Songs like Pussy Power by Cathryn Wake
Based on a tempo of (+/- 10%) and a similar genre
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"Dreamland" Studio Cast
Area 51
100 bpm • G min • 02:32 • -6.52db
9% Popularity • 68% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 68% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Cathryn Wake
Pussy Power
100 bpm • B Maj • 03:39 • -6.21db
0% Popularity • 92% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 92% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Krysta Rodriguez
Dinner For Three (Part 1)
100 bpm • C Maj • 01:59 • -9.37db
10% Popularity • 80% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 80% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Melissa Errico
Another Hundred People
100 bpm • D min • 03:23 • -10.16db
12% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Kate Baldwin
Superhero
100 bpm • C# Maj • 05:08 • -9db
7% Popularity • 36% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 36% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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David Langham
I Am Not yet Dead / Playoff
99 bpm • G Maj • 02:27 • -6.38db
9% Popularity • 71% Danceability • 78% Energy • 66% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 71% Danceability • 78% Energy • 66% Liveness
0% Instrumentalness • 78% Positiveness
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Beat by Beat Press
Thurwednesday
99 bpm • A min • 02:10 • -6.81db
8% Popularity • 62% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 62% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Caroline Huerta
Crazy
99 bpm • F min • 05:01 • -5.56db
11% Popularity • 53% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 53% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
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Daniella Bowen
It's a Myth
99 bpm • D Maj • 03:26 • -6.95db
9% Popularity • 79% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 79% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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KIN
What I Am Made Of
101 bpm • B min • 02:28 • -6.33db
14% Popularity • 52% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 52% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Pulp Musicals
Questions
102 bpm • F min • 02:32 • -13.14db
9% Popularity • 38% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 38% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Isaac Joshua Brown
Take a Breath
99 bpm • D Maj • 02:59 • -9.1db
12% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Williams
Guys Like Us
102 bpm • E Maj • 01:58 • -6.44db
7% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Kyle Mcarthur
The Adventures of the Amazing Sea-Marine...
98 bpm • G Maj • 01:06 • -5.8db
11% Popularity • 44% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 44% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Ellie Fishman
Answer the Call
102 bpm • B Maj • 04:16 • -6db
15% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Working: A Musical (Original London Cast)
All the Livelong Day
102 bpm • B Maj • 03:37 • -11.21db
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Shaina Taub
Prologue: All The World's A Stage
102 bpm • C# Maj • 03:05 • -10.47db
15% Popularity • 68% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 68% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Gaby Alter
One Look at You
103 bpm • G# Maj • 02:53 • -5.22db
16% Popularity • 77% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 77% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Aron Accurso
You Are Enough
103 bpm • C Maj • 02:55 • -6.69db
11% Popularity • 40% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 40% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sydney Farley
Revolution Song
103 bpm • C Maj • 04:17 • -6db
11% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Cathryn Wake
Je M'en Fiche
102 bpm • E Maj • 03:41 • -5.86db
14% Popularity • 64% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 64% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Williams
What I Dreamed Last Night (Reprise)
103 bpm • C# Maj • 02:08 • -6.36db
9% Popularity • 65% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 65% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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Karen Weinberg
Amayzing Mayzie
103 bpm • C Maj • 02:15 • -12.97db
16% Popularity • 57% Danceability • 36% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 57% Danceability • 36% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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Charlotte Wakefield
The Perfect Petit Fours
103 bpm • D Maj • 03:53 • -7.3db
14% Popularity • 57% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 57% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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J. Elaine Marcos
Without the Guy
103 bpm • G Maj • 04:59 • -6db
8% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Dear Edwina Singers
Periwinkle
97 bpm • A# Maj • 00:57 • -11.01db
10% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lili Thomas
Quinze Minutes
102 bpm • F min • 04:25 • -5.9db
12% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Liam Pearce
Under Control
96 bpm • A# Maj • 03:48 • -10.49db
24% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mo Willems
We've Been Lucky
96 bpm • D Maj • 02:14 • -5.71db
10% Popularity • 78% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 78% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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Kyle Mcarthur
My Dad, The Superhero
104 bpm • C Maj • 03:10 • -9db
8% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Sarah Charles Lewis
Follow The Stars
96 bpm • C min • 03:09 • -7db
14% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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David Joseph Rofrano
Keep Me Right
96 bpm • D# Maj • 03:56 • -9.38db
15% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 66% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Ellie Fishman
The Duration
96 bpm • G Maj • 04:28 • -5db
13% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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'Twelfth Night' Company
Word On The Street
104 bpm • C Maj • 01:04 • -7.84db
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Mo Willems
Lucky to See You
96 bpm • G Maj • 02:43 • -7.16db
16% Popularity • 83% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 83% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Dana Al Fardan
Rumi's Letter
96 bpm • F# Maj • 03:19 • -10.8db
8% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Denée Benton
You Chose Me
104 bpm • D Maj • 03:15 • -10.04db
7% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Scott Oliver
A Ball of Gold in a Blood Sky
105 bpm • F Maj • 03:09 • -11.57db
11% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Scott Wakefield
Cantigny
105 bpm • F# Maj • 00:56 • -7.51db
9% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Central Park Cast
Little Good
105 bpm • C min • 02:16 • -7.95db
11% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Carolee Carmello
Anytime (I Am There)
105 bpm • F Maj • 04:47 • -10.49db
9% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Pulp Musicals
Is It True? (Reprise)
95 bpm • F# min • 02:44 • -10.61db
9% Popularity • 54% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 54% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Gaby Alter
Big Shot
105 bpm • G Maj • 02:43 • -7.88db
10% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 83% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Williams
Happy Days
95 bpm • F Maj • 01:43 • -5.69db
11% Popularity • 56% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 56% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Jeremy Jordan
Four Downs To The Ten-Yard Line
95 bpm • A# Maj • 03:43 • -7db
13% Popularity • 57% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 57% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Henry Crater
Your World / Safe
95 bpm • C Maj • 05:15 • -10.09db
11% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Mo Willems
Ode to Toy
105 bpm • E Maj • 01:25 • -7.61db
12% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 65% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Daniella Bowen
Look to the Sky
106 bpm • A min • 02:58 • -7.25db
8% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Angela Teek
I'm Back in Circulation
106 bpm • A# min • 03:55 • -6.64db
7% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Michael R. Jackson
Black Woman in the Driver's Seat
94 bpm • B min • 03:12 • -6.09db
14% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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'Brigadoon' 2017 New York City Center Male Ensemble
The Chase
94 bpm • A Maj • 04:49 • -8db
8% Popularity • 46% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 46% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Nanya-Akuki Goodrich
I Am She - Reprise
94 bpm • G min • 00:52 • -14.88db
13% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Up Here - Cast
Please Like Me
106 bpm • G# Maj • 02:37 • -9.87db
10% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Lyndsi Nobles
The Tide
94 bpm • E Maj • 01:54 • -10.26db
7% Popularity • 37% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 37% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Will Reynolds
A Special Word
107 bpm • G# Maj • 03:25 • -10.77db
13% Popularity • 49% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 49% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Adam Makké
Rose Stopnick Can Cook
107 bpm • C Maj • 01:16 • -10.61db
9% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Eden Espinosa
Mamà Said
93 bpm • A Maj • 04:47 • -13.12db
11% Popularity • 49% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 49% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Anna DeNoia
Familiar
107 bpm • C Maj • 02:12 • -4.3db
9% Popularity • 55% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 55% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Martin Short
All I Ask (Is You Love Me)
107 bpm • F Maj • 01:41 • -4.5db
10% Popularity • 64% Danceability • 52% Energy • 87% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 64% Danceability • 52% Energy • 87% Liveness
0% Instrumentalness • 62% Positiveness
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Ramin Karimloo
You're Still Here
93 bpm • G min • 04:40 • -11.6db
18% Popularity • 36% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 36% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Will Reynolds
I Know How It Ends
107 bpm • D Maj • 03:16 • -11db
18% Popularity • 60% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 60% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Derek Klena
Afraid
93 bpm • A Maj • 02:48 • -12.81db
13% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Bryce Pinkham
How Do You Do This Again? / You Don't Kn...
93 bpm • C# Maj • 03:53 • -8db
9% Popularity • 29% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 29% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jessica Vosk
Two Steps Ahead
93 bpm • C Maj • 03:43 • -7.05db
14% Popularity • 76% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 76% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Michael R. Jackson
Zack Paul Gosselar
93 bpm • F# Maj • 02:29 • -9.92db
17% Popularity • 60% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 60% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Broadway Homestuck
Hivebent
93 bpm • C Maj • 04:01 • -18.63db
7% Popularity • 36% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 36% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Caroline Bowman
Decontaminate Me
93 bpm • E Maj • 01:41 • -7.77db
10% Popularity • 57% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 57% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Amina Faye
I Hope
93 bpm • F# Maj • 05:19 • -8.25db
10% Popularity • 42% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 42% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Amelia Fei
Slow Dancing
108 bpm • C Maj • 03:47 • -8.55db
18% Popularity • 65% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 65% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Christopher M. Allport
I've Lived a Thousand Lifetimes
108 bpm • C Maj • 01:35 • -7.92db
11% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Patrick Clancy, Josh Wilmott, Ensemble
Hang Him Til He's Dead
108 bpm • A Maj • 01:49 • -9.56db
10% Popularity • 63% Danceability • 41% Energy • 80% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 63% Danceability • 41% Energy • 80% Liveness
0% Instrumentalness • 82% Positiveness
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Laura Pitt-Pulford
I Don't Know Why I Trust You (But I Do)
92 bpm • G# Maj • 03:21 • -9.43db
9% Popularity • 74% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 74% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Derek Klena
Step Back
92 bpm • D Maj • 05:23 • -13.8db
8% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Daniella Bowen
Sweet Summer Days
92 bpm • D Maj • 03:39 • -6.11db
7% Popularity • 64% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 64% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Heidi Blickenstaff
I'm Your Man
109 bpm • C min • 02:45 • -7.63db
21% Popularity • 74% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 74% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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John Cardoza
That's How You Know
92 bpm • D Maj • 02:40 • -7.58db
17% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Michelle Knight
Big Tits
109 bpm • D Maj • 04:21 • -3.67db
10% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Keith Carradine
Keep Your Hands on It
109 bpm • D Maj • 05:17 • -8.52db
8% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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John Barrowman
Marry Me a Little/ Being Alive
109 bpm • D# Maj • 04:51 • -9.68db
7% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Will Reynolds
Ease
109 bpm • G Maj • 02:21 • -7.32db
24% Popularity • 60% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 60% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Matt Doyle
Goodbye Jasper
110 bpm • D Maj • 06:07 • -7.8db
11% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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In Clay: A New Musical
See-Through
91 bpm • G Maj • 03:44 • -11.89db
8% Popularity • 35% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 35% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
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Stuart Matthew Price
Before After
110 bpm • C Maj • 04:41 • -8.04db
8% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Carner & Gregor
Make It Here
91 bpm • C# Maj • 03:08 • -11db
7% Popularity • 49% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 49% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Jeremy Shamos
Prologue/Schlimmer!
91 bpm • C Maj • 04:46 • -10.77db
14% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Beat by Beat Press
Space Pirates
110 bpm • C min • 02:54 • -11.8db
8% Popularity • 81% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 81% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Ellie Fishman
Connected (Pt. 1)
110 bpm • A Maj • 03:17 • -6.27db
13% Popularity • 48% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 48% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Tamsin Carroll
In the Middle
110 bpm • E min • 04:10 • -11.42db
8% Popularity • 39% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 39% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Sydney Farley
Montage: This Is The Way... / Miss Asp's...
91 bpm • E Maj • 05:05 • -8.19db
8% Popularity • 54% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 54% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Fankhauser
Conflict of Interest
111 bpm • G Maj • 02:52 • -7.33db
9% Popularity • 55% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 55% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Mo Willems
What Could Have Been
111 bpm • A# Maj • 02:46 • -11.85db
12% Popularity • 52% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 52% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Gaby Alter
Festival of Champions
90 bpm • F Maj • 03:32 • -5.81db
9% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Into Elysium
Jaded Forever
90 bpm • G# Maj • 04:36 • -7.99db
26% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Mia Pak
Underground
111 bpm • A# Maj • 01:52 • -12.05db
14% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Carner & Gregor
I'll Take It All
90 bpm • A min • 03:19 • -12db
7% Popularity • 77% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 77% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Marla Mindelle
My Simple Request
111 bpm • D Maj • 03:30 • -4.8db
9% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Andrea Burns
The Annunciation
90 bpm • G min • 02:02 • -15.07db
8% Popularity • 42% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 42% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Silverman
Private Conversation
111 bpm • A# Maj • 07:05 • -10.76db
9% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness