Songs like put down what you are carrying (with Brett Dennen) by Trevor Hall
Based on a tempo of (+/- 10%) and a similar genre
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Trevor Hall
put down what you are carrying
79 bpm • G Maj • 04:28 • -9.4db
46% Popularity • 64% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 64% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Current Swell
Get What's Mine
79 bpm • C# min • 04:08 • -8db
45% Popularity • 72% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 72% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Brett Dennen
People I Love
79 bpm • A Maj • 03:32 • -4.33db
21% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Mipso
People Change
79 bpm • G Maj • 03:32 • -14.95db
62% Popularity • 37% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
62% Popularity • 37% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Elephant Revival
On and On
79 bpm • C Maj • 02:44 • -15.75db
31% Popularity • 66% Danceability • 28% Energy • 9% Liveness
4% Instrumentalness • 42% Positiveness
31% Popularity • 66% Danceability • 28% Energy • 9% Liveness
4% Instrumentalness • 42% Positiveness
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Rainbow Kitten Surprise
Heart
79 bpm • C# Maj • 03:39 • -8.85db
60% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Trevor Hall
Om Shakti Om
79 bpm • B min • 03:30 • -9.69db
32% Popularity • 83% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 83% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Ram Dass
My Own - Live
80 bpm • C Maj • 03:48 • -7.34db
22% Popularity • 38% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 38% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Dustin Thomas
Waves in Jasri
80 bpm • F# Maj • 04:06 • -8.79db
22% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Lone Bellow
Dried Up River
80 bpm • E Maj • 03:51 • -5db
45% Popularity • 53% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 53% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Allman Brown
Sweetest Thing
80 bpm • D Maj • 03:38 • -9.31db
60% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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DENM
Life's 2 Short
80 bpm • C Maj • 04:00 • -5.6db
48% Popularity • 48% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 48% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Trevor Hall
Where's The Love
79 bpm • A Maj • 03:59 • -5.39db
46% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:11 • -12.56db
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Elephant Revival
Ring around the Moon
80 bpm • F Maj • 04:20 • -9.38db
37% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
37% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Joel Cross
Crazy Love
78 bpm • F Maj • 03:34 • -10.25db
22% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 74% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Rara Avis
Yesterday
80 bpm • C Maj • 07:34 • -11.47db
21% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Mishka
Give Them Love
80 bpm • F# min • 04:07 • -6.97db
40% Popularity • 86% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 86% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Iron & Wine
Call It Dreaming
80 bpm • F Maj • 03:51 • -9.97db
68% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
68% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:25 • -11.08db
59% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Stick Figure
Summertime
80 bpm • C# min • 03:58 • -5db
56% Popularity • 74% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 74% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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DJ Drez
Light Me Up
80 bpm • D Maj • 05:48 • -15db
43% Popularity • 69% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 21% Positiveness
43% Popularity • 69% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 21% Positiveness
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Trevor Hall
Obsidian
80 bpm • G# Maj • 05:55 • -11.77db
36% Popularity • 48% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 48% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Wilderado
Take Some Time
80 bpm • A# Maj • 03:30 • -9.09db
55% Popularity • 62% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 85% Positiveness
55% Popularity • 62% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 85% Positiveness
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DISPATCH
Curse + Crush
80 bpm • C Maj • 04:18 • -8db
37% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Wookiefoot
Loose Your Mind
80 bpm • D Maj • 04:08 • -6.87db
27% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Donovan Woods
Portland, Maine
80 bpm • E Maj • 03:23 • -14db
60% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
60% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
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Bronze Radio Return
There Will Be Another
80 bpm • G Maj • 03:51 • -10.66db
48% Popularity • 66% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
48% Popularity • 66% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Trevor Hall
Kabir
80 bpm • F Maj • 03:58 • -9.54db
31% Popularity • 50% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 50% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Mason Jennings
Keepin It Real
78 bpm • G# min • 03:12 • -9db
34% Popularity • 74% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 74% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Current Swell
Young and Able - 2015
78 bpm • F Maj • 03:27 • -7db
45% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Birdtalker
Heavy
78 bpm • F Maj • 04:24 • -7.11db
51% Popularity • 54% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 54% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Beta Radio
Either Way
78 bpm • G# Maj • 02:15 • -7.27db
48% Popularity • 65% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 65% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Landon McNamara
Just Breathe
78 bpm • F Maj • 02:39 • -7.48db
37% Popularity • 76% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 76% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 48% Positiveness
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Trevor Hall
Hold On
78 bpm • G Maj • 03:27 • -10db
42% Popularity • 64% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 64% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Anderson East
Always Be My Baby - Recorded at Sound St...
81 bpm • C Maj • 04:14 • -4.92db
48% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Citizen Cope
Bullet and a Target
81 bpm • F min • 04:23 • -3.28db
52% Popularity • 73% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 73% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Dustin Thomas
The Great I
81 bpm • C Maj • 05:17 • -4.86db
14% Popularity • 68% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 68% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Bahamas
No Depression
77 bpm • G min • 03:06 • -8db
48% Popularity • 84% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 84% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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DISPATCH
Out Loud (Live)
81 bpm • E min • 03:32 • -7.93db
43% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Trevor Hall
The World Keeps Turnin'
77 bpm • F Maj • 03:09 • -8.43db
52% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Mat McHugh
Lagoon
81 bpm • D min • 05:23 • -12db
38% Popularity • 73% Danceability • 37% Energy • 8% Liveness
45% Instrumentalness • 62% Positiveness
38% Popularity • 73% Danceability • 37% Energy • 8% Liveness
45% Instrumentalness • 62% Positiveness
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Zach Deputy
A Little Bit Of You
81 bpm • A Maj • 04:22 • -7.11db
22% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Jonah Lake
Let Me Love You
81 bpm • F# min • 02:44 • -16.16db
26% Popularity • 73% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 73% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Rodriguez
Steal the Night Away (Radio Edit)
77 bpm • C# min • 04:06 • -12db
32% Popularity • 66% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 66% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Gone Gone Beyond
77
77 bpm • F# min • 03:01 • -9.92db
44% Popularity • 64% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 64% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Elephant Revival
Birds and Stars
81 bpm • C Maj • 03:11 • -12.24db
46% Popularity • 46% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
46% Popularity • 46% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Mat McHugh
Love Come Save Me
81 bpm • A# Maj • 03:51 • -14.46db
50% Popularity • 69% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
50% Popularity • 69% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Satsang
I Am
81 bpm • F Maj • 04:21 • -7.16db
53% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Zach Gill
Back In The Day
81 bpm • C Maj • 03:57 • -9.26db
39% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Ray LaMontagne
Such A Simple Thing
76 bpm • A# Maj • 04:56 • -11.22db
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Johnnyswim
I Won't Back Down
82 bpm • G Maj • 03:50 • -14db
40% Popularity • 53% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 17% Positiveness
40% Popularity • 53% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 17% Positiveness
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Rayland Baxter
Olivia
82 bpm • G Maj • 03:53 • -9.44db
53% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 63% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Trevor Hall
What I Know
76 bpm • D Maj • 03:36 • -9.2db
37% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Daniel Rodriguez
Back Roads
76 bpm • C# min • 03:44 • -12.85db
24% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Joy Oladokun
sunday
76 bpm • F# Maj • 03:13 • -8.69db
49% Popularity • 64% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 64% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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DISPATCH
Midnight Lorry
82 bpm • C Maj • 05:39 • -8db
46% Popularity • 50% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 50% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Lone Bellow
Count On Me (Alt. Version)
76 bpm • D Maj • 03:04 • -7.83db
13% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Head And The Heart
People Need A Melody
82 bpm • C Maj • 04:12 • -5.76db
51% Popularity • 59% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 59% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Leon Bridges
Beyond - Recorded at Spotify Studios NYC
76 bpm • E Maj • 04:04 • -7.9db
39% Popularity • 63% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 63% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Pressing Strings
Going to California
82 bpm • D Maj • 05:26 • -6db
34% Popularity • 37% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
34% Popularity • 37% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 40% Positiveness
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Trevor Hall
my own
83 bpm • A# Maj • 03:30 • -8.73db
36% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Smooth Hound Smith
California Sway
76 bpm • E Maj • 04:53 • -8db
40% Popularity • 64% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 45% Positiveness
40% Popularity • 64% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 45% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Mat McHugh
Under The Landslide (Slight Return)
83 bpm • F Maj • 04:00 • -9.68db
41% Popularity • 62% Danceability • 58% Energy • 10% Liveness
20% Instrumentalness • 57% Positiveness
41% Popularity • 62% Danceability • 58% Energy • 10% Liveness
20% Instrumentalness • 57% Positiveness
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Castanea
Novels of Acquaintance
83 bpm • D Maj • 05:51 • -12.98db
27% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Ron Artis II
Before You Go
76 bpm • C min • 03:55 • -14.39db
12% Popularity • 49% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 49% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Trevor Hall
never gonna break your heart
83 bpm • D Maj • 03:47 • -9.71db
45% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Soul Rebel Project
Pure Love
75 bpm • G# min • 05:10 • -10.55db
22% Popularity • 76% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 29% Positiveness
22% Popularity • 76% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 29% Positiveness
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Wookiefoot
Shangri-La
75 bpm • G Maj • 03:11 • -7.6db
31% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Hip Abduction
Pacific Coast Highway - Reggae Remix
75 bpm • E Maj • 03:56 • -4.98db
55% Popularity • 63% Danceability • 70% Energy • 9% Liveness
4% Instrumentalness • 70% Positiveness
55% Popularity • 63% Danceability • 70% Energy • 9% Liveness
4% Instrumentalness • 70% Positiveness
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FACESOUL
Love
74 bpm • E Maj • 02:48 • -12db
55% Popularity • 53% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 53% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Emory Hall
the photosynthesis of healing
84 bpm • G Maj • 01:55 • -19.95db
45% Popularity • 27% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
45% Popularity • 27% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Trevor Hall
mindful breathing
84 bpm • G Maj • 04:05 • -8.69db
44% Popularity • 60% Danceability • 58% Energy • 17% Liveness
11% Instrumentalness • 33% Positiveness
44% Popularity • 60% Danceability • 58% Energy • 17% Liveness
11% Instrumentalness • 33% Positiveness
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Tyrone Wells
And the Birds Sing
84 bpm • D Maj • 03:42 • -10.7db
52% Popularity • 75% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 75% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sun On Shade
Tiger Lilies - Lloyd Buchanan
84 bpm • A Maj • 05:07 • -5db
47% Popularity • 74% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
47% Popularity • 74% Danceability • 56% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Jack Johnson
Never Fade
74 bpm • B Maj • 04:02 • -8.53db
61% Popularity • 72% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 72% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Brett Dennen
Cassidy
84 bpm • G# Maj • 04:28 • -10db
44% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Satsang
Remember Jah
85 bpm • F# Maj • 06:18 • -8.26db
49% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Trevor Hall
great storm clouds
84 bpm • D# Maj • 04:57 • -8.44db
34% Popularity • 51% Danceability • 62% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
34% Popularity • 51% Danceability • 62% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Emory Hall
summer bones
85 bpm • C Maj • 02:00 • -18.51db
46% Popularity • 25% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
46% Popularity • 25% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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MaMuse
Power of Kindness
85 bpm • C Maj • 03:39 • -11.54db
32% Popularity • 75% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 75% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Shylah Ray Sunshine
Into the Wild
85 bpm • F Maj • 02:39 • -11.32db
46% Popularity • 74% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 74% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Forest Sun
So Nice - Joy Voeth
85 bpm • E Maj • 03:20 • -10db
49% Popularity • 82% Danceability • 46% Energy • 59% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 82% Danceability • 46% Energy • 59% Liveness
0% Instrumentalness • 63% Positiveness
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Rusted Root
Back To The Earth
85 bpm • G# Maj • 05:27 • -8.89db
36% Popularity • 35% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 35% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Peter Bradley Adams
Little Flower
85 bpm • F Maj • 06:15 • -17.06db
49% Popularity • 42% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 36% Positiveness
49% Popularity • 42% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 36% Positiveness
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The Movement
Take Me To The Ocean
85 bpm • F# Maj • 04:30 • -7db
55% Popularity • 68% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 68% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Susto
Jah Werx
85 bpm • B Maj • 03:02 • -8.63db
17% Popularity • 60% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 85% Positiveness
17% Popularity • 60% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 85% Positiveness
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Mayestra
A Joyful Man
85 bpm • F# Maj • 04:48 • -13.07db
45% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Pressing Strings
Back Where I Started
85 bpm • G Maj • 04:01 • -10.91db
34% Popularity • 64% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Rising Appalachia
Novels of Acquaintance
85 bpm • D Maj • 06:28 • -16db
41% Popularity • 69% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
41% Popularity • 69% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
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Brett Dennen
By & By
85 bpm • B Maj • 03:52 • -11.2db
32% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Elephant Revival
When I Fall
73 bpm • D min • 02:35 • -11.74db
43% Popularity • 56% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 56% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Trevor Hall
Everything I Need
86 bpm • D Maj • 03:17 • -18.19db
49% Popularity • 45% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
49% Popularity • 45% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
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Noah Cyrus
July
72 bpm • A min • 02:32 • -9.6db
74% Popularity • 71% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 71% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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LVDY
Just Be
73 bpm • F Maj • 04:21 • -13.74db
22% Popularity • 62% Danceability • 27% Energy • 8% Liveness
47% Instrumentalness • 51% Positiveness
22% Popularity • 62% Danceability • 27% Energy • 8% Liveness
47% Instrumentalness • 51% Positiveness
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Emory Hall
birth
86 bpm • C Maj • 02:36 • -16.07db
40% Popularity • 24% Danceability • 35% Energy • 5% Liveness
64% Instrumentalness • 4% Positiveness
40% Popularity • 24% Danceability • 35% Energy • 5% Liveness
64% Instrumentalness • 4% Positiveness
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Pressing Strings
It’s Better Now
86 bpm • E Maj • 03:21 • -6.76db
33% Popularity • 71% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 71% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
