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Prince of Tears
Songs like
Prince of Tears
by
Baxter Dury
Based on a tempo of (+/- 10%) and a similar genre
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Baxter Dury
Prince of Tears
148 bpm • G# min • 03:05 • -8db
34% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Nomates
blue bones (deathwish)
148 bpm • A Maj • 03:18 • -10db
38% Popularity • 68% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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ESG
You Make No Sense
148 bpm • G Maj • 02:22 • -10db
39% Popularity • 74% Danceability • 70% Energy • 12% Liveness
3% Instrumentalness • 68% Positiveness
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The The
I WANT 2 B U
148 bpm • G# Maj • 03:20 • -9.71db
35% Popularity • 47% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 41% Positiveness
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Jane Weaver
Sunset Dreams
147 bpm • E min • 04:27 • -7.8db
22% Popularity • 61% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Belle and Sebastian
Legal Man
147 bpm • G# Maj • 02:42 • -6.69db
42% Popularity • 44% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Baxter Dury
White Men
147 bpm • F# Maj • 03:55 • -13.04db
28% Popularity • 50% Danceability • 40% Energy • 11% Liveness
65% Instrumentalness • 22% Positiveness
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Arab Strap
The First Big Weekend
147 bpm • D Maj • 04:52 • -15db
36% Popularity • 71% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Young Fathers
See How
146 bpm • G# Maj • 02:01 • -9db
45% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Working Men's Club
Bad Blood
150 bpm • A Maj • 03:50 • -3.98db
27% Popularity • 68% Danceability • 83% Energy • 6% Liveness
8% Instrumentalness • 96% Positiveness
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Future Islands
Light House
150 bpm • A min • 04:47 • -7db
48% Popularity • 51% Danceability • 82% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
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Fujiya & Miyagi
Cassettesingle
150 bpm • F min • 06:31 • -7.59db
20% Popularity • 72% Danceability • 86% Energy • 10% Liveness
75% Instrumentalness • 87% Positiveness
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Baxter Dury
Whispered
149 bpm • B min • 04:17 • -7.47db
21% Popularity • 55% Danceability • 69% Energy • 14% Liveness
86% Instrumentalness • 75% Positiveness
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Agar Agar
The visit
150 bpm • B min • 04:07 • -8db
42% Popularity • 80% Danceability • 69% Energy • 10% Liveness
7% Instrumentalness • 97% Positiveness
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W. H. Lung
Inspiration!
146 bpm • E Maj • 07:41 • -4db
26% Popularity • 55% Danceability • 94% Energy • 9% Liveness
24% Instrumentalness • 38% Positiveness
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The Beta Band
Squares
150 bpm • F min • 03:46 • -11.52db
44% Popularity • 68% Danceability • 45% Energy • 11% Liveness
4% Instrumentalness • 51% Positiveness
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GENTS
Young Again
150 bpm • F Maj • 05:24 • -10.79db
40% Popularity • 58% Danceability • 60% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
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Ghostpoet
Freakshow
146 bpm • C# Maj • 04:05 • -8db
30% Popularity • 62% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
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Baxter Dury
Trellic
149 bpm • E Maj • 02:55 • -5db
32% Popularity • 70% Danceability • 89% Energy • 10% Liveness
94% Instrumentalness • 90% Positiveness
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Beak>
Yatton
146 bpm • C Maj • 05:19 • -13.28db
28% Popularity • 81% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 58% Positiveness
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Sleaford Mods
Tied Up in Nottz
150 bpm • C# Maj • 02:41 • -10db
40% Popularity • 73% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Warmduscher
1000 Whispers
145 bpm • B min • 04:23 • -7db
30% Popularity • 34% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Poni Hoax
She's on the Radio
145 bpm • E min • 03:27 • -6.14db
24% Popularity • 62% Danceability • 80% Energy • 16% Liveness
43% Instrumentalness • 96% Positiveness
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Ghostpoet
Immigrant Boogie
145 bpm • C# Maj • 02:39 • -7db
32% Popularity • 58% Danceability • 90% Energy • 15% Liveness
78% Instrumentalness • 70% Positiveness
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Baxter Dury
Dirty Water
150 bpm • C Maj • 04:11 • -9.23db
13% Popularity • 15% Danceability • 55% Energy • 19% Liveness
16% Instrumentalness • 44% Positiveness
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Automatic
Automaton
145 bpm • D Maj • 05:12 • -7.17db
31% Popularity • 62% Danceability • 83% Energy • 10% Liveness
17% Instrumentalness • 94% Positiveness
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Saint Saviour
Rock Pools
145 bpm • G Maj • 03:58 • -8.89db
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Katy J Pearson
Talk Over Town
145 bpm • G min • 05:52 • -7.09db
28% Popularity • 59% Danceability • 80% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Dry Cleaning
Scratchcard Lanyard
151 bpm • B min • 04:06 • -5db
45% Popularity • 53% Danceability • 84% Energy • 8% Liveness
15% Instrumentalness • 78% Positiveness
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Sinead O Brien
Most Modern Painting
144 bpm • A Maj • 03:27 • -3.69db
22% Popularity • 48% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Baxter Dury
Waiting For Surprises
151 bpm • C Maj • 03:02 • -13.23db
17% Popularity • 36% Danceability • 31% Energy • 10% Liveness
71% Instrumentalness • 22% Positiveness
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Suicide
Dream Baby Dream (Long Version)
144 bpm • C# min • 06:24 • -14.06db
42% Popularity • 69% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 98% Positiveness
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Moon Duo
Jukebox Babe
144 bpm • A Maj • 06:24 • -9db
32% Popularity • 80% Danceability • 74% Energy • 18% Liveness
16% Instrumentalness • 84% Positiveness
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Flavien Berger
Bleu sous-marin
144 bpm • F min • 06:47 • -7db
44% Popularity • 78% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Fat White Family
I Believe In Something Better
144 bpm • E min • 04:27 • -6db
29% Popularity • 56% Danceability • 70% Energy • 8% Liveness
12% Instrumentalness • 49% Positiveness
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Anika
Change
144 bpm • C# Maj • 04:31 • -10db
29% Popularity • 63% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 55% Positiveness
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Baxter Dury
Picnic on the Edge
152 bpm • G Maj • 02:31 • -3.63db
18% Popularity • 65% Danceability • 96% Energy • 9% Liveness
8% Instrumentalness • 81% Positiveness
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Saâda Bonaire
Heart Over Head
144 bpm • C Maj • 04:38 • -7db
34% Popularity • 83% Danceability • 58% Energy • 10% Liveness
13% Instrumentalness • 68% Positiveness
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Automatic
On the Edge
143 bpm • D Maj • 03:37 • -9.2db
32% Popularity • 75% Danceability • 54% Energy • 9% Liveness
53% Instrumentalness • 97% Positiveness
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Molly Nilsson
We're Never Coming Home
143 bpm • A min • 03:47 • -8db
43% Popularity • 80% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Billy Nomates
No
154 bpm • G# min • 02:58 • -7.53db
38% Popularity • 74% Danceability • 83% Energy • 11% Liveness
61% Instrumentalness • 97% Positiveness
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Fujiya & Miyagi
Knickerbocker
142 bpm • C# Maj • 03:20 • -5db
35% Popularity • 79% Danceability • 52% Energy • 14% Liveness
55% Instrumentalness • 37% Positiveness
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Baxter Dury
Leak at the Disco
152 bpm • F# Maj • 05:13 • -8db
28% Popularity • 59% Danceability • 82% Energy • 34% Liveness
65% Instrumentalness • 36% Positiveness
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Public Service Broadcasting
Everest
142 bpm • D# Maj • 03:47 • -6db
47% Popularity • 58% Danceability • 84% Energy • 36% Liveness
40% Instrumentalness • 39% Positiveness
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Anika
Finger Pies
142 bpm • F Maj • 03:54 • -9db
24% Popularity • 68% Danceability • 48% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
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Cate Le Bon
Are You with Me Now?
142 bpm • C Maj • 04:20 • -8db
46% Popularity • 61% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Billy Nomates
Petrol Fumes
142 bpm • F# Maj • 04:10 • -10db
31% Popularity • 78% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Joan As Police Woman
The Magic
155 bpm • C# Maj • 04:09 • -6db
45% Popularity • 64% Danceability • 81% Energy • 13% Liveness
19% Instrumentalness • 83% Positiveness
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Baxter Dury
Saliva Hog
142 bpm • A min • 03:06 • -5.56db
22% Popularity • 70% Danceability • 75% Energy • 6% Liveness
21% Instrumentalness • 84% Positiveness
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Damon Albarn
Out of Time
155 bpm • C Maj • 03:58 • -9.16db
35% Popularity • 35% Danceability • 52% Energy • 79% Liveness
0% Instrumentalness • 25% Positiveness
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Aloa Input
The Other Rainbow
141 bpm • C# Maj • 03:08 • -11.72db
20% Popularity • 72% Danceability • 52% Energy • 11% Liveness
77% Instrumentalness • 90% Positiveness
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Gaz Coombes
Walk The Walk
156 bpm • D Maj • 03:56 • -6.6db
42% Popularity • 55% Danceability • 89% Energy • 18% Liveness
75% Instrumentalness • 81% Positiveness
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Fat White Family
Heaven On Earth - Trashmouth Remix
156 bpm • A Maj • 02:52 • -6db
33% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Joan As Police Woman
Get My Bearings
155 bpm • A min • 04:46 • -9.74db
30% Popularity • 54% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Nation of Language
This Fractured Mind
156 bpm • F Maj • 05:20 • -7.29db
39% Popularity • 64% Danceability • 58% Energy • 9% Liveness
40% Instrumentalness • 90% Positiveness
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Baxter Dury
Almond Milk
141 bpm • C Maj • 01:47 • -5.55db
34% Popularity • 76% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 93% Positiveness
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Gabriels
In Loving Memory
156 bpm • D min • 02:53 • -11db
34% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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CANNIBALE
Rays of Light
140 bpm • A Maj • 04:31 • -6db
8% Popularity • 44% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Fat White Family
Tastes Good With The Money
156 bpm • C Maj • 05:42 • -6.02db
34% Popularity • 24% Danceability • 71% Energy • 12% Liveness
12% Instrumentalness • 20% Positiveness
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John Maus
Walls of Silence
140 bpm • C Maj • 02:23 • -13.57db
40% Popularity • 63% Danceability • 54% Energy • 14% Liveness
78% Instrumentalness • 69% Positiveness
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Klaus Johann Grobe
Der Koenig
140 bpm • A Maj • 03:58 • -8.21db
20% Popularity • 83% Danceability • 76% Energy • 13% Liveness
5% Instrumentalness • 92% Positiveness
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Underworld
Trim
140 bpm • C Maj • 03:23 • -13db
48% Popularity • 75% Danceability • 35% Energy • 17% Liveness
62% Instrumentalness • 62% Positiveness
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Metronomy
Corinne
140 bpm • D# min • 03:16 • -8.87db
58% Popularity • 91% Danceability • 53% Energy • 12% Liveness
90% Instrumentalness • 82% Positiveness
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Billy Nomates
Right Behind You
140 bpm • C# Maj • 03:17 • -9.38db
21% Popularity • 79% Danceability • 51% Energy • 14% Liveness
4% Instrumentalness • 74% Positiveness
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We Have Band
You Came Out
140 bpm • E Maj • 03:26 • -6.82db
44% Popularity • 67% Danceability • 88% Energy • 11% Liveness
9% Instrumentalness • 88% Positiveness
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Baxter Dury
So Much Money
140 bpm • F# min • 02:37 • -6db
33% Popularity • 55% Danceability • 52% Energy • 11% Liveness
7% Instrumentalness • 45% Positiveness
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Hak Baker
Venezuela Riddim
140 bpm • F Maj • 04:06 • -9db
49% Popularity • 76% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Cate Le Bon
Sisters
157 bpm • E min • 04:05 • -6db
32% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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LA Priest
Oino
139 bpm • G# min • 04:31 • -6.62db
43% Popularity • 76% Danceability • 72% Energy • 9% Liveness
48% Instrumentalness • 96% Positiveness
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Billy Nomates
Call In Sick
140 bpm • C# Maj • 03:44 • -8db
22% Popularity • 82% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Fat White Family
Whitest Boy on the Beach
139 bpm • A Maj • 04:53 • -7db
38% Popularity • 53% Danceability • 79% Energy • 33% Liveness
85% Instrumentalness • 62% Positiveness
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Baxter Dury
Letter Bomb
157 bpm • G Maj • 01:42 • -5.72db
19% Popularity • 59% Danceability • 71% Energy • 24% Liveness
1% Instrumentalness • 45% Positiveness
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ESG
My Love for You
139 bpm • F# Maj • 02:57 • -10.04db
44% Popularity • 70% Danceability • 64% Energy • 10% Liveness
53% Instrumentalness • 90% Positiveness
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Baba Stiltz
Running to Chad
138 bpm • B min • 05:54 • -5.17db
34% Popularity • 88% Danceability • 66% Energy • 6% Liveness
26% Instrumentalness • 97% Positiveness
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Sleaford Mods
McFlurry
138 bpm • A min • 04:27 • -13.24db
28% Popularity • 87% Danceability • 67% Energy • 18% Liveness
1% Instrumentalness • 47% Positiveness
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Billy Nomates
Modern Hart
140 bpm • F# Maj • 02:24 • -12db
29% Popularity • 76% Danceability • 56% Energy • 29% Liveness
45% Instrumentalness • 78% Positiveness
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CANNIBALE
The Ugliest Rabbit of the 70's
138 bpm • E min • 04:06 • -7.07db
18% Popularity • 74% Danceability • 57% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
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Baxter Dury
Fungus Hedge
139 bpm • A min • 04:33 • -9.95db
12% Popularity • 56% Danceability • 44% Energy • 17% Liveness
8% Instrumentalness • 19% Positiveness
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ESG
Dance
138 bpm • F min • 04:34 • -11.57db
48% Popularity • 80% Danceability • 61% Energy • 8% Liveness
11% Instrumentalness • 83% Positiveness
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Arthur Russell
That's Us/Wild Combination
138 bpm • C# min • 06:58 • -13.34db
43% Popularity • 66% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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The Limiñanas
Cold Was the Ground
138 bpm • E Maj • 03:49 • -6.85db
39% Popularity • 56% Danceability • 43% Energy • 10% Liveness
41% Instrumentalness • 42% Positiveness
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Billy Nomates
Supermarket Sweep
140 bpm • F# min • 02:58 • -9.27db
22% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Arab Strap
The First Big Peel Thing - Peel Session
137 bpm • B min • 03:32 • -11.92db
24% Popularity • 49% Danceability • 72% Energy • 12% Liveness
29% Instrumentalness • 78% Positiveness
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Baxter Dury
The Night Chancers
158 bpm • C min • 03:04 • -5.78db
18% Popularity • 57% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Fujiya & Miyagi
Ankle Injuries
137 bpm • B min • 05:05 • -9db
37% Popularity • 77% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 48% Positiveness
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King Hannah
All Being Fine
160 bpm • F# min • 03:29 • -8.17db
20% Popularity • 56% Danceability • 58% Energy • 7% Liveness
56% Instrumentalness • 75% Positiveness
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Snapped Ankles
Jonny Guitar Calling Gosta Berlin
160 bpm • C Maj • 04:00 • -7db
31% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Nomates
Heels
139 bpm • B Maj • 03:57 • -8.46db
22% Popularity • 72% Danceability • 68% Energy • 10% Liveness
7% Instrumentalness • 69% Positiveness
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Sleaford Mods
Force 10 From Navarone
160 bpm • D Maj • 03:24 • -7.55db
41% Popularity • 78% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 79% Positiveness
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Baxter Dury
Petals
138 bpm • F Maj • 02:26 • -13.99db
20% Popularity • 87% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Squid
The Cleaner
137 bpm • G# Maj • 07:33 • -7db
37% Popularity • 49% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Fat White Family
Kim's Sunsets
161 bpm • B min • 04:20 • -6.51db
33% Popularity • 55% Danceability • 84% Energy • 12% Liveness
81% Instrumentalness • 63% Positiveness
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Snapped Ankles
Jonny Guitar Calling Gosta Berlin
160 bpm • F Maj • 08:16 • -9db
22% Popularity • 57% Danceability • 82% Energy • 66% Liveness
94% Instrumentalness • 36% Positiveness
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W. H. Lung
WANT
136 bpm • A# Maj • 03:41 • -6db
29% Popularity • 62% Danceability • 71% Energy • 9% Liveness
28% Instrumentalness • 63% Positiveness
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Billy Nomates
Hippy Elite
158 bpm • A# min • 02:48 • -6.02db
25% Popularity • 66% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Baxter Dury
Pleasure
159 bpm • G Maj • 02:22 • -7.56db
38% Popularity • 62% Danceability • 68% Energy • 23% Liveness
85% Instrumentalness • 71% Positiveness
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Balthazar
Blood Like Wine
136 bpm • D Maj • 05:03 • -7.24db
41% Popularity • 77% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Jane Weaver
Oblique Fantasy
136 bpm • A min • 05:15 • -7db
21% Popularity • 66% Danceability • 77% Energy • 11% Liveness
59% Instrumentalness • 92% Positiveness
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The Limiñanas
Je ne suis pas très drogue
136 bpm • A# Maj • 02:54 • -7.63db
35% Popularity • 58% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Young Fathers
I Saw
136 bpm • G# Maj • 03:27 • -5.28db
50% Popularity • 60% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Prince of Tears