Songs like Project STS-31 - Spiralgalaxie by Heinrich Mueller
Based on a tempo of (+/- 10%) and a similar genre
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Heinrich Mueller
Project STS-31 - Spiralgalaxie
68 bpm • A min • 03:06 • -17.34db
2% Popularity • 6% Danceability • 17% Energy • 16% Liveness
90% Instrumentalness • 17% Positiveness
2% Popularity • 6% Danceability • 17% Energy • 16% Liveness
90% Instrumentalness • 17% Positiveness
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Rolando Simmons
Yuo're Life You'r Tsois
76 bpm • A min • 05:56 • -7.81db
14% Popularity • 55% Danceability • 98% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
14% Popularity • 55% Danceability • 98% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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DJ Stingray 313
Know Your Enemy
78 bpm • C# Maj • 04:29 • -10.53db
18% Popularity • 34% Danceability • 89% Energy • 33% Liveness
89% Instrumentalness • 40% Positiveness
18% Popularity • 34% Danceability • 89% Energy • 33% Liveness
89% Instrumentalness • 40% Positiveness
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EOD
dog_bits
76 bpm • A# min • 03:57 • -7.28db
11% Popularity • 62% Danceability • 97% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
11% Popularity • 62% Danceability • 97% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
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Identified Patient
Weerlos
94 bpm • C# Maj • 05:07 • -11.29db
10% Popularity • 60% Danceability • 48% Energy • 13% Liveness
89% Instrumentalness • 30% Positiveness
10% Popularity • 60% Danceability • 48% Energy • 13% Liveness
89% Instrumentalness • 30% Positiveness
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Tapan
Tarantella - Black Merlin Remix
100 bpm • C# Maj • 07:59 • -14.9db
9% Popularity • 69% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 20% Positiveness
9% Popularity • 69% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 20% Positiveness
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Heinrich Mueller
Heinrich Mueller - Adaptive Optics
104 bpm • D Maj • 04:49 • -11.94db
1% Popularity • 80% Danceability • 64% Energy • 9% Liveness
90% Instrumentalness • 43% Positiveness
1% Popularity • 80% Danceability • 64% Energy • 9% Liveness
90% Instrumentalness • 43% Positiveness
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Gamma Intel
The View From Here
105 bpm • G# Maj • 06:53 • -8.39db
11% Popularity • 57% Danceability • 86% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
11% Popularity • 57% Danceability • 86% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
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DJ Stingray 313
Serotonin
81 bpm • F min • 04:50 • -10.17db
14% Popularity • 67% Danceability • 81% Energy • 6% Liveness
80% Instrumentalness • 70% Positiveness
14% Popularity • 67% Danceability • 81% Energy • 6% Liveness
80% Instrumentalness • 70% Positiveness
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Arpanet
I Mode
105 bpm • D Maj • 02:30 • -7.62db
12% Popularity • 74% Danceability • 71% Energy • 10% Liveness
93% Instrumentalness • 50% Positiveness
12% Popularity • 74% Danceability • 71% Energy • 10% Liveness
93% Instrumentalness • 50% Positiveness
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Identified Patient
Het Geweten Van Afdeling Twee
103 bpm • G Maj • 06:39 • -10.17db
17% Popularity • 78% Danceability • 58% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 78% Danceability • 58% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Drexciya
Unknown Journey VIII
109 bpm • E min • 02:08 • -8.04db
13% Popularity • 53% Danceability • 80% Energy • 9% Liveness
90% Instrumentalness • 32% Positiveness
13% Popularity • 53% Danceability • 80% Energy • 9% Liveness
90% Instrumentalness • 32% Positiveness
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Zillas on Acid
Lose Your Soul
110 bpm • A# min • 06:44 • -9db
12% Popularity • 78% Danceability • 69% Energy • 8% Liveness
84% Instrumentalness • 25% Positiveness
12% Popularity • 78% Danceability • 69% Energy • 8% Liveness
84% Instrumentalness • 25% Positiveness
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Gamma Intel
Nonchalance
105 bpm • D Maj • 04:57 • -13.38db
15% Popularity • 74% Danceability • 83% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
15% Popularity • 74% Danceability • 83% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Der Zyklus
Cherenkov Radiation
110 bpm • G# Maj • 03:27 • -10.04db
10% Popularity • 80% Danceability • 71% Energy • 6% Liveness
89% Instrumentalness • 80% Positiveness
10% Popularity • 80% Danceability • 71% Energy • 6% Liveness
89% Instrumentalness • 80% Positiveness
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Arpanet
Devoid of Wires
109 bpm • C# Maj • 04:36 • -7.12db
8% Popularity • 80% Danceability • 79% Energy • 18% Liveness
86% Instrumentalness • 58% Positiveness
8% Popularity • 80% Danceability • 79% Energy • 18% Liveness
86% Instrumentalness • 58% Positiveness
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Interstellar Funk
Devil's Juice
110 bpm • C# Maj • 04:43 • -12.47db
16% Popularity • 72% Danceability • 71% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
16% Popularity • 72% Danceability • 71% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
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Helena Hauff
Continuez Mon Enfant Vous Serez Traité...
110 bpm • D Maj • 04:50 • -7.26db
19% Popularity • 78% Danceability • 87% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
19% Popularity • 78% Danceability • 87% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Ebi
Sou
111 bpm • G# min • 06:16 • -11.51db
12% Popularity • 60% Danceability • 77% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
12% Popularity • 60% Danceability • 77% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Gamma Intel
Automatic Illusion
106 bpm • A min • 06:13 • -8db
13% Popularity • 71% Danceability • 75% Energy • 21% Liveness
90% Instrumentalness • 33% Positiveness
13% Popularity • 71% Danceability • 75% Energy • 21% Liveness
90% Instrumentalness • 33% Positiveness
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Identified Patient
Territory Doubt
111 bpm • C# min • 06:45 • -7.45db
8% Popularity • 69% Danceability • 75% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
8% Popularity • 69% Danceability • 75% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
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Beta Evers
Innerhalb der Zeit
112 bpm • A Maj • 04:45 • -19.76db
0% Popularity • 23% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Arpanet
Infinite Density (Edit)
114 bpm • A# min • 04:30 • -4.2db
11% Popularity • 67% Danceability • 92% Energy • 16% Liveness
90% Instrumentalness • 22% Positiveness
11% Popularity • 67% Danceability • 92% Energy • 16% Liveness
90% Instrumentalness • 22% Positiveness
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Rhyw
Vixen for Society
117 bpm • B Maj • 06:05 • -7.14db
13% Popularity • 79% Danceability • 92% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
13% Popularity • 79% Danceability • 92% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Ebi
Tsuru
113 bpm • F# min • 06:24 • -8.45db
9% Popularity • 66% Danceability • 94% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
9% Popularity • 66% Danceability • 94% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
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The Exaltics
Closing of the EPR Bridge
114 bpm • G# Maj • 02:56 • -16.3db
2% Popularity • 38% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 2% Positiveness
2% Popularity • 38% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 2% Positiveness
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Identified Patient
Het Infuus
113 bpm • D Maj • 06:03 • -9.92db
15% Popularity • 67% Danceability • 45% Energy • 10% Liveness
80% Instrumentalness • 39% Positiveness
15% Popularity • 67% Danceability • 45% Energy • 10% Liveness
80% Instrumentalness • 39% Positiveness
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DMX Krew
Diagnostic
118 bpm • F# min • 02:46 • -8.18db
22% Popularity • 80% Danceability • 60% Energy • 4% Liveness
85% Instrumentalness • 60% Positiveness
22% Popularity • 80% Danceability • 60% Energy • 4% Liveness
85% Instrumentalness • 60% Positiveness
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London Modular Alliance
Acid Lab
118 bpm • D Maj • 04:05 • -14.1db
26% Popularity • 80% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
26% Popularity • 80% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Alessandro Adriani
You'll Simply Never Understand the True ...
118 bpm • G Maj • 05:01 • -9.39db
9% Popularity • 80% Danceability • 81% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 80% Danceability • 81% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Heinrich Mueller
Crotaphytus - GJ 1214 b
118 bpm • C# Maj • 05:10 • -9.28db
1% Popularity • 59% Danceability • 68% Energy • 12% Liveness
55% Instrumentalness • 59% Positiveness
1% Popularity • 59% Danceability • 68% Energy • 12% Liveness
55% Instrumentalness • 59% Positiveness
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DJ Plant Texture
Press Play on That Mf Mpc Maaan
119 bpm • G Maj • 05:29 • -6.2db
10% Popularity • 69% Danceability • 95% Energy • 30% Liveness
90% Instrumentalness • 61% Positiveness
10% Popularity • 69% Danceability • 95% Energy • 30% Liveness
90% Instrumentalness • 61% Positiveness
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Identified Patient
Chantals Chant
113 bpm • A# min • 05:21 • -6.36db
10% Popularity • 66% Danceability • 65% Energy • 12% Liveness
85% Instrumentalness • 17% Positiveness
10% Popularity • 66% Danceability • 65% Energy • 12% Liveness
85% Instrumentalness • 17% Positiveness
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Vita
The Ultimate Collapsing - Heinrich Muell...
120 bpm • C# Maj • 04:16 • -11.36db
0% Popularity • 48% Danceability • 74% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
0% Popularity • 48% Danceability • 74% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
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Umwelt
Reflections On A Strange Existence
120 bpm • G Maj • 06:34 • -6.37db
11% Popularity • 68% Danceability • 98% Energy • 9% Liveness
82% Instrumentalness • 45% Positiveness
11% Popularity • 68% Danceability • 98% Energy • 9% Liveness
82% Instrumentalness • 45% Positiveness
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Legowelt
Psychotic Endurance
120 bpm • G Maj • 05:25 • -11.9db
8% Popularity • 64% Danceability • 69% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
8% Popularity • 64% Danceability • 69% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
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Gesloten Cirkel
Twisted Balloon
120 bpm • F# min • 05:49 • -7.62db
9% Popularity • 92% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
9% Popularity • 92% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
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MNLTH
Flektro
120 bpm • E min • 03:18 • -8.65db
8% Popularity • 80% Danceability • 82% Energy • 6% Liveness
88% Instrumentalness • 43% Positiveness
8% Popularity • 80% Danceability • 82% Energy • 6% Liveness
88% Instrumentalness • 43% Positiveness
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Identified Patient
Lucy's Comeback
113 bpm • G Maj • 04:46 • -6.3db
9% Popularity • 72% Danceability • 81% Energy • 9% Liveness
85% Instrumentalness • 9% Positiveness
9% Popularity • 72% Danceability • 81% Energy • 9% Liveness
85% Instrumentalness • 9% Positiveness
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Function
Sagittarius A (Right Ascension)
120 bpm • C min • 05:15 • -10db
10% Popularity • 71% Danceability • 94% Energy • 60% Liveness
96% Instrumentalness • 82% Positiveness
10% Popularity • 71% Danceability • 94% Energy • 60% Liveness
96% Instrumentalness • 82% Positiveness
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Heinrich Mueller
Robert Heise - Stars, Gases and Dust
120 bpm • D# min • 03:30 • -14.58db
1% Popularity • 51% Danceability • 38% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
1% Popularity • 51% Danceability • 38% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Detroit In Effect
Dutch Friends
120 bpm • A# min • 05:12 • -6.08db
16% Popularity • 71% Danceability • 67% Energy • 6% Liveness
40% Instrumentalness • 44% Positiveness
16% Popularity • 71% Danceability • 67% Energy • 6% Liveness
40% Instrumentalness • 44% Positiveness
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VC-118A
Vlucht Naar Nachtschade - Delta Funktion...
120 bpm • A Maj • 06:40 • -8.98db
9% Popularity • 80% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
9% Popularity • 80% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
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Privacy
System Voice - Original Mix
120 bpm • F# min • 04:33 • -7.93db
8% Popularity • 53% Danceability • 78% Energy • 9% Liveness
47% Instrumentalness • 8% Positiveness
8% Popularity • 53% Danceability • 78% Energy • 9% Liveness
47% Instrumentalness • 8% Positiveness
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Identified Patient
Vrouwe Fataal
114 bpm • F# min • 05:14 • -9.12db
14% Popularity • 75% Danceability • 52% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
14% Popularity • 75% Danceability • 52% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Function
The Approach
120 bpm • E min • 03:32 • -10.5db
14% Popularity • 51% Danceability • 90% Energy • 86% Liveness
91% Instrumentalness • 6% Positiveness
14% Popularity • 51% Danceability • 90% Energy • 86% Liveness
91% Instrumentalness • 6% Positiveness
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Donato Dozzy
Le Confort Electronique
121 bpm • G Maj • 08:20 • -7.7db
11% Popularity • 70% Danceability • 90% Energy • 66% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 70% Danceability • 90% Energy • 66% Liveness
82% Instrumentalness • 4% Positiveness
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Arpanet
P2101V
121 bpm • A# min • 04:01 • -9.82db
9% Popularity • 80% Danceability • 50% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
9% Popularity • 80% Danceability • 50% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Ambien Baby
101 We Love You
121 bpm • A# min • 05:01 • -12.09db
11% Popularity • 75% Danceability • 55% Energy • 22% Liveness
92% Instrumentalness • 37% Positiveness
11% Popularity • 75% Danceability • 55% Energy • 22% Liveness
92% Instrumentalness • 37% Positiveness
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Heinrich Mueller
Der Zyklus - Ionospheric Delay_Short Ver...
121 bpm • A# min • 02:38 • -11.01db
2% Popularity • 78% Danceability • 87% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
2% Popularity • 78% Danceability • 87% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
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DMX Krew
You Can Do It!
121 bpm • C# Maj • 02:55 • -9.99db
25% Popularity • 80% Danceability • 64% Energy • 5% Liveness
78% Instrumentalness • 32% Positiveness
25% Popularity • 80% Danceability • 64% Energy • 5% Liveness
78% Instrumentalness • 32% Positiveness
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Cignol
Teatoaster
122 bpm • G Maj • 04:13 • -8.98db
14% Popularity • 77% Danceability • 84% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
14% Popularity • 77% Danceability • 84% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Microlith
Taking Over
122 bpm • C# Maj • 03:12 • -8db
13% Popularity • 65% Danceability • 86% Energy • 32% Liveness
83% Instrumentalness • 39% Positiveness
13% Popularity • 65% Danceability • 86% Energy • 32% Liveness
83% Instrumentalness • 39% Positiveness
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Privacy
U Can Tell
122 bpm • G Maj • 05:47 • -7.96db
8% Popularity • 62% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 62% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Broken English Club
Breaking the Flesh
122 bpm • C# Maj • 05:34 • -6db
17% Popularity • 69% Danceability • 99% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
17% Popularity • 69% Danceability • 99% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Djedjotronic
H+
122 bpm • B min • 04:04 • -7.03db
17% Popularity • 70% Danceability • 73% Energy • 26% Liveness
69% Instrumentalness • 13% Positiveness
17% Popularity • 70% Danceability • 73% Energy • 26% Liveness
69% Instrumentalness • 13% Positiveness
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Blake Baxter
When A Thought Becomes You
122 bpm • C min • 06:01 • -8.24db
8% Popularity • 71% Danceability • 81% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
8% Popularity • 71% Danceability • 81% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
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Alessandro Adriani
Ecstatic Feeling
123 bpm • A# min • 06:11 • -9.39db
11% Popularity • 69% Danceability • 87% Energy • 8% Liveness
75% Instrumentalness • 28% Positiveness
11% Popularity • 69% Danceability • 87% Energy • 8% Liveness
75% Instrumentalness • 28% Positiveness
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VOIRON
A48 direction voiron
123 bpm • G# Maj • 06:19 • -9.26db
8% Popularity • 76% Danceability • 68% Energy • 8% Liveness
89% Instrumentalness • 58% Positiveness
8% Popularity • 76% Danceability • 68% Energy • 8% Liveness
89% Instrumentalness • 58% Positiveness
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Japanese Telecom
Virtual Origami
123 bpm • C# Maj • 03:50 • -7.5db
15% Popularity • 81% Danceability • 69% Energy • 28% Liveness
81% Instrumentalness • 63% Positiveness
15% Popularity • 81% Danceability • 69% Energy • 28% Liveness
81% Instrumentalness • 63% Positiveness
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Betonkust
Abandoned Chat Room
123 bpm • C# min • 04:43 • -10.86db
9% Popularity • 71% Danceability • 87% Energy • 17% Liveness
88% Instrumentalness • 46% Positiveness
9% Popularity • 71% Danceability • 87% Energy • 17% Liveness
88% Instrumentalness • 46% Positiveness
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Paranoid London
Making Enemies
123 bpm • F# min • 07:16 • -9.01db
9% Popularity • 80% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
9% Popularity • 80% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Global Goon
Craehrzhd
123 bpm • B min • 04:17 • -10.36db
16% Popularity • 80% Danceability • 86% Energy • 7% Liveness
71% Instrumentalness • 85% Positiveness
16% Popularity • 80% Danceability • 86% Energy • 7% Liveness
71% Instrumentalness • 85% Positiveness
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Underground Resistance
Maroon
124 bpm • F Maj • 02:10 • -15.09db
21% Popularity • 64% Danceability • 78% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
21% Popularity • 64% Danceability • 78% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
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Fantastic Man
Trance Sexual
124 bpm • G Maj • 06:47 • -10.25db
17% Popularity • 80% Danceability • 97% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
17% Popularity • 80% Danceability • 97% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
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Gesloten Cirkel
Yamagic
124 bpm • G Maj • 06:19 • -10.19db
11% Popularity • 77% Danceability • 57% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
11% Popularity • 77% Danceability • 57% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
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Microlith
Flexing Girl
124 bpm • G Maj • 02:34 • -9.69db
14% Popularity • 72% Danceability • 57% Energy • 15% Liveness
88% Instrumentalness • 28% Positiveness
14% Popularity • 72% Danceability • 57% Energy • 15% Liveness
88% Instrumentalness • 28% Positiveness
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Maelstrom
Acid Zdoch
124 bpm • C Maj • 04:46 • -6.22db
19% Popularity • 79% Danceability • 98% Energy • 17% Liveness
87% Instrumentalness • 57% Positiveness
19% Popularity • 79% Danceability • 98% Energy • 17% Liveness
87% Instrumentalness • 57% Positiveness
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Carl Finlow
Dangerous Devotion
124 bpm • D Maj • 04:56 • -9.15db
11% Popularity • 81% Danceability • 46% Energy • 7% Liveness
84% Instrumentalness • 55% Positiveness
11% Popularity • 81% Danceability • 46% Energy • 7% Liveness
84% Instrumentalness • 55% Positiveness
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Imre Kiss
Blue Voice
124 bpm • D Maj • 05:15 • -14.74db
13% Popularity • 70% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 70% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Cute Heels
Hidden Faces
124 bpm • G Maj • 06:04 • -6.58db
10% Popularity • 53% Danceability • 95% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 53% Danceability • 95% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Drexciya
Sighting in the Abyss
124 bpm • C# Maj • 02:07 • -8.68db
25% Popularity • 67% Danceability • 90% Energy • 14% Liveness
4% Instrumentalness • 96% Positiveness
25% Popularity • 67% Danceability • 90% Energy • 14% Liveness
4% Instrumentalness • 96% Positiveness
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Microlith
In & Out
124 bpm • E min • 03:29 • -7.9db
12% Popularity • 77% Danceability • 94% Energy • 9% Liveness
86% Instrumentalness • 73% Positiveness
12% Popularity • 77% Danceability • 94% Energy • 9% Liveness
86% Instrumentalness • 73% Positiveness
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Psyche/BFC
Evolution
124 bpm • B min • 03:07 • -7.17db
18% Popularity • 77% Danceability • 78% Energy • 18% Liveness
87% Instrumentalness • 32% Positiveness
18% Popularity • 77% Danceability • 78% Energy • 18% Liveness
87% Instrumentalness • 32% Positiveness
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Elecktroids
Silicon Valley
125 bpm • G Maj • 04:11 • -10.78db
18% Popularity • 78% Danceability • 66% Energy • 11% Liveness
91% Instrumentalness • 62% Positiveness
18% Popularity • 78% Danceability • 66% Energy • 11% Liveness
91% Instrumentalness • 62% Positiveness
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Rex Ronny
Cerebionical Sweep
125 bpm • F min • 07:26 • -11.61db
12% Popularity • 80% Danceability • 79% Energy • 8% Liveness
86% Instrumentalness • 75% Positiveness
12% Popularity • 80% Danceability • 79% Energy • 8% Liveness
86% Instrumentalness • 75% Positiveness
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Buttechno
bbbase
125 bpm • A Maj • 06:10 • -6.78db
13% Popularity • 88% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 82% Positiveness
13% Popularity • 88% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 82% Positiveness
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MOY
Scattered Disc
125 bpm • A min • 06:57 • -6.02db
10% Popularity • 48% Danceability • 92% Energy • 7% Liveness
78% Instrumentalness • 25% Positiveness
10% Popularity • 48% Danceability • 92% Energy • 7% Liveness
78% Instrumentalness • 25% Positiveness
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Claro Intelecto
Two Thousand
125 bpm • G min • 05:53 • -6.08db
12% Popularity • 58% Danceability • 99% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
12% Popularity • 58% Danceability • 99% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Umwelt
Computer Controlled
125 bpm • G Maj • 03:40 • -9.06db
22% Popularity • 78% Danceability • 90% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
22% Popularity • 78% Danceability • 90% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Silent Servant
Damage
125 bpm • B min • 05:18 • -5.87db
11% Popularity • 68% Danceability • 98% Energy • 14% Liveness
80% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 98% Energy • 14% Liveness
80% Instrumentalness • 52% Positiveness
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IM KELLAR
Golden Queen
125 bpm • G Maj • 04:59 • -12.99db
10% Popularity • 80% Danceability • 60% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
10% Popularity • 80% Danceability • 60% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Junq
From Below
125 bpm • G# Maj • 07:25 • -9.59db
9% Popularity • 80% Danceability • 76% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 80% Danceability • 76% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Terrence Dixon
Unconditional Love
125 bpm • E min • 05:47 • -18.17db
8% Popularity • 64% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
8% Popularity • 64% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Mr. Ho
DistFreeStyle
125 bpm • A# min • 06:54 • -7.82db
11% Popularity • 77% Danceability • 100% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
11% Popularity • 77% Danceability • 100% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
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Octo Octa
Repping
125 bpm • F# min • 01:47 • -11.14db
21% Popularity • 66% Danceability • 95% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
21% Popularity • 66% Danceability • 95% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
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Answer Code Request
By The Bay
125 bpm • G min • 04:36 • -9.55db
25% Popularity • 73% Danceability • 85% Energy • 8% Liveness
82% Instrumentalness • 11% Positiveness
25% Popularity • 73% Danceability • 85% Energy • 8% Liveness
82% Instrumentalness • 11% Positiveness
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Gesloten Cirkel
Zombiemachine
125 bpm • C# min • 02:49 • -4.06db
15% Popularity • 81% Danceability • 90% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
15% Popularity • 81% Danceability • 90% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
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Reedale Rise
Eternal Return
125 bpm • F min • 06:12 • -14db
10% Popularity • 71% Danceability • 58% Energy • 31% Liveness
30% Instrumentalness • 40% Positiveness
10% Popularity • 71% Danceability • 58% Energy • 31% Liveness
30% Instrumentalness • 40% Positiveness
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Kenny Larkin
Colony
125 bpm • C# Maj • 04:25 • -8.79db
8% Popularity • 79% Danceability • 97% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
8% Popularity • 79% Danceability • 97% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
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Locked Club
Acid Supremecy
126 bpm • C# Maj • 07:23 • -8.69db
12% Popularity • 73% Danceability • 68% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
12% Popularity • 73% Danceability • 68% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Dopplereffekt
Cellular Phone
126 bpm • C# min • 04:41 • -11.4db
19% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 52% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Duplex
P.O.M. - Heinrich Mueller Time Dilation ...
126 bpm • E min • 04:34 • -16.52db
1% Popularity • 74% Danceability • 31% Energy • 10% Liveness
42% Instrumentalness • 32% Positiveness
1% Popularity • 74% Danceability • 31% Energy • 10% Liveness
42% Instrumentalness • 32% Positiveness
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Gesloten Cirkel
IFMMTV
125 bpm • C Maj • 05:07 • -11.91db
8% Popularity • 51% Danceability • 43% Energy • 8% Liveness
63% Instrumentalness • 24% Positiveness
8% Popularity • 51% Danceability • 43% Energy • 8% Liveness
63% Instrumentalness • 24% Positiveness
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Microlith
Acid in a Church
126 bpm • D Maj • 06:28 • -11.22db
11% Popularity • 64% Danceability • 68% Energy • 19% Liveness
87% Instrumentalness • 27% Positiveness
11% Popularity • 64% Danceability • 68% Energy • 19% Liveness
87% Instrumentalness • 27% Positiveness
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Infiniti
Skyway (Marcel Dettmann Remix) - mixed
126 bpm • C# Maj • 04:45 • -9.59db
11% Popularity • 87% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
11% Popularity • 87% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Buttechno
ferenz18
126 bpm • G# Maj • 07:25 • -9.12db
11% Popularity • 78% Danceability • 91% Energy • 13% Liveness
92% Instrumentalness • 84% Positiveness
11% Popularity • 78% Danceability • 91% Energy • 13% Liveness
92% Instrumentalness • 84% Positiveness
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Peter Van Hoesen
Axis Mundi
126 bpm • C# Maj • 06:00 • -9.22db
15% Popularity • 59% Danceability • 79% Energy • 11% Liveness
72% Instrumentalness • 5% Positiveness
15% Popularity • 59% Danceability • 79% Energy • 11% Liveness
72% Instrumentalness • 5% Positiveness
