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Quanto più caro faj
Songs like
Quanto più caro faj
by
Francesco Landini
Based on a tempo of (+/- 10%) and a similar genre
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Gilles Binchois
Chansons: Je me recommande humblement
107 bpm • C# Maj • 01:54 • -16db
14% Popularity • 58% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
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Francesco Landini
Quanto più caro faj
107 bpm • A Maj • 04:12 • -27.08db
5% Popularity • 25% Danceability • 4% Energy • 6% Liveness
39% Instrumentalness • 10% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
34% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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Juan del Encina
Todos los bienes del mundo
107 bpm • A min • 03:02 • -14db
17% Popularity • 48% Danceability • 45% Energy • 7% Liveness
9% Instrumentalness • 60% Positiveness
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Anon.
La douçours
107 bpm • C Maj • 01:43 • -22db
13% Popularity • 42% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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John Playford
The English Dance Master, Part I: Kemps ...
107 bpm • D min • 01:40 • -20db
26% Popularity • 46% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Gilles Binchois
Chansons: Amoreux suy et me vient toute ...
107 bpm • G# min • 01:44 • -16.83db
10% Popularity • 57% Danceability • 28% Energy • 21% Liveness
95% Instrumentalness • 50% Positiveness
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Arnold de Lantins
In tua memoria
107 bpm • A# min • 01:58 • -34.39db
8% Popularity • 35% Danceability • 4% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
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John Dunstable
O rosa bella - Quodlibet: O rosa bella (...
107 bpm • D min • 03:54 • -26db
9% Popularity • 21% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Pierre Clereau
Cléreau: Les Odes de Pierre de Ronsard ...
107 bpm • D min • 04:18 • -21db
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Francesco Landini
Musica son / Già furon / Ciascun vuoli
107 bpm • C min • 03:03 • -27.04db
1% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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John Playford
Daphne
107 bpm • E Maj • 01:50 • -17.39db
26% Popularity • 48% Danceability • 15% Energy • 10% Liveness
56% Instrumentalness • 62% Positiveness
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Gaspar Fernandes
Para la llegada del virrey don Diego Fer...
108 bpm • C Maj • 01:45 • -15.03db
11% Popularity • 19% Danceability • 48% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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Rolf Smedvig
Si Dolce (Arr. R. Smedvig)
106 bpm • A# Maj • 05:20 • -25.55db
2% Popularity • 53% Danceability • 35% Energy • 32% Liveness
86% Instrumentalness • 23% Positiveness
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Guillaume de Machaut
Douce dame jolie...
108 bpm • A min • 01:49 • -19db
23% Popularity • 64% Danceability • 11% Energy • 18% Liveness
78% Instrumentalness • 18% Positiveness
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Piffaro
Vilana, Che Sa Tu Far?
108 bpm • G Maj • 01:32 • -18db
13% Popularity • 23% Danceability • 14% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Alonso Mudarra
Tiento
106 bpm • F Maj • 01:45 • -35db
31% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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John Taverner
In Nomine
108 bpm • E Maj • 02:25 • -32db
31% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
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John Playford
The English Dance Master, Part II: Newca...
108 bpm • G Maj • 01:53 • -16db
20% Popularity • 65% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 74% Positiveness
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Capella de Ministrers
Foia, Cantiga 166
108 bpm • G Maj • 03:11 • -16db
14% Popularity • 43% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
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Michael Praetorius
Terpsichore*: La Bouree
106 bpm • D Maj • 02:30 • -15.22db
18% Popularity • 65% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Pierre Attaingnant
Première suytte de Bransles d'Escosse
105 bpm • C min • 03:27 • -22db
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
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Piffaro
Dieu Quel Mariage/Corps Digne
108 bpm • B min • 01:12 • -19.28db
14% Popularity • 32% Danceability • 11% Energy • 29% Liveness
99% Instrumentalness • 32% Positiveness
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Richard I of England
Estampie Janus
105 bpm • F min • 03:08 • -26db
16% Popularity • 45% Danceability • 16% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
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John Playford
The English Dancing Master: Rufty Tufty
109 bpm • C Maj • 01:39 • -24.22db
13% Popularity • 58% Danceability • 12% Energy • 9% Liveness
14% Instrumentalness • 57% Positiveness
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Eduardo Paniagua
Alta [Danza Sobre La Spagna]
105 bpm • A min • 03:16 • -17db
12% Popularity • 53% Danceability • 27% Energy • 9% Liveness
76% Instrumentalness • 27% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Que po...
105 bpm • C Maj • 05:46 • -21db
8% Popularity • 64% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Piffaro
Ach Elslein, Liebes Elselein Mein
110 bpm • E min • 01:01 • -21.29db
27% Popularity • 16% Danceability • 8% Energy • 20% Liveness
90% Instrumentalness • 40% Positiveness
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Thoinot Arbeau
Branle des Lavandiers
110 bpm • A min • 01:37 • -17db
6% Popularity • 88% Danceability • 19% Energy • 6% Liveness
97% Instrumentalness • 96% Positiveness
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Heinrich Isaac
La la hö hö
110 bpm • D Maj • 01:37 • -15.78db
8% Popularity • 42% Danceability • 19% Energy • 6% Liveness
89% Instrumentalness • 31% Positiveness
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Pierre Attaingnant
Basse danse La brosse - Tripla - Tourdio...
104 bpm • D min • 01:54 • -18.85db
11% Popularity • 64% Danceability • 24% Energy • 38% Liveness
96% Instrumentalness • 92% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria: Null Ome Per Re...
109 bpm • D# min • 04:21 • -17.64db
12% Popularity • 44% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Praetorius
Terpsichore*: Volte
104 bpm • C Maj • 01:00 • -22db
25% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Gaucelm Faidit
Fortz chausa es que tot lo major dan
110 bpm • C Maj • 04:29 • -25.68db
8% Popularity • 41% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Francesco Landini
Non arà ma' pietÃ
103 bpm • A# Maj • 04:19 • -25.63db
5% Popularity • 22% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Sylvain Bergeron
Perceval la quete du Graal: Dans la fore...
103 bpm • E min • 02:37 • -18db
15% Popularity • 39% Danceability • 20% Energy • 31% Liveness
42% Instrumentalness • 47% Positiveness
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Pérotin
Viderunt omnes: ...fines terre salutare ...
111 bpm • G# Maj • 00:56 • -22.29db
28% Popularity • 19% Danceability • 22% Energy • 24% Liveness
32% Instrumentalness • 18% Positiveness
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Alfonso X El Sabio
Cantiga 35: O que a Santa Maria (arr. J....
110 bpm • C Maj • 04:04 • -18db
18% Popularity • 43% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): Courante
111 bpm • G Maj • 02:20 • -20db
16% Popularity • 55% Danceability • 26% Energy • 12% Liveness
71% Instrumentalness • 63% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
24% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Francesco Landini
Poiché partir convienmi, donna cara
110 bpm • D min • 04:13 • -18.25db
5% Popularity • 32% Danceability • 11% Energy • 8% Liveness
11% Instrumentalness • 34% Positiveness
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Anonymous
Istampitta Ghaetta
112 bpm • C Maj • 03:57 • -18.5db
27% Popularity • 64% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
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Francesco da Milano
Ricercar (13)
112 bpm • A min • 01:38 • -32.65db
37% Popularity • 52% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Tylman Susato
Susato: 12 Dances from the Danserye: III...
112 bpm • F Maj • 01:34 • -18db
18% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
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Michael Praetorius
Suite No. 1 in C Major: II. Spagnoletta
112 bpm • C Maj • 02:59 • -18.51db
35% Popularity • 45% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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John Playford
The English Dance Master, Part II: No. 1...
112 bpm • G Maj • 01:58 • -16.52db
18% Popularity • 68% Danceability • 18% Energy • 34% Liveness
97% Instrumentalness • 85% Positiveness
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Francesco Landini
Non dò la colp' a te
103 bpm • G# Maj • 02:46 • -29.2db
7% Popularity • 27% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Giraut de Bornelh
Reis glorios
112 bpm • A# min • 08:52 • -31db
13% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Anthony Holborne
The Fairy Round (Galliard)
102 bpm • F# Maj • 03:24 • -25db
32% Popularity • 40% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 51% Positiveness
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Anónimo
Pedr´Amigo, quero de vós saber
112 bpm • G Maj • 03:48 • -25db
12% Popularity • 30% Danceability • 4% Energy • 8% Liveness
7% Instrumentalness • 24% Positiveness
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Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
23% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Francesco de la Torre
Danza alta, sobre "la Spagna"
102 bpm • A min • 03:22 • -16db
9% Popularity • 36% Danceability • 24% Energy • 11% Liveness
22% Instrumentalness • 21% Positiveness
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Francesco Landini
Musicha son / Già furon / Ciascun vuol
112 bpm • G# Maj • 04:17 • -25.37db
4% Popularity • 23% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Robert Parsons
The Song called Trumpets
112 bpm • E Maj • 02:15 • -25db
28% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
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Guillaume Morlaye
2ème livre de tabulature de leut: Fanta...
112 bpm • G min • 03:17 • -27.57db
30% Popularity • 48% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 34% Positiveness
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Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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The Tallis Scholars
Isaac: Virgo Prudentissima, 6vv - 1. Vir...
112 bpm • E min • 05:19 • -20db
25% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
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Thoinot Arbeau
Danseries, Branle des Chevaulx: Branle d...
112 bpm • C Maj • 01:51 • -15db
7% Popularity • 48% Danceability • 17% Energy • 13% Liveness
33% Instrumentalness • 71% Positiveness
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Walther von der Vogelweide
Palästinalied
113 bpm • E min • 03:18 • -23db
18% Popularity • 31% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Trefoil
Baude Cordier: Tout par compas: Tout par...
113 bpm • C Maj • 01:31 • -32.38db
14% Popularity • 48% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 68% Positiveness
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Esteban Daza
Quien te hizo, Juan Pastor
101 bpm • A min • 03:23 • -24db
11% Popularity • 28% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jacob Obrecht
Rompeltier
101 bpm • A min • 02:12 • -12db
14% Popularity • 66% Danceability • 27% Energy • 14% Liveness
65% Instrumentalness • 54% Positiveness
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Francesco Landini
Nella partita
114 bpm • A Maj • 03:45 • -29db
11% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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La Capella Reial De Catalunya
Alfons V El Magnà nim: Adoramus te (4v.)...
114 bpm • E min • 03:46 • -26db
16% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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Oswald von Wolkenstein
Wolauff, Gesell!
114 bpm • C Maj • 02:12 • -30db
9% Popularity • 59% Danceability • 22% Energy • 7% Liveness
89% Instrumentalness • 40% Positiveness
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Philippe de Vitry
Vos quied admiramini - Gratissima vigini...
101 bpm • F Maj • 03:20 • -18.67db
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Praetorius
Terpsichore*: Volte
101 bpm • G Maj • 01:34 • -19db
22% Popularity • 63% Danceability • 14% Energy • 10% Liveness
4% Instrumentalness • 52% Positiveness
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László Czidra
Danserye: Basse danse: No. 1. Dont vient...
101 bpm • D min • 02:01 • -25.15db
20% Popularity • 62% Danceability • 9% Energy • 32% Liveness
91% Instrumentalness • 51% Positiveness
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Francesco Landini
Non avra mai
114 bpm • C Maj • 02:23 • -25.02db
0% Popularity • 54% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 71% Positiveness
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Adam de la Halle
Le jeu de robin et marion: Scène 1 - ma...
114 bpm • G# Maj • 06:51 • -21db
11% Popularity • 60% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Anónimo
Per´Ordónhez, torp'e desembrado
114 bpm • D Maj • 02:18 • -25.3db
12% Popularity • 48% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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John Dowland
The Earl of Essex Galliard
100 bpm • G min • 01:31 • -23db
13% Popularity • 28% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
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John Playford
The Dancing Master: Hyde Park
114 bpm • D Maj • 01:21 • -20db
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Joan Ambrosio Dalza
Calata ala Spagnola
115 bpm • A# Maj • 01:22 • -23db
17% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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Capella de Ministrers
Zappay [lo campo]
115 bpm • C Maj • 02:48 • -18.69db
14% Popularity • 54% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Unicorn Ensemble
Isabella
114 bpm • G Maj • 08:48 • -25db
8% Popularity • 28% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Francesco Landini
Nella mi' vita
99 bpm • G# Maj • 02:57 • -24.5db
4% Popularity • 23% Danceability • 3% Energy • 9% Liveness
45% Instrumentalness • 15% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
22% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Joan Ambrosio Dalza
Saltarello and Piva
115 bpm • C Maj • 04:54 • -28db
21% Popularity • 42% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Viva Biancaluna Biffi
Improvisació viella
99 bpm • A min • 01:17 • -23.17db
15% Popularity • 20% Danceability • 18% Energy • 11% Liveness
56% Instrumentalness • 27% Positiveness
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Unicorn Ensemble
Bellicha
115 bpm • F Maj • 02:14 • -15db
19% Popularity • 40% Danceability • 59% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
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Lorenzo Masini
Non Perch' i' speri, donna (ballata) - 2...
99 bpm • D min • 04:03 • -17.98db
11% Popularity • 21% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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Adam de la Halle
De cueur pensieu
99 bpm • C Maj • 01:35 • -15.21db
11% Popularity • 76% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 96% Positiveness
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Francesco Landini
O Fanciulla Giulia
99 bpm • C# min • 04:22 • -19.84db
2% Popularity • 16% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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John Playford
The Mulberry Garden
116 bpm • D min • 02:51 • -23db
20% Popularity • 61% Danceability • 17% Energy • 11% Liveness
46% Instrumentalness • 76% Positiveness
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Gautier De Coincy
Ma viële
116 bpm • D# Maj • 04:07 • -29.41db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): Courante
116 bpm • G Maj • 01:39 • -23.55db
24% Popularity • 57% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
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Diego Oritz
Recercada primera, quarta, ottava
116 bpm • C# min • 04:33 • -25db
36% Popularity • 42% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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Sylvain Bergeron
Perceval la quete du Graal: La Bataille ...
99 bpm • G Maj • 01:04 • -40.01db
30% Popularity • 43% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 26% Positiveness
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Francesco Landini
Abbonda di virtù
99 bpm • G# min • 03:19 • -34.78db
4% Popularity • 17% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Pierre de la Rue
Soubz ce tumbel
116 bpm • C Maj • 05:03 • -24.03db
13% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
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anon arr Alan Crumpler
Sellenger's round
116 bpm • C Maj • 02:12 • -24.18db
9% Popularity • 64% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 84% Positiveness
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Rabanus Maurus
Hymn: Veni creator spiritus
98 bpm • A# Maj • 04:31 • -28.97db
25% Popularity • 23% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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Richard I of England
Ja nuns hons pris
98 bpm • F Maj • 05:53 • -22.82db
17% Popularity • 18% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Prolog...
117 bpm • C Maj • 02:17 • -18.6db
12% Popularity • 38% Danceability • 21% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
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Quanto più caro faj