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Psalmfest: III. Praise the Lord, O my soul (Psalm ...
Songs like
Psalmfest: III. Praise the Lord, O my soul (Psalm 146)
by
John Rutter
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Gloria: Cum Sancto Spiritu
121 bpm • C# Maj • 02:47 • -15.06db
29% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
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Michael Joncas
Psalm 36, "Cantate Domino"
122 bpm • F Maj • 04:35 • -12.75db
13% Popularity • 27% Danceability • 28% Energy • 10% Liveness
38% Instrumentalness • 32% Positiveness
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John Rutter
The Sprig of Thyme: No. 3. The willow tr...
122 bpm • A min • 03:00 • -32.07db
14% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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William Byrd
Ave verum corpus
120 bpm • G# min • 03:48 • -26.54db
13% Popularity • 18% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Quick! we have but a second
120 bpm • A# Maj • 00:47 • -27.31db
15% Popularity • 54% Danceability • 23% Energy • 33% Liveness
55% Instrumentalness • 83% Positiveness
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John Alexander
Earth Song
122 bpm • F Maj • 03:49 • -24.63db
32% Popularity • 20% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Herbert Sumsion
Nunc dimittis in G Major
119 bpm • E min • 02:32 • -24.51db
11% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Anonymous
Jesu dulcis memoria
119 bpm • A# min • 01:56 • -27.82db
26% Popularity • 19% Danceability • 4% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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William Byrd
Mass for Four Voices: V. Agnus Dei
123 bpm • F min • 04:03 • -24.89db
20% Popularity • 18% Danceability • 6% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
118 bpm • D# Maj • 02:37 • -28.1db
11% Popularity • 20% Danceability • 6% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
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Pablo Casals
Nigra sum (I am black)
124 bpm • E Maj • 04:15 • -29.79db
11% Popularity • 20% Danceability • 4% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Cantare Houston, Kevin Riehle & Ola Gjeilo
Luminous Night of the Soul
118 bpm • C Maj • 09:09 • -21db
17% Popularity • 21% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Sally Beamish
In the Stillness
125 bpm • A min • 02:19 • -31.93db
18% Popularity • 17% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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John Rutter
The Lord Bless You And Keep You: Meditat...
117 bpm • F# Maj • 03:49 • -24db
24% Popularity • 34% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Caldara
Crucifixus
117 bpm • B Maj • 04:26 • -21.23db
11% Popularity • 17% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Ave verum corpus
126 bpm • F Maj • 04:13 • -26.74db
15% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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William Byrd
Retire My Soul
126 bpm • C min • 04:26 • -23.72db
21% Popularity • 18% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Three Songs Of Faith: I Thank ...
126 bpm • C Maj • 06:56 • -27.52db
19% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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John Rutter
Mass of the Children: Agnus Dei
125 bpm • G Maj • 05:58 • -24.25db
13% Popularity • 19% Danceability • 9% Energy • 10% Liveness
25% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Johannes Brahms
The St. Anthony Chorale
127 bpm • A# Maj • 01:17 • -29.22db
22% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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Paul Mealor
Ubi caritas
127 bpm • G# Maj • 03:54 • -25db
19% Popularity • 17% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
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Andrew Lloyd Webber
Requiem: Pie Jesu
115 bpm • G# Maj • 02:36 • -16.68db
8% Popularity • 31% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Eric Whitacre
This Marriage
116 bpm • C# min • 03:31 • -26.5db
14% Popularity • 21% Danceability • 4% Energy • 20% Liveness
1% Instrumentalness • 3% Positiveness
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John Rutter
To every thing there is a season
116 bpm • A Maj • 06:10 • -23.35db
10% Popularity • 21% Danceability • 8% Energy • 15% Liveness
77% Instrumentalness • 4% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Johannes Brahms
Fest- und Gedenksprüche, Op. 109: II. W...
127 bpm • C Maj • 02:42 • -19.19db
0% Popularity • 24% Danceability • 22% Energy • 15% Liveness
9% Instrumentalness • 18% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: Sleep
127 bpm • C min • 05:33 • -24.96db
39% Popularity • 17% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
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John Rutter
Feel the Spirit: I. Joshua fit the battl...
127 bpm • D# Maj • 03:17 • -18.62db
10% Popularity • 33% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
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Adrian Batten
O sing joyfully
128 bpm • G# Maj • 01:35 • -21.5db
17% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Benjamin Britten
A Hymn to the Virgin
128 bpm • A# min • 03:10 • -28.84db
8% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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The Cathedral Singers
Ave Maria, CG 89a (Arr. for Choir, Harp ...
114 bpm • F Maj • 02:59 • -20db
37% Popularity • 20% Danceability • 14% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
8 Part-Songs, Op. 127: No. 3, When Mary ...
128 bpm • D Maj • 03:27 • -23.75db
2% Popularity • 22% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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William McKie
We Wait for Thy Loving Kindness
128 bpm • C# Maj • 02:59 • -21.38db
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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John Rutter
The Sprig of Thyme: No. 10. The miller o...
116 bpm • C min • 01:57 • -22.4db
10% Popularity • 42% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Tallis
Loquebantur variis linguis
128 bpm • F min • 03:56 • -22.69db
11% Popularity • 20% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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John Dowland
Come again, sweet love doth now invite
114 bpm • D# Maj • 02:21 • -13db
22% Popularity • 34% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: Lux aeterna
127 bpm • G Maj • 06:42 • -29.29db
10% Popularity • 17% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
5 English Folk Songs: No. 2. The spring ...
129 bpm • E min • 02:48 • -29.68db
15% Popularity • 17% Danceability • 3% Energy • 6% Liveness
63% Instrumentalness • 5% Positiveness
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John Wilbye
Draw on sweet night: Draw on, sweet nigh...
114 bpm • D Maj • 05:00 • -34.45db
8% Popularity • 17% Danceability • 1% Energy • 6% Liveness
59% Instrumentalness • 4% Positiveness
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Herbert Howells
The Fear of the Lord
129 bpm • G Maj • 05:18 • -20.8db
0% Popularity • 19% Danceability • 15% Energy • 31% Liveness
92% Instrumentalness • 3% Positiveness
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The Cathedral Singers
Ave Maria
129 bpm • D# Maj • 01:58 • -18db
33% Popularity • 22% Danceability • 19% Energy • 21% Liveness
1% Instrumentalness • 7% Positiveness
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Francisco Guerrero
Duo Seraphim
129 bpm • G Maj • 03:09 • -19.76db
2% Popularity • 20% Danceability • 18% Energy • 6% Liveness
9% Instrumentalness • 10% Positiveness
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John Rutter
Birthday Madrigals: I. It was a lover an...
129 bpm • G Maj • 02:21 • -22.78db
10% Popularity • 43% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Antonio Lotti
Credo a 4: Credo a 4: Crucifixus
129 bpm • C min • 03:33 • -28.75db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Richard Rodney Bennett
These Three
130 bpm • G Maj • 05:25 • -21.14db
7% Popularity • 23% Danceability • 13% Energy • 11% Liveness
12% Instrumentalness • 3% Positiveness
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Hubert Parry
I was glad when they said unto me, Op. 5...
130 bpm • A# Maj • 04:58 • -20db
9% Popularity • 17% Danceability • 15% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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John Ireland
Communion Service in C Major: Kyrie
113 bpm • C Maj • 01:04 • -32db
36% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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John Rutter
The Sprig of Thyme: No. 4. The sprig of ...
128 bpm • G Maj • 02:51 • -27.65db
12% Popularity • 24% Danceability • 3% Energy • 7% Liveness
63% Instrumentalness • 9% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
12% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
18% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Igor Stravinsky
Pater noster (Otche nash'): Pater noster
130 bpm • C min • 02:01 • -33.73db
13% Popularity • 22% Danceability • 2% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
23% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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John Rutter
Requiem aeternam
113 bpm • G Maj • 06:04 • -21.59db
12% Popularity • 17% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Paul Noble
Cityscapes: II. Lost City - Arr. for Con...
130 bpm • B min • 06:45 • -17.95db
1% Popularity • 21% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
12% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
15% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Henry Walford Davies
God Be in My Head
131 bpm • A Maj • 01:38 • -33.89db
15% Popularity • 18% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
13% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: II. Out of the deep
130 bpm • F Maj • 05:53 • -26.96db
15% Popularity • 16% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Stopford
In My Father’s House
111 bpm • A Maj • 06:12 • -25.63db
16% Popularity • 19% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Eric Whitacre
Glow
132 bpm • B Maj • 03:08 • -16db
26% Popularity • 20% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 6% Positiveness
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Herbert Howells
4 Anthems for Chorus & Organ: No. 3, Lik...
132 bpm • E min • 05:27 • -23.5db
7% Popularity • 17% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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John Rutter
Requiem: Pie Jesu
112 bpm • F Maj • 04:00 • -29db
14% Popularity • 18% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Geistliche Chor-Music, Op. 11: No. 23, S...
132 bpm • G Maj • 04:11 • -23.19db
21% Popularity • 18% Danceability • 6% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Arvo Pärt
Nunc Dimittis
132 bpm • G# Maj • 06:55 • -26.72db
27% Popularity • 16% Danceability • 3% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Aled Jones
Ave Maria
132 bpm • G Maj • 02:47 • -16.9db
11% Popularity • 23% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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John Rutter
Requiem: Out of the deep
131 bpm • C Maj • 06:09 • -26.64db
7% Popularity • 16% Danceability • 2% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Christ on the Mount of Olives, Op. 85: H...
110 bpm • C Maj • 04:03 • -18.64db
16% Popularity • 29% Danceability • 22% Energy • 8% Liveness
95% Instrumentalness • 27% Positiveness
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Southwestern Seminary Oratorio Chorus
Awake The Harp
110 bpm • D Maj • 02:10 • -16.07db
18% Popularity • 47% Danceability • 38% Energy • 28% Liveness
66% Instrumentalness • 70% Positiveness
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Aaron Copland
Simple Gifts
133 bpm • G# Maj • 01:32 • -18.08db
19% Popularity • 21% Danceability • 14% Energy • 22% Liveness
75% Instrumentalness • 16% Positiveness
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Benjamin Britten
Gloriana, Op. 53: Choral Dances: No. 6. ...
133 bpm • C Maj • 02:24 • -22.64db
11% Popularity • 20% Danceability • 10% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Edward Bairstow
I sat down under his shadow
133 bpm • F# min • 01:49 • -27.16db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 3% Positiveness
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John Rutter
The Sprig of Thyme: No. 6. The cuckoo
131 bpm • C# Maj • 02:32 • -26.77db
15% Popularity • 27% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Dixit Maria ad angelum
110 bpm • G Maj • 02:20 • -26.38db
22% Popularity • 22% Danceability • 8% Energy • 11% Liveness
48% Instrumentalness • 17% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Kiev Chamber Choir
Lord's Prayer
133 bpm • F Maj • 02:23 • -19.42db
31% Popularity • 19% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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John Rutter
5 Childhood Lyrics: I. Monday's child
111 bpm • D Maj • 02:56 • -29.39db
9% Popularity • 25% Danceability • 4% Energy • 6% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
5 English Folk Songs: No. 4. The lover's...
133 bpm • G# min • 03:43 • -23.73db
8% Popularity • 20% Danceability • 4% Energy • 6% Liveness
3% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria in excelsis Deo
110 bpm • D Maj • 02:48 • -21db
24% Popularity • 42% Danceability • 13% Energy • 9% Liveness
57% Instrumentalness • 15% Positiveness
► Preview
Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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William Byrd
Ave verum corpus, T. 92
109 bpm • F# min • 04:28 • -29.88db
39% Popularity • 16% Danceability • 3% Energy • 8% Liveness
8% Instrumentalness • 3% Positiveness
► Preview
Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
John Rutter
The Anthem - This Is The Day Which The L...
111 bpm • A Maj • 04:51 • -22.85db
11% Popularity • 20% Danceability • 18% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Psalmfest: III. Praise the Lord, O my soul (Psalm ...