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Songs like
Prick
by
Oliver Jordan
Based on a tempo of (+/- 10%) and a similar genre
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Taxi Lotta
Vinyls From Nico
140 bpm • B min • 03:51 • -8.25db
15% Popularity • 56% Danceability • 74% Energy • 37% Liveness
92% Instrumentalness • 68% Positiveness
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Sonya
Let Me Bleed & Melt
140 bpm • B Maj • 02:49 • -12.2db
21% Popularity • 70% Danceability • 63% Energy • 53% Liveness
84% Instrumentalness • 64% Positiveness
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Express Therapy
Fast Life
140 bpm • A# Maj • 02:42 • -6.63db
17% Popularity • 60% Danceability • 70% Energy • 48% Liveness
6% Instrumentalness • 50% Positiveness
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Horsebeach
Things To Keep Alive
140 bpm • C# min • 04:38 • -7.63db
24% Popularity • 43% Danceability • 91% Energy • 12% Liveness
85% Instrumentalness • 35% Positiveness
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Nether
Narkosonic
140 bpm • G# Maj • 03:48 • -9.62db
10% Popularity • 47% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Oliver Jordan
Grade A Student
140 bpm • C# Maj • 02:05 • -7.93db
2% Popularity • 50% Danceability • 88% Energy • 5% Liveness
68% Instrumentalness • 28% Positiveness
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Full Body 2
ador//ation - Audiotree Live version
140 bpm • C min • 03:51 • -6.08db
20% Popularity • 37% Danceability • 96% Energy • 33% Liveness
97% Instrumentalness • 16% Positiveness
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Catica
Russian Doll
140 bpm • G# min • 03:14 • -6.23db
29% Popularity • 63% Danceability • 86% Energy • 14% Liveness
32% Instrumentalness • 57% Positiveness
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Red October
Windows
140 bpm • B min • 02:20 • -11.62db
7% Popularity • 66% Danceability • 63% Energy • 22% Liveness
72% Instrumentalness • 40% Positiveness
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Bejroom
Cut Me Loose
140 bpm • C Maj • 02:34 • -6.85db
22% Popularity • 61% Danceability • 80% Energy • 9% Liveness
29% Instrumentalness • 70% Positiveness
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Social Wave
Gone
140 bpm • G Maj • 03:53 • -12.57db
13% Popularity • 54% Danceability • 60% Energy • 13% Liveness
46% Instrumentalness • 47% Positiveness
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The Melodrones
Eyelash Wishes
140 bpm • D Maj • 03:38 • -8.43db
23% Popularity • 52% Danceability • 72% Energy • 10% Liveness
50% Instrumentalness • 20% Positiveness
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Unwed Sailor
Final Feather
140 bpm • G# Maj • 04:13 • -5.87db
14% Popularity • 55% Danceability • 92% Energy • 8% Liveness
70% Instrumentalness • 89% Positiveness
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Oliver Jordan
Undark
140 bpm • B min • 04:35 • -6.35db
2% Popularity • 37% Danceability • 94% Energy • 28% Liveness
2% Instrumentalness • 30% Positiveness
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We Are Only Human Once
All i know
140 bpm • D# Maj • 02:12 • -8.48db
11% Popularity • 48% Danceability • 78% Energy • 16% Liveness
78% Instrumentalness • 89% Positiveness
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Full Body 2
wonder limit - Audiotree Live version
140 bpm • A Maj • 03:19 • -6.24db
19% Popularity • 28% Danceability • 87% Energy • 35% Liveness
68% Instrumentalness • 14% Positiveness
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Mono Mochi
Wild Thyme
140 bpm • A# Maj • 05:27 • -9.13db
18% Popularity • 48% Danceability • 83% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
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salamander
the 100th meridian
140 bpm • A min • 05:51 • -6.97db
10% Popularity • 30% Danceability • 60% Energy • 9% Liveness
38% Instrumentalness • 13% Positiveness
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Bedolina
C'mon Fun
140 bpm • A# Maj • 06:12 • -6db
13% Popularity • 28% Danceability • 69% Energy • 29% Liveness
2% Instrumentalness • 16% Positiveness
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Oliver Jordan
Prick
140 bpm • A# min • 02:34 • -5.27db
2% Popularity • 54% Danceability • 95% Energy • 38% Liveness
36% Instrumentalness • 82% Positiveness
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James Willows
Black Of The Dead Night
140 bpm • A min • 03:20 • -4.23db
9% Popularity • 44% Danceability • 86% Energy • 37% Liveness
87% Instrumentalness • 48% Positiveness
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DanielTidwell14
Rose Into The Night
140 bpm • C min • 04:02 • -7.58db
13% Popularity • 64% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Lennon Crichton
Finish Transmit
141 bpm • C Maj • 04:42 • -17.01db
30% Popularity • 40% Danceability • 41% Energy • 42% Liveness
22% Instrumentalness • 13% Positiveness
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RNIE
Century III
140 bpm • A min • 01:52 • -6.91db
26% Popularity • 45% Danceability • 79% Energy • 20% Liveness
17% Instrumentalness • 29% Positiveness
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bottombunk
Bottom Bunk
139 bpm • A Maj • 03:47 • -10.65db
18% Popularity • 62% Danceability • 63% Energy • 36% Liveness
88% Instrumentalness • 80% Positiveness
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Oliver Jordan
The Government Wants You Dead
140 bpm • B min • 02:08 • -6.73db
3% Popularity • 42% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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The Infinites
The Bureaucrat
141 bpm • G Maj • 02:05 • -7.88db
15% Popularity • 34% Danceability • 84% Energy • 47% Liveness
23% Instrumentalness • 54% Positiveness
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Airhockey
Something
141 bpm • G# min • 02:34 • -10.83db
9% Popularity • 54% Danceability • 71% Energy • 8% Liveness
3% Instrumentalness • 56% Positiveness
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six days after christmas
let my sorrow live on
139 bpm • G Maj • 01:08 • -8.46db
37% Popularity • 31% Danceability • 62% Energy • 13% Liveness
88% Instrumentalness • 9% Positiveness
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The Loved Drones
Robot Rising
141 bpm • E Maj • 03:46 • -10.56db
19% Popularity • 60% Danceability • 79% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Slippery Rick
Concrete
141 bpm • C Maj • 02:38 • -8.77db
12% Popularity • 43% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Oliver Jordan
Take the Tranquilizer
140 bpm • D min • 02:29 • -6.89db
6% Popularity • 43% Danceability • 99% Energy • 11% Liveness
74% Instrumentalness • 62% Positiveness
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West Wickhams
I am Sparkling Cyanide
138 bpm • E Maj • 03:27 • -8.83db
9% Popularity • 53% Danceability • 72% Energy • 9% Liveness
78% Instrumentalness • 52% Positiveness
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Fig
Stay Away From New York City
138 bpm • D Maj • 04:30 • -5.47db
12% Popularity • 46% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Oeil
After the Rain
138 bpm • G# Maj • 02:47 • -3.38db
21% Popularity • 41% Danceability • 74% Energy • 7% Liveness
84% Instrumentalness • 56% Positiveness
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Ricky Hell
Roadmaster
137 bpm • A Maj • 01:58 • -10db
16% Popularity • 51% Danceability • 90% Energy • 29% Liveness
57% Instrumentalness • 66% Positiveness
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Scenic Youth
World With Me
142 bpm • C Maj • 03:17 • -7.98db
16% Popularity • 55% Danceability • 84% Energy • 10% Liveness
75% Instrumentalness • 72% Positiveness
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Oliver Jordan
Slow Virus
139 bpm • E min • 02:45 • -14.31db
2% Popularity • 34% Danceability • 23% Energy • 20% Liveness
8% Instrumentalness • 30% Positiveness
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Body/Negative
Song To The Siren
137 bpm • A# Maj • 03:52 • -10.96db
11% Popularity • 38% Danceability • 52% Energy • 15% Liveness
93% Instrumentalness • 21% Positiveness
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Sainthill
The Black Bull
143 bpm • C Maj • 03:55 • -10.56db
14% Popularity • 49% Danceability • 51% Energy • 7% Liveness
73% Instrumentalness • 35% Positiveness
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Petrol
George VI ("Little Joey")
137 bpm • A Maj • 02:29 • -6.53db
21% Popularity • 48% Danceability • 75% Energy • 29% Liveness
74% Instrumentalness • 79% Positiveness
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Bernhard Eder
Touropa
144 bpm • A Maj • 05:17 • -9.12db
14% Popularity • 59% Danceability • 69% Energy • 34% Liveness
76% Instrumentalness • 69% Positiveness
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Hundred Plus Club
Gobsmacked
144 bpm • A min • 03:27 • -4.51db
13% Popularity • 48% Danceability • 88% Energy • 28% Liveness
90% Instrumentalness • 43% Positiveness
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Oliver Jordan
More
138 bpm • E min • 03:52 • -15.49db
2% Popularity • 40% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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John Bones
Taking Over
144 bpm • G min • 03:56 • -12.29db
15% Popularity • 71% Danceability • 29% Energy • 38% Liveness
7% Instrumentalness • 6% Positiveness
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Tim Joshua
Another Way To Harm You
136 bpm • C min • 02:23 • -9.02db
26% Popularity • 67% Danceability • 65% Energy • 25% Liveness
19% Instrumentalness • 28% Positiveness
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The BV's
d../
136 bpm • D Maj • 06:59 • -11.64db
11% Popularity • 37% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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No Desire
Try Aging
145 bpm • A Maj • 03:50 • -8.94db
12% Popularity • 49% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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Glas
Hungry Moon
136 bpm • A Maj • 03:23 • -7.99db
10% Popularity • 62% Danceability • 62% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
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The Lonely
Trees Will Grow Again
145 bpm • C Maj • 03:42 • -5.77db
12% Popularity • 38% Danceability • 92% Energy • 32% Liveness
77% Instrumentalness • 51% Positiveness
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underlay
Through Your Teeth
145 bpm • F Maj • 03:31 • -6.49db
11% Popularity • 43% Danceability • 85% Energy • 36% Liveness
61% Instrumentalness • 63% Positiveness
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Bonnethead
Night Time
135 bpm • E Maj • 03:22 • -8.12db
11% Popularity • 32% Danceability • 65% Energy • 47% Liveness
41% Instrumentalness • 30% Positiveness
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Aline
La rivière est profonde
145 bpm • B Maj • 03:29 • -8.4db
15% Popularity • 58% Danceability • 72% Energy • 10% Liveness
76% Instrumentalness • 64% Positiveness
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VVAS
Seconds
145 bpm • A Maj • 03:22 • -7.14db
11% Popularity • 70% Danceability • 79% Energy • 12% Liveness
78% Instrumentalness • 96% Positiveness
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Oliver Jordan
Straightjacket
135 bpm • C# min • 03:00 • -7.93db
2% Popularity • 36% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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THE UPSTAIRS DISTRICT
IN COLOR
135 bpm • G# min • 03:57 • -6.65db
9% Popularity • 57% Danceability • 81% Energy • 13% Liveness
6% Instrumentalness • 52% Positiveness
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NNOPE
The Place Where Lions Weep
135 bpm • A# Maj • 03:47 • -4.34db
8% Popularity • 48% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Foxey
Misery
135 bpm • G Maj • 03:12 • -6.95db
12% Popularity • 43% Danceability • 81% Energy • 69% Liveness
81% Instrumentalness • 57% Positiveness
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Cathedral Bells
I Don't Care Anymore - Audiotree Live ve...
135 bpm • E Maj • 04:51 • -6.62db
7% Popularity • 49% Danceability • 90% Energy • 17% Liveness
91% Instrumentalness • 40% Positiveness
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Social Station
My Baltimore
135 bpm • B min • 03:38 • -6.92db
10% Popularity • 68% Danceability • 54% Energy • 20% Liveness
66% Instrumentalness • 79% Positiveness
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Von Veh
Unreal
135 bpm • C# min • 05:16 • -9.13db
35% Popularity • 50% Danceability • 93% Energy • 24% Liveness
1% Instrumentalness • 20% Positiveness
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MatAre
Ames Window
135 bpm • A min • 03:48 • -7.41db
24% Popularity • 50% Danceability • 80% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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The Velvet Doors
You're My Cocaine
146 bpm • A# Maj • 02:40 • -4.17db
29% Popularity • 57% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Single Lash
Sugar Armadillo
146 bpm • D Maj • 02:25 • -7.28db
13% Popularity • 45% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
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Slow Cruise
Lost In Space
146 bpm • D Maj • 04:33 • -9.91db
10% Popularity • 43% Danceability • 54% Energy • 8% Liveness
73% Instrumentalness • 20% Positiveness
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Torrey
Happy You Exist
134 bpm • C# Maj • 03:16 • -7.03db
16% Popularity • 39% Danceability • 82% Energy • 16% Liveness
76% Instrumentalness • 29% Positiveness
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Black Nite Crash
Nature of Sound
146 bpm • G Maj • 04:24 • -6.46db
8% Popularity • 45% Danceability • 63% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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Nate Hufford
Time on the Other Hand
134 bpm • G Maj • 03:49 • -8.64db
2% Popularity • 48% Danceability • 80% Energy • 10% Liveness
56% Instrumentalness • 46% Positiveness
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Keaper
The Painting
134 bpm • F Maj • 03:55 • -8.69db
16% Popularity • 50% Danceability • 74% Energy • 19% Liveness
8% Instrumentalness • 37% Positiveness
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Experiment 637
Bendy One
134 bpm • G Maj • 04:21 • -8.25db
11% Popularity • 40% Danceability • 65% Energy • 10% Liveness
66% Instrumentalness • 16% Positiveness
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Mostly Trees
Fears
134 bpm • F min • 03:05 • -6.78db
11% Popularity • 60% Danceability • 69% Energy • 23% Liveness
47% Instrumentalness • 65% Positiveness
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KROKODILES
Starving
134 bpm • E min • 03:45 • -7.9db
12% Popularity • 56% Danceability • 85% Energy • 9% Liveness
64% Instrumentalness • 36% Positiveness
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Opus Orange
Ten Years and Change
134 bpm • D Maj • 03:19 • -7.19db
23% Popularity • 65% Danceability • 92% Energy • 20% Liveness
12% Instrumentalness • 83% Positiveness
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ischia
sleep
147 bpm • F# Maj • 02:51 • -5.28db
19% Popularity • 46% Danceability • 84% Energy • 29% Liveness
92% Instrumentalness • 71% Positiveness
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Oliver Jordan
Mexican Standoff
133 bpm • F Maj • 02:59 • -6.66db
3% Popularity • 24% Danceability • 100% Energy • 44% Liveness
10% Instrumentalness • 3% Positiveness
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Tsaffire
Fatal Attraction
147 bpm • F# min • 03:12 • -4.69db
15% Popularity • 59% Danceability • 90% Energy • 30% Liveness
59% Instrumentalness • 82% Positiveness
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Past Hours
Street Lights
133 bpm • A Maj • 03:56 • -6.54db
11% Popularity • 58% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 28% Positiveness
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Spywell
All around you
133 bpm • C# Maj • 04:09 • -7.81db
18% Popularity • 52% Danceability • 78% Energy • 17% Liveness
91% Instrumentalness • 29% Positiveness
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Sun-Rot
Empty Suburbs
133 bpm • C min • 04:31 • -4.39db
8% Popularity • 57% Danceability • 84% Energy • 17% Liveness
90% Instrumentalness • 53% Positiveness
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POL
Before the Light
133 bpm • G Maj • 03:56 • -5.9db
10% Popularity • 40% Danceability • 74% Energy • 10% Liveness
49% Instrumentalness • 29% Positiveness
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VELCROS
Fading Too
148 bpm • C# min • 02:46 • -12.91db
10% Popularity • 44% Danceability • 54% Energy • 15% Liveness
95% Instrumentalness • 31% Positiveness
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Secret Cameras
Scientific
148 bpm • C# Maj • 04:38 • -7.21db
23% Popularity • 39% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 18% Positiveness
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Irish Basement
You Are the Wind
148 bpm • C Maj • 02:22 • -7.49db
28% Popularity • 51% Danceability • 74% Energy • 9% Liveness
39% Instrumentalness • 70% Positiveness
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Croaker
Everyone I Like
148 bpm • F# Maj • 03:01 • -7.9db
11% Popularity • 47% Danceability • 82% Energy • 16% Liveness
95% Instrumentalness • 60% Positiveness
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Snacks
Pink Water
132 bpm • B Maj • 02:29 • -8.7db
11% Popularity • 68% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 74% Positiveness
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Tom Yanis
Like This
148 bpm • G Maj • 02:55 • -7.56db
9% Popularity • 56% Danceability • 74% Energy • 30% Liveness
81% Instrumentalness • 45% Positiveness
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Bedolina
The Zoo
148 bpm • E Maj • 05:03 • -8.31db
13% Popularity • 58% Danceability • 65% Energy • 12% Liveness
62% Instrumentalness • 34% Positiveness
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Too Many Suns
Parallels
148 bpm • A Maj • 07:03 • -9.92db
13% Popularity • 34% Danceability • 67% Energy • 16% Liveness
89% Instrumentalness • 16% Positiveness
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Lazy Ghost
EAT YOU ALIVE
132 bpm • A Maj • 03:11 • -8.11db
27% Popularity • 71% Danceability • 67% Energy • 9% Liveness
4% Instrumentalness • 70% Positiveness
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Scenic Youth
Kissing the Bright (Caffeine)
148 bpm • A Maj • 03:38 • -9.44db
55% Popularity • 55% Danceability • 78% Energy • 9% Liveness
39% Instrumentalness • 66% Positiveness
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Bernhard Eder
Golden Days
132 bpm • C Maj • 05:20 • -9.08db
12% Popularity • 60% Danceability • 70% Energy • 9% Liveness
72% Instrumentalness • 36% Positiveness
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Good Morning
As The Dogs Were Playing
132 bpm • C Maj • 02:12 • -10.64db
28% Popularity • 45% Danceability • 43% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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One Sentence. Supervisor
((mush))
149 bpm • C# Maj • 04:36 • -7.6db
10% Popularity • 37% Danceability • 61% Energy • 12% Liveness
96% Instrumentalness • 56% Positiveness
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Ladye
Mary
131 bpm • G# Maj • 02:53 • -7.04db
12% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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C Turtle
Expensive Thrills
131 bpm • E Maj • 04:04 • -9.5db
20% Popularity • 21% Danceability • 52% Energy • 17% Liveness
96% Instrumentalness • 33% Positiveness
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A Days Wait
Wake Up Call
150 bpm • G Maj • 02:41 • -8.28db
29% Popularity • 50% Danceability • 67% Energy • 19% Liveness
5% Instrumentalness • 10% Positiveness
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Cathedral Bells
Spiral
150 bpm • C Maj • 03:21 • -3.86db
32% Popularity • 50% Danceability • 85% Energy • 12% Liveness
10% Instrumentalness • 89% Positiveness
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Sparkling Cyanide
Serrated Eyes
150 bpm • A# Maj • 04:31 • -9.89db
14% Popularity • 38% Danceability • 78% Energy • 10% Liveness
74% Instrumentalness • 68% Positiveness
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Jesse D'Kora
velvet mist
150 bpm • A min • 03:34 • -9.03db
10% Popularity • 46% Danceability • 70% Energy • 11% Liveness
52% Instrumentalness • 34% Positiveness
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TTSSFU
Character
150 bpm • E min • 02:10 • -7.77db
31% Popularity • 42% Danceability • 78% Energy • 15% Liveness
60% Instrumentalness • 26% Positiveness
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Prick