Songs like Presumably Dead Arm (617 Sessions) by Sidney Gish
Based on a tempo of (+/- 10%) and a similar genre
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Daisy the Great
Persephone
114 bpm • E Maj • 04:21 • -10.25db
40% Popularity • 46% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 46% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Miniature Tigers
Cannibal Queen
114 bpm • C# Maj • 02:44 • -6.17db
50% Popularity • 69% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 69% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
37% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
37% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Odie Leigh
Bigger Fish
114 bpm • G Maj • 02:47 • -8db
35% Popularity • 51% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 51% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Car Seat Headrest
Cute Thing
114 bpm • A# Maj • 05:39 • -5.16db
53% Popularity • 31% Danceability • 74% Energy • 12% Liveness
29% Instrumentalness • 27% Positiveness
53% Popularity • 31% Danceability • 74% Energy • 12% Liveness
29% Instrumentalness • 27% Positiveness
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Sidney Gish
Presumably Dead Arm (617 Sessions)
114 bpm • A# Maj • 03:34 • -9.46db
48% Popularity • 48% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 48% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Kimya Dawson
Fire
113 bpm • G Maj • 03:20 • -9.49db
35% Popularity • 32% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 32% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Hop Along
Sally II
113 bpm • D Maj • 02:32 • -6db
36% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Orson & the Rosebuds
War
115 bpm • C# min • 04:07 • -7.15db
2% Popularity • 83% Danceability • 79% Energy • 5% Liveness
1% Instrumentalness • 66% Positiveness
2% Popularity • 83% Danceability • 79% Energy • 5% Liveness
1% Instrumentalness • 66% Positiveness
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Mel Bryant & the Mercy Makers
I Love You I'm Sorry
115 bpm • B Maj • 02:44 • -8.55db
36% Popularity • 64% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 64% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Soccer Mommy
Your Dog
115 bpm • B min • 03:14 • -7.8db
55% Popularity • 65% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 65% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Sidney Gish
I Eat Salads Now - Audiotree Live Versio...
113 bpm • E Maj • 02:45 • -10.18db
23% Popularity • 86% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 86% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Odie Leigh
Ronnie's Song
115 bpm • C min • 02:32 • -11.36db
40% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Samia
Welcome to Eden
115 bpm • F Maj • 03:36 • -6.5db
30% Popularity • 56% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 56% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Orson & the Rosebuds
War
115 bpm • C# min • 04:09 • -7.37db
2% Popularity • 83% Danceability • 74% Energy • 3% Liveness
1% Instrumentalness • 60% Positiveness
2% Popularity • 83% Danceability • 74% Energy • 3% Liveness
1% Instrumentalness • 60% Positiveness
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The Mountain Goats
Old College Try
112 bpm • A Maj • 02:52 • -9.71db
41% Popularity • 47% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 41% Positiveness
41% Popularity • 47% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 41% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
53% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Sidney Gish
Impostor Syndrome
115 bpm • G Maj • 04:54 • -9.17db
42% Popularity • 72% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 72% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Cheekface
I Only Say I'm Sorry When I'm Wrong Now
116 bpm • B min • 03:14 • -4db
34% Popularity • 86% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 86% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jealous of the Birds
Tonight I Feel Like Kafka
116 bpm • A# min • 03:09 • -13.67db
43% Popularity • 71% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 71% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Katy Kirby
Juniper
116 bpm • G# Maj • 02:39 • -9db
45% Popularity • 70% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 70% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Nana Grizol
Tambourine - N - Thyme
112 bpm • C Maj • 02:29 • -5.52db
35% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Bears In Trees
Ramblings of a Lunatic
112 bpm • E min • 03:32 • -11db
47% Popularity • 70% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 70% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Sidney Gish
It's Afternoon, I'm Feeling Sick
113 bpm • B Maj • 01:57 • -12.17db
29% Popularity • 62% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 62% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Left at London
I DONT TRUST U ANYMORE
112 bpm • E Maj • 02:31 • -9db
39% Popularity • 77% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 77% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Haley Blais
Be Your Own Muse
112 bpm • D Maj • 04:01 • -7.88db
37% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
37% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Florist
White Light Doorway
112 bpm • A# Maj • 02:00 • -11db
50% Popularity • 59% Danceability • 55% Energy • 8% Liveness
41% Instrumentalness • 12% Positiveness
50% Popularity • 59% Danceability • 55% Energy • 8% Liveness
41% Instrumentalness • 12% Positiveness
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Phoebe Bridgers
That Funny Feeling
117 bpm • E Maj • 06:40 • -11db
63% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Apes of the State
I Listened
111 bpm • F Maj • 04:03 • -5db
39% Popularity • 55% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 55% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Sidney Gish
Presumably Dead Arm
116 bpm • G Maj • 03:33 • -16db
31% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Left at London
The Ballad of Marion Zioncheck
111 bpm • G# Maj • 04:13 • -11.18db
19% Popularity • 48% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 48% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Hospital Bracelet
Happy Birthday
117 bpm • D Maj • 03:58 • -5.3db
38% Popularity • 37% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 37% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Snail Mail
Full Control
117 bpm • B Maj • 02:55 • -4.69db
42% Popularity • 55% Danceability • 75% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
42% Popularity • 55% Danceability • 75% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Cheekface
Election Day
111 bpm • G Maj • 01:57 • -5.79db
28% Popularity • 83% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 83% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Car Seat Headrest
Drunk Drivers/Killer Whales
117 bpm • D Maj • 06:14 • -7.95db
58% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sidney Gish
!Ed Buys Houses!
111 bpm • A# Maj • 00:57 • -14.55db
29% Popularity • 87% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 87% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Annie DiRusso
Coming Soon
111 bpm • D Maj • 03:15 • -5.04db
48% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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illuminati hotties
melatonezone
111 bpm • G Maj • 02:12 • -4.06db
31% Popularity • 63% Danceability • 74% Energy • 75% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 63% Danceability • 74% Energy • 75% Liveness
0% Instrumentalness • 76% Positiveness
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Panucci's Pizza
Aesthetic? (More Like Ass-Pathetic)
117 bpm • A# Maj • 03:18 • -6.79db
49% Popularity • 47% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 47% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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The Mountain Goats
Love Love Love
110 bpm • E Maj • 02:48 • -17db
46% Popularity • 75% Danceability • 23% Energy • 7% Liveness
34% Instrumentalness • 20% Positiveness
46% Popularity • 75% Danceability • 23% Energy • 7% Liveness
34% Instrumentalness • 20% Positiveness
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Newgrounds Death Rugby
D & D Is Gay (But So Am I So This Tracks...
117 bpm • A# Maj • 02:32 • -17db
37% Popularity • 47% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 47% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sidney Gish
Imposter Syndrome - Audiotree Live Versi...
117 bpm • B min • 03:43 • -6.98db
32% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Penelope Scott
Sweet Hibiscus Tea
110 bpm • F Maj • 02:25 • -7.46db
59% Popularity • 66% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 66% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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of Montreal
Tim I Wish You Were Born a Girl
118 bpm • F Maj • 01:46 • -8.01db
46% Popularity • 80% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 80% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Indigo De Souza
Good Heart
110 bpm • B Maj • 02:40 • -10.13db
48% Popularity • 58% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 58% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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boygenius
Ketchum, ID
118 bpm • C Maj • 03:35 • -12.15db
55% Popularity • 39% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 39% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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Beyond the Tracks
Contortions
118 bpm • B Maj • 03:34 • -7.82db
2% Popularity • 54% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 54% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Francis of Delirium
Quit Fucking Around
110 bpm • E Maj • 02:32 • -10.28db
39% Popularity • 63% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 63% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Snail Mail
Glory
118 bpm • B min • 02:20 • -4.97db
46% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Cheekface
Best Life
110 bpm • D Maj • 03:07 • -7.03db
36% Popularity • 93% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 93% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Indigo De Souza
Kill Me
118 bpm • A Maj • 04:20 • -8.81db
46% Popularity • 63% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 63% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Sidney Gish
I Eat Salads Now
110 bpm • E Maj • 01:59 • -14.19db
41% Popularity • 78% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 78% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Orson & the Rosebuds
War - Heartbreaker Remix
110 bpm • B Maj • 02:58 • -4.82db
0% Popularity • 48% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 48% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Babygirl
I Wish I Never Met You
110 bpm • C# Maj • 03:31 • -9.15db
53% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
53% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
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Covey
Cut On The Crease
110 bpm • E Maj • 03:07 • -5.05db
30% Popularity • 55% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 55% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Haley Heynderickx
Untitled God Song
119 bpm • F min • 03:44 • -7.13db
44% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Indigo De Souza
You Can Be Mean
110 bpm • D Maj • 02:25 • -6.3db
52% Popularity • 65% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 65% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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The Mountain Goats
Going to Georgia
118 bpm • F min • 02:15 • -10.6db
44% Popularity • 57% Danceability • 44% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
44% Popularity • 57% Danceability • 44% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
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Frankie Cosmos
Slide
119 bpm • G Maj • 01:00 • -13.85db
44% Popularity • 59% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
44% Popularity • 59% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
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Sorry Mom
awesome party, dude!
119 bpm • C Maj • 03:31 • -8.58db
37% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Pom Pom Squad
Honeysuckle
109 bpm • B min • 03:18 • -10db
30% Popularity • 44% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 44% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Haley Heynderickx
Sane
119 bpm • D Maj • 03:13 • -6.05db
30% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Lucy Dacus
Nonbeliever
109 bpm • D Maj • 03:40 • -6.79db
47% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Annie DiRusso
Don't Swerve
109 bpm • G Maj • 02:56 • -8.93db
39% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Shauna Dean Cokeland
Moving In Place
119 bpm • G Maj • 02:35 • -3.85db
42% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 84% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Whirlybird
Dante's Inferno
109 bpm • C Maj • 03:50 • -9.41db
36% Popularity • 35% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 35% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Better Oblivion Community Center
Sleepwalkin'
119 bpm • C# min • 03:12 • -7.51db
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Mitski
Carry Me Out
119 bpm • G Maj • 03:53 • -8.76db
58% Popularity • 19% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
58% Popularity • 19% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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bugsy
hard to breathe
120 bpm • E Maj • 03:27 • -8.89db
33% Popularity • 60% Danceability • 52% Energy • 16% Liveness
11% Instrumentalness • 46% Positiveness
33% Popularity • 60% Danceability • 52% Energy • 16% Liveness
11% Instrumentalness • 46% Positiveness
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Fiona Apple
Under The Table
120 bpm • C Maj • 03:21 • -8.14db
55% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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The Greeting Committee
Can I Leave Me Too?
120 bpm • D# Maj • 03:43 • -4.74db
36% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Car Seat Headrest
It's Only Sex
120 bpm • G Maj • 04:43 • -8.07db
60% Popularity • 59% Danceability • 52% Energy • 12% Liveness
46% Instrumentalness • 48% Positiveness
60% Popularity • 59% Danceability • 52% Energy • 12% Liveness
46% Instrumentalness • 48% Positiveness
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The Regrettes
Pumpkin
120 bpm • A# Maj • 03:27 • -4.17db
48% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Sidney Gish
Hexagons and Other Fun Materials
120 bpm • G Maj • 03:10 • -12db
29% Popularity • 96% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 96% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Phoebe Bridgers
Chinese Satellite
120 bpm • A# Maj • 03:37 • -9.93db
59% Popularity • 30% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
59% Popularity • 30% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
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Sir Chloe
July
120 bpm • B Maj • 03:08 • -6db
54% Popularity • 55% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 55% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Odie Leigh
Nine Lives
120 bpm • F Maj • 03:47 • -11.41db
39% Popularity • 41% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 41% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Kimya Dawson
So Nice So Smart
108 bpm • E Maj • 02:45 • -16.16db
45% Popularity • 49% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 49% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Diet Cig
Maid of the Mist
108 bpm • F Maj • 02:34 • -7.26db
30% Popularity • 50% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 50% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Sidney Gish
Cokesbury
120 bpm • C Maj • 02:59 • -14db
26% Popularity • 78% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
26% Popularity • 78% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
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Free Cake For Every Creature
All You Gotta Be When You're 23 Is Yours...
108 bpm • A Maj • 02:26 • -12.57db
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
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The Greeting Committee
Is This It?
108 bpm • C Maj • 02:47 • -8db
41% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Lady Lamb
We've Got a Good Thing Going
108 bpm • D Maj • 05:19 • -6.18db
21% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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of Montreal
We Will Commit Wolf Murder
108 bpm • C Maj • 05:29 • -5.92db
44% Popularity • 32% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 32% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Attic Abasement
A Werewolf
120 bpm • G Maj • 03:49 • -12db
38% Popularity • 60% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
38% Popularity • 60% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Sidney Gish
Rat of the City
120 bpm • F# Maj • 03:52 • -17db
33% Popularity • 55% Danceability • 19% Energy • 10% Liveness
6% Instrumentalness • 10% Positiveness
33% Popularity • 55% Danceability • 19% Energy • 10% Liveness
6% Instrumentalness • 10% Positiveness
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Frankie Cosmos
My I Love You
120 bpm • B Maj • 01:32 • -11db
49% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Haley Heynderickx
Drinking Song
120 bpm • C Maj • 03:15 • -11.31db
49% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Indigo De Souza
Sick in the Head
121 bpm • G Maj • 03:29 • -9db
41% Popularity • 41% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 41% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Soccer Mommy
Last Girl
121 bpm • C Maj • 03:35 • -7.01db
34% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Yucky Duster
Elementary School Dropout
107 bpm • B Maj • 03:13 • -7db
27% Popularity • 53% Danceability • 73% Energy • 8% Liveness
49% Instrumentalness • 55% Positiveness
27% Popularity • 53% Danceability • 73% Energy • 8% Liveness
49% Instrumentalness • 55% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Free Cake For Every Creature
For You
107 bpm • E min • 02:25 • -11.19db
24% Popularity • 75% Danceability • 69% Energy • 35% Liveness
43% Instrumentalness • 64% Positiveness
24% Popularity • 75% Danceability • 69% Energy • 35% Liveness
43% Instrumentalness • 64% Positiveness
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Hop Along
Horseshoe Crabs
107 bpm • G Maj • 04:01 • -6db
34% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Nana Grizol
Atoms
107 bpm • C Maj • 02:44 • -20db
27% Popularity • 46% Danceability • 19% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 46% Danceability • 19% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Lowertown
The Gaping Mouth
107 bpm • F Maj • 04:38 • -9.71db
44% Popularity • 59% Danceability • 46% Energy • 11% Liveness
29% Instrumentalness • 18% Positiveness
44% Popularity • 59% Danceability • 46% Energy • 11% Liveness
29% Instrumentalness • 18% Positiveness
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Lady Lamb
Crane Your Neck - Remastered
122 bpm • E Maj • 06:27 • -9.52db
39% Popularity • 50% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 50% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
