Songs like Puttin' On The Ritz by Judy Garland
Based on a tempo of (+/- 10%) and a similar genre
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Judy Garland
Puttin' On The Ritz
177 bpm • A Maj • 01:58 • -14.55db
47% Popularity • 49% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Larry Clinton & His Orchestra
Martha
178 bpm • F Maj • 03:21 • -21db
23% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Guy Lombardo & His Royal Canadians
Music! Music! Music!
178 bpm • G# min • 02:57 • -12db
24% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
24% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
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Rita Hayworth
Amado Mio (Theme from Gilda Original Sou...
178 bpm • A min • 02:47 • -13.44db
17% Popularity • 29% Danceability • 39% Energy • 11% Liveness
6% Instrumentalness • 47% Positiveness
17% Popularity • 29% Danceability • 39% Energy • 11% Liveness
6% Instrumentalness • 47% Positiveness
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The Four Clefs
I Like Pie, I Like Cake
179 bpm • C# Maj • 02:47 • -11.92db
31% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
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Buddy Greco
I'm in Love
175 bpm • C Maj • 01:31 • -11.49db
41% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 30% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 80% Positiveness
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George Lewis
Down by the Riverside
179 bpm • G min • 02:54 • -7db
38% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
38% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Shirley Jones
Till There Was You
174 bpm • D Maj • 03:00 • -15.09db
38% Popularity • 14% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 14% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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King Of Swing Orchestra
Bei Mir Bist Du Schön - The Best of Kin...
180 bpm • A min • 02:44 • -9.24db
36% Popularity • 40% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 40% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 76% Positiveness
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Guy Lombardo
Boo Hoo
180 bpm • C Maj • 02:37 • -12.15db
22% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 59% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Liberace
The Old Piano Roll Blues
173 bpm • F min • 02:23 • -10.7db
11% Popularity • 37% Danceability • 66% Energy • 36% Liveness
4% Instrumentalness • 90% Positiveness
11% Popularity • 37% Danceability • 66% Energy • 36% Liveness
4% Instrumentalness • 90% Positiveness
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Jimmy Durante
Hi Lili, Hi Lo
173 bpm • F Maj • 03:00 • -13db
22% Popularity • 27% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 27% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Dick Van Dyke
Put On A Happy Face
172 bpm • A Maj • 03:20 • -16.24db
36% Popularity • 46% Danceability • 23% Energy • 8% Liveness
8% Instrumentalness • 72% Positiveness
36% Popularity • 46% Danceability • 23% Energy • 8% Liveness
8% Instrumentalness • 72% Positiveness
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Gene Krupa
Drum Boogie
172 bpm • D# Maj • 03:09 • -13.72db
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Alma Cogan
Dreamboat
172 bpm • F Maj • 01:47 • -12db
44% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Fred Astaire (performer), The MGM Studio Chorus
The Ritz Roll and Rock
171 bpm • F Maj • 03:35 • -11.7db
26% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Eckstine
My Foolish Heart
171 bpm • A Maj • 03:03 • -13.34db
34% Popularity • 22% Danceability • 19% Energy • 38% Liveness
14% Instrumentalness • 11% Positiveness
34% Popularity • 22% Danceability • 19% Energy • 38% Liveness
14% Instrumentalness • 11% Positiveness
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The Platters
Smoke Gets In Your Eyes
171 bpm • D# Maj • 02:40 • -11.16db
66% Popularity • 20% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 20% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Buddy Greco
Around the World
184 bpm • C Maj • 02:25 • -11db
37% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Jane Russell
Diamonds Are a Girl's Best Friend
184 bpm • A Maj • 03:31 • -9.83db
50% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Bryan Ferry Orchestra
Oh! You Have No Idea
170 bpm • G Maj • 02:56 • -9.51db
26% Popularity • 48% Danceability • 45% Energy • 13% Liveness
36% Instrumentalness • 93% Positiveness
26% Popularity • 48% Danceability • 45% Energy • 13% Liveness
36% Instrumentalness • 93% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
18% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Eckstine
I Apologize
170 bpm • C# Maj • 02:51 • -10.07db
27% Popularity • 18% Danceability • 37% Energy • 6% Liveness
5% Instrumentalness • 20% Positiveness
27% Popularity • 18% Danceability • 37% Energy • 6% Liveness
5% Instrumentalness • 20% Positiveness
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Fats Waller
Spring Cleaning
170 bpm • F min • 02:27 • -14db
44% Popularity • 64% Danceability • 30% Energy • 50% Liveness
23% Instrumentalness • 81% Positiveness
44% Popularity • 64% Danceability • 30% Energy • 50% Liveness
23% Instrumentalness • 81% Positiveness
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Ethel Merman
If I Knew You Were Comin' I'd've Baked A...
169 bpm • G# Maj • 02:45 • -6.67db
9% Popularity • 63% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 63% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
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Judy Garland
Stompin' At The Savoy - Single Version
169 bpm • C# Maj • 02:22 • -11.55db
22% Popularity • 56% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 56% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Mae West
A Guy What Takes His Time
169 bpm • A Maj • 02:56 • -1.15db
18% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Guy Lombardo
The Band Played On
168 bpm • G# Maj • 02:31 • -11.99db
28% Popularity • 59% Danceability • 15% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
28% Popularity • 59% Danceability • 15% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
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Marlene Dietrich
You Do Something To Me
168 bpm • G Maj • 03:02 • -12.42db
27% Popularity • 19% Danceability • 25% Energy • 26% Liveness
52% Instrumentalness • 22% Positiveness
27% Popularity • 19% Danceability • 25% Energy • 26% Liveness
52% Instrumentalness • 22% Positiveness
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Henry Hall
Hummin' to Myself
187 bpm • G Maj • 02:57 • -9.63db
20% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
20% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
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Duke Ellington Orchestra
Take the a Train
167 bpm • C Maj • 02:56 • -20.7db
19% Popularity • 53% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 64% Positiveness
19% Popularity • 53% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 64% Positiveness
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Judy Garland
By Myself
187 bpm • A# Maj • 02:38 • -11.56db
35% Popularity • 29% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 29% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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The Andrews Sisters
Boogie Woogie Bugle Boy
167 bpm • G Maj • 02:41 • -11.55db
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Joséphine Baker
Breezin' Along With The Breeze
166 bpm • G min • 02:53 • -13.9db
21% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Bill Elliott Swing Orchestra
The Shim Sham Song
166 bpm • F min • 03:00 • -9.09db
35% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Dorsey
Amapola
166 bpm • G min • 03:26 • -9.73db
23% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 39% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Doris Day
Blue Skies
164 bpm • C Maj • 01:47 • -16.11db
46% Popularity • 52% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 52% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Rita Hayworth
Long Ago and Far Away
163 bpm • F Maj • 03:09 • -15.58db
22% Popularity • 21% Danceability • 17% Energy • 18% Liveness
14% Instrumentalness • 17% Positiveness
22% Popularity • 21% Danceability • 17% Energy • 18% Liveness
14% Instrumentalness • 17% Positiveness
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Ethel Merman
You're The Top
163 bpm • A min • 02:14 • -8.32db
16% Popularity • 57% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 57% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Judy Garland
Friendship
162 bpm • G# Maj • 02:33 • -13.68db
6% Popularity • 64% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
6% Popularity • 64% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Cab Calloway & His Orchestra
A Chicken Ain't Nothing but a Bird
162 bpm • D# Maj • 02:54 • -10.14db
11% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
39% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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London Symphony Orchestra
Symphony No. 8 In B Minor
161 bpm • G# Maj • 03:40 • -8.68db
20% Popularity • 58% Danceability • 32% Energy • 12% Liveness
59% Instrumentalness • 77% Positiveness
20% Popularity • 58% Danceability • 32% Energy • 12% Liveness
59% Instrumentalness • 77% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
35% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
35% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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Frankie Randall
A Wonderful Day Like Today
161 bpm • F Maj • 02:00 • -10db
31% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
37% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Artie Shaw
It Had To Be You
158 bpm • G Maj • 02:28 • -10.77db
41% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
41% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
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Jimmie Lunceford
Tain't What You Do
160 bpm • G# Maj • 03:07 • -10.47db
20% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Everybody's Talkin' Bout Miss Thing!
199 bpm • C min • 03:11 • -8.89db
40% Popularity • 48% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 48% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Harry Connick, Jr.
We Are In Love
200 bpm • G Maj • 02:40 • -15db
52% Popularity • 37% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 37% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Perry Como
It's A Lovely Day Today
156 bpm • G Maj • 02:40 • -12.8db
56% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Four Vagabonds
Rosie The Riveter
201 bpm • F Maj • 02:22 • -12db
22% Popularity • 57% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
22% Popularity • 57% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Bill Elliott Swing Orchestra
When We Dance
155 bpm • C# Maj • 03:10 • -7.87db
27% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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ザ・リバーフロント・スタジオ・オーケストラ
チャールストン
201 bpm • A# Maj • 02:04 • -11db
22% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Danny Kaye
Civilization
155 bpm • C# Maj • 03:03 • -13.65db
25% Popularity • 61% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 61% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
41% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Robbie Williams
Puttin' On The Ritz
204 bpm • F min • 02:32 • -8.02db
50% Popularity • 50% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
50% Popularity • 50% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Kenny Ball & His Jazzmen
I Wanna Be Like You
203 bpm • F min • 02:25 • -12.53db
15% Popularity • 43% Danceability • 51% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 43% Danceability • 51% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
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Artie Shaw
Softly, As In A Morning Sunrise
154 bpm • F Maj • 03:12 • -9.95db
38% Popularity • 68% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 62% Positiveness
38% Popularity • 68% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 62% Positiveness
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Nat King Cole Trio
Hit That Jive, Jack
206 bpm • F min • 02:54 • -12db
35% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Cab Calloway & His Orchestra
Everybody Eats When They Come to My Hous...
152 bpm • C Maj • 02:44 • -7.94db
23% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
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Blake The Kid
Let's Misbehave
207 bpm • E min • 02:58 • -10.39db
35% Popularity • 51% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 51% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Durante
Old Man Time
151 bpm • C# Maj • 02:39 • -14.36db
22% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Rosemary Clooney
Mambo Italiano - 78rpm Version
150 bpm • D min • 02:29 • -9.92db
52% Popularity • 59% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
52% Popularity • 59% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Billie Holiday
I Only Have Eyes For You
150 bpm • G Maj • 02:53 • -9db
53% Popularity • 50% Danceability • 32% Energy • 10% Liveness
38% Instrumentalness • 53% Positiveness
53% Popularity • 50% Danceability • 32% Energy • 10% Liveness
38% Instrumentalness • 53% Positiveness
