Songs like Psalm 96 "O Sing unto the Lord a New Song" by John Naylor
Based on a tempo of (+/- 10%) and a similar genre
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Henry W Baker
The King of Love My Shepherd Is
80 bpm • D# Maj • 02:26 • -18.15db
13% Popularity • 19% Danceability • 16% Energy • 23% Liveness
81% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 16% Energy • 23% Liveness
81% Instrumentalness • 12% Positiveness
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St. Tikhon's Seminary & Monastery Choirs
Second Antiphon - Arch. Matthew
80 bpm • B Maj • 01:42 • -28.08db
12% Popularity • 25% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Nathan J. Arnold
Psalm 25: Make Me To Know Your Ways (Voc...
80 bpm • D Maj • 05:02 • -13.98db
10% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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James MacMillan
The Lord’s Prayer
80 bpm • D min • 01:58 • -25.75db
13% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Johann Georg Ebeling
Franconia "Blest Are the Pure in Heart"
80 bpm • A Maj • 01:59 • -32db
18% Popularity • 23% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Percy Whitlock
The Lord is King (Psalm 99)
80 bpm • G# Maj • 02:48 • -23.56db
1% Popularity • 14% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
1% Popularity • 14% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
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Sir Sydney Hugo Nicholson
Psalm 101 "My Song Shall Be of Mercy and...
80 bpm • G# Maj • 03:02 • -30db
9% Popularity • 15% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Robert Lucas Pearsall
Lay a Garland
80 bpm • D# Maj • 03:06 • -20db
12% Popularity • 11% Danceability • 16% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 16% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Harmonious Chorale Ghana
When All Thy Mercies, O My God
80 bpm • D# Maj • 04:37 • -14.96db
16% Popularity • 12% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 12% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Jaakko Mäntyjärvi
Trinity Service: The Lord's Prayer
80 bpm • G# min • 02:35 • -17.54db
13% Popularity • 17% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: Chorus: The Appeal of t...
80 bpm • G Maj • 06:11 • -24.69db
15% Popularity • 19% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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John Naylor
Psalm 96 "O Sing unto the Lord a New Son...
80 bpm • F Maj • 03:56 • -28.83db
2% Popularity • 12% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
2% Popularity • 12% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Stanley Alcock
Be Merciful unto Me, O God (Psalm 56)
80 bpm • A# min • 03:04 • -30.07db
9% Popularity • 27% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Charles William Everest
Breslau "Take Up Thy Cross, the Savior S...
80 bpm • G# Maj • 03:05 • -18.93db
19% Popularity • 14% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 14% Positiveness
19% Popularity • 14% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 14% Positiveness
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J.V Ugland
Velsignet Vær, O Jesus Krist
80 bpm • B Maj • 03:00 • -17.72db
7% Popularity • 13% Danceability • 14% Energy • 13% Liveness
18% Instrumentalness • 13% Positiveness
7% Popularity • 13% Danceability • 14% Energy • 13% Liveness
18% Instrumentalness • 13% Positiveness
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Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
14% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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John Stainer
The Crucifixion: Hymn: The Adoration of ...
80 bpm • D# Maj • 01:46 • -27db
16% Popularity • 20% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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Christopher Walker
Alleluia of the Angels
80 bpm • G# Maj • 01:45 • -17db
16% Popularity • 14% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 14% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Kammerchor Wilhelmshaven
Kein Wörtlein geht verloren
80 bpm • G Maj • 02:39 • -27.11db
11% Popularity • 12% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 8% Positiveness
11% Popularity • 12% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 8% Positiveness
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Margaret Bonds
The Ballad of the Brown King: VIII. That...
80 bpm • G# Maj • 01:24 • -18.26db
8% Popularity • 19% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Robert Williams
Llanfair "Hail the Day That Sees Him Ris...
80 bpm • G Maj • 05:41 • -16db
8% Popularity • 21% Danceability • 20% Energy • 24% Liveness
3% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 20% Energy • 24% Liveness
3% Instrumentalness • 10% Positiveness
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Will C. MacFarlane
Open Our Eyes
80 bpm • F# Maj • 05:53 • -23.17db
15% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: Processional to Calvary...
80 bpm • A min • 10:00 • -22.45db
10% Popularity • 11% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Samuel Sebastian Wesley
Hereford "O Thou Who Camest from Above"
81 bpm • E Maj • 03:03 • -17.82db
10% Popularity • 12% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
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OCP Choir
Divine Praises
80 bpm • D Maj • 01:36 • -14.03db
13% Popularity • 19% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 19% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Steven Anderson
My God, How Wonderful The Art
81 bpm • G# Maj • 01:26 • -15.43db
25% Popularity • 24% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 24% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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Independent Presbyterian Church Savannah
Psalm 146 (Ripley)
81 bpm • D Maj • 02:38 • -21.88db
10% Popularity • 29% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 29% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Bliss
Let The Lower Lights Be Burning
81 bpm • A# Maj • 02:35 • -22.87db
5% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
5% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
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Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Herb Frombach
Be Still
81 bpm • B Maj • 03:02 • -21.66db
10% Popularity • 22% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Mårten Jansson
Requiem Novum: III. Dies irae
79 bpm • F min • 08:43 • -18.57db
8% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
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Johann Crüger
Now Thank We All Our God
81 bpm • F Maj • 02:49 • -24db
13% Popularity • 17% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
13% Popularity • 17% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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John Stainer
The Crucifixion: Processional to Calvary...
79 bpm • C Maj • 10:07 • -21.07db
18% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Arthur Sullivan
O Taste and See How Gracious the Lord Is
79 bpm • F Maj • 03:00 • -24.1db
9% Popularity • 8% Danceability • 12% Energy • 24% Liveness
73% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 12% Energy • 24% Liveness
73% Instrumentalness • 4% Positiveness
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Keith Getty
In Christ Alone (Arr. B. Wells for Choir...
79 bpm • E Maj • 04:36 • -23.22db
0% Popularity • 8% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
0% Popularity • 8% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
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Laestadian Lutheran Church
He Shall Feed His Flock
79 bpm • G Maj • 04:49 • -22db
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
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Sir Sydney Hugo Nicholson
Bow Brickhill "We Sing the Praise of Him...
79 bpm • C Maj • 02:59 • -25.85db
9% Popularity • 7% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 7% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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William Harold Ferguson
Wolvercote "O Jesus, I Have Promised"
81 bpm • A Maj • 03:23 • -19db
9% Popularity • 9% Danceability • 21% Energy • 27% Liveness
56% Instrumentalness • 20% Positiveness
9% Popularity • 9% Danceability • 21% Energy • 27% Liveness
56% Instrumentalness • 20% Positiveness
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John Henry Maunder
Maunder: Olivet to Calvary, Pt. 2: X. Ca...
79 bpm • D Maj • 03:56 • -14.97db
4% Popularity • 10% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
4% Popularity • 10% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: Hymn. The Mystery of th...
81 bpm • G# Maj • 04:32 • -20.84db
7% Popularity • 22% Danceability • 20% Energy • 18% Liveness
75% Instrumentalness • 18% Positiveness
7% Popularity • 22% Danceability • 20% Energy • 18% Liveness
75% Instrumentalness • 18% Positiveness
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Harmonious Chorale Ghana
Christ Is Made the Sure Foundation
81 bpm • G Maj • 04:21 • -13.29db
14% Popularity • 12% Danceability • 31% Energy • 44% Liveness
1% Instrumentalness • 16% Positiveness
14% Popularity • 12% Danceability • 31% Energy • 44% Liveness
1% Instrumentalness • 16% Positiveness
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Fr Cyprian Consiglio, OSB Cam.
Intercessions - Morning Prayer/Lauds
81 bpm • E min • 02:15 • -18.79db
27% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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John Ireland
Adam lay ybounden
81 bpm • C min • 01:36 • -28db
15% Popularity • 20% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 20% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Independent Presbyterian Church Savannah
Psalm 134 (All Saints Old)
81 bpm • C Maj • 01:24 • -16.25db
16% Popularity • 19% Danceability • 32% Energy • 13% Liveness
37% Instrumentalness • 27% Positiveness
16% Popularity • 19% Danceability • 32% Energy • 13% Liveness
37% Instrumentalness • 27% Positiveness
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Margaret Rizza
Thou Art All Things
79 bpm • G min • 04:27 • -26.27db
14% Popularity • 20% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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Nazo Zakkak
Today Is the Beginning
79 bpm • A# Maj • 01:35 • -18.61db
11% Popularity • 23% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 23% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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James MacMillan
St Anne’s Mass: I. Kyrie
82 bpm • D min • 00:52 • -28db
18% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
18% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
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Orlando Gibbons
Song 1 "Eternal Ruler of the Ceaseless R...
82 bpm • F Maj • 03:51 • -24.68db
12% Popularity • 19% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
12% Popularity • 19% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Kammerchor Wilhelmshaven
Lasst uns wahrhaftig sein in der Liebe
82 bpm • A# Maj • 03:32 • -22.63db
9% Popularity • 10% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
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Independent Presbyterian Church Savannah
Psalm 121 (Dundee)
81 bpm • D# Maj • 01:48 • -19.73db
8% Popularity • 16% Danceability • 14% Energy • 9% Liveness
10% Instrumentalness • 39% Positiveness
8% Popularity • 16% Danceability • 14% Energy • 9% Liveness
10% Instrumentalness • 39% Positiveness
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Kenneth Leighton
Solus ad victimam
82 bpm • D min • 04:33 • -21.33db
9% Popularity • 15% Danceability • 13% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 13% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
Savior, Like a Shepherd Lead Us SHZ 484
82 bpm • D# Maj • 03:58 • -21.13db
10% Popularity • 16% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 14% Positiveness
10% Popularity • 16% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 14% Positiveness
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Walter Garnet Picart Chambers
アンティグア・バーブーダ 麗...
78 bpm • A# Maj • 01:15 • -13.59db
11% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
11% Popularity • 30% Danceability • 38% Energy • 11% Liveness
71% Instrumentalness • 15% Positiveness
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John Stainer
The Crucifixion: Hymn: Litany of the Pas...
82 bpm • A Maj • 04:16 • -29.37db
15% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Christelijk Mannenkoor Soli Deo Gloria Urk
Sweet Beulah Land
82 bpm • C Maj • 05:20 • -18.07db
13% Popularity • 9% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
13% Popularity • 9% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Jessie Seymour Irvine
Crimond "The Lord's My Shepherd" (Arr. D...
82 bpm • F Maj • 03:12 • -23db
15% Popularity • 16% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 10% Positiveness
15% Popularity • 16% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 10% Positiveness
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BBC Radio 4 Daily Service Singers
Abide With Me Fast Falls The Eventide
78 bpm • D# Maj • 03:28 • -22.12db
7% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ivor Atkins
Psalm 2
82 bpm • A# Maj • 03:33 • -28.68db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Thomas Tallis
Glory to thee, my God, this night
82 bpm • G Maj • 02:25 • -29.17db
8% Popularity • 12% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 12% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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John Stainer
The Crucifixion: Recitative: And one of ...
78 bpm • F Maj • 02:37 • -29.96db
13% Popularity • 28% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 28% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Five Creates
Release Now
78 bpm • C# Maj • 02:31 • -23.53db
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Steven Anderson
The Lord Will Provide
78 bpm • F Maj • 01:45 • -13.09db
12% Popularity • 24% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
12% Popularity • 24% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Laestadian Lutheran Church
On My Heart Imprint Thine Image SHZ 100
82 bpm • D# Maj • 01:17 • -17.99db
16% Popularity • 12% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 35% Positiveness
16% Popularity • 12% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 35% Positiveness
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Herbert Howells
Michael "All My Hope on God Is Founded"
82 bpm • F Maj • 03:44 • -19db
16% Popularity • 16% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
16% Popularity • 16% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Edward Bairstow
The Lamentation
78 bpm • C min • 09:03 • -25.13db
8% Popularity • 12% Danceability • 4% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 4% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: III...
78 bpm • E min • 06:05 • -25.83db
11% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Leighton George Hayne
St. Cecilia "Thy Kingdom Come, O God"
78 bpm • G Maj • 02:12 • -21.43db
11% Popularity • 23% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Sumphonia
Let Us Go to the Mount
78 bpm • D Maj • 02:28 • -19.19db
11% Popularity • 20% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Laestadian Lutheran Church
Safe in the Arms of Jesus SHZ 594
78 bpm • F Maj • 04:08 • -16.84db
7% Popularity • 24% Danceability • 25% Energy • 12% Liveness
21% Instrumentalness • 23% Positiveness
7% Popularity • 24% Danceability • 25% Energy • 12% Liveness
21% Instrumentalness • 23% Positiveness
► Preview
James MacMillan
St Anne’s Mass: II. Gloria
78 bpm • D Maj • 02:30 • -27.08db
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Benedict Sheehan
Liturgy of St. John Chrysostom: No. 3, A...
82 bpm • F Maj • 03:47 • -17.82db
10% Popularity • 16% Danceability • 22% Energy • 30% Liveness
63% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 22% Energy • 30% Liveness
63% Instrumentalness • 3% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Arthur Henry Brown
Saffron Walden "Just As I Am, Without On...
83 bpm • C# Maj • 03:50 • -22db
10% Popularity • 11% Danceability • 13% Energy • 12% Liveness
5% Instrumentalness • 12% Positiveness
10% Popularity • 11% Danceability • 13% Energy • 12% Liveness
5% Instrumentalness • 12% Positiveness
► Preview
Jeff Lippencott
How Beautiful Your Songs of Praise
78 bpm • F Maj • 05:10 • -14.85db
9% Popularity • 7% Danceability • 26% Energy • 29% Liveness
67% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 26% Energy • 29% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Thomas Weelkes
The Short Service: Nunc Dimittis
83 bpm • B min • 01:37 • -18.78db
7% Popularity • 16% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 16% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
George Cooper
St. Sepulchre "Jesus, Where'er Thy Peopl...
83 bpm • D# Maj • 02:23 • -23.51db
10% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Salt Lake Vocal Artists
Spaseniye Sodelal
83 bpm • D Maj • 03:22 • -19.2db
12% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Dora Garcidueñas
Sketch for Acappella (For Vocal Quartet)
77 bpm • A# min • 02:55 • -8.24db
9% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Patrick Cassidy
The Mass: Laudamus Te
77 bpm • D min • 03:13 • -23db
25% Popularity • 13% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Crown & Covenant
I Lift My Eyes and See the Hills (Psalm ...
83 bpm • D# Maj • 02:21 • -22.48db
9% Popularity • 22% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 22% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Kammerchor Wilhelmshaven
Mein Herz ist still geworden
77 bpm • F Maj • 03:03 • -30.1db
11% Popularity • 14% Danceability • 5% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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John Bell
Love One Another
83 bpm • D Maj • 02:18 • -18.52db
11% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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St Edmundsbury Cathedral Choir
The race that long in darkness pined
83 bpm • D# Maj • 02:10 • -30db
11% Popularity • 18% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Sumphonia
Seraphim
77 bpm • C min • 02:13 • -21.23db
13% Popularity • 11% Danceability • 17% Energy • 13% Liveness
57% Instrumentalness • 7% Positiveness
13% Popularity • 11% Danceability • 17% Energy • 13% Liveness
57% Instrumentalness • 7% Positiveness
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Richard Shephard
A New Commandment
77 bpm • E Maj • 01:02 • -27.73db
11% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Patrick Vu
Will There Really Be a "Morning"?
77 bpm • E Maj • 02:51 • -23.4db
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Joseph Barnby
Laudes Domini "When Morning Gilds the Sk...
77 bpm • C Maj • 04:12 • -21db
12% Popularity • 19% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 19% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Martin How
Psalm 16 "Preserve Me, O God"
77 bpm • G# Maj • 03:15 • -26db
8% Popularity • 22% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
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Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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The Orchestra Choir and Congregation of All Souls Church
As Water To The Thirsty
83 bpm • G# Maj • 03:08 • -19.76db
11% Popularity • 13% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
11% Popularity • 13% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Alexander Gretchaninoff
Our Father
83 bpm • E Maj • 05:29 • -21.28db
11% Popularity • 10% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Thomas Morley
Nolo Mortem Peccatoris - Live
83 bpm • E min • 03:15 • -20.95db
10% Popularity • 15% Danceability • 18% Energy • 64% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 15% Danceability • 18% Energy • 64% Liveness
0% Instrumentalness • 9% Positiveness
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John Stainer
The Crucifixion: Hymn: For the love of J...
83 bpm • E Maj • 02:27 • -23.14db
16% Popularity • 24% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 24% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Daniel Schutte
Here I Am, Lord (Arr. O. Young)
83 bpm • A Maj • 05:27 • -22.72db
8% Popularity • 14% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
8% Popularity • 14% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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St. Tikhon's Seminary & Monastery Choirs
Kontakion of Pascha - Greek Chant, Tone ...
84 bpm • D Maj • 01:06 • -27.41db
23% Popularity • 18% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 18% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Harold W. Friedell
Draw Us in the Spirit's Tether
84 bpm • G# Maj • 04:08 • -22.42db
14% Popularity • 10% Danceability • 12% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
14% Popularity • 10% Danceability • 12% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
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Traditional Song
Sacred Heart of Jesus, Font of Love
76 bpm • A Maj • 04:52 • -19.72db
13% Popularity • 12% Danceability • 14% Energy • 9% Liveness
29% Instrumentalness • 8% Positiveness
13% Popularity • 12% Danceability • 14% Energy • 9% Liveness
29% Instrumentalness • 8% Positiveness
