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Present Tense
Songs like
Present Tense
by
Omni
Based on a tempo of (+/- 10%) and a similar genre
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Suku Malinox
Real Work
160 bpm • G# Maj • 02:05 • -11.45db
31% Popularity • 71% Danceability • 82% Energy • 8% Liveness
92% Instrumentalness • 97% Positiveness
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Unschooling
Wet Sidewalks
160 bpm • G# Maj • 02:48 • -6.14db
11% Popularity • 56% Danceability • 98% Energy • 32% Liveness
49% Instrumentalness • 67% Positiveness
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The Smoking Trees
66'
160 bpm • G Maj • 01:50 • -6.51db
16% Popularity • 57% Danceability • 98% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
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Omni
Common Mistakes
160 bpm • C Maj • 01:49 • -4.63db
30% Popularity • 62% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Patio
Vile Bodies
160 bpm • A min • 02:19 • -8.63db
20% Popularity • 60% Danceability • 68% Energy • 17% Liveness
12% Instrumentalness • 83% Positiveness
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Spllit
Cloaking
160 bpm • A Maj • 02:33 • -7.72db
7% Popularity • 57% Danceability • 84% Energy • 21% Liveness
2% Instrumentalness • 84% Positiveness
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Stuck
Lose Your Cool
160 bpm • B Maj • 03:11 • -7.51db
24% Popularity • 43% Danceability • 80% Energy • 12% Liveness
6% Instrumentalness • 73% Positiveness
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Tim Presley
The Wink
160 bpm • G Maj • 03:16 • -8.18db
8% Popularity • 62% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Folly Group
East Flat Crows
160 bpm • C min • 03:26 • -6.66db
25% Popularity • 53% Danceability • 84% Energy • 46% Liveness
79% Instrumentalness • 80% Positiveness
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Omni
Present Tense
160 bpm • D min • 03:29 • -7.07db
12% Popularity • 77% Danceability • 48% Energy • 8% Liveness
68% Instrumentalness • 88% Positiveness
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R.M.F.C.
Human State
160 bpm • C Maj • 02:40 • -5.49db
23% Popularity • 67% Danceability • 87% Energy • 6% Liveness
56% Instrumentalness • 98% Positiveness
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Being Dead
Treeland
160 bpm • B min • 03:35 • -6.92db
26% Popularity • 31% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Billiam
Rabbit Ears
160 bpm • E Maj • 02:01 • -4.53db
19% Popularity • 27% Danceability • 95% Energy • 57% Liveness
94% Instrumentalness • 64% Positiveness
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Unschooling
Public Transit
159 bpm • G Maj • 03:47 • -6.49db
8% Popularity • 44% Danceability • 74% Energy • 33% Liveness
20% Instrumentalness • 35% Positiveness
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Deeper
Glare
159 bpm • F Maj • 03:52 • -5.76db
33% Popularity • 64% Danceability • 88% Energy • 10% Liveness
14% Instrumentalness • 96% Positiveness
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The Drin
Walk so Far
162 bpm • E Maj • 01:57 • -4.43db
11% Popularity • 29% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
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Sweeping Promises
Falling Forward
158 bpm • E Maj • 02:27 • -5.97db
21% Popularity • 49% Danceability • 65% Energy • 13% Liveness
10% Instrumentalness • 67% Positiveness
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Patio
Endgame
158 bpm • A Maj • 02:34 • -7.2db
13% Popularity • 53% Danceability • 85% Energy • 41% Liveness
42% Instrumentalness • 96% Positiveness
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Omni
Southbound Station
158 bpm • D Maj • 02:42 • -3.79db
28% Popularity • 56% Danceability • 87% Energy • 29% Liveness
95% Instrumentalness • 85% Positiveness
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Warehouse
Modifier Analog
158 bpm • A Maj • 04:59 • -5.16db
8% Popularity • 33% Danceability • 97% Energy • 22% Liveness
40% Instrumentalness • 37% Positiveness
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Deeper
Bite
158 bpm • G Maj • 03:54 • -6.75db
25% Popularity • 65% Danceability • 83% Energy • 9% Liveness
65% Instrumentalness • 84% Positiveness
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En Attendant Ana
The Light That Slept Inside
162 bpm • G Maj • 03:39 • -3.77db
8% Popularity • 17% Danceability • 98% Energy • 8% Liveness
90% Instrumentalness • 63% Positiveness
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The Paranoyds
Rita Lynn
157 bpm • A# Maj • 03:07 • -6.81db
16% Popularity • 58% Danceability • 65% Energy • 7% Liveness
7% Instrumentalness • 48% Positiveness
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Patio
Boy Scout
157 bpm • F# Maj • 01:35 • -11.86db
25% Popularity • 57% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Preoccupations
Throw It Away
157 bpm • D Maj • 03:09 • -8.98db
23% Popularity • 46% Danceability • 80% Energy • 6% Liveness
2% Instrumentalness • 54% Positiveness
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Marbled Eye
Leisure
163 bpm • C# Maj • 02:57 • -6.36db
23% Popularity • 49% Danceability • 90% Energy • 37% Liveness
57% Instrumentalness • 89% Positiveness
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The Drin
Down Her Cheek a Pearly Tear
157 bpm • D Maj • 02:14 • -10.76db
19% Popularity • 33% Danceability • 84% Energy • 9% Liveness
36% Instrumentalness • 80% Positiveness
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Warehouse
Simultaneous Contrasts
163 bpm • B min • 02:54 • -3.79db
13% Popularity • 46% Danceability • 98% Energy • 21% Liveness
31% Instrumentalness • 83% Positiveness
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Tracy Bryant
Shining
164 bpm • C Maj • 03:03 • -8.25db
24% Popularity • 34% Danceability • 79% Energy • 28% Liveness
94% Instrumentalness • 69% Positiveness
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Egyptian Blue
Belgrade Shade
156 bpm • B min • 02:27 • -6.17db
27% Popularity • 38% Danceability • 90% Energy • 4% Liveness
2% Instrumentalness • 55% Positiveness
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Omni
Equestrian
156 bpm • E Maj • 02:40 • -4db
29% Popularity • 64% Danceability • 75% Energy • 23% Liveness
1% Instrumentalness • 97% Positiveness
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Dignan Porch
Hidden Levels
164 bpm • E Maj • 01:46 • -10.7db
18% Popularity • 49% Danceability • 81% Energy • 12% Liveness
95% Instrumentalness • 72% Positiveness
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Deeper
This Heat
156 bpm • D Maj • 03:24 • -8.37db
40% Popularity • 59% Danceability • 82% Energy • 27% Liveness
71% Instrumentalness • 91% Positiveness
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The Serfs
Order Imposing Sentence
164 bpm • F min • 03:08 • -6.03db
14% Popularity • 15% Danceability • 88% Energy • 18% Liveness
79% Instrumentalness • 13% Positiveness
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Arbor Labor Union
Hovering Stone
156 bpm • F Maj • 02:22 • -7.64db
9% Popularity • 47% Danceability • 83% Energy • 9% Liveness
66% Instrumentalness • 52% Positiveness
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Sharp Pins
Still a Straw Man
164 bpm • C Maj • 03:18 • -7.39db
11% Popularity • 12% Danceability • 91% Energy • 75% Liveness
56% Instrumentalness • 45% Positiveness
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Omni
Fever Bass
156 bpm • F# min • 02:43 • -7.64db
8% Popularity • 60% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Drahla
Gilded Cloud
156 bpm • A min • 03:33 • -7.3db
17% Popularity • 33% Danceability • 73% Energy • 6% Liveness
70% Instrumentalness • 29% Positiveness
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Hot Garbage
Rinsed
165 bpm • C# Maj • 02:53 • -6.87db
28% Popularity • 38% Danceability • 84% Energy • 17% Liveness
78% Instrumentalness • 67% Positiveness
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Dumb
Gibberish
155 bpm • B min • 02:52 • -6.47db
8% Popularity • 43% Danceability • 77% Energy • 41% Liveness
56% Instrumentalness • 64% Positiveness
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Office Dog
Warmer
155 bpm • G Maj • 03:44 • -11.86db
9% Popularity • 34% Danceability • 23% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
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R.M.F.C.
Two Stars
165 bpm • A min • 02:38 • -5.17db
22% Popularity • 57% Danceability • 97% Energy • 13% Liveness
85% Instrumentalness • 72% Positiveness
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Omni
Plastic Pyramid
165 bpm • B min • 03:25 • -5.66db
37% Popularity • 61% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 71% Positiveness
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La Sécurité
Waiting for Kenny
165 bpm • B min • 03:25 • -6.65db
19% Popularity • 59% Danceability • 89% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
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Folly Group
Fewer Closer Friends
165 bpm • G Maj • 02:55 • -7.56db
31% Popularity • 67% Danceability • 79% Energy • 49% Liveness
4% Instrumentalness • 79% Positiveness
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Dolly
Process
165 bpm • D Maj • 06:29 • -6.07db
19% Popularity • 41% Danceability • 89% Energy • 34% Liveness
14% Instrumentalness • 25% Positiveness
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Hot Garbage
Snooze You Lose
155 bpm • G# min • 02:07 • -7.36db
23% Popularity • 33% Danceability • 73% Energy • 33% Liveness
73% Instrumentalness • 41% Positiveness
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B Boys
Distance
155 bpm • G Maj • 00:50 • -14.03db
14% Popularity • 53% Danceability • 44% Energy • 11% Liveness
77% Instrumentalness • 68% Positiveness
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Blood
Self Improvement
155 bpm • D Maj • 02:16 • -8.04db
21% Popularity • 52% Danceability • 94% Energy • 69% Liveness
6% Instrumentalness • 48% Positiveness
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Priors
Daffodil
165 bpm • F Maj • 02:37 • -6.39db
20% Popularity • 40% Danceability • 96% Energy • 10% Liveness
78% Instrumentalness • 84% Positiveness
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Office Dog
Antidote
155 bpm • A Maj • 03:57 • -10.04db
12% Popularity • 54% Danceability • 53% Energy • 16% Liveness
54% Instrumentalness • 51% Positiveness
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Marbled Eye
In the Static
155 bpm • C# Maj • 03:08 • -8.39db
20% Popularity • 46% Danceability • 86% Energy • 35% Liveness
84% Instrumentalness • 58% Positiveness
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Being Dead
Muriel’s Big Day Off
155 bpm • B Maj • 03:21 • -10.2db
31% Popularity • 40% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Spread Joy
Ba-Ba
155 bpm • B min • 01:22 • -7.24db
16% Popularity • 72% Danceability • 27% Energy • 17% Liveness
86% Instrumentalness • 77% Positiveness
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Folly Group
Strange Neighbour
155 bpm • D min • 03:21 • -6.62db
32% Popularity • 60% Danceability • 84% Energy • 18% Liveness
32% Instrumentalness • 74% Positiveness
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The Hecks
Chopper
165 bpm • D Maj • 02:43 • -6db
9% Popularity • 40% Danceability • 82% Energy • 12% Liveness
20% Instrumentalness • 59% Positiveness
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Pop Filter
Heaven Sent
155 bpm • C Maj • 02:16 • -10.41db
8% Popularity • 47% Danceability • 70% Energy • 13% Liveness
75% Instrumentalness • 96% Positiveness
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Omni
Tuxedo Blues
166 bpm • G Maj • 02:31 • -4.8db
14% Popularity • 54% Danceability • 59% Energy • 10% Liveness
3% Instrumentalness • 90% Positiveness
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Drahla
Default Parody
155 bpm • D Maj • 03:27 • -7.19db
34% Popularity • 50% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Wombo
In Situ
154 bpm • D Maj • 02:59 • -7.4db
36% Popularity • 47% Danceability • 66% Energy • 14% Liveness
50% Instrumentalness • 82% Positiveness
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Original Mark Edwards
O.K. K.O.
166 bpm • C Maj • 02:11 • -4.13db
28% Popularity • 52% Danceability • 85% Energy • 15% Liveness
84% Instrumentalness • 82% Positiveness
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Public Practice
How I Like It
154 bpm • D Maj • 01:56 • -7.94db
16% Popularity • 43% Danceability • 84% Energy • 8% Liveness
59% Instrumentalness • 54% Positiveness
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Egyptian Blue
Nylon Wire
166 bpm • E min • 02:15 • -5.19db
31% Popularity • 23% Danceability • 90% Energy • 10% Liveness
62% Instrumentalness • 30% Positiveness
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The Smashing Times
Glorious Tales Of Wes
154 bpm • F# Maj • 03:12 • -7.8db
10% Popularity • 42% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Drahla
Circuit
166 bpm • F# min • 01:36 • -7.67db
16% Popularity • 18% Danceability • 88% Energy • 9% Liveness
87% Instrumentalness • 60% Positiveness
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Warehouse
Garden Walls
166 bpm • C Maj • 02:40 • -4.36db
12% Popularity • 52% Danceability • 94% Energy • 12% Liveness
52% Instrumentalness • 86% Positiveness
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The Paranoyds
Destructive Banter
154 bpm • A Maj • 03:34 • -8.11db
14% Popularity • 49% Danceability • 66% Energy • 11% Liveness
47% Instrumentalness • 42% Positiveness
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Dry Cleaning
New Job
167 bpm • A min • 02:56 • -3.51db
31% Popularity • 39% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Blue Bendy
Suspension
154 bpm • C Maj • 03:43 • -8.61db
7% Popularity • 24% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sweeping Promises
Safe Now
167 bpm • E Maj • 03:37 • -7.22db
21% Popularity • 48% Danceability • 80% Energy • 11% Liveness
18% Instrumentalness • 80% Positiveness
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BRNDA
Service Loser
167 bpm • D Maj • 02:01 • -7.87db
23% Popularity • 56% Danceability • 90% Energy • 10% Liveness
88% Instrumentalness • 59% Positiveness
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Italia 90
The MUMSNET Mambo
167 bpm • B Maj • 02:11 • -8.77db
35% Popularity • 57% Danceability • 68% Energy • 17% Liveness
70% Instrumentalness • 87% Positiveness
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The Woolen Men
Cool Breeze
153 bpm • D Maj • 03:04 • -7.35db
14% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Dry Cleaning
Dog Proposal - 2024 Remaster
154 bpm • G# Maj • 03:18 • -6.26db
22% Popularity • 22% Danceability • 82% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Pop Filter
Undertow
168 bpm • G Maj • 01:31 • -13.57db
16% Popularity • 50% Danceability • 51% Energy • 65% Liveness
56% Instrumentalness • 83% Positiveness
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Stuck
Labor Leisure
168 bpm • G Maj • 02:26 • -8.33db
32% Popularity • 43% Danceability • 81% Energy • 14% Liveness
3% Instrumentalness • 61% Positiveness
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Folly Group
Freeze
168 bpm • G Maj • 03:04 • -7.77db
25% Popularity • 35% Danceability • 65% Energy • 6% Liveness
79% Instrumentalness • 70% Positiveness
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Omni
Supermoon
152 bpm • D Maj • 02:32 • -3.73db
17% Popularity • 62% Danceability • 85% Energy • 9% Liveness
15% Instrumentalness • 96% Positiveness
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Office Dog
The Crater
152 bpm • A Maj • 02:31 • -10.04db
9% Popularity • 42% Danceability • 53% Energy • 34% Liveness
3% Instrumentalness • 52% Positiveness
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En Attendant Ana
Flesh Or Blood
169 bpm • A Maj • 03:06 • -4.69db
10% Popularity • 29% Danceability • 97% Energy • 12% Liveness
32% Instrumentalness • 55% Positiveness
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Unschooling
Shopping On The Left Bank
151 bpm • F Maj • 02:16 • -7.19db
7% Popularity • 55% Danceability • 97% Energy • 14% Liveness
44% Instrumentalness • 64% Positiveness
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Marbled Eye
Idle Hour
151 bpm • B Maj • 02:51 • -4.73db
23% Popularity • 48% Danceability • 86% Energy • 15% Liveness
62% Instrumentalness • 82% Positiveness
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Spllit
Fast Acting Gel
169 bpm • A Maj • 01:44 • -7.14db
8% Popularity • 47% Danceability • 73% Energy • 32% Liveness
24% Instrumentalness • 92% Positiveness
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Grazia
Cheap
151 bpm • E min • 02:47 • -2.99db
17% Popularity • 48% Danceability • 92% Energy • 33% Liveness
3% Instrumentalness • 72% Positiveness
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Deeper
4U
170 bpm • A min • 03:20 • -8.24db
22% Popularity • 61% Danceability • 52% Energy • 19% Liveness
85% Instrumentalness • 52% Positiveness
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DAIISTAR
Purified
170 bpm • A Maj • 03:36 • -8.53db
22% Popularity • 43% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 29% Positiveness
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Unschooling
Erase U
151 bpm • G Maj • 02:36 • -6.12db
11% Popularity • 38% Danceability • 83% Energy • 12% Liveness
26% Instrumentalness • 58% Positiveness
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Marbled Eye
Curtain
170 bpm • C# min • 02:40 • -6.89db
19% Popularity • 36% Danceability • 85% Energy • 9% Liveness
87% Instrumentalness • 88% Positiveness
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Omni
F1
170 bpm • E min • 02:49 • -5.04db
26% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The Umbrellas
Gone
170 bpm • F# min • 03:48 • -8.49db
19% Popularity • 27% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Ought
Celebration
170 bpm • D Maj • 03:11 • -4.65db
15% Popularity • 22% Danceability • 87% Energy • 7% Liveness
36% Instrumentalness • 59% Positiveness
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Cola
Degree
150 bpm • B Maj • 02:51 • -8db
26% Popularity • 51% Danceability • 87% Energy • 11% Liveness
77% Instrumentalness • 76% Positiveness
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Unschooling
Brand New Storm
150 bpm • D# Maj • 04:18 • -7.36db
13% Popularity • 58% Danceability • 82% Energy • 22% Liveness
9% Instrumentalness • 71% Positiveness
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Marbled Eye
New Crease
170 bpm • E Maj • 02:56 • -6.16db
24% Popularity • 46% Danceability • 92% Energy • 31% Liveness
89% Instrumentalness • 62% Positiveness
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Omni
Afterlife
170 bpm • B Maj • 01:46 • -5db
30% Popularity • 59% Danceability • 97% Energy • 17% Liveness
34% Instrumentalness • 76% Positiveness
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Spread Joy
Chatter
150 bpm • B min • 01:42 • -11.04db
16% Popularity • 59% Danceability • 47% Energy • 13% Liveness
56% Instrumentalness • 96% Positiveness
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Stuck
City of Police
150 bpm • G Maj • 01:49 • -10db
39% Popularity • 52% Danceability • 61% Energy • 66% Liveness
4% Instrumentalness • 28% Positiveness
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La Sécurité
Anyway
150 bpm • C Maj • 03:45 • -7.88db
35% Popularity • 58% Danceability • 71% Energy • 13% Liveness
36% Instrumentalness • 66% Positiveness
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En Attendant Ana
In / Out
150 bpm • F# Maj • 02:47 • -3.68db
11% Popularity • 32% Danceability • 97% Energy • 36% Liveness
75% Instrumentalness • 30% Positiveness
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Lithics
Specs
171 bpm • F# Maj • 01:43 • -4.24db
28% Popularity • 42% Danceability • 84% Energy • 11% Liveness
15% Instrumentalness • 46% Positiveness
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Present Tense