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Psallite Unigenito
Songs like
Psallite Unigenito
by
Chanticleer
Based on a tempo of (+/- 10%) and a similar genre
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Choir of St. John's College, Cambridge
Lo! He Comes with Clouds Descending
135 bpm • G Maj • 03:36 • -23.02db
14% Popularity • 18% Danceability • 10% Energy • 24% Liveness
5% Instrumentalness • 23% Positiveness
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The King's Singers
In dulci jubilo
135 bpm • F Maj • 00:56 • -23.61db
29% Popularity • 21% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Antoine Busnois
Noel, noel
135 bpm • A min • 02:02 • -26.73db
9% Popularity • 20% Danceability • 10% Energy • 9% Liveness
39% Instrumentalness • 9% Positiveness
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Simon Preston
There is No Rose
135 bpm • D Maj • 02:54 • -27.62db
9% Popularity • 20% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Chanticleer
Psallite Unigenito
135 bpm • F Maj • 01:15 • -25.34db
27% Popularity • 25% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 49% Positiveness
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Anonymous
Anonymous: E la don don
135 bpm • F# min • 01:44 • -26.63db
1% Popularity • 58% Danceability • 20% Energy • 10% Liveness
48% Instrumentalness • 94% Positiveness
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Traditional United States
Trad / Arr Jennings : Wondrous Love [Uni...
136 bpm • A Maj • 04:17 • -25.46db
7% Popularity • 24% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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The King's Singers
Stille Nacht
136 bpm • G# Maj • 03:17 • -34db
12% Popularity • 16% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Robert Shaw
Thompson: Alleluia
134 bpm • D Maj • 04:55 • -25.93db
9% Popularity • 18% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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The Cambridge Singers
O Tannenbaum (Arr. J. Rutter for Choir)
136 bpm • F# Maj • 01:59 • -26.31db
35% Popularity • 23% Danceability • 6% Energy • 22% Liveness
11% Instrumentalness • 17% Positiveness
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Chanticleer
Medley Of Christmas Spirituals
134 bpm • A# Maj • 06:27 • -21.08db
5% Popularity • 30% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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William Byrd
Byrd: Sing joyfully unto God
134 bpm • C Maj • 02:18 • -14.09db
1% Popularity • 23% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Benjamin Britten
A Ceremony Of Carols, Op. 28: Wolcum Yol...
134 bpm • D Maj • 01:19 • -24.77db
12% Popularity • 36% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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The King's Singers
Szczo to za prediwo
134 bpm • G min • 02:23 • -25.31db
7% Popularity • 22% Danceability • 6% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Victoria : Regina caeli laetare
136 bpm • G# Maj • 03:53 • -26.96db
6% Popularity • 16% Danceability • 4% Energy • 6% Liveness
75% Instrumentalness • 13% Positiveness
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Traditional
Angels from the Realms of Glory (Arr. Le...
136 bpm • G# Maj • 02:37 • -27.3db
26% Popularity • 24% Danceability • 13% Energy • 8% Liveness
45% Instrumentalness • 15% Positiveness
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Choir of King's College, Cambridge
Adeste Fideles (O come, all ye faithful)
136 bpm • G Maj • 04:01 • -22.44db
29% Popularity • 18% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 5% Positiveness
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Michael Praetorius
Es ist ein Ros entsprungen (arr. S. Cox ...
133 bpm • F Maj • 02:36 • -25.88db
30% Popularity • 18% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Gerald Custer
Balulalow
137 bpm • D Maj • 02:13 • -25.49db
29% Popularity • 18% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Henry John Gauntlett
Once In Royal David's City
133 bpm • G Maj • 04:24 • -25.21db
17% Popularity • 21% Danceability • 6% Energy • 12% Liveness
46% Instrumentalness • 6% Positiveness
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Gustav Holst
Holst / Arr. Jennings & Woodgate: 3 Hymn...
137 bpm • D# Maj • 05:09 • -26.48db
7% Popularity • 17% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Chanticleer
I Saw Three Ships (Live)
138 bpm • C min • 01:46 • -21.12db
16% Popularity • 46% Danceability • 18% Energy • 35% Liveness
7% Instrumentalness • 53% Positiveness
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Choir of King's College, Cambridge
Christ Was Born On Christmas Day
137 bpm • F# Maj • 02:20 • -25.96db
29% Popularity • 28% Danceability • 16% Energy • 17% Liveness
9% Instrumentalness • 39% Positiveness
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Hugo Distler
Distler : Es ist ein Ros entsprungen : I...
132 bpm • E Maj • 01:12 • -27.61db
8% Popularity • 21% Danceability • 4% Energy • 11% Liveness
33% Instrumentalness • 10% Positiveness
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Hector Berlioz
The Shepherds' Farewell
138 bpm • E Maj • 04:03 • -24.78db
13% Popularity • 18% Danceability • 12% Energy • 17% Liveness
88% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Hark! The Herald Angels Sing
138 bpm • G Maj • 03:05 • -17.76db
21% Popularity • 21% Danceability • 19% Energy • 10% Liveness
4% Instrumentalness • 25% Positiveness
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Benjamin Britten
A Ceremony Of Carols, Op. 28: Procession
138 bpm • A Maj • 01:39 • -36.06db
12% Popularity • 22% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Rosephanye Powell
Powell: A Christmas Medley
132 bpm • G# Maj • 09:08 • -14.35db
4% Popularity • 35% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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The King's Singers
Bethlehem Down
131 bpm • D min • 03:59 • -31.89db
5% Popularity • 18% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Franz Xaver Gruber
Silent Night
131 bpm • C# Maj • 03:07 • -29.8db
15% Popularity • 19% Danceability • 6% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Michael Praetorius
Praetorius, Michael : Es ist ein Ros Ent...
131 bpm • F Maj • 02:14 • -21.92db
19% Popularity • 21% Danceability • 10% Energy • 9% Liveness
64% Instrumentalness • 8% Positiveness
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The City of Prague Philharmonic Orchestra
God Rest Ye Merry Gentlemen
139 bpm • E min • 01:48 • -14.33db
27% Popularity • 26% Danceability • 35% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Chanticleer
E La Don Don
131 bpm • C Maj • 01:37 • -21.24db
8% Popularity • 56% Danceability • 24% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
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Steven Sametz
Sametz: 2 Medieval Lyrics: "Gaudete"
139 bpm • E min • 02:19 • -13.82db
3% Popularity • 46% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Henryk Górecki
Totus Tuus
139 bpm • D# Maj • 08:40 • -30.83db
13% Popularity • 15% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Benjamin Britten
A Hymn to the Virgin
131 bpm • E Maj • 03:14 • -30.83db
30% Popularity • 16% Danceability • 2% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Josquin des Prez
Desprez : O virgo virginum
131 bpm • G min • 08:45 • -28.12db
5% Popularity • 16% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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St. Paul's Cathedral Choir
While Shepherds Watched Their Flocks
140 bpm • G Maj • 03:25 • -8.33db
16% Popularity • 20% Danceability • 40% Energy • 30% Liveness
3% Instrumentalness • 18% Positiveness
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Chanticleer
RÃu, RÃu, ChÃu
131 bpm • C min • 02:11 • -17.85db
22% Popularity • 48% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Benedictines of Mary, Queen of Apostles
Maria Walks Amid the Thorn
131 bpm • E min • 03:27 • -20.83db
19% Popularity • 26% Danceability • 12% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Peter Warlock
Bethlehem Down
131 bpm • D min • 04:34 • -33.19db
29% Popularity • 16% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Gustav Holst
In the Bleak Midwinter
130 bpm • F Maj • 03:40 • -33.79db
6% Popularity • 17% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 5% Positiveness
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Anonymous
Anomymous: "Quem terra, pontus æthera"
130 bpm • A min • 03:11 • -25.1db
4% Popularity • 25% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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The Oxford Trinity Choir
In Dulci Jubilo
130 bpm • E Maj • 03:21 • -20.1db
17% Popularity • 21% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Chanticleer
Canite Tuba In Sion
139 bpm • F Maj • 01:50 • -20.95db
18% Popularity • 19% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Sixteen
Gabriel's Message
130 bpm • A min • 02:39 • -24.1db
20% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Hilary Campbell
Sleep, my dreaming one
130 bpm • D# Maj • 04:57 • -20.96db
12% Popularity • 18% Danceability • 8% Energy • 34% Liveness
5% Instrumentalness • 3% Positiveness
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Morten Lauridsen
Mid-Winter Songs: No. 2. Like snow
130 bpm • B Maj • 01:36 • -29.32db
25% Popularity • 33% Danceability • 5% Energy • 6% Liveness
91% Instrumentalness • 35% Positiveness
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Benjamin Britten
A Boy Was Born, Op. 3: Theme: A Boy Was ...
130 bpm • E min • 02:04 • -30.16db
19% Popularity • 21% Danceability • 2% Energy • 7% Liveness
21% Instrumentalness • 4% Positiveness
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The Oxford Trinity Choir
It Came Upon the Midnight Clear
130 bpm • G# Maj • 02:58 • -20db
17% Popularity • 25% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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The King's Singers
Wie schön leuchtet der Morgenstern
129 bpm • D Maj • 01:46 • -33.36db
18% Popularity • 19% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Chanticleer
Huron Carol (Live)
131 bpm • G min • 03:43 • -26.49db
10% Popularity • 25% Danceability • 9% Energy • 20% Liveness
38% Instrumentalness • 9% Positiveness
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Traditional
O, Come All Ye Faithful
129 bpm • G# Maj • 02:36 • -14.32db
8% Popularity • 24% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Anonymous
Bring A Torch, Jeannette, Isabella: Brin...
129 bpm • G Maj • 01:22 • -38.22db
13% Popularity • 24% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Dale Warland
O Little Town of Bethlehem (arr. D. Warl...
129 bpm • G Maj • 04:12 • -29.28db
17% Popularity • 21% Danceability • 4% Energy • 10% Liveness
53% Instrumentalness • 9% Positiveness
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King's College Choir
Personent Hodie (14th Century German Car...
129 bpm • D# Maj • 02:34 • -17.89db
10% Popularity • 35% Danceability • 15% Energy • 10% Liveness
74% Instrumentalness • 42% Positiveness
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Sir David Willcocks
Tomorrow Shall be my Dancing Day (arr. D...
129 bpm • A# Maj • 02:07 • -26.8db
33% Popularity • 26% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Chanticleer
Il Est Né Le Divin Enfant
140 bpm • G# Maj • 02:25 • -25.57db
29% Popularity • 29% Danceability • 4% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
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Franz Xaver Gruber
Silent Night (Arr. Stephen Cleobury)
128 bpm • C Maj • 03:39 • -33.84db
11% Popularity • 18% Danceability • 8% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
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Anonymous
Anonymous: Riu, riu, chiu
128 bpm • B min • 02:05 • -22.23db
1% Popularity • 54% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Peter Warlock
I saw a fair maiden
127 bpm • F Maj • 03:04 • -30.82db
15% Popularity • 20% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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St. Paul's Cathedral Choir
The Coventry Carol
144 bpm • D Maj • 03:22 • -11.8db
18% Popularity • 24% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Sir David Willcocks
Angels from the realms of glory (arr. Da...
127 bpm • G Maj • 04:09 • -23.42db
14% Popularity • 26% Danceability • 15% Energy • 19% Liveness
78% Instrumentalness • 18% Positiveness
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John Rutter
Shepherd's Pipe Carol
127 bpm • F Maj • 03:08 • -25db
33% Popularity • 26% Danceability • 13% Energy • 10% Liveness
58% Instrumentalness • 36% Positiveness
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Chanticleer
In The Bleak Midwinter (Live)
140 bpm • G Maj • 05:25 • -26.55db
10% Popularity • 17% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Giovanni Nanino
Nanino: Diffusa est gratia
143 bpm • G min • 02:38 • -23.36db
2% Popularity • 14% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Worcester Cathedral Choir
Unto Us Is Born a Son - Puer Nobis Nasci...
127 bpm • D Maj • 01:58 • -19.39db
26% Popularity • 27% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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John Taverner
Taverner : Magnificat
126 bpm • F# Maj • 10:35 • -32.25db
5% Popularity • 17% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Peter Cornelius
The Three Kings
145 bpm • G Maj • 02:27 • -27.41db
15% Popularity • 19% Danceability • 3% Energy • 14% Liveness
4% Instrumentalness • 11% Positiveness
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Franz Xaver Gruber
Silent Night
126 bpm • C Maj • 03:22 • -33db
17% Popularity • 20% Danceability • 4% Energy • 7% Liveness
22% Instrumentalness • 6% Positiveness
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Chanticleer
There is no Rose
129 bpm • G# Maj • 04:14 • -27.34db
9% Popularity • 18% Danceability • 2% Energy • 18% Liveness
4% Instrumentalness • 4% Positiveness
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Josquin des Prez
Prez: Ave Maria
127 bpm • A# Maj • 05:28 • -32db
2% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
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Elizabeth Poston
Jesus Christ the Apple Tree
125 bpm • C Maj • 03:46 • -32db
20% Popularity • 25% Danceability • 3% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
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Anonymous
Anon : Plainchant : Ave maris stella
126 bpm • A# min • 03:37 • -40.27db
5% Popularity • 17% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Henry Purcell
Purcell: An Evening Hymn, Z. 193
126 bpm • G Maj • 05:02 • -30.42db
4% Popularity • 18% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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John Rutter
There Is a Flower
124 bpm • C Maj • 04:08 • -26.82db
12% Popularity • 25% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Chanticleer
Hodie Christus natus est
126 bpm • B Maj • 02:23 • -20.31db
21% Popularity • 20% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Wood
Wood: Ding Dong Merrily on High
124 bpm • A# Maj • 02:03 • -25.08db
25% Popularity • 30% Danceability • 13% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Josquin Prez
Prez: Benedicta es, coelorum regina
124 bpm • C Maj • 05:41 • -16.18db
1% Popularity • 20% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Vienna Boys' Choir
O Du Frohliche / O You Joyous
124 bpm • E Maj • 01:47 • -24.19db
25% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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John Francis Wade
Adeste fidelis: O Come All Ye Faithful
149 bpm • A Maj • 02:30 • -14.58db
11% Popularity • 15% Danceability • 20% Energy • 25% Liveness
20% Instrumentalness • 30% Positiveness
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John Rutter
Love Came Down at Christmas
124 bpm • F# Maj • 02:33 • -26.08db
15% Popularity • 24% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Chanticleer
O Come, O Come, Emmanuel
124 bpm • B min • 03:17 • -24.47db
20% Popularity • 21% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Piae Cantiones
Unto us is born a Son (Arr. David Willco...
124 bpm • D Maj • 02:21 • -16.49db
9% Popularity • 19% Danceability • 21% Energy • 13% Liveness
7% Instrumentalness • 29% Positiveness
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Benjamin Britten
Britten: A Ceremony of Carols, Op. 28: I...
121 bpm • D Maj • 01:23 • -22.85db
20% Popularity • 46% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 18% Positiveness
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Franz Schubert
Ave Maria Opus 52, No. 6
121 bpm • G Maj • 06:26 • -26.85db
4% Popularity • 20% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Vienna Boys' Choir
Still, Still, Still
121 bpm • G Maj • 01:55 • -28.65db
26% Popularity • 28% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Tenebrae
Tomorrow Shall Be My Dancing Day (Arr. D...
121 bpm • A# Maj • 01:57 • -26.17db
16% Popularity • 32% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Traditional
Fum, Fum, Fum (arr. A. Parker and R. Sha...
121 bpm • A min • 01:05 • -23.36db
30% Popularity • 41% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Praetorius
En natus est Emanuel
120 bpm • F Maj • 01:20 • -25.69db
26% Popularity • 29% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Chanticleer
Now Make We Joy
120 bpm • G# Maj • 02:09 • -32.44db
9% Popularity • 22% Danceability • 4% Energy • 16% Liveness
4% Instrumentalness • 34% Positiveness
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St. Paul's Cathedral Choir
Unto Us a Boy Is Born
120 bpm • D Maj • 02:18 • -13.14db
25% Popularity • 25% Danceability • 25% Energy • 11% Liveness
18% Instrumentalness • 14% Positiveness
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Howard Skempton
Adam lay y-bounden: Adam Lay Y-bounden
119 bpm • A min • 01:15 • -36db
12% Popularity • 23% Danceability • 1% Energy • 7% Liveness
37% Instrumentalness • 13% Positiveness
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The King's Singers
La Peregrinaçion
119 bpm • G min • 03:09 • -31.8db
6% Popularity • 25% Danceability • 2% Energy • 7% Liveness
39% Instrumentalness • 11% Positiveness
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Traditional
Masters in this Hall
118 bpm • D min • 01:45 • -23.87db
12% Popularity • 45% Danceability • 14% Energy • 58% Liveness
0% Instrumentalness • 51% Positiveness
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Jan Pieterszoon Sweelinck
Hodie Christus natus est
117 bpm • A# Maj • 03:41 • -21.78db
13% Popularity • 28% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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Michael Praetorius
Lo how a rose e'er blooming (Es ist ein ...
119 bpm • F# Maj • 02:14 • -28.67db
27% Popularity • 24% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Chanticleer
Anonymous: Nowell
119 bpm • C Maj • 01:57 • -28.89db
2% Popularity • 36% Danceability • 11% Energy • 14% Liveness
8% Instrumentalness • 39% Positiveness
► Preview
John Turner
Lullay, My Liking (2002 Setting)
117 bpm • D Maj • 03:50 • -25.4db
10% Popularity • 29% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Vienna Boys' Choir
Tochter Zion
117 bpm • G Maj • 01:54 • -22.39db
15% Popularity • 30% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Psallite Unigenito