Songs like Purcell / Arr. Pluhar: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" by Henry Purcell
Based on a tempo of (+/- 10%) and a similar genre
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Ballaké Sissoko
Chamber Music
126 bpm • F Maj • 05:31 • -14db
32% Popularity • 43% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
32% Popularity • 43% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Amália Rodrigues
Amor de mel, amor de fel
126 bpm • C min • 03:06 • -14.95db
16% Popularity • 42% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 42% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Bobby McFerrin
Song for Amadeus (Improvisation on Mozar...
126 bpm • F min • 02:28 • -30.42db
25% Popularity • 51% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 51% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Vivaldi: Giustino, RV 717, Act 1: "Vedr�...
126 bpm • A# min • 05:12 • -28.05db
35% Popularity • 46% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Marin Marais
Pièces de viole, Livre IV, Suite d'un g...
126 bpm • B Maj • 03:56 • -35.39db
27% Popularity • 27% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
27% Popularity • 27% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Come Ye Sons of A...
126 bpm • G min • 03:57 • -16.07db
28% Popularity • 54% Danceability • 34% Energy • 9% Liveness
28% Instrumentalness • 77% Positiveness
28% Popularity • 54% Danceability • 34% Energy • 9% Liveness
28% Instrumentalness • 77% Positiveness
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L'Arpeggiata
Chiacona
126 bpm • C Maj • 04:52 • -19.11db
22% Popularity • 40% Danceability • 20% Energy • 10% Liveness
12% Instrumentalness • 49% Positiveness
22% Popularity • 40% Danceability • 20% Energy • 10% Liveness
12% Instrumentalness • 49% Positiveness
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Christina Pluhar
Agapimu fidela protini
126 bpm • A min • 03:08 • -14.26db
19% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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George Frideric Handel
Handel: Cara sposa (Aria di Rinaldo, fro...
125 bpm • E min • 09:30 • -18.58db
11% Popularity • 25% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
11% Popularity • 25% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
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Karl Jenkins
Cantata Memoria: Lament for the Valley
127 bpm • D min • 04:38 • -14.6db
23% Popularity • 26% Danceability • 30% Energy • 11% Liveness
9% Instrumentalness • 10% Positiveness
23% Popularity • 26% Danceability • 30% Energy • 11% Liveness
9% Instrumentalness • 10% Positiveness
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Giulio Caccini
Nuove musiche e nuova maniera di scriver...
125 bpm • G Maj • 05:01 • -12.19db
15% Popularity • 61% Danceability • 29% Energy • 7% Liveness
23% Instrumentalness • 58% Positiveness
15% Popularity • 61% Danceability • 29% Energy • 7% Liveness
23% Instrumentalness • 58% Positiveness
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Christian Ritter
Ritter / Arr Pluhar: Orfeo Chamán, Act ...
126 bpm • C Maj • 02:35 • -16.17db
16% Popularity • 32% Danceability • 26% Energy • 40% Liveness
70% Instrumentalness • 37% Positiveness
16% Popularity • 32% Danceability • 26% Energy • 40% Liveness
70% Instrumentalness • 37% Positiveness
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Andrea Falconieri
Falconieri / Arr. Pluhar: O vezzosetta (...
127 bpm • C Maj • 02:40 • -15.01db
15% Popularity • 42% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 42% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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Johannes Brahms
Danse Hongroise N°1 en Sol Mineur
125 bpm • G min • 02:44 • -14db
18% Popularity • 37% Danceability • 26% Energy • 16% Liveness
83% Instrumentalness • 47% Positiveness
18% Popularity • 37% Danceability • 26% Energy • 16% Liveness
83% Instrumentalness • 47% Positiveness
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Henry Purcell
She loves and she confesses (Arr. The Do...
128 bpm • C Maj • 03:32 • -24db
7% Popularity • 38% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 38% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Antoine Boësset
À la fin cette bergère
128 bpm • C Maj • 03:57 • -20.86db
16% Popularity • 39% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
16% Popularity • 39% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
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Simón DÃaz
DÃaz / Arr Pluhar: Orfeo Chamán, Act 4...
124 bpm • E min • 03:32 • -14.82db
10% Popularity • 66% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 66% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Giulio Caccini
Odi Euterpe
128 bpm • C Maj • 02:42 • -17.73db
5% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
5% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Luigi Rossi
Rossi / Arr. Pluhar: "Dopo lungo penare"
124 bpm • F Maj • 01:56 • -16.35db
20% Popularity • 54% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 54% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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John Playford
The English Dancing Master: An Italian R...
128 bpm • D# min • 01:42 • -20db
26% Popularity • 70% Danceability • 19% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
26% Popularity • 70% Danceability • 19% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Timon of Athens, ...
128 bpm • D Maj • 02:48 • -16.26db
15% Popularity • 63% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 63% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Laurent Korcia
Minor Tango
129 bpm • G# Maj • 02:50 • -14db
19% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jacques Loussier Trio
Goldberg Variations: Aria (1)
128 bpm • G Maj • 02:28 • -20db
35% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
35% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Ferenc Santa, Jr.
Csardas
129 bpm • D min • 03:50 • -9.55db
12% Popularity • 45% Danceability • 46% Energy • 20% Liveness
82% Instrumentalness • 39% Positiveness
12% Popularity • 45% Danceability • 46% Energy • 20% Liveness
82% Instrumentalness • 39% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: Welcome to All th...
123 bpm • E min • 04:47 • -20.35db
16% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Giovanni Girolamo Kapsberger
Bergamasca
123 bpm • D Maj • 03:32 • -14.5db
17% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
17% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Claudio Monteverdi
Monteverdi / Arr. Pluhar: Settimo libro ...
129 bpm • C Maj • 02:41 • -17.37db
21% Popularity • 43% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 43% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Renaud Garcia-Fons
Chacone
129 bpm • C Maj • 02:58 • -13.61db
27% Popularity • 44% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
27% Popularity • 44% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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Antonio Vivaldi
Concerto in A Minor, RV 356: I. Allegro
123 bpm • A min • 02:46 • -18db
22% Popularity • 61% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 76% Positiveness
22% Popularity • 61% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 76% Positiveness
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Stefano Landi
Passacaglia della vita
122 bpm • G# min • 03:52 • -13db
16% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Shake the clou...
129 bpm • A Maj • 01:02 • -22.52db
22% Popularity • 39% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 39% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Anon
Isla Sacá (Polca)
123 bpm • G Maj • 03:52 • -22.85db
14% Popularity • 38% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
14% Popularity • 38% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Carlos Paredes
Sem saber
130 bpm • F Maj • 03:26 • -19.07db
16% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Giovanni Antonio Pandolfi Mealli
Passacaglia
130 bpm • C Maj • 03:35 • -21.16db
12% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Traditional
Traditional: Orfeo Chamán, Act 5: Bucim...
122 bpm • A Maj • 02:25 • -15.49db
11% Popularity • 38% Danceability • 53% Energy • 9% Liveness
32% Instrumentalness • 88% Positiveness
11% Popularity • 38% Danceability • 53% Energy • 9% Liveness
32% Instrumentalness • 88% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act V: The Plai...
130 bpm • F# min • 07:32 • -21db
10% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Norbert Kraft
Suite espanola No. 1, Op. 47 (arr. N. Kr...
122 bpm • E min • 06:24 • -27db
23% Popularity • 27% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
23% Popularity • 27% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Vincenzo Bellini
Norma / Act 1: "Casta Diva"
131 bpm • F Maj • 06:42 • -22.51db
26% Popularity • 26% Danceability • 5% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 5% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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L'Arpeggiata
Ninna Nanna sopra la romanesca
131 bpm • B min • 02:45 • -25.64db
24% Popularity • 26% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
24% Popularity • 26% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Traditional
Lu passariellu (Tarantella dell'Avena)
131 bpm • A min • 02:34 • -22.95db
23% Popularity • 39% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 39% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Anonymous
Tres sirenas
131 bpm • B min • 03:42 • -19.41db
19% Popularity • 37% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
19% Popularity • 37% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Henry Purcell
How Happy the Lover
122 bpm • F# min • 06:19 • -20db
8% Popularity • 30% Danceability • 13% Energy • 16% Liveness
4% Instrumentalness • 23% Positiveness
8% Popularity • 30% Danceability • 13% Energy • 16% Liveness
4% Instrumentalness • 23% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630: First Music - ...
121 bpm • E Maj • 01:27 • -25db
31% Popularity • 37% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
31% Popularity • 37% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
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Stefano Landi
Canta la cicaleta
120 bpm • C Maj • 05:25 • -32.92db
14% Popularity • 33% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 33% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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George Frideric Handel
Handel / Arr Pluhar: Sinfonia (The Arriv...
132 bpm • A# Maj • 04:09 • -18.25db
15% Popularity • 54% Danceability • 24% Energy • 22% Liveness
20% Instrumentalness • 52% Positiveness
15% Popularity • 54% Danceability • 24% Energy • 22% Liveness
20% Instrumentalness • 52% Positiveness
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Eric Vloeimans
Mine own king am I and Joel (Arr. for Ba...
121 bpm • A min • 07:49 • -19db
29% Popularity • 18% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Ariel RamÃrez
Alfonsina y el mar (Zamba)
120 bpm • G min • 04:57 • -19.77db
17% Popularity • 42% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 42% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Second Music ...
121 bpm • E Maj • 00:56 • -23.73db
7% Popularity • 60% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 58% Positiveness
7% Popularity • 60% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 58% Positiveness
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Benedetto Marcello
Concerto in E Minor: III. Adagio e stacc...
132 bpm • D# min • 02:43 • -22.3db
16% Popularity • 32% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 32% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Fahmi Alqhai
Canarios
120 bpm • C# Maj • 02:37 • -13.79db
8% Popularity • 41% Danceability • 46% Energy • 10% Liveness
96% Instrumentalness • 56% Positiveness
8% Popularity • 41% Danceability • 46% Energy • 10% Liveness
96% Instrumentalness • 56% Positiveness
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Antonio Vivaldi
L'hiver
132 bpm • C min • 08:43 • -29.72db
19% Popularity • 25% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
19% Popularity • 25% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
29% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
29% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Henry Purcell
Curtain Tune
131 bpm • G min • 02:42 • -16.15db
14% Popularity • 69% Danceability • 49% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
14% Popularity • 69% Danceability • 49% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
► Preview
George Frideric Handel
Handel / Arr Pluhar: Sinfonia
120 bpm • F Maj • 05:01 • -16.42db
26% Popularity • 41% Danceability • 29% Energy • 4% Liveness
4% Instrumentalness • 45% Positiveness
26% Popularity • 41% Danceability • 29% Energy • 4% Liveness
4% Instrumentalness • 45% Positiveness
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François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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Fritz Kreisler
Malagueña
120 bpm • E Maj • 03:29 • -18.66db
23% Popularity • 41% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 41% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Christina Pluhar
Pluhar: Orfeo Chamán, Prologue: La selv...
132 bpm • D min • 02:21 • -18.07db
27% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Juditha Triumphans, RV 644, Pt. 1: Veni,...
120 bpm • A# Maj • 07:17 • -29.58db
17% Popularity • 27% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
17% Popularity • 27% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Henry Purcell
Purcell / Arr. Pluhar: Timon of Athens, ...
120 bpm • G min • 02:56 • -21db
24% Popularity • 63% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 87% Positiveness
24% Popularity • 63% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 87% Positiveness
► Preview
Claudio Monteverdi
L'Orfeo, Favola in Musica (Opera en 5 Ac...
120 bpm • C Maj • 01:51 • -17db
15% Popularity • 45% Danceability • 21% Energy • 21% Liveness
76% Instrumentalness • 12% Positiveness
15% Popularity • 45% Danceability • 21% Energy • 21% Liveness
76% Instrumentalness • 12% Positiveness
► Preview
Emir Kusturica
Life is a Miracle: Ovo je muški svet
133 bpm • D Maj • 04:19 • -17.85db
9% Popularity • 43% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
9% Popularity • 43% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
► Preview
Lucilla Galeazzi
Lu Gattu la sonava la zampogna
133 bpm • A min • 01:35 • -32.97db
24% Popularity • 29% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 29% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
133 bpm • D min • 02:19 • -26.37db
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
► Preview
Wolfgang Amadeus Mozart
Zaïde - Arie: Ruhe Sanft, Mein Holdes L...
119 bpm • G Maj • 07:12 • -24db
21% Popularity • 32% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Purcell / Arr. Pluhar: The Mock Marriage...
119 bpm • E min • 02:54 • -17.24db
24% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 66% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Montserrat Figueras
Primera Parte - Yo Soy La Locura, CapÃt...
133 bpm • A min • 02:31 • -17.56db
19% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Angèle Dubeau
Yumeji’s Theme
133 bpm • F min • 02:27 • -21.25db
37% Popularity • 28% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
37% Popularity • 28% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
► Preview
Giovanni Girolamo Kapsberger
Kapsberger: Canario (Improvisations base...
133 bpm • G Maj • 04:54 • -18.8db
11% Popularity • 52% Danceability • 34% Energy • 9% Liveness
85% Instrumentalness • 64% Positiveness
11% Popularity • 52% Danceability • 34% Energy • 9% Liveness
85% Instrumentalness • 64% Positiveness
► Preview
Andreas Scholl
Quando Corpus
133 bpm • D min • 02:57 • -17.95db
22% Popularity • 22% Danceability • 6% Energy • 19% Liveness
8% Instrumentalness • 7% Positiveness
22% Popularity • 22% Danceability • 6% Energy • 19% Liveness
8% Instrumentalness • 7% Positiveness
► Preview
Christoph Willibald Gluck
Orphée & Eurydice: Mélodie - Arranged ...
133 bpm • D min • 03:43 • -26.96db
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
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John Dowland
Dowland: The Firste Booke of Songes: No....
119 bpm • D Maj • 02:54 • -21db
13% Popularity • 45% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 45% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Luigi Rossi
Rossi / Arr. Pluhar: L'Orfeo, Act 2: "Mi...
119 bpm • D min • 05:11 • -19.44db
8% Popularity • 26% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
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Stefano Landi
Homo fugit velut umbra (Passacaglia dell...
119 bpm • A min • 04:17 • -21.35db
32% Popularity • 49% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 49% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: The Fairy Queen, ...
119 bpm • D min • 04:40 • -19.29db
19% Popularity • 48% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
19% Popularity • 48% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
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Giovanni Girolamo Kapsberger
La Villanella, Prima parte, Pensieri amo...
119 bpm • G min • 02:35 • -21.94db
13% Popularity • 32% Danceability • 9% Energy • 7% Liveness
11% Instrumentalness • 35% Positiveness
13% Popularity • 32% Danceability • 9% Energy • 7% Liveness
11% Instrumentalness • 35% Positiveness
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Jean-Philippe Rameau
Les sauvages
118 bpm • G min • 01:23 • -20.31db
43% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
43% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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Henry de Bailly
De Bailly / Arr. Pluhar: Yo soy la locur...
134 bpm • E min • 02:03 • -15db
13% Popularity • 52% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 52% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Marco Marazzoli
Marazzoli / Arr. Pluhar: "Dal cielo cade...
118 bpm • D min • 07:05 • -18.53db
21% Popularity • 34% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 34% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Henry Purcell
Cold Song’ (What Power Art Thou...)
134 bpm • E min • 04:26 • -18.75db
30% Popularity • 77% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 77% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Cristofaro Caresana
Caresana / Arr. Pluhar: La Tarantella
118 bpm • G Maj • 04:01 • -16.45db
16% Popularity • 58% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 58% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Alfio Antico
Silenzio d'amuri
118 bpm • E min • 03:13 • -25.29db
31% Popularity • 46% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
31% Popularity • 46% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Claudio Monteverdi
Monteverdi: L'incoronazione di Poppea, S...
118 bpm • D Maj • 02:45 • -22.82db
21% Popularity • 35% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 35% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Andrea Falconieri
Falconieri / Orch Tufvesson: Il primo li...
118 bpm • F# min • 02:13 • -14db
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Quito Gato
Duerme negrito
118 bpm • C Maj • 02:54 • -18.08db
15% Popularity • 61% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 61% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Charles Trenet
Trenet / Transc Ducros: Chanson d'automn...
118 bpm • D# Maj • 02:52 • -19db
8% Popularity • 40% Danceability • 14% Energy • 7% Liveness
49% Instrumentalness • 37% Positiveness
8% Popularity • 40% Danceability • 14% Energy • 7% Liveness
49% Instrumentalness • 37% Positiveness
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Henry Purcell
Fly, Bold Rebellion, Z. 324: Be Welcome ...
135 bpm • E Maj • 03:34 • -30db
18% Popularity • 24% Danceability • 2% Energy • 13% Liveness
6% Instrumentalness • 20% Positiveness
18% Popularity • 24% Danceability • 2% Energy • 13% Liveness
6% Instrumentalness • 20% Positiveness
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Anouar Brahem
Le voyage de sahar
117 bpm • C Maj • 06:55 • -23db
32% Popularity • 53% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
32% Popularity • 53% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Dobrinka Tabakova
Frozen River Flows
135 bpm • D# Maj • 06:12 • -21.4db
18% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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![How Sweet The Moonlight [The Merchant of Venice] cover art](https://i.scdn.co/image/ab67616d00001e02c006f8ad522668aa81236a12)
Jocelyn Pook
How Sweet The Moonlight [The Merchant of...
135 bpm • D# Maj • 04:19 • -22.58db
24% Popularity • 19% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Vivaldi: Stabat Mater in F Minor, RV 621...
117 bpm • C min • 03:29 • -35db
14% Popularity • 37% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 37% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Alessandro Scarlatti
O Cessate Di Piagarmi (Arr. Voice & Elec...
136 bpm • A# min • 04:05 • -16.11db
34% Popularity • 42% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 42% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
