Songs like Prince Igor, Act II: Polovtsian Dances, Dance II by Alexander Borodin
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Orchestre de la Suisse Romande
Otto e mezzo
75 bpm • G Maj • 05:03 • -21.26db
21% Popularity • 21% Danceability • 10% Energy • 68% Liveness
62% Instrumentalness • 15% Positiveness
21% Popularity • 21% Danceability • 10% Energy • 68% Liveness
62% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
75 bpm • E Maj • 10:55 • -28.56db
38% Popularity • 11% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 11% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Johann Adolf Hasse
Hasse: Sanctus Petrus et Sancta Maria Ma...
75 bpm • D Maj • 06:48 • -14.93db
34% Popularity • 24% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
34% Popularity • 24% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
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Hector Berlioz
Les Troyens, Op. 29, H 133, Act V: No. 3...
75 bpm • G min • 05:35 • -24db
30% Popularity • 12% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: Pilgrims Chorus
75 bpm • D# Maj • 04:35 • -23.15db
19% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act IV: L'h...
75 bpm • F Maj • 02:00 • -24.93db
19% Popularity • 23% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 23% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
31% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Sposa son disprezzata
74 bpm • F min • 05:50 • -30.4db
35% Popularity • 18% Danceability • 1% Energy • 6% Liveness
20% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 1% Energy • 6% Liveness
20% Instrumentalness • 5% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
31% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
31% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, Op. 14, ...
74 bpm • A Maj • 06:44 • -18.12db
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VII. Libera me
74 bpm • D min • 04:49 • -20db
36% Popularity • 15% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
36% Popularity • 15% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 2. Bailer...
76 bpm • A# Maj • 05:14 • -21.65db
23% Popularity • 10% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 10% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Schubert
Schubert: Auf dem Wasser zu singen, Op. ...
74 bpm • G# min • 03:42 • -19.92db
22% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Alexander Borodin
Nocturne (Arr. Cullen for Cello and Orch...
76 bpm • A Maj • 04:05 • -27db
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
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Academy of St. Martin in the Fields
Adagio En Sol Mineur
74 bpm • C min • 08:52 • -12db
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
76 bpm • C# Maj • 02:44 • -23db
46% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
46% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VIII. In Paradisum
74 bpm • D Maj • 03:18 • -25.56db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Introit: Req...
74 bpm • D min • 05:02 • -21.82db
32% Popularity • 7% Danceability • 13% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 13% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Alexander Borodin
Overture Prince Igor
76 bpm • A# Maj • 10:48 • -18db
14% Popularity • 12% Danceability • 22% Energy • 6% Liveness
85% Instrumentalness • 9% Positiveness
14% Popularity • 12% Danceability • 22% Energy • 6% Liveness
85% Instrumentalness • 9% Positiveness
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Gustav Mahler
Rückert-Lieder: Ich bin der Welt abhand...
77 bpm • C min • 07:18 • -32.53db
10% Popularity • 13% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11
73 bpm • C# Maj • 05:18 • -17.16db
40% Popularity • 7% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 7% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
53% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
53% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
74 bpm • F Maj • 01:15 • -18db
20% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
20% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: V. Agnus Dei
77 bpm • F Maj • 05:36 • -23.26db
21% Popularity • 7% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 7% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Francis Poulenc
Les chemins de l'amour, FP 106
77 bpm • C# Maj • 03:59 • -23db
18% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 25% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 2, ...
73 bpm • E Maj • 02:18 • -24db
15% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
35% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
35% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": VII...
77 bpm • D Maj • 04:27 • -17.3db
11% Popularity • 16% Danceability • 30% Energy • 11% Liveness
52% Instrumentalness • 26% Positiveness
11% Popularity • 16% Danceability • 30% Energy • 11% Liveness
52% Instrumentalness • 26% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act I
73 bpm • A Maj • 09:19 • -29.65db
23% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, R.630: 1. Nulla in m...
73 bpm • D# Maj • 02:48 • -14.01db
23% Popularity • 29% Danceability • 16% Energy • 33% Liveness
1% Instrumentalness • 9% Positiveness
23% Popularity • 29% Danceability • 16% Energy • 33% Liveness
1% Instrumentalness • 9% Positiveness
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Henry Purcell
When I Am Laid In Earth (Dido's Lament)
72 bpm • F# min • 04:41 • -24.75db
26% Popularity • 21% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
77 bpm • A min • 07:55 • -22.92db
8% Popularity • 7% Danceability • 4% Energy • 15% Liveness
81% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 4% Energy • 15% Liveness
81% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Version with Cho...
78 bpm • F# min • 05:39 • -27.47db
28% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
28% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Slovak Philharmonic Chorus
Die Entfuhrung Aus Dem Serail (Abduction...
72 bpm • D min • 01:26 • -17db
44% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Giulio Caccini
Amarilli mia bella
72 bpm • G min • 03:08 • -26.37db
28% Popularity • 29% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 29% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Erik Satie
Je te veux
78 bpm • C Maj • 04:19 • -16.82db
17% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 1, Sea ...
78 bpm • C Maj • 05:02 • -24.98db
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Alexander Borodin
Borodin: Prince Igor, Act II, Polovtsian...
77 bpm • A Maj • 02:34 • -26.99db
14% Popularity • 10% Danceability • 4% Energy • 14% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 4% Energy • 14% Liveness
26% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: I. Stabat mater do...
72 bpm • A min • 04:50 • -24db
20% Popularity • 7% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Luke Faulkner
Polovtsian Dances from Prince Igor (pian...
72 bpm • A Maj • 02:52 • -21.35db
46% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
46% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Richard Strauss
Four Last Songs, TrV 296: III. Beim Schl...
78 bpm • C# Maj • 05:29 • -20.78db
12% Popularity • 11% Danceability • 8% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 8% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 5, Op. 107, "Reformation": ...
72 bpm • G min • 03:35 • -30.15db
14% Popularity • 19% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
78 bpm • F min • 10:43 • -20.71db
32% Popularity • 24% Danceability • 14% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 14% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor: Polovtsian Dances (Remaster...
78 bpm • A Maj • 02:23 • -23.28db
26% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Gabriel Fauré
Fauré: Requiem, Op. 48: I. Introït et ...
72 bpm • D min • 06:34 • -25.09db
26% Popularity • 12% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Henri Vieuxtemps
Violin Concerto No. 4 in D Minor, Op. 31...
78 bpm • D Maj • 08:35 • -18.75db
12% Popularity • 30% Danceability • 19% Energy • 7% Liveness
21% Instrumentalness • 18% Positiveness
12% Popularity • 30% Danceability • 19% Energy • 7% Liveness
21% Instrumentalness • 18% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 1...
72 bpm • B Maj • 01:32 • -17.16db
15% Popularity • 57% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 55% Positiveness
15% Popularity • 57% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 55% Positiveness
► Preview
Leonard Bernstein
Bernstein: Divertimento for Orchestra: I...
72 bpm • G Maj • 02:23 • -33db
22% Popularity • 8% Danceability • 2% Energy • 23% Liveness
8% Instrumentalness • 18% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 23% Liveness
8% Instrumentalness • 18% Positiveness
► Preview
Alexander Borodin
Prince Igor: Act II. Polovtsian Dance
73 bpm • D Maj • 11:07 • -19.73db
0% Popularity • 12% Danceability • 11% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 11% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Reynaldo Hahn
L'Heure exquise
79 bpm • C# Maj • 02:28 • -33.12db
25% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
79 bpm • C min • 09:59 • -22.25db
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": V. ...
71 bpm • D# Maj • 04:51 • -26.07db
12% Popularity • 15% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Gabriel Fauré
Fauré: Cantique de Jean Racine, Op. 11
79 bpm • C# Maj • 04:53 • -22.46db
29% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Borodin: Prince Igor, Act II: Polovtsian...
72 bpm • D Maj • 03:52 • -19.46db
29% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
29% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
34% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Derek Lee Ragin
Idaspe: Ombra fedela anch'io (Air de Dar...
71 bpm • C# Maj • 09:36 • -23db
27% Popularity • 18% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
27% Popularity • 18% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly, Op. 97: 3. Youth (Romance)
79 bpm • C# Maj • 02:38 • -19.45db
16% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Ave Maria, "Ellens Gesang III", D839 - E...
71 bpm • A# Maj • 02:41 • -29.42db
26% Popularity • 24% Danceability • 3% Energy • 8% Liveness
39% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 3% Energy • 8% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: V. Pie Jesus
79 bpm • A# Maj • 03:15 • -29.78db
22% Popularity • 14% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
John Barry
Agnus Dei (based on ADAGIO for Strings)
71 bpm • A# min • 10:51 • -27.78db
34% Popularity • 14% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Alexander Borodin
Romance
71 bpm • C# min • 03:34 • -20.04db
6% Popularity • 29% Danceability • 17% Energy • 8% Liveness
68% Instrumentalness • 18% Positiveness
6% Popularity • 29% Danceability • 17% Energy • 8% Liveness
68% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620, Act II: No. 14...
71 bpm • F Maj • 02:54 • -17.95db
40% Popularity • 55% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
40% Popularity • 55% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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George Gershwin
Porgy and Bess, Act I: Summertime
79 bpm • F# min • 02:40 • -19.78db
18% Popularity • 15% Danceability • 11% Energy • 7% Liveness
48% Instrumentalness • 8% Positiveness
18% Popularity • 15% Danceability • 11% Energy • 7% Liveness
48% Instrumentalness • 8% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: Una furtiva la...
80 bpm • A# min • 04:52 • -19db
24% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Alexander Borodin
Prince Igor (1998 Digital Remaster), PRO...
79 bpm • A# min • 01:11 • -27.37db
0% Popularity • 20% Danceability • 3% Energy • 14% Liveness
64% Instrumentalness • 22% Positiveness
0% Popularity • 20% Danceability • 3% Energy • 14% Liveness
64% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
47% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
47% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
70 bpm • C# Maj • 01:52 • -14.77db
32% Popularity • 49% Danceability • 32% Energy • 20% Liveness
55% Instrumentalness • 30% Positiveness
32% Popularity • 49% Danceability • 32% Energy • 20% Liveness
55% Instrumentalness • 30% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
80 bpm • F min • 04:38 • -28.71db
43% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Introduction and Allegro, Op. 47:...
80 bpm • C min • 03:14 • -18db
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 3: "Sul...
80 bpm • A# Maj • 03:30 • -22.48db
43% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Ciganské melodie (Gypsy Melodies), Op. ...
80 bpm • B Maj • 02:41 • -21.56db
14% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Canteloube: Chants d'Auvergne, Vol. 1: N...
80 bpm • C min • 05:37 • -16.35db
15% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
15% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole in D minor, Op...
80 bpm • D min • 07:46 • -18.16db
14% Popularity • 28% Danceability • 14% Energy • 10% Liveness
19% Instrumentalness • 30% Positiveness
14% Popularity • 28% Danceability • 14% Energy • 10% Liveness
19% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
The Abduction from the Seraglio, K. 384,...
80 bpm • C Maj • 01:24 • -9.32db
26% Popularity • 40% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 40% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
70 bpm • E min • 08:09 • -23.87db
33% Popularity • 16% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
80 bpm • E min • 04:12 • -22.46db
32% Popularity • 12% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: IV. Cum dederit
80 bpm • G min • 05:10 • -30.22db
44% Popularity • 13% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Georgy Sviridov
The Snowstorm: II. Waltz
70 bpm • A Maj • 03:56 • -17.19db
37% Popularity • 19% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 19% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor), Act II: Aria: ...
81 bpm • A# min • 07:40 • -14.67db
6% Popularity • 18% Danceability • 28% Energy • 10% Liveness
43% Instrumentalness • 7% Positiveness
6% Popularity • 18% Danceability • 28% Energy • 10% Liveness
43% Instrumentalness • 7% Positiveness
