Songs like Put Your Love on the Line by Dee Edwards
Based on a tempo of (+/- 10%) and a similar genre
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Skip Mahoaney & The Casuals
Town Called Nowhere
103 bpm • C min • 03:25 • -6.26db
15% Popularity • 76% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 76% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Bill Withers
You Got the Stuff
103 bpm • D Maj • 07:14 • -8db
37% Popularity • 90% Danceability • 67% Energy • 5% Liveness
66% Instrumentalness • 78% Positiveness
37% Popularity • 90% Danceability • 67% Energy • 5% Liveness
66% Instrumentalness • 78% Positiveness
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The Albert
One Life
103 bpm • F Maj • 03:03 • -5.99db
10% Popularity • 64% Danceability • 66% Energy • 11% Liveness
9% Instrumentalness • 57% Positiveness
10% Popularity • 64% Danceability • 66% Energy • 11% Liveness
9% Instrumentalness • 57% Positiveness
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Christy Essien Igbokwe
Take Life Easy
103 bpm • A min • 04:15 • -10.88db
40% Popularity • 83% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 87% Positiveness
40% Popularity • 83% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 87% Positiveness
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Dee Edwards
Put Your Love On The Line
103 bpm • G# min • 04:34 • -12.18db
2% Popularity • 80% Danceability • 69% Energy • 14% Liveness
30% Instrumentalness • 82% Positiveness
2% Popularity • 80% Danceability • 69% Energy • 14% Liveness
30% Instrumentalness • 82% Positiveness
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Ann Robinson
You Did It
103 bpm • D Maj • 02:20 • -5.89db
23% Popularity • 76% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 76% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Ann Peebles
Come to Mama
103 bpm • A min • 02:58 • -8.99db
35% Popularity • 87% Danceability • 59% Energy • 3% Liveness
2% Instrumentalness • 97% Positiveness
35% Popularity • 87% Danceability • 59% Energy • 3% Liveness
2% Instrumentalness • 97% Positiveness
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Shuggie Otis
Aht Uh Mi Hed
103 bpm • F# min • 04:17 • -8.14db
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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Sly & The Family Stone
Remember Who You Are
103 bpm • A# min • 03:17 • -15db
36% Popularity • 77% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 77% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Sharon Revoal
Reaching for Our Star
103 bpm • A# min • 03:40 • -12db
33% Popularity • 81% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
33% Popularity • 81% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
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Dee Edwards
Put Your Love On the Line - 2013 Japan R...
103 bpm • G# min • 04:37 • -6.79db
13% Popularity • 81% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 94% Positiveness
13% Popularity • 81% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 94% Positiveness
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Gloria Ann Taylor
Love Is a Hurtin' Thing - 12" Version
103 bpm • F min • 07:16 • -10db
33% Popularity • 36% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 36% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Donald Byrd
Dominoes
104 bpm • C# min • 04:33 • -11db
44% Popularity • 69% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
44% Popularity • 69% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Otis Gayle
I'll Be Around
103 bpm • C Maj • 03:36 • -9db
32% Popularity • 88% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 88% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Lafayette Afro Rock Band
Darkest Light
104 bpm • B Maj • 06:26 • -5db
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
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Freedom Express
Get Down
104 bpm • D min • 03:25 • -4.79db
22% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Kelenkye Band
Jungle Music
102 bpm • F min • 05:36 • -9db
35% Popularity • 76% Danceability • 73% Energy • 10% Liveness
25% Instrumentalness • 79% Positiveness
35% Popularity • 76% Danceability • 73% Energy • 10% Liveness
25% Instrumentalness • 79% Positiveness
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Wild Fire
Rebels
102 bpm • A# Maj • 03:56 • -10.82db
37% Popularity • 82% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 82% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Donald Byrd
(Fallin' Like) Dominoes
104 bpm • C# min • 07:33 • -9db
33% Popularity • 70% Danceability • 70% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
33% Popularity • 70% Danceability • 70% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
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Milton Wright
The Silence That You Keep
104 bpm • D Maj • 03:27 • -5.3db
39% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Apple & The Three Oranges
Love Brings Out the Best of You
102 bpm • C Maj • 01:56 • -6.28db
12% Popularity • 50% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 50% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Eddie Kendricks
Girl You Need A Change Of Mind
104 bpm • D min • 07:42 • -12.56db
41% Popularity • 47% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
41% Popularity • 47% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
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Skip Mahoney
A Town Called Nowhere
104 bpm • C min • 04:33 • -7.02db
5% Popularity • 72% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 72% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Pure Essence
Third Rock
102 bpm • F Maj • 04:01 • -7db
30% Popularity • 66% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 66% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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George McCrae
You Can Have It All
105 bpm • G# Maj • 02:54 • -10db
46% Popularity • 42% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 66% Positiveness
46% Popularity • 42% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 66% Positiveness
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Leroy Hutson
Don't It Make You Feel Good
101 bpm • G# Maj • 03:03 • -12db
21% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Martin L. Dumas, Jr.
Attitude, Belief and Determination - Zaf...
105 bpm • E min • 09:50 • -12.78db
29% Popularity • 72% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 72% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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East of Underground
Smiling Faces
101 bpm • C# Maj • 06:22 • -7db
30% Popularity • 80% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 80% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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The Sylvers
Handle It
101 bpm • B min • 02:44 • -6.1db
28% Popularity • 65% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 65% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Gene Harris
As
105 bpm • E Maj • 07:37 • -12.34db
33% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Marlena Shaw
Woman Of The Ghetto
101 bpm • A min • 06:02 • -12.69db
40% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Dee Edwards
Why Can't There Be Love - Pilooski edit
101 bpm • D# min • 03:04 • -5.55db
12% Popularity • 54% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 54% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Don Blackman
Heart's Desire
101 bpm • C Maj • 04:31 • -12.72db
33% Popularity • 70% Danceability • 71% Energy • 7% Liveness
23% Instrumentalness • 67% Positiveness
33% Popularity • 70% Danceability • 71% Energy • 7% Liveness
23% Instrumentalness • 67% Positiveness
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Pamoja
Oooh, Baby
101 bpm • D Maj • 03:40 • -11.86db
37% Popularity • 74% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
37% Popularity • 74% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
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Wild Fire
Try Making Love
105 bpm • A min • 03:19 • -7.57db
23% Popularity • 90% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 90% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Syreeta
I Love Every Little Thing About You
105 bpm • C# Maj • 04:56 • -8.49db
34% Popularity • 84% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 84% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Mary Clark
Take Me I'm Yours
105 bpm • F min • 06:57 • -10db
41% Popularity • 67% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 67% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Sweet Inspirations
Why Marry
105 bpm • G Maj • 06:30 • -14.74db
20% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Tommy Stewart
Bump and Hustle Music
101 bpm • A min • 05:03 • -7.01db
23% Popularity • 81% Danceability • 89% Energy • 5% Liveness
7% Instrumentalness • 97% Positiveness
23% Popularity • 81% Danceability • 89% Energy • 5% Liveness
7% Instrumentalness • 97% Positiveness
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Inner Life
Make It Last Forever
101 bpm • C Maj • 07:20 • -12.44db
27% Popularity • 58% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
27% Popularity • 58% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Bobby Dukes
Just to Be with You
100 bpm • C min • 03:07 • -4.99db
11% Popularity • 60% Danceability • 88% Energy • 53% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 60% Danceability • 88% Energy • 53% Liveness
0% Instrumentalness • 88% Positiveness
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Ernie Hines
Our Generation
100 bpm • C# Maj • 03:10 • -7.19db
32% Popularity • 82% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 82% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Barbara Mason
You Better Stop It
106 bpm • G Maj • 02:45 • -6.06db
20% Popularity • 46% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 46% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Boncana Maïga
Koyma Hondo
106 bpm • C min • 04:00 • -8db
38% Popularity • 69% Danceability • 74% Energy • 31% Liveness
22% Instrumentalness • 96% Positiveness
38% Popularity • 69% Danceability • 74% Energy • 31% Liveness
22% Instrumentalness • 96% Positiveness
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Darondo
Luscious Lady
100 bpm • A# min • 03:15 • -7db
46% Popularity • 70% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
46% Popularity • 70% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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First Choice
Love and Happiness
106 bpm • A# min • 03:19 • -14db
41% Popularity • 76% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 76% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Holland-Dozier
Don’t Leave Me
106 bpm • A min • 03:16 • -11db
11% Popularity • 86% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 86% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Family Tree
Family Tree
106 bpm • A min • 02:58 • -13.94db
19% Popularity • 79% Danceability • 61% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 79% Danceability • 61% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Human Race
Human Race
100 bpm • G# Maj • 03:05 • -9.41db
36% Popularity • 73% Danceability • 54% Energy • 10% Liveness
43% Instrumentalness • 45% Positiveness
36% Popularity • 73% Danceability • 54% Energy • 10% Liveness
43% Instrumentalness • 45% Positiveness
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Myra Barnes
The Message From The Soul Sisters - Pt. ...
100 bpm • A min • 05:21 • -4.36db
25% Popularity • 64% Danceability • 80% Energy • 91% Liveness
72% Instrumentalness • 81% Positiveness
25% Popularity • 64% Danceability • 80% Energy • 91% Liveness
72% Instrumentalness • 81% Positiveness
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100% Pure Poison
Windy C - Edit; 1995 Remaster
106 bpm • A min • 05:29 • -13.23db
30% Popularity • 63% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 63% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Embryo
Wajang Woman
106 bpm • D min • 03:17 • -9.82db
28% Popularity • 73% Danceability • 89% Energy • 19% Liveness
4% Instrumentalness • 81% Positiveness
28% Popularity • 73% Danceability • 89% Energy • 19% Liveness
4% Instrumentalness • 81% Positiveness
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Margie Joseph
I Can't Move No Mountains
107 bpm • C# Maj • 02:46 • -13.33db
25% Popularity • 48% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 48% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Annette Pointdexter & Pieces of Peace
Mama
107 bpm • F Maj • 02:29 • -9.11db
14% Popularity • 63% Danceability • 57% Energy • 53% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 63% Danceability • 57% Energy • 53% Liveness
0% Instrumentalness • 83% Positiveness
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The Modulations
Rough Out Here
99 bpm • D Maj • 04:41 • -8db
16% Popularity • 60% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 60% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Dee Edwards
Check It Out - 2013 Japan Remastered
107 bpm • E Maj • 04:34 • -5.68db
0% Popularity • 78% Danceability • 89% Energy • 7% Liveness
8% Instrumentalness • 93% Positiveness
0% Popularity • 78% Danceability • 89% Energy • 7% Liveness
8% Instrumentalness • 93% Positiveness
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Billy Paul
East
107 bpm • B min • 06:27 • -7.72db
17% Popularity • 43% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 43% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 72% Positiveness
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Cindy & The Playmates
Now That School Is Through
99 bpm • D min • 03:32 • -8.65db
9% Popularity • 66% Danceability • 58% Energy • 28% Liveness
2% Instrumentalness • 89% Positiveness
9% Popularity • 66% Danceability • 58% Energy • 28% Liveness
2% Instrumentalness • 89% Positiveness
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Leon Ware
Why I Came to California
107 bpm • C# Maj • 04:10 • -10db
40% Popularity • 69% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 69% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Beginning Of The End
Pretty Girl
107 bpm • G Maj • 04:59 • -7.14db
28% Popularity • 71% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 71% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Mike James Kirkland
What Have We Done
107 bpm • A min • 03:35 • -9.13db
14% Popularity • 57% Danceability • 72% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 57% Danceability • 72% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
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Magnum
Evolution
107 bpm • G# min • 05:50 • -10db
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
38% Instrumentalness • 76% Positiveness
31% Popularity • 56% Danceability • 84% Energy • 11% Liveness
38% Instrumentalness • 76% Positiveness
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Kelly Finnigan
Since I Don’t Have You Anymore
99 bpm • A min • 03:55 • -6db
40% Popularity • 53% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 53% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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Voices Of East Harlem
Wanted, Dead or Alive
99 bpm • C# Maj • 03:27 • -5db
25% Popularity • 53% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 53% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Stevens & Foster
I Want to Be Love
107 bpm • C Maj • 03:17 • -6.68db
26% Popularity • 62% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 62% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Mark Capanni
I Believe In Miracles
99 bpm • G min • 03:02 • -7db
33% Popularity • 58% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 58% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 90% Positiveness
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Asha Puthli
Space Talk
99 bpm • A# min • 05:37 • -17.35db
40% Popularity • 64% Danceability • 43% Energy • 21% Liveness
2% Instrumentalness • 69% Positiveness
40% Popularity • 64% Danceability • 43% Energy • 21% Liveness
2% Instrumentalness • 69% Positiveness
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New Holidays
Maybe so Maybe No
99 bpm • C# Maj • 03:02 • -9db
17% Popularity • 64% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 64% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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20th Century Steel Band
Heaven and Hell Is on Earth
107 bpm • D min • 05:13 • -12.91db
30% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Little Beaver
Groove On
99 bpm • A min • 07:40 • -10db
30% Popularity • 79% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 79% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Gloria Ann Taylor
How Can You Say It
99 bpm • F min • 02:52 • -9.43db
38% Popularity • 34% Danceability • 61% Energy • 29% Liveness
2% Instrumentalness • 44% Positiveness
38% Popularity • 34% Danceability • 61% Energy • 29% Liveness
2% Instrumentalness • 44% Positiveness
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Clarence Reid
It's Good Enough for Daddy
108 bpm • B Maj • 02:57 • -15.58db
16% Popularity • 83% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 81% Positiveness
16% Popularity • 83% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 81% Positiveness
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Milton Wright
Be With Me
108 bpm • G Maj • 02:42 • -10.31db
27% Popularity • 68% Danceability • 50% Energy • 7% Liveness
34% Instrumentalness • 90% Positiveness
27% Popularity • 68% Danceability • 50% Energy • 7% Liveness
34% Instrumentalness • 90% Positiveness
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Freddie Waters
Groovin' On My Baby's Love
108 bpm • A min • 02:45 • -12.57db
36% Popularity • 75% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
36% Popularity • 75% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Leroy Hutson
I Think I'm Falling In Love
108 bpm • F min • 03:39 • -9.96db
34% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Barrett Strong
Man up in the Sky (2023 Remastered)
98 bpm • F min • 04:10 • -10.24db
16% Popularity • 63% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 63% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Jackson Sisters
I Believe In Miracles - Extended Version
108 bpm • F Maj • 04:51 • -11.68db
40% Popularity • 67% Danceability • 82% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 67% Danceability • 82% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
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Clarence Reid
Living Together is Keeping Us Apart
108 bpm • A# min • 03:00 • -14.94db
17% Popularity • 66% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
17% Popularity • 66% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Mave & Dave
You Are Delicious
98 bpm • D min • 04:39 • -12db
41% Popularity • 74% Danceability • 44% Energy • 11% Liveness
30% Instrumentalness • 96% Positiveness
41% Popularity • 74% Danceability • 44% Energy • 11% Liveness
30% Instrumentalness • 96% Positiveness
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Bettye Swann
(My Heart Is) Closed For The Season
108 bpm • G min • 03:02 • -10.19db
33% Popularity • 72% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 72% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Leroy Hutson
Positive Forces
98 bpm • F min • 03:40 • -14.26db
19% Popularity • 54% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 54% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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The Reality Band and Show
Gangsterboy
108 bpm • G# Maj • 03:50 • -9.34db
15% Popularity • 64% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 64% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Syl Johnson
Different Strokes
108 bpm • D Maj • 02:19 • -9.61db
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
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Clarence Reid
I Get My Kicks
98 bpm • C# Maj • 02:46 • -6db
14% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Letta Mbulu
Nomalizo
98 bpm • A min • 05:11 • -13.63db
50% Popularity • 86% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 86% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Felecia Johnson
Franchise on Love
108 bpm • A Maj • 02:25 • -9.54db
13% Popularity • 82% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 82% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Archie Bell & The Drells
Strategy
98 bpm • G Maj • 06:57 • -9db
40% Popularity • 70% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 70% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Gloria Ann Taylor
Had It All the Time
108 bpm • D Maj • 03:01 • -10.1db
20% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Ann Peebles
I'm Gonna Tear Your Playhouse Down
98 bpm • G min • 02:45 • -12.52db
50% Popularity • 73% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 73% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Willie Wright
Right On For The Darkness
108 bpm • F min • 03:20 • -8db
38% Popularity • 63% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 63% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Clarence Reid
Miss Hot Stuff
98 bpm • D# min • 02:49 • -5db
30% Popularity • 61% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 61% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Millie Jackson
We Got to Hit It Off
108 bpm • A# Maj • 04:09 • -12db
30% Popularity • 73% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 73% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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J.J. Barnes
You Owe It to Yourself
98 bpm • E Maj • 08:30 • -6db
14% Popularity • 59% Danceability • 50% Energy • 65% Liveness
3% Instrumentalness • 77% Positiveness
14% Popularity • 59% Danceability • 50% Energy • 65% Liveness
3% Instrumentalness • 77% Positiveness
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Milton Wright
Let's Take a Break
98 bpm • D Maj • 01:45 • -11.82db
34% Popularity • 80% Danceability • 43% Energy • 6% Liveness
8% Instrumentalness • 84% Positiveness
34% Popularity • 80% Danceability • 43% Energy • 6% Liveness
8% Instrumentalness • 84% Positiveness
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Dee Edwards
His Majesty My Love
108 bpm • F min • 02:37 • -9.24db
2% Popularity • 70% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
2% Popularity • 70% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Brief Encounter
Got a Good Feeling
109 bpm • G Maj • 04:52 • -10.5db
13% Popularity • 57% Danceability • 76% Energy • 8% Liveness
12% Instrumentalness • 96% Positiveness
13% Popularity • 57% Danceability • 76% Energy • 8% Liveness
12% Instrumentalness • 96% Positiveness
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Connie Laverne
Can't Live Without You
109 bpm • F# min • 02:39 • -2.31db
22% Popularity • 54% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 54% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Gloria Ann Taylor
Love is a Hurtin' Thing - 7" Single Vers...
109 bpm • F min • 03:22 • -6.51db
22% Popularity • 33% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 55% Positiveness
22% Popularity • 33% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 55% Positiveness
