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Raga Darbari - Drut Gat - Teentaal - Instrumental
Songs like
Raga Darbari - Drut Gat - Teentaal - Instrumental
by
Amjad Ali Khan
Based on a tempo of (+/- 10%) and a similar genre
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Amjad Ali Khan
Raga Darbari - Drut Gat - Teentaal - Ins...
178 bpm • A# min • 09:34 • -7.12db
17% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
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Shruti Sadolikar
Gaud Sarang
178 bpm • C# Maj • 03:41 • -19.41db
11% Popularity • 21% Danceability • 37% Energy • 42% Liveness
1% Instrumentalness • 36% Positiveness
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Ustad Bismillahkhan
Shudh Sarang - Instrumental
177 bpm • D# Maj • 03:26 • -13db
13% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Bickram Ghosh
The Song Of The Little Road
180 bpm • F# min • 01:34 • -8db
25% Popularity • 53% Danceability • 52% Energy • 16% Liveness
53% Instrumentalness • 67% Positiveness
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Subham jossi
Radha Krishna flute
175 bpm • A# Maj • 01:10 • -16.26db
46% Popularity • 25% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 88% Positiveness
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Joe Walsh
Goddess
175 bpm • C Maj • 06:04 • -11.32db
10% Popularity • 38% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Amjad Ali Khan
Raga Miya-Ki-Malhar Teental
177 bpm • A# Maj • 05:24 • -16.96db
25% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
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Shruti Sadolikar
Bhimpalasi
177 bpm • C# Maj • 03:41 • -19.38db
15% Popularity • 22% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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Ganesh & Kumaresh
Raga Karnaranjani
175 bpm • G# min • 04:58 • -11db
24% Popularity • 49% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
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Milind Date
Durga-Teen Taal
175 bpm • E Maj • 08:10 • -12.96db
12% Popularity • 35% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
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Shafaat Ahmed Khan
Raga Mishra Pahadi - Gat in Sitarkhani T...
174 bpm • G Maj • 14:44 • -13.99db
17% Popularity • 34% Danceability • 70% Energy • 8% Liveness
60% Instrumentalness • 89% Positiveness
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Ismail Sheikh
Bhajan In Dadara, Humak Chala Ta Raam Ch...
182 bpm • G Maj • 06:29 • -19.06db
21% Popularity • 46% Danceability • 43% Energy • 32% Liveness
29% Instrumentalness • 84% Positiveness
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Amjad Ali Khan
Bhajan - Vaishnav Jana To Tene Re Kahie
174 bpm • G min • 09:35 • -19.53db
12% Popularity • 42% Danceability • 33% Energy • 36% Liveness
14% Instrumentalness • 25% Positiveness
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Alam Khan
Bhimpalasri alap (solo)
174 bpm • F Maj • 04:14 • -16db
21% Popularity • 50% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Buddhadev DasGupta
Chayanat
176 bpm • C Maj • 03:39 • -21.64db
12% Popularity • 41% Danceability • 48% Energy • 8% Liveness
95% Instrumentalness • 26% Positiveness
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Imrat Khan
Raga yaman kalyan : Alap
173 bpm • G# Maj • 05:43 • -15db
15% Popularity • 34% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Phani Narayana
Vathapi Ganapathim Bhajeham
172 bpm • A Maj • 06:49 • -10db
18% Popularity • 64% Danceability • 55% Energy • 9% Liveness
22% Instrumentalness • 49% Positiveness
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Girija Devi, Kishan Maharaj, Ramesh Mishra
Jhama Jham - Thumri
184 bpm • E Maj • 09:02 • -12db
15% Popularity • 23% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
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Amjad Ali Khan
Raga Darbari
173 bpm • A# min • 14:45 • -25.47db
7% Popularity • 38% Danceability • 18% Energy • 34% Liveness
82% Instrumentalness • 12% Positiveness
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Nikhil Banerjee
Jogiya Kalingra: Medium tintal
172 bpm • A Maj • 05:03 • -19.19db
8% Popularity • 30% Danceability • 50% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
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Shruti Sadolikar
Durga
173 bpm • C# Maj • 03:31 • -18db
14% Popularity • 23% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 47% Positiveness
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Ganesha Bhajans
Jai Ganesha Jai Ganesha
172 bpm • G# Maj • 07:13 • -12.55db
39% Popularity • 33% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Shivkumar Sharma & Zakir Hussain
Raga Hameer, Gat In Teentaal
185 bpm • D Maj • 05:06 • -17.03db
25% Popularity • 24% Danceability • 45% Energy • 33% Liveness
24% Instrumentalness • 34% Positiveness
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Ronu Majumdar
Remembering Kabir (Raga Khamaj)
185 bpm • B Maj • 09:54 • -13db
21% Popularity • 31% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Joe Walsh
Healing Love
171 bpm • C Maj • 07:59 • -12.64db
5% Popularity • 40% Danceability • 33% Energy • 14% Liveness
7% Instrumentalness • 15% Positiveness
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Rupak Mukherjee | Mallar Goswami
Gokul Streets - Original Mix
171 bpm • E Maj • 01:52 • -8.83db
4% Popularity • 35% Danceability • 62% Energy • 32% Liveness
91% Instrumentalness • 79% Positiveness
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Bickram Ghosh
Scintillating Tabla
171 bpm • B min • 13:39 • -6.57db
3% Popularity • 41% Danceability • 75% Energy • 24% Liveness
81% Instrumentalness • 62% Positiveness
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Shubhraji
Durga Bija Mantra
170 bpm • D# Maj • 01:23 • -13db
33% Popularity • 33% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Shahid Parvez
Raga Tilak Kamod
171 bpm • C# Maj • 15:05 • -19.06db
19% Popularity • 28% Danceability • 27% Energy • 8% Liveness
48% Instrumentalness • 32% Positiveness
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Bhimsen Joshi & Ashwini Bhide
Madhurashtakam
170 bpm • G min • 04:08 • -14.73db
14% Popularity • 52% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Buddhadev DasGupta
Sur Malhar
170 bpm • G min • 04:46 • -21.87db
8% Popularity • 44% Danceability • 37% Energy • 6% Liveness
84% Instrumentalness • 30% Positiveness
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Pandit Shivkumar Sharma & Pandit Hariprasad Chaurasia
Love (alap)
170 bpm • G Maj • 05:56 • -19.96db
31% Popularity • 33% Danceability • 11% Energy • 16% Liveness
16% Instrumentalness • 17% Positiveness
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Bidyut Khan Band
Raga Mishra Kafi - Alap
170 bpm • G# min • 08:41 • -15db
21% Popularity • 37% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Bickram Ghosh
Khandam - A Sequence of Five
170 bpm • F# min • 03:44 • -15db
11% Popularity • 40% Danceability • 78% Energy • 17% Liveness
30% Instrumentalness • 90% Positiveness
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Ramachandra Murthy
Krishna Nee Begane Baro - Instrumental
170 bpm • G Maj • 06:25 • -6.35db
19% Popularity • 27% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Shujaat Khan
Lajo Lajo
169 bpm • F# Maj • 08:50 • -13.68db
17% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
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Rahim AlHaj
Missing You
168 bpm • A min • 04:18 • -14.09db
1% Popularity • 34% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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M.S. Gopalakrishnan
Janani Ninnuvina
169 bpm • F# min • 09:29 • -8db
15% Popularity • 39% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 36% Positiveness
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Gajanan Madhav Karnad
Raga Tilak Kamod
167 bpm • D# Maj • 03:15 • -11.6db
25% Popularity • 39% Danceability • 66% Energy • 31% Liveness
88% Instrumentalness • 75% Positiveness
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Doraiswamy Iyengar
Ghana Ragamalika Tanam
166 bpm • D min • 05:09 • -13.9db
18% Popularity • 38% Danceability • 57% Energy • 31% Liveness
87% Instrumentalness • 68% Positiveness
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Shruti Sadolikar
Bhatiyar
191 bpm • G# Maj • 04:10 • -17.4db
16% Popularity • 19% Danceability • 32% Energy • 28% Liveness
4% Instrumentalness • 26% Positiveness
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L. Subramaniam
Raga kirvani : Pallavî
166 bpm • B Maj • 11:26 • -13.28db
17% Popularity • 41% Danceability • 55% Energy • 30% Liveness
92% Instrumentalness • 76% Positiveness
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T.N. Rajarathnam Pillai
Nravadhi Sugadha
166 bpm • A Maj • 03:20 • -17.98db
13% Popularity • 36% Danceability • 30% Energy • 40% Liveness
88% Instrumentalness • 50% Positiveness
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Ronu Majumdar
Dhyaan - Raag Khamaj
165 bpm • E Maj • 06:10 • -17.6db
12% Popularity • 9% Danceability • 6% Energy • 35% Liveness
90% Instrumentalness • 9% Positiveness
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Vilayat Khan
Raga Gauti
165 bpm • C# Maj • 10:55 • -9.98db
23% Popularity • 28% Danceability • 53% Energy • 6% Liveness
76% Instrumentalness • 25% Positiveness
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Amjad Ali Khan
Calcutta City
165 bpm • B Maj • 06:14 • -8.15db
26% Popularity • 30% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
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Shruti Sadolikar
Tilang
165 bpm • G# Maj • 03:47 • -17.74db
9% Popularity • 23% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Deepak Ram
Vrindavan Lullaby
196 bpm • A min • 02:14 • -12.62db
28% Popularity • 31% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
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Niladri Kumar
Dream (Raag Tilak Nat) [Radio Edit]
161 bpm • D Maj • 07:31 • -10.69db
29% Popularity • 27% Danceability • 61% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Zakir Hussain & Sultan Khan
Ambala (India) 1987 - Tintal
160 bpm • B min • 04:04 • -19.56db
9% Popularity • 34% Danceability • 77% Energy • 19% Liveness
84% Instrumentalness • 62% Positiveness
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Alla Rakha
Pashto
159 bpm • E min • 08:29 • -25db
15% Popularity • 42% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 71% Positiveness
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Amjad Ali Khan
Bhairavi
160 bpm • A# Maj • 06:47 • -24db
34% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Shruti Sadolikar
Yaman
163 bpm • G# Maj • 03:41 • -18.13db
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
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Shahid Parvez
Raga Kirwani Gat
158 bpm • B Maj • 08:47 • -13db
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Ronu Majumdar
Raaga Bhairav - Dadra
158 bpm • E Maj • 10:31 • -18db
31% Popularity • 39% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Tarun Bhattacharya
Dhun In Misra Anandi
157 bpm • F# min • 08:19 • -21.5db
19% Popularity • 32% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Lalgudi G. Jayaraman
Krishnanee Begane - Ragam: Yaman / Talam...
157 bpm • C# Maj • 04:55 • -12.05db
25% Popularity • 35% Danceability • 34% Energy • 28% Liveness
77% Instrumentalness • 42% Positiveness
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Vishwa Mohan Bhatt
Dhun in Rag Pahadi
157 bpm • C Maj • 08:29 • -24db
17% Popularity • 38% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Shruti Sadolikar
Tilak Kamod
156 bpm • G# Maj • 04:06 • -18.8db
9% Popularity • 27% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Rajhesh Vaidhya
Sri Chakra Raja
155 bpm • G# Maj • 06:53 • -6.45db
16% Popularity • 35% Danceability • 91% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
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Bickram Ghosh
Nat Bhairavi
154 bpm • E min • 06:32 • -18.54db
10% Popularity • 36% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 44% Positiveness
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Phani Narayana
Cheri Yasodaku
152 bpm • C Maj • 05:20 • -15.04db
12% Popularity • 61% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 41% Positiveness
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Shahid Parvez
Raga Yaman Gat
153 bpm • C# Maj • 11:39 • -15db
14% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
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Kishori Amonkar
Ek Hi Sang Hute
151 bpm • C# Maj • 04:53 • -17db
18% Popularity • 33% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 38% Positiveness
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Shruti Sadolikar
Gujari Todi
204 bpm • A Maj • 03:49 • -17.83db
9% Popularity • 20% Danceability • 44% Energy • 8% Liveness
21% Instrumentalness • 23% Positiveness
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Ganesha Bhajans
Ganpati Vighnaharan
209 bpm • D min • 07:35 • -16.05db
25% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Raga Darbari - Drut Gat - Teentaal - Instrumental