Songs like Rachmaninov: 2 Pieces for 6 Hands, TN ii/22: II. Romance in A Major (Andante sostenuto) by Sergei Rachmaninoff
Based on a tempo of (+/- 10%) and a similar genre
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: No. 5 in G Minor: A...
114 bpm • G min • 03:53 • -20.52db
35% Popularity • 38% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
35% Popularity • 38% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Robert Schumann
No. 7, Träumerei
114 bpm • F Maj • 02:54 • -38db
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 1. Medi...
114 bpm • A# Maj • 09:49 • -24.06db
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
40% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
40% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Symphony No. 3 in A Minor, ...
117 bpm • D# min • 12:16 • -27.36db
40% Popularity • 20% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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César Franck
Prélude, fugue et variation in B Minor,...
112 bpm • F# Maj • 00:59 • -30.77db
53% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
53% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade I
112 bpm • F Maj • 01:15 • -20.96db
35% Popularity • 52% Danceability • 24% Energy • 19% Liveness
72% Instrumentalness • 45% Positiveness
35% Popularity • 52% Danceability • 24% Energy • 19% Liveness
72% Instrumentalness • 45% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 5 ...
113 bpm • G min • 03:47 • -22db
27% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
27% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Johannes Brahms
Rhapsody in G Minor, Op. 79 No. 2
119 bpm • G min • 05:42 • -23db
24% Popularity • 35% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
24% Popularity • 35% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Franz Liszt
Grandes Études de Paganini, S. 141: No....
119 bpm • A min • 04:57 • -20db
30% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
30% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Valentina Lisitsa
Etude Op. 25 no. 9 in G Flat Major
111 bpm • F# Maj • 01:02 • -23db
43% Popularity • 51% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 72% Positiveness
43% Popularity • 51% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 72% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Come...
110 bpm • B min • 01:40 • -19db
26% Popularity • 25% Danceability • 23% Energy • 35% Liveness
23% Instrumentalness • 14% Positiveness
26% Popularity • 25% Danceability • 23% Energy • 35% Liveness
23% Instrumentalness • 14% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
121 bpm • F min • 11:34 • -18.28db
36% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
36% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Maurice Ravel
Sonatine, M. 40: II. Mouvement de menuet
123 bpm • C# Maj • 03:01 • -30.17db
26% Popularity • 43% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 9% Positiveness
26% Popularity • 43% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 9% Positiveness
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Vladimir Horowitz
Saint-Saens - Danse macabre, S555/R240 (...
108 bpm • D# Maj • 09:17 • -22.08db
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: No. 10 in G-Flat Ma...
109 bpm • F# Maj • 03:57 • -33.33db
24% Popularity • 41% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
24% Popularity • 41% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Chopin: Nocturne No. 8 in D-Flat Major, ...
107 bpm • C# Maj • 05:38 • -24db
53% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
53% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
31% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
31% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 3
106 bpm • E Maj • 01:26 • -33.12db
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
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Sergei Rachmaninoff
Kolokola (The Bells), Op. 35: I. Allegro...
123 bpm • C# Maj • 06:41 • -25.83db
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
22% Instrumentalness • 5% Positiveness
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
22% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Valse-Scherzo, Op. 34, TH 58 (Arr. Bezek...
106 bpm • C Maj • 05:45 • -15.76db
20% Popularity • 46% Danceability • 24% Energy • 10% Liveness
31% Instrumentalness • 26% Positiveness
20% Popularity • 46% Danceability • 24% Energy • 10% Liveness
31% Instrumentalness • 26% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Nocturne No. 5 In F Sharp, Op. 15 No. 2
125 bpm • F# Maj • 03:10 • -28.61db
45% Popularity • 30% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
45% Popularity • 30% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 4, Prest...
126 bpm • E min • 03:09 • -21db
31% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
126 bpm • A Maj • 03:34 • -17db
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
126 bpm • B min • 03:02 • -29db
41% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
41% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
45% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
45% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
► Preview
Johannes Brahms
Cello Sonata No. 1 in E Minor, Op. 38: I...
104 bpm • A min • 05:27 • -26db
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
40% Popularity • 36% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 37% Positiveness
► Preview
Leopold Godowsky
12 Schubert Songs: Heidenroslein (Hedge ...
127 bpm • G Maj • 02:02 • -27db
45% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
45% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Fritz Kreisler
Schön Rosmarin
104 bpm • G Maj • 02:17 • -20.46db
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Earl Wild
The Muse, Op. 34 No. 1
128 bpm • E min • 05:06 • -29.79db
6% Popularity • 37% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
6% Popularity • 37% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 2....
103 bpm • D# Maj • 06:24 • -26.64db
30% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 3, Andan...
103 bpm • B min • 07:27 • -31.32db
23% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
23% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
► Preview
Fritz Kreisler
Praeludium and Allegro
103 bpm • E min • 05:45 • -17.31db
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
53% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
53% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
Suite from Violin Partita in E Major, BW...
130 bpm • E Maj • 03:22 • -23.47db
6% Popularity • 38% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
6% Popularity • 38% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
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Sergei Rachmaninoff
Suite No. 2 in C Major, Op. 17: II. Vals...
130 bpm • G Maj • 06:15 • -27db
20% Popularity • 31% Danceability • 5% Energy • 46% Liveness
88% Instrumentalness • 10% Positiveness
20% Popularity • 31% Danceability • 5% Energy • 46% Liveness
88% Instrumentalness • 10% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
40% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
40% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Franz Schubert
6 Moments musicaux, D. 780: No. 3, Alleg...
101 bpm • F min • 01:40 • -26.82db
49% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
49% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: IV. Kitty-Valse
101 bpm • D# Maj • 02:42 • -31db
27% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
27% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Six Romances, Op. 6, TH 93: VI. None but...
101 bpm • C# Maj • 03:03 • -21.8db
26% Popularity • 22% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 4 Humoresque
131 bpm • C# min • 01:09 • -26.91db
47% Popularity • 44% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 42% Positiveness
47% Popularity • 44% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 42% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
51% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
51% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
31% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
31% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40: No. 2
101 bpm • G min • 02:58 • -33db
30% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
30% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
48% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
48% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Frédéric Chopin
Nocturne No. 4 In F, Op. 15 No. 1
132 bpm • F Maj • 03:58 • -27.06db
45% Popularity • 26% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
45% Popularity • 26% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Mikhail Glinka
Tarantella in A Minor
100 bpm • A min • 01:01 • -23.54db
44% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
