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Pressure Down
Songs like
Pressure Down
by
John Farnham
Based on a tempo of (+/- 10%) and a similar genre
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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John Farnham
All Our Sons and Daughters
112 bpm • B Maj • 04:09 • -9.5db
16% Popularity • 61% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Diesel
Man Alive
112 bpm • B min • 04:50 • -7.63db
28% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
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Wendy Matthews
Token Angels
112 bpm • G# Maj • 04:50 • -14.22db
29% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Graham Bonnet
Warm Ride
112 bpm • C min • 03:22 • -7.99db
33% Popularity • 52% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Shona Laing
(Glad I'm Not) a Kennedy
112 bpm • C Maj • 03:27 • -12.67db
30% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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John Farnham
In Days to Come
112 bpm • F Maj • 04:04 • -11.46db
25% Popularity • 72% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Crowded House
Distant Sun
111 bpm • D# Maj • 03:49 • -7.97db
53% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Jon Stevens
Montego Bay
113 bpm • G# Maj • 02:48 • -14.64db
25% Popularity • 76% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
46% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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John Parr
St Elmo's Fire (Anniversary Edition)
111 bpm • A Maj • 04:15 • -5.71db
64% Popularity • 57% Danceability • 83% Energy • 26% Liveness
22% Instrumentalness • 54% Positiveness
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Belinda Carlisle
In Too Deep
111 bpm • C# Maj • 04:05 • -7db
38% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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John Farnham
Pressure Down
112 bpm • F# Maj • 03:47 • -11.08db
49% Popularity • 74% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Carrack
When You Walk in the Room
113 bpm • F# min • 03:31 • -12db
43% Popularity • 61% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Pseudo Echo
Don't Go
113 bpm • G min • 03:57 • -4.41db
28% Popularity • 66% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
36% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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Divinyls
Sleeping Beauty
111 bpm • C# Maj • 03:41 • -9.68db
35% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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John Parr
St Elmo's Fire
111 bpm • A Maj • 04:16 • -4.1db
46% Popularity • 48% Danceability • 88% Energy • 98% Liveness
2% Instrumentalness • 35% Positiveness
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John Farnham
Man of the Hour
111 bpm • D min • 04:09 • -8.66db
15% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Angels
Be With You
110 bpm • E Maj • 03:43 • -15.92db
31% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Lou Gramm
Midnight Blue
114 bpm • C Maj • 03:54 • -7.16db
52% Popularity • 64% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 66% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Kate Ceberano
I Won't Let You Down
110 bpm • D min • 04:31 • -7db
19% Popularity • 68% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Eurogliders
Groove
110 bpm • F# Maj • 04:19 • -8.73db
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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John Farnham
Pressure Down - (Extended Version) [Rema...
112 bpm • B Maj • 05:54 • -7db
11% Popularity • 77% Danceability • 92% Energy • 15% Liveness
2% Instrumentalness • 68% Positiveness
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Paul Carrack
Don't Shed a Tear
110 bpm • B min • 04:55 • -11.17db
44% Popularity • 64% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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ICEHOUSE
Electric Blue
110 bpm • A# Maj • 04:23 • -4.76db
57% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Christine Anu
Party
110 bpm • B Maj • 03:14 • -8db
34% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
27% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Peter Cetera
Daddy's Girl
110 bpm • D Maj • 03:45 • -11.33db
33% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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John Farnham
Hearts on Fire
114 bpm • F Maj • 04:18 • -9.59db
17% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Russell Morris
Hush
109 bpm • G Maj • 03:01 • -7.58db
21% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
63% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Choirboys
Never Gonna Die
115 bpm • E Maj • 04:01 • -7.91db
28% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
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Eric Carmen
Make Me Lose Control
109 bpm • E Maj • 04:45 • -9.07db
53% Popularity • 72% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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John Farnham
Hearts on Fire
114 bpm • F Maj • 04:48 • -9.19db
14% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Nik Kershaw
Wide Boy
115 bpm • A Maj • 03:28 • -6.14db
39% Popularity • 80% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Richard Marx
Satisfied
109 bpm • G# Maj • 04:14 • -8.44db
43% Popularity • 57% Danceability • 91% Energy • 32% Liveness
1% Instrumentalness • 84% Positiveness
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Toni Childs
Don't Walk Away
115 bpm • B Maj • 04:01 • -11.66db
34% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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INXS
Need You Tonight
109 bpm • A# min • 03:01 • -7.22db
75% Popularity • 80% Danceability • 63% Energy • 9% Liveness
57% Instrumentalness • 78% Positiveness
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Sherbet
Silvery Moon
115 bpm • A Maj • 03:25 • -8.15db
26% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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John Farnham
Two Strong Hearts
110 bpm • D Maj • 03:33 • -8.18db
52% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Australian Crawl
Daughters Of The Northern Coast - Remast...
115 bpm • D Maj • 04:40 • -6db
41% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Richard Marx
Take This Heart
116 bpm • C Maj • 04:11 • -8.24db
40% Popularity • 60% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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INXS
New Sensation
115 bpm • A Maj • 03:40 • -4.95db
67% Popularity • 68% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
39% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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The Black Sorrows
Mystified
116 bpm • C Maj • 04:34 • -14db
20% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Swanee
If I Were a Carpenter
108 bpm • C Maj • 03:32 • -12db
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Wendy Matthews
Friday's Child
108 bpm • A# Maj • 04:00 • -12.23db
23% Popularity • 68% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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Split Enz
Dirty Creature
108 bpm • E min • 04:02 • -6db
35% Popularity • 61% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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INXS
Burn For You
116 bpm • G Maj • 04:57 • -8.17db
43% Popularity • 80% Danceability • 75% Energy • 8% Liveness
9% Instrumentalness • 37% Positiveness
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Rod Stewart
The Motown Song
116 bpm • A Maj • 04:00 • -7.54db
45% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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John Farnham
In Your Hands
116 bpm • B Maj • 04:19 • -9.9db
19% Popularity • 58% Danceability • 75% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
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Cheetah
Spend the Night
108 bpm • D# Maj • 03:54 • -7.16db
16% Popularity • 50% Danceability • 66% Energy • 8% Liveness
9% Instrumentalness • 27% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Crowded House
It's Only Natural
116 bpm • A# Maj • 03:32 • -11.92db
51% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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INXS
Listen Like Thieves
116 bpm • G Maj • 03:46 • -4.43db
46% Popularity • 57% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
35% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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John Farnham
Reasons - Remastered 2006
108 bpm • D Maj • 04:26 • -7.42db
12% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
34% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Boy Meets Girl
Waiting for a Star to Fall
116 bpm • D# Maj • 04:30 • -6.03db
62% Popularity • 66% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Australian Crawl
Louie Louie - Remastered
117 bpm • G Maj • 05:47 • -5.21db
39% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Taylor Dayne
I'll Be Your Shelter
107 bpm • C Maj • 04:43 • -5.26db
45% Popularity • 69% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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John Farnham
Reasons
108 bpm • D Maj • 04:25 • -12.91db
36% Popularity • 65% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Kim Carnes
Crazy In The Night (Barking At Airplanes...
117 bpm • F Maj • 03:33 • -6.79db
43% Popularity • 64% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Wet Wet Wet
Sweet Little Mystery
117 bpm • C Maj • 03:44 • -14.11db
53% Popularity • 71% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Billy Ocean
Get Outta My Dreams, Get Into My Car
117 bpm • E Maj • 04:44 • -6.46db
58% Popularity • 67% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Belinda Carlisle
Live Your Life Be Free (Single Edit)
118 bpm • C Maj • 04:23 • -5db
33% Popularity • 61% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Huey Lewis & The News
Jacob's Ladder
118 bpm • A# Maj • 03:33 • -13.02db
42% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Tina Arena
Now I Can Dance - Single Edit
118 bpm • A# Maj • 04:06 • -7.61db
28% Popularity • 67% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Wendy Matthews
Let's Kiss (Like Angels Do)
118 bpm • A# Maj • 03:29 • -10.65db
29% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Ocean
Get Outta My Dreams, Get into My Car
117 bpm • E Maj • 05:34 • -6.57db
53% Popularity • 66% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Shannon Noll
Shine
118 bpm • F# Maj • 03:33 • -2db
38% Popularity • 44% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Cold Chisel
No Sense - 2011 Remastered
106 bpm • D Maj • 02:57 • -3.26db
36% Popularity • 64% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 48% Positiveness
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Tina Arena
Now I Can Dance
118 bpm • A# Maj • 05:53 • -8.4db
31% Popularity • 67% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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John Farnham
See the Banners Fall
106 bpm • F# min • 04:34 • -11.39db
23% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Toni Childs
Stop Your Fussin'
118 bpm • F Maj • 04:40 • -13.73db
42% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Chesney Hawkes
Every Little Tear
118 bpm • C# Maj • 04:00 • -13db
28% Popularity • 68% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Kids In The Kitchen
Current Stand
106 bpm • G Maj • 04:01 • -11.59db
36% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Eurogliders
Absolutely
106 bpm • D min • 04:38 • -15.05db
25% Popularity • 71% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Richard Clapton
The Best Years of Our Lives - Original
119 bpm • A Maj • 05:08 • -11.42db
32% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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John Farnham
The Time Has Come
106 bpm • C Maj • 04:56 • -9.65db
15% Popularity • 53% Danceability • 78% Energy • 62% Liveness
4% Instrumentalness • 64% Positiveness
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Cold Chisel
Shipping Steel - 2011 Remastered
106 bpm • A Maj • 03:24 • -3db
39% Popularity • 59% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Australian Crawl
Oh No Not You Again - Remastered
119 bpm • D Maj • 05:08 • -6.99db
54% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Boom Crash Opera
Get Out Of The House
119 bpm • C Maj • 03:20 • -4.96db
28% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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John Farnham
Two Strong Hearts
119 bpm • D Maj • 03:37 • -6.25db
21% Popularity • 55% Danceability • 89% Energy • 96% Liveness
0% Instrumentalness • 70% Positiveness
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Kids In The Kitchen
Bitter Desire
119 bpm • C Maj • 03:48 • -13db
25% Popularity • 61% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Richard Clapton
Glory Road - Original
105 bpm • A min • 04:32 • -16.24db
23% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Southern Sons
Lead Me to Water
119 bpm • C# Maj • 04:32 • -8.74db
19% Popularity • 61% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Roachford
Lay Your Love on Me
105 bpm • A# Maj • 04:06 • -12.25db
42% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Christie Allen
Goose Bumps
119 bpm • A Maj • 02:49 • -4.71db
20% Popularity • 72% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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John Farnham
Let Me Out
105 bpm • B min • 04:25 • -13.35db
25% Popularity • 75% Danceability • 65% Energy • 31% Liveness
5% Instrumentalness • 31% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
37% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Pressure Down