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Quit While You're Ahead
Songs like
Quit While You're Ahead
by
The Word Alive
Based on a tempo of (+/- 10%) and a similar genre
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The Word Alive
Quit While You're Ahead
147 bpm • G min • 03:44 • -2.8db
17% Popularity • 40% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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Oceans Ate Alaska
Taming Lions
147 bpm • F# min • 03:40 • -4.61db
25% Popularity • 29% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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We Came As Romans
Shapes
147 bpm • D min • 03:52 • -3.5db
24% Popularity • 28% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Casino Madrid
Pyramids
146 bpm • G# Maj • 06:07 • -6.4db
12% Popularity • 30% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Chiodos
Ole Fishlips Is Dead Now
148 bpm • G min • 04:13 • -4.77db
31% Popularity • 33% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 18% Positiveness
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Upon This Dawning
Lux
148 bpm • G# Maj • 02:55 • -4.97db
13% Popularity • 44% Danceability • 93% Energy • 32% Liveness
44% Instrumentalness • 37% Positiveness
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The Word Alive
To Struggle And Claw My Way
147 bpm • B min • 03:06 • -4.32db
18% Popularity • 44% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 39% Positiveness
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Too Close To Touch
Pretty Little Thing
146 bpm • G Maj • 03:39 • -5db
42% Popularity • 34% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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We Came As Romans
An Ever-Growing Wonder
146 bpm • F# min • 03:57 • -3db
27% Popularity • 20% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
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Casino Madrid
Life Sentencer
146 bpm • F# Maj • 03:23 • -1.6db
19% Popularity • 29% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Everyone Dies In Utah
Do What Diddy Did
145 bpm • F# Maj • 03:12 • -3.09db
15% Popularity • 45% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 40% Positiveness
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Upon This Dawning
Blood Is Thicker Than Water
145 bpm • G# Maj • 02:36 • -4.19db
16% Popularity • 35% Danceability • 99% Energy • 35% Liveness
92% Instrumentalness • 34% Positiveness
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The Word Alive
Glass Castle
146 bpm • F# Maj • 03:50 • -4.43db
22% Popularity • 46% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Paramedic
Have A Nice Day
145 bpm • G# Maj • 03:05 • -4db
18% Popularity • 40% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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We Came As Romans
Conditions
145 bpm • A# Maj • 04:01 • -2.55db
27% Popularity • 27% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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Ten After Two
Truth Is…
145 bpm • F min • 03:53 • -3.91db
13% Popularity • 41% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Casino Madrid
The Rocky Mountains Aren't As Rocky As U...
145 bpm • F min • 02:30 • -4db
15% Popularity • 16% Danceability • 82% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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Woe, Is Me
[&] Delinquents
145 bpm • G# Maj • 02:55 • -4.04db
43% Popularity • 48% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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The Word Alive
Terminal
149 bpm • E Maj • 04:01 • -4.63db
16% Popularity • 24% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Everyone Dies In Utah
Bark Twice If You're In Milwaukee
145 bpm • F# Maj • 02:53 • -3.53db
17% Popularity • 42% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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If I Were You
Paralysis
145 bpm • A# min • 04:36 • -3.99db
29% Popularity • 41% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Ten After Two
Sight At Sea
145 bpm • F min • 04:21 • -4.21db
9% Popularity • 49% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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I Am Abomination
Rock N' No Soul
145 bpm • C# Maj • 03:59 • -2.81db
15% Popularity • 41% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Woe, Is Me
Mannequin Religion
145 bpm • G# Maj • 02:54 • -5.05db
35% Popularity • 44% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 28% Positiveness
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The Word Alive
Play The Victim
145 bpm • C# min • 04:19 • -4.79db
29% Popularity • 41% Danceability • 93% Energy • 10% Liveness
61% Instrumentalness • 15% Positiveness
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A Bullet for Pretty Boy
Tides
145 bpm • G# Maj • 03:16 • -5db
19% Popularity • 48% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Kingdom Of Giants
Guns And Girls
145 bpm • G# Maj • 04:19 • -4.3db
21% Popularity • 28% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Upon This Dawning
The Sound Of Your Breath
145 bpm • G# Maj • 02:29 • -3.87db
26% Popularity • 40% Danceability • 96% Energy • 37% Liveness
18% Instrumentalness • 23% Positiveness
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Chunk! No, Captain Chunk!
Restart
145 bpm • A# Maj • 03:28 • -4db
36% Popularity • 45% Danceability • 98% Energy • 48% Liveness
24% Instrumentalness • 57% Positiveness
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Woe, Is Me
On Veiled Men
145 bpm • A# min • 00:50 • -7.04db
31% Popularity • 40% Danceability • 94% Energy • 48% Liveness
39% Instrumentalness • 37% Positiveness
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Oh, Sleeper
Hush Yael
145 bpm • D min • 04:28 • -4.68db
35% Popularity • 28% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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The Word Alive
Collapsing
145 bpm • C# min • 04:18 • -5.51db
17% Popularity • 37% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Everyone Dies In Utah
Bar Fightz & Disco Lightz
145 bpm • B Maj • 03:17 • -2.81db
15% Popularity • 39% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Scarlett O'Hara
Dude, You're Being That Guy
145 bpm • C# min • 03:28 • -4.77db
21% Popularity • 29% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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That's Outrageous!
Paging Patrick Bateman
145 bpm • G# Maj • 03:00 • -1.33db
11% Popularity • 13% Danceability • 98% Energy • 37% Liveness
17% Instrumentalness • 29% Positiveness
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Woe, Is Me
Desolate [The Conductor]
145 bpm • B min • 01:54 • -6.39db
32% Popularity • 33% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Sienna Skies
Achiever
150 bpm • A Maj • 04:10 • -4.17db
4% Popularity • 21% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Kingdom Of Giants
Onslaught
150 bpm • C Maj • 04:19 • -4.11db
21% Popularity • 46% Danceability • 97% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
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Everyone Dies In Utah
Adrian Makes It Rain
145 bpm • F# Maj • 03:59 • -4.11db
13% Popularity • 42% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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If I Were You
Lost
150 bpm • C# Maj • 04:10 • -3.91db
29% Popularity • 25% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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This Romantic Tragedy
So Far Away
150 bpm • D Maj • 03:37 • -3.95db
21% Popularity • 17% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Woe, Is Me
Our Number[s]
145 bpm • G# Maj • 02:55 • -4.5db
29% Popularity • 44% Danceability • 96% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
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The Dead Rabbitts
Are You on Drugs?
150 bpm • C# min • 03:47 • -2db
22% Popularity • 42% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Ice Nine Kills
Proximity Mines In The Complex
150 bpm • E Maj • 03:26 • -4.34db
32% Popularity • 42% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Everyone Dies In Utah
So Long, And Thanks For All The Fish
145 bpm • G# Maj • 04:00 • -3db
17% Popularity • 47% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Scarlett O'Hara
Empires
144 bpm • F# Maj • 03:17 • -4.91db
16% Popularity • 52% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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The Word Alive
Hidden Lakes
150 bpm • G# Maj • 03:30 • -4.55db
20% Popularity • 44% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Destroy Rebuild Until God Shows
I'm Here to Take the Sky
150 bpm • E Maj • 03:53 • -4.6db
30% Popularity • 44% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Broadway
Volcano Jack
150 bpm • C Maj • 03:25 • -3.81db
28% Popularity • 40% Danceability • 100% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Woe, Is Me
Keep Your Enemies Close
150 bpm • G# Maj • 02:28 • -4.56db
33% Popularity • 43% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
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Everyone Dies In Utah
Synthia, Where's R2?
145 bpm • G# min • 03:33 • -4.5db
12% Popularity • 50% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Kingdom Of Giants
Who I Once Was
150 bpm • G# Maj • 03:40 • -6db
27% Popularity • 46% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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The Word Alive
Room 126
150 bpm • G# Maj • 03:55 • -5.23db
20% Popularity • 46% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Issues
King of Amarillo
150 bpm • F# Maj • 03:29 • -2.47db
45% Popularity • 53% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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That's Outrageous!
Teenage Scream
150 bpm • B min • 03:22 • -4.75db
19% Popularity • 51% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Scarlett O'Hara
Where In The World Is Earthworm Jim
150 bpm • C# min • 03:48 • -4.68db
14% Popularity • 49% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Everyone Dies In Utah
Dude...I Know...It's Everywhere
150 bpm • G# min • 03:29 • -3db
20% Popularity • 47% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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A Bullet for Pretty Boy
The Deceiver
150 bpm • C min • 03:52 • -4db
30% Popularity • 43% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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The Word Alive
2012
150 bpm • B min • 03:01 • -4.98db
34% Popularity • 46% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 19% Positiveness
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The Words We Use
56 Chances
150 bpm • E min • 04:08 • -3.01db
13% Popularity • 15% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Our Hollow, Our Home
Karmadillo
150 bpm • A min • 03:17 • -2.48db
30% Popularity • 36% Danceability • 99% Energy • 60% Liveness
1% Instrumentalness • 11% Positiveness
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Destroy Rebuild Until God Shows
The Hangman
150 bpm • G# Maj • 03:52 • -5db
32% Popularity • 41% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Everyone Dies In Utah
Dance War
150 bpm • F# Maj • 03:22 • -4db
14% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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In Hearts Wake
Afterglow
150 bpm • C# min • 03:47 • -2db
31% Popularity • 38% Danceability • 95% Energy • 11% Liveness
17% Instrumentalness • 34% Positiveness
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We Came As Romans
Roads That Don't End and Views That Neve...
150 bpm • D min • 03:49 • -2.51db
28% Popularity • 23% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Scarlett O'Hara
I Make My Own Karma
144 bpm • C# min • 02:19 • -4.93db
17% Popularity • 30% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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The Dead Rabbitts
Keep Tellin Yourself You Were Right
150 bpm • E min • 03:08 • -3.55db
14% Popularity • 40% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Chunk! No, Captain Chunk!
Bipolar Mind
143 bpm • F min • 02:57 • -3.77db
31% Popularity • 45% Danceability • 98% Energy • 38% Liveness
62% Instrumentalness • 50% Positiveness
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Everyone Dies In Utah
Synthesize Me Captain
150 bpm • C# min • 03:43 • -3.32db
13% Popularity • 26% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Upon This Dawning
From Hell To The West
143 bpm • F min • 03:47 • -5db
17% Popularity • 40% Danceability • 97% Energy • 40% Liveness
1% Instrumentalness • 29% Positiveness
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We Came As Romans
Intentions
150 bpm • F# min • 03:01 • -2.84db
28% Popularity • 28% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 11% Positiveness
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The Word Alive
Oxy
151 bpm • B min • 04:00 • -7.16db
20% Popularity • 32% Danceability • 88% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
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Kingdom Of Giants
A Test Of My Survival
143 bpm • C Maj • 03:35 • -4.25db
32% Popularity • 28% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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Adestria
Dreamer
152 bpm • G Maj • 04:13 • -6.36db
19% Popularity • 26% Danceability • 95% Energy • 45% Liveness
0% Instrumentalness • 33% Positiveness
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Everyone Dies In Utah
Polarities: The Shift
150 bpm • A Maj • 03:55 • -4.11db
16% Popularity • 40% Danceability • 90% Energy • 8% Liveness
6% Instrumentalness • 13% Positiveness
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Upon This Dawning
A New Beginning
143 bpm • C Maj • 03:30 • -5db
34% Popularity • 24% Danceability • 94% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
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We Came As Romans
I Will Not Reap Destruction
142 bpm • G min • 03:58 • -3.29db
23% Popularity • 24% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Casino Madrid
Running With Scissors
153 bpm • F min • 03:25 • -4.55db
20% Popularity • 20% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Attila
Rage
141 bpm • F# min • 03:34 • -4db
41% Popularity • 43% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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In Hearts Wake
Skydancer
140 bpm • A Maj • 03:28 • -1.37db
30% Popularity • 36% Danceability • 98% Energy • 70% Liveness
3% Instrumentalness • 24% Positiveness
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This Romantic Tragedy
Reborn
140 bpm • C# Maj • 05:27 • -5.61db
12% Popularity • 23% Danceability • 85% Energy • 81% Liveness
0% Instrumentalness • 17% Positiveness
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Everyone Dies In Utah
Factor X
140 bpm • A# min • 04:42 • -3.76db
11% Popularity • 45% Danceability • 94% Energy • 55% Liveness
3% Instrumentalness • 8% Positiveness
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We Came As Romans
Beliefs
144 bpm • A min • 04:06 • -3.81db
24% Popularity • 23% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Us, From Outside
Putting A Face To Fear
140 bpm • E min • 03:07 • -5.17db
18% Popularity • 52% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Asking Alexandria
Welcome
140 bpm • F min • 01:49 • -5.93db
38% Popularity • 43% Danceability • 91% Energy • 69% Liveness
2% Instrumentalness • 12% Positiveness
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Sienna Skies
Part with Pride
140 bpm • C# Maj • 03:06 • -4.91db
19% Popularity • 19% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Scarlett O'Hara
Not All Texans Wear Cowboy Hats
140 bpm • D Maj • 02:57 • -4.64db
16% Popularity • 34% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Everyone Dies In Utah
Welcome To The Ward
140 bpm • E min • 03:00 • -3.06db
23% Popularity • 50% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Confide
My Choice Of Words
140 bpm • G# Maj • 03:32 • -4db
26% Popularity • 44% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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We Came As Romans
Broken Statues
142 bpm • D Maj • 03:41 • -3.75db
28% Popularity • 23% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Of Mice & Men
Purified
140 bpm • C min • 03:35 • -2.42db
35% Popularity • 47% Danceability • 99% Energy • 81% Liveness
0% Instrumentalness • 33% Positiveness
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For All I Am
Out of Line
140 bpm • D Maj • 03:34 • -2.58db
14% Popularity • 47% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
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Haste The Day
Dog Like Vultures
140 bpm • G Maj • 03:46 • -2.87db
30% Popularity • 46% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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The Word Alive
Casanova Rodeo
140 bpm • D Maj • 03:36 • -3.44db
26% Popularity • 52% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
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Woe, Is Me
fame>demise
140 bpm • D Maj • 03:31 • -4.17db
28% Popularity • 44% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
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We Came As Romans
What I Wished I Never Had
140 bpm • F min • 04:00 • -2.52db
23% Popularity • 24% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Modern Day Escape
Let's Get Sweaty
140 bpm • A Maj • 03:07 • -6.55db
8% Popularity • 51% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Ten After Two
Anxious
140 bpm • G# Maj • 03:05 • -3.8db
10% Popularity • 44% Danceability • 91% Energy • 73% Liveness
0% Instrumentalness • 27% Positiveness
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Asking Alexandria
The Match
140 bpm • G Maj • 04:15 • -2.8db
39% Popularity • 31% Danceability • 96% Energy • 87% Liveness
0% Instrumentalness • 13% Positiveness
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Myka, Relocate
Playing It Safe
140 bpm • F# min • 03:44 • -2.59db
33% Popularity • 47% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Quit While You're Ahead