Songs like Raa Raa by Shankar Mahadevan
Based on a tempo of (+/- 10%) and a similar genre
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Siddharth
Ninu Choosthunte
130 bpm • A min • 05:11 • -10.49db
46% Popularity • 90% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 85% Positiveness
46% Popularity • 90% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 85% Positiveness
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Shankar Mahadevan
Raa Raa
130 bpm • G Maj • 05:16 • -8.67db
31% Popularity • 86% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 86% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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G. V. Prakash
Pranama
130 bpm • A min • 03:27 • -6db
52% Popularity • 71% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 71% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Rahul Nambiar
Maro Maro
130 bpm • A# Maj • 04:41 • -6.64db
49% Popularity • 79% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 50% Positiveness
49% Popularity • 79% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 50% Positiveness
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Jassie Gift
Nadh Nadh
130 bpm • G Maj • 04:10 • -7.33db
46% Popularity • 83% Danceability • 95% Energy • 11% Liveness
3% Instrumentalness • 76% Positiveness
46% Popularity • 83% Danceability • 95% Energy • 11% Liveness
3% Instrumentalness • 76% Positiveness
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Yazin Nizar, Ramya Behara
Most Wanted Abbayi
130 bpm • F min • 04:34 • -3.53db
31% Popularity • 82% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 82% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Divya Kumar
Yevandoi Nani Garu
130 bpm • G Maj • 03:24 • -6.22db
54% Popularity • 87% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
54% Popularity • 87% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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Shankar Mahadevan
Jolly Go Jolly Go
130 bpm • C Maj • 04:46 • -13db
17% Popularity • 83% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 83% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Alyssa Mendonsa
Baby Won't You Tell Me
130 bpm • F# min • 04:22 • -8.23db
43% Popularity • 64% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 64% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Rahul Nambiar
Sunona Sunaina
130 bpm • B min • 03:38 • -3.86db
44% Popularity • 78% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 78% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Mano
Shankarabharanamtho
130 bpm • A Maj • 04:24 • -4.38db
34% Popularity • 60% Danceability • 87% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 60% Danceability • 87% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
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Simha
Naughty Girl
129 bpm • C min • 04:08 • -7db
46% Popularity • 86% Danceability • 92% Energy • 11% Liveness
27% Instrumentalness • 94% Positiveness
46% Popularity • 86% Danceability • 92% Energy • 11% Liveness
27% Instrumentalness • 94% Positiveness
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S.A. Rajkumar
June July
131 bpm • A Maj • 04:32 • -8.53db
48% Popularity • 85% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 85% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Raghu Kunche
Raaye Raaye
129 bpm • A# min • 04:18 • -8db
39% Popularity • 91% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 91% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Uma Neha
Temper
131 bpm • F min • 04:06 • -8.23db
48% Popularity • 85% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 85% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Rahul Nambiar
Pilla Chao
131 bpm • A# min • 04:13 • -8.32db
48% Popularity • 74% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 89% Positiveness
48% Popularity • 74% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 89% Positiveness
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Shankar Mahadevan
Manmadha Raja
128 bpm • B min • 04:49 • -7db
45% Popularity • 63% Danceability • 94% Energy • 58% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 63% Danceability • 94% Energy • 58% Liveness
0% Instrumentalness • 61% Positiveness
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Bheems Ceciroleo
Proud'se Single
132 bpm • A# min • 03:16 • -5.71db
50% Popularity • 70% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 70% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Shashank Sheshagiri
Sir Bewarse
132 bpm • F Maj • 03:03 • -4.94db
29% Popularity • 80% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 80% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Mamta Mohandas
Akalesthey
132 bpm • C# Maj • 04:18 • -9.26db
54% Popularity • 89% Danceability • 78% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
54% Popularity • 89% Danceability • 78% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
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Rajesh
Nenu Puttindemo
132 bpm • F min • 04:43 • -7db
48% Popularity • 83% Danceability • 84% Energy • 1% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 83% Danceability • 84% Energy • 1% Liveness
0% Instrumentalness • 59% Positiveness
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Lipsika, Yazin Nizar
Ee Vintha Needhiga
128 bpm • E min • 02:55 • -5.7db
44% Popularity • 86% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 86% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Shankar Mahadevan
Veera (Yarukkhum Nenje)
132 bpm • D Maj • 04:29 • -3.67db
25% Popularity • 75% Danceability • 96% Energy • 72% Liveness
14% Instrumentalness • 45% Positiveness
25% Popularity • 75% Danceability • 96% Energy • 72% Liveness
14% Instrumentalness • 45% Positiveness
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Anup Rubens
Nuvvante Naaku
128 bpm • A min • 03:45 • -6db
29% Popularity • 91% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 91% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Anurag Kulkarni
Mira Mira Meesam
128 bpm • G min • 04:12 • -6.93db
38% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Mani Sharma
Sahasam
132 bpm • C# Maj • 05:03 • -11db
45% Popularity • 62% Danceability • 76% Energy • 21% Liveness
43% Instrumentalness • 19% Positiveness
45% Popularity • 62% Danceability • 76% Energy • 21% Liveness
43% Instrumentalness • 19% Positiveness
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Sooraj Santhosh
Nuvvu Nenu
132 bpm • A# min • 03:27 • -7.42db
22% Popularity • 91% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 91% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Mallikarjun
Pari Poke Pitta
128 bpm • D Maj • 03:37 • -7db
49% Popularity • 96% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 96% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Mamta Mohandas
Muppy Aaru
128 bpm • C Maj • 05:50 • -7.73db
49% Popularity • 88% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 88% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Yazin Nizar
24/7 Party
128 bpm • D min • 03:41 • -6db
41% Popularity • 80% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 80% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Raghu Dixit
Break The Rules
128 bpm • E min • 04:06 • -4db
38% Popularity • 77% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 77% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Shankar-Ehsaan-Loy
Unnai Kaanadhu Naan
127 bpm • G Maj • 05:37 • -7.63db
52% Popularity • 50% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 50% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Hemachandra Vedala
Oka Padam
128 bpm • A min • 04:33 • -6.28db
43% Popularity • 74% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
43% Popularity • 74% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Nakash Aziz
Naa B C Center'lu
133 bpm • E min • 04:21 • -3.83db
37% Popularity • 82% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 82% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Devan Ekambaram
Gili Giligas
133 bpm • C# Maj • 04:30 • -7db
55% Popularity • 77% Danceability • 93% Energy • 56% Liveness
1% Instrumentalness • 86% Positiveness
55% Popularity • 77% Danceability • 93% Energy • 56% Liveness
1% Instrumentalness • 86% Positiveness
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Shaan
You Rock My World
133 bpm • A# min • 05:04 • -8db
44% Popularity • 82% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 82% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Suchith Suresan
Bad Boy
133 bpm • G# Maj • 04:32 • -4.59db
34% Popularity • 86% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
34% Popularity • 86% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
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Geetha Madhuri
Deo Deo
133 bpm • F min • 03:56 • -4.64db
55% Popularity • 80% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 80% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Shankar Mahadevan
Dont Care
127 bpm • G Maj • 04:38 • -7.98db
27% Popularity • 90% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 90% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Deva
Thirupathi Elumalai Venkatesa
134 bpm • A Maj • 05:27 • -8.26db
49% Popularity • 82% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 82% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Chaitra
Vaana Vaana
126 bpm • A# min • 03:59 • -3.92db
35% Popularity • 74% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 74% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Adnan Sami
Ye Jilla
134 bpm • G# Maj • 05:01 • -9db
49% Popularity • 84% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 84% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Raghu Dixit
Jaago
126 bpm • C Maj • 04:11 • -4.64db
44% Popularity • 79% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 79% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Suchith Suresan
Julai
134 bpm • A# min • 04:20 • -3.32db
51% Popularity • 66% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 66% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Shankar Mahadevan
Thillana
133 bpm • C Maj • 04:46 • -7.12db
39% Popularity • 84% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 84% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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S. Janaki
Magadheera
135 bpm • F min • 06:41 • -8db
41% Popularity • 73% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 73% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Rahul
O Lailaa
135 bpm • F min • 04:22 • -6db
28% Popularity • 64% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 64% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Dhibu Ninan Thomas
Muddabanthi
135 bpm • B min • 04:12 • -6.61db
50% Popularity • 72% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 72% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Deepak Blue
Love Dhebba
135 bpm • F# Maj • 03:56 • -3.71db
25% Popularity • 79% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 79% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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M. M. Keeravani
Ga Ee Ga Ee Ga Ee
135 bpm • A# min • 04:45 • -8.23db
34% Popularity • 79% Danceability • 91% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 79% Danceability • 91% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
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Shankar Mahadevan
Ooregi Ravayya
135 bpm • A Maj • 05:48 • -7db
38% Popularity • 80% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 80% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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S. Janaki
Mudhalvanae ( From "Mudhalvan")
135 bpm • G min • 06:32 • -9.2db
48% Popularity • 82% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 82% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Kousalya
Zum Zumare
135 bpm • C# min • 05:58 • -6.64db
46% Popularity • 72% Danceability • 88% Energy • 4% Liveness
6% Instrumentalness • 70% Positiveness
46% Popularity • 72% Danceability • 88% Energy • 4% Liveness
6% Instrumentalness • 70% Positiveness
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Sagar
Girra Girra
125 bpm • G Maj • 04:55 • -6.1db
37% Popularity • 83% Danceability • 76% Energy • 21% Liveness
2% Instrumentalness • 89% Positiveness
37% Popularity • 83% Danceability • 76% Energy • 21% Liveness
2% Instrumentalness • 89% Positiveness
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Ramya NSK
Poovai Poovai
135 bpm • F Maj • 04:17 • -9.65db
52% Popularity • 80% Danceability • 65% Energy • 13% Liveness
86% Instrumentalness • 92% Positiveness
52% Popularity • 80% Danceability • 65% Energy • 13% Liveness
86% Instrumentalness • 92% Positiveness
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M. M. Keeravani
Ga Ee Ga Ee Ga Ee - Remix
135 bpm • B Maj • 04:21 • -8.24db
30% Popularity • 85% Danceability • 81% Energy • 30% Liveness
5% Instrumentalness • 48% Positiveness
30% Popularity • 85% Danceability • 81% Energy • 30% Liveness
5% Instrumentalness • 48% Positiveness
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Suchith Santoshan, Rita
Nalupu
125 bpm • A# min • 04:53 • -8db
43% Popularity • 87% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 87% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Sriram
Yekku Tholi Mettu
125 bpm • G Maj • 04:38 • -14db
20% Popularity • 82% Danceability • 63% Energy • 11% Liveness
24% Instrumentalness • 85% Positiveness
20% Popularity • 82% Danceability • 63% Energy • 11% Liveness
24% Instrumentalness • 85% Positiveness
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Vijay Antony, Janaki Iyer, Emcee Jesz
Usumalaresay
125 bpm • D Maj • 04:27 • -8db
28% Popularity • 85% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 85% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Tippu, Priya
Five Feet
125 bpm • F min • 05:07 • -7db
29% Popularity • 94% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 94% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Anurag Kulkarni
Ranjithame [Telugu]
125 bpm • A Maj • 04:46 • -6.64db
51% Popularity • 54% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 54% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Venu Srirangam
Vennelintha
125 bpm • D# min • 04:17 • -8.79db
49% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Kalyani Malik
Ganga AC
125 bpm • F min • 05:21 • -8.55db
37% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Chakri
Oke Oka Mata
125 bpm • C# min • 05:29 • -7.33db
43% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Shankar Mahadevan
O Maria
125 bpm • C Maj • 05:49 • -7.44db
36% Popularity • 82% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 82% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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M. M. Keeravani
Telugammayi
136 bpm • C Maj • 04:03 • -11db
47% Popularity • 73% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 73% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Vishnu Vijay
Nenjakame
124 bpm • C Maj • 05:25 • -11.07db
58% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Baba Sehgal
Light Theesko
136 bpm • G Maj • 04:25 • -4db
49% Popularity • 79% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 79% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Kushi Murali
Kaatuka Kallu
124 bpm • D Maj • 03:58 • -3db
45% Popularity • 84% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 84% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Chakri
Krishna Nagarey
124 bpm • F# Maj • 04:39 • -7db
47% Popularity • 72% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
47% Popularity • 72% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Karunya
Pillani Choosthey
124 bpm • G Maj • 04:04 • -4db
33% Popularity • 86% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 86% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Shankar Mahadevan
Ooru Erayyindi Eru Horettindi
124 bpm • F Maj • 05:11 • -7.56db
20% Popularity • 67% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Shankar-Ehsaan-Loy
Undalaenandhi Naa Kannu
124 bpm • G Maj • 05:36 • -7.71db
22% Popularity • 53% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 53% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Hemachandra Vedala
Gundello
124 bpm • A min • 04:01 • -4db
43% Popularity • 83% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 83% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
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L. V. Revanth
My Dear Markandeya
137 bpm • C# Maj • 04:18 • -7.08db
57% Popularity • 71% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 71% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Naveen Madhav
A To Z
137 bpm • G Maj • 04:43 • -3.07db
36% Popularity • 85% Danceability • 96% Energy • 12% Liveness
6% Instrumentalness • 92% Positiveness
36% Popularity • 85% Danceability • 96% Energy • 12% Liveness
6% Instrumentalness • 92% Positiveness
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Neeraj Shridhar
Om Namasthey
137 bpm • D Maj • 04:22 • -9db
45% Popularity • 92% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 92% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Shankar Mahadevan
Kodithe Kottali
137 bpm • D Maj • 05:15 • -5db
45% Popularity • 85% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
45% Popularity • 85% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
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Suchith Suresan
Freedom
137 bpm • A min • 04:11 • -6db
34% Popularity • 86% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 86% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Rahul Nambiar, Megaraj
Dilse Dilse
123 bpm • E min • 03:43 • -8.32db
30% Popularity • 94% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 94% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Nakash Aziz
Mecchuko
123 bpm • G Maj • 04:20 • -3.98db
39% Popularity • 86% Danceability • 92% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
39% Popularity • 86% Danceability • 92% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
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B. Ajaneesh Loknath
Ragile Jwaale
123 bpm • F min • 04:48 • -8.22db
34% Popularity • 39% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 39% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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S.P. Charan
Kaadhana Preme (Version 1)
123 bpm • F min • 06:54 • -7db
54% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Shankar Mahadevan
Manasa Gelupu
123 bpm • A Maj • 04:05 • -9.53db
35% Popularity • 73% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 73% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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L. V. Revanth
Saana Kastam
138 bpm • G# Maj • 04:04 • -9.58db
41% Popularity • 58% Danceability • 67% Energy • 60% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 58% Danceability • 67% Energy • 60% Liveness
0% Instrumentalness • 56% Positiveness
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Yogi B.
Boom Boom Robo Ra
123 bpm • E min • 04:25 • -3.69db
31% Popularity • 95% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 95% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Bheems Ceciroleo
Ooru Palletooru
138 bpm • C# Maj • 04:07 • -3.06db
57% Popularity • 76% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 76% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Srinivas
Priya
122 bpm • F min • 05:32 • -6db
55% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Balakrishna Nandamuri, Divya Divakar
Mama Ek Peg La
122 bpm • C# Maj • 03:36 • -4.76db
44% Popularity • 96% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 96% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 59% Positiveness
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Shankar Mahadevan
Ramarey Ramarey
122 bpm • D Maj • 04:45 • -6db
33% Popularity • 84% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 84% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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K. S. Chithra
Marhaba
139 bpm • F Maj • 04:40 • -9db
45% Popularity • 79% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 79% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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William Francis
Minnal Minnane
139 bpm • G Maj • 01:57 • -10.17db
38% Popularity • 84% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 84% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Swarnalatha
Yamunna Thatilo
122 bpm • B Maj • 01:18 • -8db
49% Popularity • 61% Danceability • 30% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 61% Danceability • 30% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
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Kailash Kher
Elegeylaga
121 bpm • D Maj • 04:20 • -8db
47% Popularity • 84% Danceability • 79% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
47% Popularity • 84% Danceability • 79% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
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Hariharan
Bham Bham Bole
121 bpm • G Maj • 06:07 • -10db
42% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Kunal Ganjawala
Naaku Neeku
121 bpm • A Maj • 05:25 • -6db
54% Popularity • 82% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 82% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 70% Positiveness
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Santhosh Narayanan
Vettu Pottu
140 bpm • A# min • 03:01 • -4.45db
38% Popularity • 62% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 62% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Tippu,Rajeshwari, Manicka Vinayagam,Ganga
Chiluka Pada Pada
140 bpm • D Maj • 04:46 • -6db
29% Popularity • 71% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 71% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
