru Takemitsu
Umi e (Toward the Sea): III - Cape Cod
73 bpm • G# Maj • 03:34 • -34.14db
18% Popularity • 27% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Penderecki
Serenade: II. Larghetto
83 bpm • C min • 06:50 • -20.32db
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Élégie, L. 138
73 bpm • A min • 02:13 • -34.06db
10% Popularity • 34% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
10% Popularity • 34% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
► Preview
Ernst Reijseger
Deep Cave
83 bpm • C Maj • 03:37 • -26.02db
17% Popularity • 20% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
17% Popularity • 20% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
Kaikhosru Sorabji
2 Piano Pieces, KSS 17: No. 1, In the Ho...
73 bpm • D min • 06:05 • -30.42db
9% Popularity • 25% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 25% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Spirit LoFi
Quiet Nights, Quiet Stars
73 bpm • A Maj • 02:53 • -23.07db
11% Popularity • 72% Danceability • 0% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
11% Popularity • 72% Danceability • 0% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Dmitri Shostakovich
Piano Trio No. 2 in E Minor, Op. 67: III...
83 bpm • C Maj • 04:48 • -25db
11% Popularity • 8% Danceability • 7% Energy • 12% Liveness
24% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 7% Energy • 12% Liveness
24% Instrumentalness • 4% Positiveness
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Ingram Marshall
Fog Tropes
84 bpm • A# Maj • 09:56 • -33db
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
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Caroline Shaw
Plan & Elevation: I. The Ellipse
73 bpm • D min • 03:58 • -24.27db
21% Popularity • 26% Danceability • 1% Energy • 7% Liveness
17% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 1% Energy • 7% Liveness
17% Instrumentalness • 4% Positiveness
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John Zorn
Kol Nidre
84 bpm • A Maj • 07:00 • -29db
8% Popularity • 8% Danceability • 2% Energy • 18% Liveness
81% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 2% Energy • 18% Liveness
81% Instrumentalness • 3% Positiveness
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Pierre Boulez
Douze Notations Pour Piano (1945): Hiér...
84 bpm • G Maj • 01:01 • -24.86db
13% Popularity • 53% Danceability • 0% Energy • 8% Liveness
17% Instrumentalness • 33% Positiveness
13% Popularity • 53% Danceability • 0% Energy • 8% Liveness
17% Instrumentalness • 33% Positiveness
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Gavin Bryars
One Last Bar Then Joe Can sing: (Bar 238...
72 bpm • G Maj • 02:47 • -33.46db
15% Popularity • 14% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 3% Positiveness
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Conlon Nancarrow
Studies for Player Piano: Study No. 6
84 bpm • A Maj • 03:50 • -35.95db
17% Popularity • 13% Danceability • 0% Energy • 14% Liveness
20% Instrumentalness • 23% Positiveness
17% Popularity • 13% Danceability • 0% Energy • 14% Liveness
20% Instrumentalness • 23% Positiveness
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Ingram Marshall
Entrada: At The River
84 bpm • C min • 05:06 • -18.5db
10% Popularity • 10% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
10% Popularity • 10% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
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Giya Kancheli
Simple Music for Piano, N. 1 (Theme From...
72 bpm • D# Maj • 01:13 • -40.04db
20% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
20% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
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Iannis Xenakis
6 Chansons: No. 4. Trois moines cretois�...
72 bpm • A min • 01:58 • -31db
15% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
15% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Meredith Monk
Early Morning Melody (Transcr. Parkin fo...
72 bpm • G min • 00:58 • -30.93db
33% Popularity • 34% Danceability • 0% Energy • 7% Liveness
20% Instrumentalness • 49% Positiveness
33% Popularity • 34% Danceability • 0% Energy • 7% Liveness
20% Instrumentalness • 49% Positiveness
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Charles Ives
Piano Sonata No. 2 ("Concord, Mass., 184...
72 bpm • D# Maj • 05:39 • -24db
15% Popularity • 30% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 30% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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György Ligeti
Ligeti: Atmosphères
84 bpm • C# Maj • 08:58 • -32db
26% Popularity • 8% Danceability • 7% Energy • 34% Liveness
11% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 7% Energy • 34% Liveness
11% Instrumentalness • 3% Positiveness
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Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
72 bpm • C Maj • 02:14 • -28db
17% Popularity • 17% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
17% Popularity • 17% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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William Duckworth
The Time Curve Preludes, Book I: III - q...
72 bpm • C# Maj • 01:54 • -42.93db
15% Popularity • 17% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Penderecki
Penderecki: Threnody for the Victims of ...
85 bpm • F min • 09:06 • -20.65db
16% Popularity • 16% Danceability • 21% Energy • 22% Liveness
59% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 21% Energy • 22% Liveness
59% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, Prelu...
72 bpm • C Maj • 01:57 • -40.4db
38% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
38% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
György Ligeti
Ligeti: Requiem: I. Introitus. Sostenuto
85 bpm • C# Maj • 05:39 • -42.57db
15% Popularity • 10% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Hilary Hahn
Stillness
72 bpm • A Maj • 01:43 • -25.05db
38% Popularity • 21% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
38% Popularity • 21% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
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Giacinto Scelsi
Uaxuctum: III. —
85 bpm • A# Maj • 03:42 • -32.1db
13% Popularity • 14% Danceability • 2% Energy • 13% Liveness
38% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 2% Energy • 13% Liveness
38% Instrumentalness • 7% Positiveness
► Preview
Thomas Adès
Arcadiana, Op. 12: VI. O Albion
72 bpm • D# Maj • 02:43 • -41db
34% Popularity • 23% Danceability • 0% Energy • 8% Liveness
62% Instrumentalness • 3% Positiveness
34% Popularity • 23% Danceability • 0% Energy • 8% Liveness
62% Instrumentalness • 3% Positiveness
