Songs like Private Blues - From "Private Hell 36" by Leith Steven's All Stars
Based on a tempo of (+/- 10%) and a similar genre
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Marian McPartland
Satin Blues
64 bpm • D# Maj • 03:20 • -20.58db
12% Popularity • 55% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
12% Popularity • 55% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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André Hossein
Slow
64 bpm • D min • 02:18 • -16db
28% Popularity • 38% Danceability • 10% Energy • 10% Liveness
55% Instrumentalness • 15% Positiveness
28% Popularity • 38% Danceability • 10% Energy • 10% Liveness
55% Instrumentalness • 15% Positiveness
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Thad Jones
Sombre Intrusion
64 bpm • B Maj • 02:47 • -13.44db
7% Popularity • 41% Danceability • 15% Energy • 20% Liveness
90% Instrumentalness • 33% Positiveness
7% Popularity • 41% Danceability • 15% Energy • 20% Liveness
90% Instrumentalness • 33% Positiveness
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Sam "The Man" Taylor and His Orchestra
Harlem Nocturne
64 bpm • F min • 03:00 • -18db
27% Popularity • 37% Danceability • 14% Energy • 69% Liveness
86% Instrumentalness • 38% Positiveness
27% Popularity • 37% Danceability • 14% Energy • 69% Liveness
86% Instrumentalness • 38% Positiveness
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Herbie Hancock
The Bed
65 bpm • C# Maj • 02:36 • -27db
30% Popularity • 50% Danceability • 4% Energy • 15% Liveness
69% Instrumentalness • 18% Positiveness
30% Popularity • 50% Danceability • 4% Energy • 15% Liveness
69% Instrumentalness • 18% Positiveness
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Johnny Hodges & His Orchestra
Blue Fantasia
66 bpm • C Maj • 03:10 • -20.99db
11% Popularity • 26% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
11% Popularity • 26% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
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Terence Blanchard
Godfather
66 bpm • D min • 02:23 • -16.07db
28% Popularity • 36% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 36% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Alex North
Stan And Stella
66 bpm • F Maj • 03:03 • -16.67db
9% Popularity • 30% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
9% Popularity • 30% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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The Teddy Charles Tentet
You Go To My Head
67 bpm • G Maj • 04:28 • -28.19db
9% Popularity • 43% Danceability • 2% Energy • 10% Liveness
30% Instrumentalness • 13% Positiveness
9% Popularity • 43% Danceability • 2% Energy • 10% Liveness
30% Instrumentalness • 13% Positiveness
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Lolita Ritmanis
Jeannie Flashback
67 bpm • C min • 02:00 • -22db
35% Popularity • 26% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
35% Popularity • 26% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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The Tom Kubis Big Band
Police Squad Theme
67 bpm • C Maj • 01:30 • -10.93db
26% Popularity • 48% Danceability • 60% Energy • 9% Liveness
93% Instrumentalness • 85% Positiveness
26% Popularity • 48% Danceability • 60% Energy • 9% Liveness
93% Instrumentalness • 85% Positiveness
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Riz Ortolani
La faccia violenta di New York - Pt.5
61 bpm • A# Maj • 01:52 • -23.13db
20% Popularity • 73% Danceability • 18% Energy • 11% Liveness
73% Instrumentalness • 40% Positiveness
20% Popularity • 73% Danceability • 18% Energy • 11% Liveness
73% Instrumentalness • 40% Positiveness
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雪村泉
荒城の月—演奏版
67 bpm • B Maj • 00:55 • -18.5db
11% Popularity • 39% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 63% Positiveness
11% Popularity • 39% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 63% Positiveness
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Hollywood Trailer Music Orchestra
Quirky Questions
61 bpm • A Maj • 01:59 • -21.4db
8% Popularity • 77% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 25% Positiveness
8% Popularity • 77% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 25% Positiveness
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Elvin Jones
Dear John C.
67 bpm • A# min • 03:56 • -17db
26% Popularity • 33% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 33% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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The Art Farmer Quartet
The Day After
61 bpm • D min • 02:23 • -27.46db
41% Popularity • 28% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 28% Positiveness
41% Popularity • 28% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 28% Positiveness
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Ray Heindorf
Four Deuces
68 bpm • F Maj • 03:08 • -22db
16% Popularity • 40% Danceability • 4% Energy • 18% Liveness
75% Instrumentalness • 20% Positiveness
16% Popularity • 40% Danceability • 4% Energy • 18% Liveness
75% Instrumentalness • 20% Positiveness
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Gerhard Trede
Swinging Bass
60 bpm • G# Maj • 02:30 • -15.02db
10% Popularity • 58% Danceability • 25% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
10% Popularity • 58% Danceability • 25% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
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Yusef Lateef
Adoration
60 bpm • G min • 04:32 • -18.75db
4% Popularity • 21% Danceability • 19% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
4% Popularity • 21% Danceability • 19% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Denis Solee
Melancholy Serenade
69 bpm • G Maj • 04:06 • -14.16db
26% Popularity • 35% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 7% Positiveness
26% Popularity • 35% Danceability • 20% Energy • 8% Liveness
68% Instrumentalness • 7% Positiveness
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André Hossein
Blues pour guylaine
69 bpm • D# Maj • 03:34 • -9.99db
19% Popularity • 42% Danceability • 31% Energy • 19% Liveness
5% Instrumentalness • 18% Positiveness
19% Popularity • 42% Danceability • 31% Energy • 19% Liveness
5% Instrumentalness • 18% Positiveness
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Urbie Green
Reminiscent Blues
69 bpm • G# Maj • 03:19 • -16.27db
13% Popularity • 64% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
13% Popularity • 64% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Blue Mitchell
The Folks Who Live On The Hill
69 bpm • C Maj • 05:32 • -12.51db
21% Popularity • 39% Danceability • 15% Energy • 16% Liveness
91% Instrumentalness • 5% Positiveness
21% Popularity • 39% Danceability • 15% Energy • 16% Liveness
91% Instrumentalness • 5% Positiveness
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Hollywood Trailer Music Orchestra
Stolen Hearts
59 bpm • G min • 01:04 • -5.3db
11% Popularity • 27% Danceability • 17% Energy • 9% Liveness
19% Instrumentalness • 28% Positiveness
11% Popularity • 27% Danceability • 17% Energy • 9% Liveness
19% Instrumentalness • 28% Positiveness
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Yusef Lateef
(I Don't Stand) A Ghost Of A Chance With...
59 bpm • C Maj • 04:03 • -17.66db
34% Popularity • 31% Danceability • 6% Energy • 20% Liveness
81% Instrumentalness • 32% Positiveness
34% Popularity • 31% Danceability • 6% Energy • 20% Liveness
81% Instrumentalness • 32% Positiveness
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Alain Goraguer
Theme D´Amour
71 bpm • F min • 01:27 • -11.94db
13% Popularity • 51% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 43% Positiveness
13% Popularity • 51% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 43% Positiveness
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Dmitri Matheny
The Long Goodbye
71 bpm • C min • 04:54 • -17.8db
10% Popularity • 52% Danceability • 9% Energy • 14% Liveness
90% Instrumentalness • 26% Positiveness
10% Popularity • 52% Danceability • 9% Energy • 14% Liveness
90% Instrumentalness • 26% Positiveness
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Sonny Rollins
He's Younger Than You Are
57 bpm • F min • 05:13 • -16.5db
45% Popularity • 42% Danceability • 11% Energy • 17% Liveness
72% Instrumentalness • 22% Positiveness
45% Popularity • 42% Danceability • 11% Energy • 17% Liveness
72% Instrumentalness • 22% Positiveness
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Piero Umiliani
Swing Come Sempre
72 bpm • D Maj • 02:49 • -8.2db
9% Popularity • 41% Danceability • 45% Energy • 2% Liveness
37% Instrumentalness • 52% Positiveness
9% Popularity • 41% Danceability • 45% Energy • 2% Liveness
37% Instrumentalness • 52% Positiveness
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Armando Trovajoli
Unexpected Note
72 bpm • A# min • 01:57 • -25.32db
13% Popularity • 41% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
13% Popularity • 41% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
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Johnny Mandel
Point Blank
72 bpm • G# Maj • 04:11 • -15.37db
10% Popularity • 19% Danceability • 32% Energy • 8% Liveness
12% Instrumentalness • 16% Positiveness
10% Popularity • 19% Danceability • 32% Energy • 8% Liveness
12% Instrumentalness • 16% Positiveness
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Jimmy Giuffre
All For You
56 bpm • F min • 02:47 • -16.99db
10% Popularity • 39% Danceability • 6% Energy • 14% Liveness
65% Instrumentalness • 15% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 14% Liveness
65% Instrumentalness • 15% Positiveness
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Wallace Roney
Michelle
73 bpm • E min • 06:32 • -13.06db
31% Popularity • 25% Danceability • 19% Energy • 12% Liveness
72% Instrumentalness • 17% Positiveness
31% Popularity • 25% Danceability • 19% Energy • 12% Liveness
72% Instrumentalness • 17% Positiveness
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Ornette Coleman
The Blessing
73 bpm • E min • 04:46 • -15.89db
27% Popularity • 58% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Piero Umiliani
Spiaggia Deserta
73 bpm • G min • 06:15 • -12.76db
11% Popularity • 48% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
11% Popularity • 48% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Sonny Rollins
Way Out West
73 bpm • C Maj • 06:32 • -21.59db
18% Popularity • 57% Danceability • 13% Energy • 10% Liveness
10% Instrumentalness • 36% Positiveness
18% Popularity • 57% Danceability • 13% Energy • 10% Liveness
10% Instrumentalness • 36% Positiveness
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Leith Steven's All Stars
Windswept
74 bpm • D# min • 02:22 • -23.75db
0% Popularity • 47% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 8% Positiveness
0% Popularity • 47% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 8% Positiveness
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Chico Hamilton
Chic Chic Chico
74 bpm • C min • 02:48 • -13.41db
14% Popularity • 47% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 47% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Art Farmer With The Quincy Jones Orchestra
Pogo Stick (Bonus Track)
74 bpm • A Maj • 06:17 • -11.44db
1% Popularity • 65% Danceability • 34% Energy • 33% Liveness
1% Instrumentalness • 65% Positiveness
1% Popularity • 65% Danceability • 34% Energy • 33% Liveness
1% Instrumentalness • 65% Positiveness
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Nora Orlandi
Ossessione 1
74 bpm • C min • 01:50 • -18.23db
11% Popularity • 44% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 44% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
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Skip Martin and His Orchestra
Bad Guys
75 bpm • C min • 03:41 • -17.01db
6% Popularity • 49% Danceability • 18% Energy • 20% Liveness
37% Instrumentalness • 24% Positiveness
6% Popularity • 49% Danceability • 18% Energy • 20% Liveness
37% Instrumentalness • 24% Positiveness
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Ralph Dollimore
Tearaway
75 bpm • F Maj • 01:34 • -9.3db
9% Popularity • 42% Danceability • 82% Energy • 32% Liveness
54% Instrumentalness • 46% Positiveness
9% Popularity • 42% Danceability • 82% Energy • 32% Liveness
54% Instrumentalness • 46% Positiveness
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Leith Steven's All Stars
Windswept
74 bpm • E Maj • 02:26 • -11.97db
0% Popularity • 46% Danceability • 24% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
0% Popularity • 46% Danceability • 24% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Bob Belden
Black Dahlia
75 bpm • A min • 04:35 • -20.84db
25% Popularity • 14% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
25% Popularity • 14% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
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Andrew Hale
Noire Clarinet
75 bpm • C Maj • 02:33 • -17db
35% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
35% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
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June Christy
September In The Rain
75 bpm • A# Maj • 03:44 • -13.15db
10% Popularity • 51% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
10% Popularity • 51% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Eddie Waltman
Cool Ballad
75 bpm • F Maj • 02:59 • -25.08db
20% Popularity • 42% Danceability • 2% Energy • 10% Liveness
51% Instrumentalness • 9% Positiveness
20% Popularity • 42% Danceability • 2% Energy • 10% Liveness
51% Instrumentalness • 9% Positiveness
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Gil Melle
October
75 bpm • D min • 03:43 • -19db
13% Popularity • 51% Danceability • 8% Energy • 12% Liveness
74% Instrumentalness • 30% Positiveness
13% Popularity • 51% Danceability • 8% Energy • 12% Liveness
74% Instrumentalness • 30% Positiveness
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Bud Shank
Cool Fool
75 bpm • G# Maj • 03:26 • -10.24db
26% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Sonny Rollins
You Do Something to Me - Remastered
76 bpm • G Maj • 06:51 • -18.22db
29% Popularity • 58% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 58% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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John Greaves
Serie Noire
78 bpm • D# Maj • 02:42 • -13db
21% Popularity • 20% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 4% Positiveness
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SEATBELTS
Into Noir
77 bpm • A# Maj • 01:07 • -15.37db
19% Popularity • 42% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 26% Positiveness
19% Popularity • 42% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 26% Positiveness
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Elmer Bernstein
Main Title from "The Silencers"
78 bpm • A# min • 02:56 • -9.33db
11% Popularity • 25% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 25% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Yusef Lateef
Blues In Space
78 bpm • F Maj • 07:07 • -14.7db
8% Popularity • 53% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 53% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Alain Goraguer
Travestis
78 bpm • F Maj • 01:18 • -9.3db
11% Popularity • 39% Danceability • 30% Energy • 16% Liveness
83% Instrumentalness • 16% Positiveness
11% Popularity • 39% Danceability • 30% Energy • 16% Liveness
83% Instrumentalness • 16% Positiveness
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Krzysztof Komeda
Knife in the Water 1
79 bpm • F# Maj • 01:06 • -20.37db
20% Popularity • 28% Danceability • 3% Energy • 28% Liveness
4% Instrumentalness • 13% Positiveness
20% Popularity • 28% Danceability • 3% Energy • 28% Liveness
4% Instrumentalness • 13% Positiveness
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Jackie McLean
Greasy
79 bpm • D# Maj • 07:25 • -14.2db
35% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Thad Jones-Mel Lewis Jazz Orchestra
Mean What You Say
79 bpm • G Maj • 05:31 • -20db
13% Popularity • 44% Danceability • 25% Energy • 4% Liveness
1% Instrumentalness • 43% Positiveness
13% Popularity • 44% Danceability • 25% Energy • 4% Liveness
1% Instrumentalness • 43% Positiveness
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Anthony King
Little Swinger
79 bpm • C min • 01:28 • -14.33db
24% Popularity • 65% Danceability • 28% Energy • 16% Liveness
92% Instrumentalness • 65% Positiveness
24% Popularity • 65% Danceability • 28% Energy • 16% Liveness
92% Instrumentalness • 65% Positiveness
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Leith Steven's All Stars
Lonely Way
79 bpm • G# Maj • 02:44 • -29.07db
0% Popularity • 29% Danceability • 1% Energy • 42% Liveness
98% Instrumentalness • 10% Positiveness
0% Popularity • 29% Danceability • 1% Energy • 42% Liveness
98% Instrumentalness • 10% Positiveness
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Paul Misraki
Slow pour vibra et trombone
80 bpm • C min • 04:01 • -16.92db
24% Popularity • 38% Danceability • 9% Energy • 14% Liveness
78% Instrumentalness • 24% Positiveness
24% Popularity • 38% Danceability • 9% Energy • 14% Liveness
78% Instrumentalness • 24% Positiveness
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Hollywood Trailer Music Orchestra
Cement Jungle
80 bpm • E min • 01:31 • -6.71db
20% Popularity • 53% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 53% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Chico Hamilton Quartet
Cheek to Chico
80 bpm • F Maj • 02:10 • -18.05db
18% Popularity • 63% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 81% Positiveness
18% Popularity • 63% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 81% Positiveness
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Bob Brookmeyer
Sometime Ago
80 bpm • C Maj • 04:04 • -11db
28% Popularity • 37% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 37% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Krzysztof Komeda
End Title
80 bpm • F# Maj • 01:03 • -16.68db
12% Popularity • 33% Danceability • 4% Energy • 31% Liveness
39% Instrumentalness • 21% Positiveness
12% Popularity • 33% Danceability • 4% Energy • 31% Liveness
39% Instrumentalness • 21% Positiveness
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Leith Steven's All Stars
Blues for Brando
80 bpm • D# Maj • 02:37 • -14.92db
0% Popularity • 25% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
0% Popularity • 25% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Jack Teagarden
Afternoon In August
80 bpm • G# Maj • 03:22 • -11.62db
14% Popularity • 44% Danceability • 21% Energy • 46% Liveness
72% Instrumentalness • 29% Positiveness
14% Popularity • 44% Danceability • 21% Energy • 46% Liveness
72% Instrumentalness • 29% Positiveness
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Chico Hamilton
Beyond the Blue Horizon
80 bpm • G# Maj • 03:05 • -19.57db
10% Popularity • 45% Danceability • 26% Energy • 17% Liveness
78% Instrumentalness • 31% Positiveness
10% Popularity • 45% Danceability • 26% Energy • 17% Liveness
78% Instrumentalness • 31% Positiveness
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![Good Queen Bess - Take 1 [ Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02ec139b8d38f2bbe5f15e1626)
Johnny Hodges & His Orchestra
Good Queen Bess - Take 1 [ Remastered]
80 bpm • C min • 02:59 • -13db
13% Popularity • 77% Danceability • 14% Energy • 16% Liveness
50% Instrumentalness • 75% Positiveness
13% Popularity • 77% Danceability • 14% Energy • 16% Liveness
50% Instrumentalness • 75% Positiveness
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Adolph Deutsch (conductor), Adolph Deutsch's Orchestra
Park Avenue Fantasy
80 bpm • D Maj • 03:30 • -15.81db
8% Popularity • 13% Danceability • 27% Energy • 30% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 27% Energy • 30% Liveness
87% Instrumentalness • 4% Positiveness
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Lucky Thompson
Tricotism
81 bpm • C# Maj • 04:34 • -19db
16% Popularity • 60% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 53% Positiveness
16% Popularity • 60% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 53% Positiveness
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Leith Steven's All Stars
Windswept
80 bpm • F# Maj • 03:18 • -6.98db
0% Popularity • 33% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 11% Positiveness
0% Popularity • 33% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 11% Positiveness
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Bill Le Sage
Vibes in Counterpoint
81 bpm • G Maj • 02:36 • -26.25db
19% Popularity • 54% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 71% Positiveness
19% Popularity • 54% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 71% Positiveness
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Howard Shore
A. Simpatico B. Misterioso
81 bpm • G# Maj • 01:34 • -13.09db
22% Popularity • 41% Danceability • 9% Energy • 10% Liveness
35% Instrumentalness • 11% Positiveness
22% Popularity • 41% Danceability • 9% Energy • 10% Liveness
35% Instrumentalness • 11% Positiveness
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Duke Pearson
Ready Rudy?
81 bpm • F Maj • 05:58 • -9.1db
29% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Curtis Fuller Quintet
Sis
81 bpm • G# Maj • 04:25 • -19.97db
9% Popularity • 54% Danceability • 24% Energy • 21% Liveness
93% Instrumentalness • 44% Positiveness
9% Popularity • 54% Danceability • 24% Energy • 21% Liveness
93% Instrumentalness • 44% Positiveness
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Daniel Diaz
Fancy Footwalk
81 bpm • A min • 02:21 • -13.09db
15% Popularity • 64% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
15% Popularity • 64% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Leith Steven's All Stars
Lonely Way
81 bpm • G# Maj • 02:46 • -16.02db
1% Popularity • 38% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
1% Popularity • 38% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
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Armando Trovajoli
Totò Sexy (Titoli) - Remastered 2022
82 bpm • A# Maj • 01:35 • -10.95db
11% Popularity • 37% Danceability • 49% Energy • 35% Liveness
4% Instrumentalness • 58% Positiveness
11% Popularity • 37% Danceability • 49% Energy • 35% Liveness
4% Instrumentalness • 58% Positiveness
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Piero Piccioni
Momento d'amore - Remastered 2022
82 bpm • D# Maj • 03:00 • -17.02db
8% Popularity • 40% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
8% Popularity • 40% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
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Bill Le Sage
Tranquil Turtle
83 bpm • F Maj • 00:59 • -11.02db
14% Popularity • 60% Danceability • 23% Energy • 12% Liveness
80% Instrumentalness • 87% Positiveness
14% Popularity • 60% Danceability • 23% Energy • 12% Liveness
80% Instrumentalness • 87% Positiveness
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Hugo Montenegro
Top Hat, White Tie and Tails / Cheek to ...
83 bpm • G# Maj • 03:09 • -8.04db
0% Popularity • 30% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
0% Popularity • 30% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Johnny Hodges & His Orchestra
Jeep's Blues
83 bpm • A# Maj • 02:56 • -14.01db
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Leith Steven's All Stars
Didn't You Know?
81 bpm • D# Maj • 00:45 • -16.26db
0% Popularity • 60% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 60% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Ralph Dollimore
Blue Lamp Blues
84 bpm • A# Maj • 01:45 • -14.71db
9% Popularity • 40% Danceability • 26% Energy • 38% Liveness
1% Instrumentalness • 34% Positiveness
9% Popularity • 40% Danceability • 26% Energy • 38% Liveness
1% Instrumentalness • 34% Positiveness
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Erskine Hawkins
After Hours
84 bpm • G Maj • 03:23 • -20.64db
15% Popularity • 60% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
15% Popularity • 60% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Hollywood Trailer Music Orchestra
Nuit Noir
84 bpm • B Maj • 01:37 • -6db
14% Popularity • 37% Danceability • 47% Energy • 19% Liveness
72% Instrumentalness • 14% Positiveness
14% Popularity • 37% Danceability • 47% Energy • 19% Liveness
72% Instrumentalness • 14% Positiveness
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Orchestra Heinz Kiessling
High Society
84 bpm • C min • 01:55 • -11.88db
11% Popularity • 39% Danceability • 54% Energy • 42% Liveness
85% Instrumentalness • 57% Positiveness
11% Popularity • 39% Danceability • 54% Energy • 42% Liveness
85% Instrumentalness • 57% Positiveness
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John Barry
Ned
85 bpm • E min • 01:07 • -21db
11% Popularity • 17% Danceability • 18% Energy • 18% Liveness
72% Instrumentalness • 16% Positiveness
11% Popularity • 17% Danceability • 18% Energy • 18% Liveness
72% Instrumentalness • 16% Positiveness
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Leith Steven's All Stars
Blues for Brando
82 bpm • C min • 02:34 • -27.67db
0% Popularity • 21% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 17% Positiveness
0% Popularity • 21% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 17% Positiveness
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Nino Rota
Haute-Mer
84 bpm • F# Maj • 01:04 • -25.78db
17% Popularity • 43% Danceability • 3% Energy • 34% Liveness
98% Instrumentalness • 36% Positiveness
17% Popularity • 43% Danceability • 3% Energy • 34% Liveness
98% Instrumentalness • 36% Positiveness
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The Paul Desmond Quintet
Garden In The Rain
86 bpm • G# Maj • 02:48 • -17.08db
15% Popularity • 55% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 37% Positiveness
15% Popularity • 55% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 37% Positiveness
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Johnny Hodges & His Orchestra
Passion Flower - Remastered - 1995
86 bpm • C Maj • 03:07 • -18.07db
10% Popularity • 15% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 15% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Capitão D'areia
Bossa Nossa Bananeiras
85 bpm • G Maj • 02:51 • -29.11db
15% Popularity • 50% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
15% Popularity • 50% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
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Buddy Rich Septet
Brainwashed
86 bpm • F min • 05:03 • -12db
7% Popularity • 38% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 38% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Leith Steven's All Stars
The Wild One
83 bpm • C# Maj • 03:11 • -8.3db
0% Popularity • 38% Danceability • 55% Energy • 60% Liveness
92% Instrumentalness • 43% Positiveness
0% Popularity • 38% Danceability • 55% Energy • 60% Liveness
92% Instrumentalness • 43% Positiveness
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Sergio Mihanovich
Desesperacion De Sonia
86 bpm • F min • 01:02 • -31.46db
25% Popularity • 41% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 73% Positiveness
25% Popularity • 41% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 73% Positiveness
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Junior Mance
Trouble in Mind
86 bpm • G Maj • 02:20 • -14.59db
8% Popularity • 63% Danceability • 29% Energy • 12% Liveness
95% Instrumentalness • 42% Positiveness
8% Popularity • 63% Danceability • 29% Energy • 12% Liveness
95% Instrumentalness • 42% Positiveness
