Songs like Psalm 140 (Cry for Mercy) by Robbie Seay Band
Based on a tempo of (+/- 10%) and a similar genre
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CityAlight
Washed by the Blood
96 bpm • D Maj • 04:53 • -7.86db
43% Popularity • 44% Danceability • 53% Energy • 67% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 44% Danceability • 53% Energy • 67% Liveness
0% Instrumentalness • 20% Positiveness
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John Mark McMillan
Walk Around My House
96 bpm • C# Maj • 05:00 • -8.15db
23% Popularity • 63% Danceability • 64% Energy • 10% Liveness
9% Instrumentalness • 65% Positiveness
23% Popularity • 63% Danceability • 64% Energy • 10% Liveness
9% Instrumentalness • 65% Positiveness
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Matt Boswell
Let the Nations Be Glad
96 bpm • D Maj • 04:20 • -6.21db
23% Popularity • 52% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 52% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Vicky Beeching
Above All Else - Yesterday, Today And Fo...
96 bpm • D Maj • 03:52 • -11db
19% Popularity • 62% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 62% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Robbie Seay Band
Psalm 140 (Cry for Mercy)
96 bpm • C# Maj • 04:27 • -5.15db
11% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Samuel Lane
Fiery Love
97 bpm • C Maj • 04:49 • -7.71db
17% Popularity • 50% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 50% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Brenton Brown
All Who Are Thirsty
95 bpm • F Maj • 06:31 • -10.93db
19% Popularity • 22% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 20% Positiveness
19% Popularity • 22% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 20% Positiveness
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CityAlight
Oh the Mighty Hand
95 bpm • D Maj • 04:42 • -7.2db
38% Popularity • 30% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 30% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 35% Positiveness
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I AM THEY
Awake My Love
97 bpm • B Maj • 02:43 • -5.61db
32% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The Corner Room
Psalm 30
98 bpm • D Maj • 04:18 • -9.4db
28% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Robbie Seay Band
Psalm 96 (Let the Earth Rejoice)
95 bpm • C Maj • 06:02 • -6.54db
15% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Loud Harp
Your Love Never Runs Out
95 bpm • F# Maj • 05:06 • -10.01db
26% Popularity • 50% Danceability • 49% Energy • 16% Liveness
47% Instrumentalness • 8% Positiveness
26% Popularity • 50% Danceability • 49% Energy • 16% Liveness
47% Instrumentalness • 8% Positiveness
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The Dodds
New Song (Psalm 40)
94 bpm • C Maj • 04:14 • -9db
47% Popularity • 47% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 47% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Mike Janzen
Abounding in Love (Psalm 86)
98 bpm • F# Maj • 03:26 • -8.52db
16% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Coram Deo Church
The Lord Has Done Great Things (Psalm 12...
94 bpm • A Maj • 04:02 • -7.77db
25% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Chelsea Moon & Uncle Daddy
He's Always Been Faithful
94 bpm • C Maj • 03:54 • -11db
32% Popularity • 50% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 50% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Robbie Seay Band
Come Alive
97 bpm • G Maj • 04:18 • -5.13db
4% Popularity • 57% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
4% Popularity • 57% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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David Baloche
My Help Comes From the Lord
98 bpm • E Maj • 04:22 • -13.76db
27% Popularity • 64% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 64% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Poor Bishop Hooper
Psalm 116
98 bpm • F Maj • 04:02 • -12.71db
23% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jamie Barnes
Approach My Soul, The Mercy Seat
99 bpm • A min • 03:38 • -6db
32% Popularity • 33% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 33% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Loud Harp
Steady
93 bpm • C Maj • 05:32 • -9.08db
26% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Gungor
Please Be My Strength
99 bpm • D Maj • 03:32 • -16.86db
33% Popularity • 43% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 43% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Digital Age
After All (Holy)
100 bpm • C# Maj • 04:38 • -5.5db
19% Popularity • 32% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 32% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Cody Carnes
Walls
100 bpm • C# min • 05:04 • -6.19db
19% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Poor Bishop Hooper
Psalm 1
99 bpm • C Maj • 04:45 • -15db
40% Popularity • 53% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 53% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Greg LaFollette
Most Merciful God
100 bpm • D Maj • 02:50 • -10.42db
26% Popularity • 66% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 66% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Jars Of Clay
God Be Merciful To Me
92 bpm • C Maj • 04:31 • -7.51db
26% Popularity • 67% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 67% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Jason Gray
More Like Falling in Love
92 bpm • A Maj • 03:39 • -5.46db
39% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 57% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Caroline Cobb
Good To Give Thanks (Psalm 92)
92 bpm • G Maj • 03:45 • -6.91db
35% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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NLC Worship
Our God & Our King
100 bpm • E Maj • 06:46 • -10.25db
20% Popularity • 31% Danceability • 34% Energy • 71% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 34% Energy • 71% Liveness
0% Instrumentalness • 22% Positiveness
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Urban Rescue
Wild Heart
92 bpm • D Maj • 03:41 • -7.18db
26% Popularity • 53% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 53% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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CityAlight
Once for All
100 bpm • D# Maj • 04:50 • -7.97db
45% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mack Brock
To The End
92 bpm • E Maj • 07:11 • -13.25db
41% Popularity • 24% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 24% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Harvest
Costly
101 bpm • A min • 03:12 • -14db
30% Popularity • 21% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 21% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Poor Bishop Hooper
Psalm 108
101 bpm • A Maj • 04:37 • -12.85db
23% Popularity • 46% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 46% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Bebo Norman
I WIll Lift My Eyes
101 bpm • A Maj • 04:25 • -9db
41% Popularity • 41% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 41% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
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Loud Harp
(77) You Heard Me
102 bpm • A# Maj • 05:40 • -10.98db
25% Popularity • 51% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 34% Positiveness
25% Popularity • 51% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 34% Positiveness
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Ascend The Hill
None Compare (Spontaneous Worship)
102 bpm • B min • 05:11 • -6.63db
21% Popularity • 18% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Mack Brock
Heart Wide Open
91 bpm • B Maj • 04:42 • -7.65db
40% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 65% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Krista Vossler
Goodbye Love
90 bpm • C Maj • 04:40 • -6.09db
0% Popularity • 40% Danceability • 71% Energy • 7% Liveness
42% Instrumentalness • 35% Positiveness
0% Popularity • 40% Danceability • 71% Energy • 7% Liveness
42% Instrumentalness • 35% Positiveness
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Poor Bishop Hooper
Psalm 6
102 bpm • A min • 03:12 • -16.01db
27% Popularity • 41% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 41% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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CityAlight
Jerusalem
90 bpm • B Maj • 04:48 • -6.48db
52% Popularity • 50% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 50% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 26% Positiveness
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Delirious?
Did You Fell the Mountains Tremble? - Ex...
102 bpm • D Maj • 09:46 • -7.2db
26% Popularity • 49% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 49% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Boswell
God the Spirit
90 bpm • F Maj • 03:34 • -7.27db
20% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Third Day
Your Love Oh Lord (Psalm 36)
89 bpm • G Maj • 03:56 • -7db
45% Popularity • 60% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 60% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Loud Harp
Immanuel
104 bpm • C# Maj • 05:37 • -7.55db
26% Popularity • 42% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 42% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Greg LaFollette
Blessed Be God
89 bpm • D Maj • 03:27 • -11.33db
22% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
22% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Robbie Seay Band
Love Invades
104 bpm • E Maj • 04:31 • -5.25db
5% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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The Sing Team
Because Jesus Christ Is Alive
104 bpm • E Maj • 04:25 • -7.75db
30% Popularity • 66% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 66% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Corner Room
Psalm 139:1-6
105 bpm • E Maj • 02:15 • -15.69db
36% Popularity • 51% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 51% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Matthew Zigenis
Come to the Waters
87 bpm • F# min • 05:15 • -8.32db
20% Popularity • 27% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 27% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Loud Harp
(73) the Nearness of You
105 bpm • G# Maj • 05:42 • -11.19db
36% Popularity • 51% Danceability • 44% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
36% Popularity • 51% Danceability • 44% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
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The Psalms Project
Psalm 32 (Blessed Is the One)
106 bpm • F Maj • 06:20 • -5.72db
24% Popularity • 37% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 37% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Robbie Seay Band
Psalm 116 (You Turned My Soul to Rest)
88 bpm • E Maj • 03:54 • -6db
13% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Chris & Bethany Solyntjes
Good Shepherd
107 bpm • F Maj • 05:51 • -10.29db
13% Popularity • 24% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 24% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Sojourn
We Are Listening
86 bpm • A Maj • 04:06 • -4.85db
19% Popularity • 36% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 36% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Josh Baldwin
Get Your Hopes Up
107 bpm • D Maj • 04:37 • -6.93db
38% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Seeker & Servant
My Lord, I Did Not Choose You
86 bpm • C# min • 04:57 • -9db
21% Popularity • 55% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 55% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Brian Moss
My God, My God (Psalm 22)
107 bpm • D min • 05:40 • -11.72db
20% Popularity • 29% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 29% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Robbie Seay Band
Hallelujah God Is Near
106 bpm • A Maj • 04:05 • -4.1db
6% Popularity • 49% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 49% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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The Corner Room
Psalm 12
86 bpm • D Maj • 03:27 • -8.19db
29% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Gungor
Doxology - Live
85 bpm • E Maj • 01:14 • -19db
27% Popularity • 21% Danceability • 20% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 21% Danceability • 20% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
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Ascend The Hill
Rock of Ages
108 bpm • B Maj • 04:24 • -12db
34% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Loud Harp
Weeping Mary
108 bpm • B Maj • 03:16 • -12db
31% Popularity • 22% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 22% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Chris Renzema
There Came a Light
108 bpm • F# Maj • 04:42 • -13db
47% Popularity • 40% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 40% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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The Psalms Project
Psalm 23 (Yahweh Is My Shepherd)
85 bpm • E Maj • 03:36 • -8.82db
36% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lucy Grimble
Great Redeemer
85 bpm • F Maj • 05:05 • -8.71db
30% Popularity • 25% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 25% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Sing Team
Satisfied in You (Psalm 42)
109 bpm • C# Maj • 05:50 • -14.97db
44% Popularity • 45% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 45% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Caedmon's Call
God Of Wonders
84 bpm • A# Maj • 04:05 • -7.15db
33% Popularity • 35% Danceability • 66% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 35% Danceability • 66% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Neufeld
Who Is Like You
84 bpm • A Maj • 03:17 • -9.04db
18% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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The Corner Room
Movement I (V.1-3)
110 bpm • E Maj • 02:43 • -12.75db
38% Popularity • 38% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 38% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Big Daddy Weave
Come Sit Down
84 bpm • G# Maj • 05:35 • -6.62db
20% Popularity • 40% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 40% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Sisterbrother
Into the Light
110 bpm • G Maj • 03:33 • -10.24db
36% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Psalms Project
Psalm 8: In All the Earth
110 bpm • E Maj • 03:58 • -9.64db
24% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Poor Bishop Hooper
Psalm 24
110 bpm • G Maj • 04:44 • -15.79db
23% Popularity • 54% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 54% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The Royal Royal
The Lights
110 bpm • D# Maj • 03:40 • -4.62db
26% Popularity • 50% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 50% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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The Corner Room
Psalm 100
110 bpm • A Maj • 03:29 • -6.85db
35% Popularity • 61% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 61% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Elias Dummer
Expectation
110 bpm • C# Maj • 04:57 • -7db
21% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ascend The Hill
Come Like You Promised
110 bpm • D# min • 06:36 • -7db
20% Popularity • 31% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 31% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Matt Boswell
How Rich a Treasure We Possess
110 bpm • E Maj • 03:28 • -6db
22% Popularity • 48% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 48% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Out of the Dust
I Come Alive
110 bpm • C Maj • 02:55 • -5.58db
20% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Misty Edwards & David Brymer
Lord I Want You
110 bpm • D Maj • 04:50 • -10db
21% Popularity • 37% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 37% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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The Corner Room
Psalm 23
110 bpm • D Maj • 03:22 • -12db
44% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Greg LaFollette
World Without End
83 bpm • F# Maj • 02:38 • -11.23db
28% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 29% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Ascend The Hill
Whom Have I
110 bpm • B min • 07:55 • -7db
22% Popularity • 42% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 42% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Poor Bishop Hooper
Psalm 11
110 bpm • C Maj • 03:58 • -12.82db
26% Popularity • 50% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 50% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Enter The Worship Circle
Heavenly Things
111 bpm • C Maj • 04:37 • -10.57db
34% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Corey Voss
The King Is Here - Live
111 bpm • C Maj • 04:04 • -5.5db
22% Popularity • 55% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 55% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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The Corner Room
Psalm 119:33-40
110 bpm • A Maj • 02:59 • -9.44db
34% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Caroline Cobb
Like A Tree (Psalm 1)
83 bpm • A Maj • 03:09 • -6.38db
41% Popularity • 70% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 70% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Delirious?
Lord You Have My Heart
111 bpm • D# Maj • 02:57 • -18db
30% Popularity • 37% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 37% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Greg LaFollette
The Lord's Prayer
83 bpm • A Maj • 02:21 • -7db
32% Popularity • 50% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 50% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Pacific Gold
Jesus, Savior, Pilot Me
83 bpm • G Maj • 02:30 • -9.28db
38% Popularity • 29% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 29% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Schultz
I Am
83 bpm • F# Maj • 03:57 • -7.81db
37% Popularity • 34% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 34% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Foreman
White As Snow
111 bpm • C# Maj • 04:11 • -11db
37% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
![Land of the Living (Psalm 27) [Remastered 2017] cover art](https://i.scdn.co/image/ab67616d00001e023398b2796abef2e1ff2bbe2e)
Enter The Worship Circle
Land of the Living (Psalm 27) [Remastere...
83 bpm • E Maj • 03:39 • -12.29db
15% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Robbie Seay Band
Raise My Voice (Acoustic)
83 bpm • B Maj • 03:32 • -6.98db
6% Popularity • 31% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
6% Popularity • 31% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Dispatch
How Deep the Father's Love
112 bpm • D Maj • 03:56 • -9db
31% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
