Songs like Pretty Good by Nathaniel Rateliff
Based on a tempo of (+/- 10%) and a similar genre
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Nathaniel Rateliff
A Lamb On The Stone
137 bpm • B Maj • 03:56 • -5.22db
28% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Brent Cobb
Feet Off The Ground
137 bpm • A Maj • 04:18 • -6.5db
44% Popularity • 46% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 46% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Sean McConnell
The 13th Apostle
137 bpm • G Maj • 03:27 • -5.45db
23% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Scott Ballew
Border Kid
137 bpm • C Maj • 03:23 • -6.84db
23% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Wood Brothers
Wastin' My Mind
137 bpm • F Maj • 02:59 • -7.59db
37% Popularity • 67% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
37% Popularity • 67% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Shovels & Rope
Boxcar
137 bpm • C Maj • 04:41 • -5db
30% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Nathaniel Rateliff
Pretty Good
137 bpm • A Maj • 03:49 • -5.35db
29% Popularity • 49% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
29% Popularity • 49% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Old Crow Medicine Show
DeFord Rides Again
137 bpm • C Maj • 03:20 • -7.84db
11% Popularity • 50% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 50% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Waylon Payne
Back From the Grave
136 bpm • A Maj • 03:25 • -8db
14% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Jeffrey Martin
Thief and a Liar
136 bpm • D Maj • 04:24 • -10.51db
34% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The New Basement Tapes
Married To My Hack
138 bpm • B min • 01:57 • -6.95db
23% Popularity • 55% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 55% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Billy Strings
Show Me The Door
138 bpm • D Maj • 04:59 • -8.77db
39% Popularity • 37% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 37% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Nathaniel Rateliff
Redemption
137 bpm • E Maj • 04:58 • -8.66db
48% Popularity • 52% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 52% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Old Crow Medicine Show
Take 'Em Away
137 bpm • D Maj • 03:34 • -12.14db
48% Popularity • 72% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 72% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Oliver Wood
Soul of This Town
135 bpm • F# Maj • 04:14 • -6db
21% Popularity • 47% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
21% Popularity • 47% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Jeffrey Martin
The Middle
139 bpm • C Maj • 03:31 • -10.34db
36% Popularity • 67% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 54% Positiveness
36% Popularity • 67% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 54% Positiveness
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The Brothers Comatose
Working for Somebody Else
135 bpm • E Maj • 03:13 • -5.13db
30% Popularity • 64% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 64% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Shovels & Rope
Divide & Conquer
135 bpm • G Maj • 06:35 • -10.61db
13% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Nathaniel Rateliff
Brakeman
139 bpm • A# min • 02:17 • -10.73db
39% Popularity • 65% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 65% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Old Crow Medicine Show
New Mississippi Flag
139 bpm • C Maj • 03:01 • -8.55db
10% Popularity • 53% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 53% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Hiss Golden Messenger
Way Back in the Way Back
139 bpm • C Maj • 04:00 • -16db
30% Popularity • 63% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
30% Popularity • 63% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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TK & The Holy Know-Nothings
Laid Down & Cried
135 bpm • A Maj • 04:15 • -5.66db
11% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Amanda Shires
When You're Gone
140 bpm • G Maj • 03:06 • -12.54db
31% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Nikki Lane
Muddy Waters
135 bpm • B Maj • 03:11 • -7.11db
32% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Nathaniel Rateliff
It's Not Supposed To Be That Way
135 bpm • E Maj • 04:22 • -12.47db
23% Popularity • 45% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 45% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Joe Pug
Call It What You Will
134 bpm • E Maj • 02:56 • -8.61db
36% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Old Crow Medicine Show
Bombs Away
139 bpm • A Maj • 02:41 • -4.85db
20% Popularity • 47% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 47% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Jeremy Ivey
Things Could Get Much Worse
140 bpm • G Maj • 03:26 • -7db
8% Popularity • 54% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 54% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Dustbowl Revival
Beside You
140 bpm • B Maj • 06:32 • -14.84db
26% Popularity • 56% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
26% Popularity • 56% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Will Hoge
John Prine's Cadillac
140 bpm • A Maj • 03:21 • -6.63db
16% Popularity • 53% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 53% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Nathaniel Rateliff
Kissing Our Friends
139 bpm • C Maj • 03:03 • -12.44db
32% Popularity • 53% Danceability • 22% Energy • 23% Liveness
11% Instrumentalness • 26% Positiveness
32% Popularity • 53% Danceability • 22% Energy • 23% Liveness
11% Instrumentalness • 26% Positiveness
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Rayland Baxter
Hey Larocco
140 bpm • A# Maj • 04:29 • -5.92db
36% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Billy Strings
Love And Regret
140 bpm • E Maj • 04:15 • -10.62db
44% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Mipso
Red Eye to Raleigh
140 bpm • G Maj • 04:12 • -12db
34% Popularity • 59% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 59% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Ian Noe
One More Night
140 bpm • D# Maj • 03:27 • -13.97db
25% Popularity • 48% Danceability • 21% Energy • 12% Liveness
18% Instrumentalness • 23% Positiveness
25% Popularity • 48% Danceability • 21% Energy • 12% Liveness
18% Instrumentalness • 23% Positiveness
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Old Crow Medicine Show
Old Hickory
140 bpm • A Maj • 05:09 • -7db
37% Popularity • 62% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 62% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Nathaniel Rateliff
All Or Nothing
140 bpm • A Maj • 05:01 • -9.44db
36% Popularity • 45% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
36% Popularity • 45% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Particle Kid
Die When I'm High (Halfway to Heaven)
134 bpm • D Maj • 03:32 • -10.9db
30% Popularity • 53% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 53% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Punch Brothers
Orphan Annie
141 bpm • F Maj • 05:00 • -13.41db
29% Popularity • 60% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 60% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Willie Nelson
All Things Must Pass
133 bpm • A Maj • 03:36 • -9db
26% Popularity • 48% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 48% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Ian Noe
River Fool
141 bpm • C# Maj • 03:05 • -10db
39% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The New Basement Tapes
Six Months In Kansas City (Liberty Stree...
133 bpm • C Maj • 03:36 • -6.73db
20% Popularity • 44% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 44% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Bahamas
Half Your Love
133 bpm • A Maj • 02:23 • -7.03db
37% Popularity • 65% Danceability • 35% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
37% Popularity • 65% Danceability • 35% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
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Billy Strings
Secrets
133 bpm • E min • 04:43 • -7db
46% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Nathaniel Rateliff
Laughing
133 bpm • C Maj • 03:34 • -6.46db
28% Popularity • 76% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 76% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Montvales
Bad Faith
133 bpm • D Maj • 04:39 • -10.31db
14% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Tré Burt
By the Jasmine
142 bpm • E min • 03:14 • -7.31db
10% Popularity • 51% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 51% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Lula Wiles
Oh My God
132 bpm • A min • 04:38 • -7.07db
13% Popularity • 59% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
13% Popularity • 59% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Bahamas
Not Cool Anymore
133 bpm • F Maj • 02:05 • -6.31db
24% Popularity • 77% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
24% Popularity • 77% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
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Old Crow Medicine Show
Honey Chile
142 bpm • G Maj • 03:49 • -7.79db
16% Popularity • 33% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 33% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Nathaniel Rateliff
Kissing Our Friends - Live at Red Rocks ...
142 bpm • C Maj • 03:00 • -12.97db
14% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lilly Hiatt
The Last Tear
142 bpm • E Maj • 03:31 • -7.64db
23% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Shannon McNally
Black Rose
132 bpm • C Maj • 03:03 • -6.43db
11% Popularity • 63% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 63% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Michigan Rattlers
That Kind of Life
142 bpm • G Maj • 03:34 • -6.05db
25% Popularity • 53% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 53% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Amanda Shires
You Don't Get to Go
142 bpm • D min • 03:06 • -7.42db
12% Popularity • 64% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 64% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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The Wood Brothers
Luckiest Man
142 bpm • F Maj • 03:53 • -10.56db
56% Popularity • 57% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
56% Popularity • 57% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Mike Campbell & The Dirty Knobs
State Of Mind
142 bpm • G# Maj • 04:18 • -8.76db
22% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Bahamas
Can't Take You With Me
142 bpm • C Maj • 03:18 • -6.04db
17% Popularity • 52% Danceability • 90% Energy • 9% Liveness
70% Instrumentalness • 76% Positiveness
17% Popularity • 52% Danceability • 90% Energy • 9% Liveness
70% Instrumentalness • 76% Positiveness
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Shooter Jennings
Maybe California
142 bpm • G Maj • 04:47 • -5.78db
8% Popularity • 36% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
8% Popularity • 36% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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Charlie Parr
Last of the Better Days Ahead
131 bpm • C Maj • 03:11 • -4.55db
28% Popularity • 56% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 56% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Travis Meadows
Sideways
131 bpm • A Maj • 05:05 • -9db
32% Popularity • 52% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 52% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Mary Gauthier
Fall Apart World
143 bpm • A Maj • 04:37 • -9db
20% Popularity • 45% Danceability • 55% Energy • 11% Liveness
42% Instrumentalness • 71% Positiveness
20% Popularity • 45% Danceability • 55% Energy • 11% Liveness
42% Instrumentalness • 71% Positiveness
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Cordovas
Fine Life
144 bpm • F Maj • 02:35 • -6.27db
7% Popularity • 60% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 60% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Bahamas
Hockey Teeth
132 bpm • A# Maj • 02:34 • -6.36db
8% Popularity • 61% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 61% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Them Coulee Boys
Midnight Manifestos
131 bpm • D# Maj • 03:56 • -7db
21% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Purdy
Heartbreak in the Key of Roger Miller
144 bpm • C Maj • 03:25 • -16.11db
13% Popularity • 59% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 60% Positiveness
13% Popularity • 59% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 60% Positiveness
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The Wood Brothers
River Takes the Town
131 bpm • D Maj • 04:39 • -7db
33% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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TK & The Holy Know-Nothings
Hell of a Time
131 bpm • F Maj • 03:54 • -8.07db
19% Popularity • 50% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 50% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Parker Millsap
Dammit
144 bpm • D Maj • 04:09 • -7.4db
14% Popularity • 64% Danceability • 66% Energy • 8% Liveness
46% Instrumentalness • 44% Positiveness
14% Popularity • 64% Danceability • 66% Energy • 8% Liveness
46% Instrumentalness • 44% Positiveness
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Dustbowl Revival
The Exception
144 bpm • A# Maj • 04:07 • -7db
30% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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![Wargasm [Feat. RMR] cover art](https://i.scdn.co/image/ab67616d00001e022b249fba81ea08b00b820847)
Billy Strings
Wargasm [RMR]
144 bpm • E min • 05:04 • -6.63db
41% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Parr
Over the Red Cedar
144 bpm • G# Maj • 04:19 • -10db
39% Popularity • 48% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 48% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Matthew Caws
Down To The Valley
130 bpm • A Maj • 03:30 • -5.37db
3% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
3% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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TK & The Holy Know-Nothings
Tunnel of a Dream
144 bpm • E Maj • 06:50 • -9.39db
15% Popularity • 51% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
15% Popularity • 51% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Rayland Baxter
The Woman For Me
144 bpm • F# Maj • 04:34 • -11.55db
33% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Wood Brothers
Lovin' Arms
130 bpm • E Maj • 03:20 • -10db
40% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Billy Strings
Globe
130 bpm • E Maj • 03:40 • -15.16db
24% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Jeremie Albino
The Night Was Young
130 bpm • G Maj • 04:05 • -3.9db
17% Popularity • 47% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 47% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Watchhouse
Lonely Love Affair
129 bpm • A Maj • 04:05 • -9.97db
30% Popularity • 62% Danceability • 55% Energy • 9% Liveness
22% Instrumentalness • 38% Positiveness
30% Popularity • 62% Danceability • 55% Energy • 9% Liveness
22% Instrumentalness • 38% Positiveness
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Hiss Golden Messenger
Hardlytown
145 bpm • C# Maj • 03:17 • -10.93db
38% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Sean Rowe
Squid Tattoo
145 bpm • B Maj • 04:30 • -6db
21% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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The New Basement Tapes
Duncan And Jimmy
129 bpm • G Maj • 04:09 • -7.12db
23% Popularity • 40% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 40% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Billy Strings
Heartbeat Of America
145 bpm • F# min • 06:21 • -9.66db
40% Popularity • 33% Danceability • 54% Energy • 18% Liveness
6% Instrumentalness • 53% Positiveness
40% Popularity • 33% Danceability • 54% Energy • 18% Liveness
6% Instrumentalness • 53% Positiveness
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Buddy Miller
Angel From Montgomery
129 bpm • F Maj • 04:47 • -11.76db
43% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Charlie Parr
817 Oakland Avenue
129 bpm • A Maj • 04:19 • -8db
28% Popularity • 45% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 45% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Bob Schneider
In a Roomful of Blood with a Sleeping Ti...
146 bpm • C Maj • 03:47 • -7.42db
18% Popularity • 62% Danceability • 64% Energy • 8% Liveness
59% Instrumentalness • 64% Positiveness
18% Popularity • 62% Danceability • 64% Energy • 8% Liveness
59% Instrumentalness • 64% Positiveness
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Robert Ellis
Topo Chico
128 bpm • C Maj • 03:04 • -8.88db
35% Popularity • 66% Danceability • 57% Energy • 96% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 66% Danceability • 57% Energy • 96% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Aaron Raitiere
Single Wide Dreamer
146 bpm • F# Maj • 03:32 • -7.56db
19% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Willie Nelson
Energy Follows Thought
128 bpm • F Maj • 03:17 • -13.89db
32% Popularity • 41% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 41% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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James McMurtry
Just Us Kids
128 bpm • F Maj • 05:08 • -7db
37% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Nathaniel Rateliff
Still Trying - Live at Red Rocks / Septe...
147 bpm • B Maj • 05:00 • -11.48db
16% Popularity • 32% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 23% Positiveness
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Waylon Payne
7:28
147 bpm • E Maj • 04:02 • -8.99db
6% Popularity • 58% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 58% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Margo Cilker
That River
127 bpm • C Maj • 03:09 • -9db
9% Popularity • 65% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 65% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Blitzen Trapper
Big Black Bird
148 bpm • G Maj • 02:47 • -5db
37% Popularity • 65% Danceability • 79% Energy • 11% Liveness
10% Instrumentalness • 90% Positiveness
37% Popularity • 65% Danceability • 79% Energy • 11% Liveness
10% Instrumentalness • 90% Positiveness
► Preview
The New Basement Tapes
Down On The Bottom
148 bpm • C Maj • 04:28 • -9db
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 57% Positiveness
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 57% Positiveness
► Preview
James McMurtry
Lights of Cheyenne
148 bpm • G# Maj • 06:40 • -11db
29% Popularity • 36% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 36% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Nathaniel Rateliff
When Do You See
127 bpm • A# Maj • 03:39 • -18.45db
29% Popularity • 58% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 58% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Robert Ellis
Drivin'
126 bpm • D Maj • 02:46 • -6db
40% Popularity • 61% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 68% Positiveness
40% Popularity • 61% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 68% Positiveness
