Songs like Raga Mishra Mel Ki Malhar - Vilambit Teen Taal by Bismillah Khan
Based on a tempo of (+/- 10%) and a similar genre
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Bismillah Khan
Raga Mishra Mel Ki Malhar - Vilambit Tee...
171 bpm • F# min • 15:00 • -5.89db
11% Popularity • 38% Danceability • 75% Energy • 9% Liveness
25% Instrumentalness • 62% Positiveness
11% Popularity • 38% Danceability • 75% Energy • 9% Liveness
25% Instrumentalness • 62% Positiveness
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Nikhil Banerjee
Jogiya Kalingra: Medium tintal
172 bpm • A Maj • 05:03 • -19.19db
8% Popularity • 30% Danceability • 50% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
8% Popularity • 30% Danceability • 50% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
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Shujaat Khan
Lajo Lajo
169 bpm • F# Maj • 08:50 • -13.68db
16% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
16% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
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Reshma Jain
Tera Mangal: Maitri Bhavana
170 bpm • E min • 03:11 • -17db
37% Popularity • 29% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 29% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Shruti Sadolikar
Durga
173 bpm • C# Maj • 03:31 • -18db
14% Popularity • 23% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 47% Positiveness
14% Popularity • 23% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 47% Positiveness
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Alam Khan
Bhimpalasri alap (solo)
174 bpm • F Maj • 04:14 • -16db
23% Popularity • 50% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Ved Vrind
Ratri Sukta - an Ode to the Night
174 bpm • C# Maj • 01:20 • -8.78db
44% Popularity • 51% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 51% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Zakir Hussain
Lineage
168 bpm • F# Maj • 04:59 • -18.9db
11% Popularity • 36% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
11% Popularity • 36% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
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Nirmala Rajasekar
Sarasuda Varnam (Raga Saveri, Aadi Tala)...
174 bpm • D# Maj • 07:53 • -11db
21% Popularity • 44% Danceability • 60% Energy • 9% Liveness
87% Instrumentalness • 87% Positiveness
21% Popularity • 44% Danceability • 60% Energy • 9% Liveness
87% Instrumentalness • 87% Positiveness
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Shafaat Ahmed Khan
Raga Mishra Pahadi - Gat in Sitarkhani T...
174 bpm • G Maj • 14:44 • -13.99db
17% Popularity • 34% Danceability • 70% Energy • 8% Liveness
60% Instrumentalness • 89% Positiveness
17% Popularity • 34% Danceability • 70% Energy • 8% Liveness
60% Instrumentalness • 89% Positiveness
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Ganesh & Kumaresh
Raga Karnaranjani
175 bpm • G# min • 04:58 • -11db
24% Popularity • 49% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
24% Popularity • 49% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
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Devaki Pandit
Kali Stuti
175 bpm • F Maj • 07:51 • -10db
17% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Bismillah Khan
Babul Mora - Kajri
176 bpm • C# Maj • 05:34 • -5.88db
9% Popularity • 33% Danceability • 94% Energy • 12% Liveness
74% Instrumentalness • 70% Positiveness
9% Popularity • 33% Danceability • 94% Energy • 12% Liveness
74% Instrumentalness • 70% Positiveness
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L. Subramaniam
Raga kirvani : Pallavî
166 bpm • B Maj • 11:26 • -13.28db
17% Popularity • 41% Danceability • 55% Energy • 30% Liveness
92% Instrumentalness • 76% Positiveness
17% Popularity • 41% Danceability • 55% Energy • 30% Liveness
92% Instrumentalness • 76% Positiveness
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Pandit Chhannulal Mishra
Gal-Bhujang Bhasm Ang Shankar Anuragi; S...
176 bpm • F min • 03:20 • -9db
22% Popularity • 43% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
22% Popularity • 43% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
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Doraiswamy Iyengar
Ghana Ragamalika Tanam
166 bpm • D min • 05:09 • -13.9db
18% Popularity • 38% Danceability • 57% Energy • 31% Liveness
87% Instrumentalness • 68% Positiveness
18% Popularity • 38% Danceability • 57% Energy • 31% Liveness
87% Instrumentalness • 68% Positiveness
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Roopa Panesar
Rag Gujri Todi - Madhya Laya Gat in Tal ...
166 bpm • A Maj • 08:55 • -10.37db
13% Popularity • 26% Danceability • 74% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
13% Popularity • 26% Danceability • 74% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
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Ronu Majumdar
Dhyaan - Raag Khamaj
165 bpm • E Maj • 06:10 • -17.6db
12% Popularity • 9% Danceability • 6% Energy • 35% Liveness
90% Instrumentalness • 9% Positiveness
12% Popularity • 9% Danceability • 6% Energy • 35% Liveness
90% Instrumentalness • 9% Positiveness
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Shruti Sadolikar
Bhimpalasi
177 bpm • C# Maj • 03:41 • -19.38db
15% Popularity • 22% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
15% Popularity • 22% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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Ustad Bismillahkhan
Shudh Sarang - Instrumental
177 bpm • D# Maj • 03:26 • -13db
12% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
12% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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A. Kanyakumari
Nadhatanumanisam
165 bpm • C Maj • 04:04 • -13.59db
17% Popularity • 32% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 70% Positiveness
17% Popularity • 32% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 70% Positiveness
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Amjad Ali Khan
Raga Miya-Ki-Malhar Teental
177 bpm • A# Maj • 05:24 • -16.96db
26% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
26% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
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Praveen Godkhindi
Pillangoviya Cheluva Krishna - Hamsadhwa...
165 bpm • C Maj • 06:37 • -7.34db
1% Popularity • 54% Danceability • 50% Energy • 12% Liveness
33% Instrumentalness • 74% Positiveness
1% Popularity • 54% Danceability • 50% Energy • 12% Liveness
33% Instrumentalness • 74% Positiveness
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Shubha Mudgal
Palna Jhule Nandlal
178 bpm • F min • 07:14 • -10.51db
15% Popularity • 19% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 19% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Kunnakudi Vaidyanathan
Ramabhirama Darbar Misrachappu
178 bpm • E Maj • 07:39 • -8db
17% Popularity • 30% Danceability • 80% Energy • 41% Liveness
85% Instrumentalness • 94% Positiveness
17% Popularity • 30% Danceability • 80% Energy • 41% Liveness
85% Instrumentalness • 94% Positiveness
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Shruti Sadolikar
Yaman
163 bpm • G# Maj • 03:41 • -18.13db
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
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Shaant Man
Raga Bageshri
180 bpm • A min • 03:43 • -6.82db
24% Popularity • 35% Danceability • 76% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
24% Popularity • 35% Danceability • 76% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
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Amjad Ali Khan
Calcutta City
165 bpm • B Maj • 06:14 • -8.15db
26% Popularity • 30% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
26% Popularity • 30% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
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N. Ravikiran
Vallabha Nayakasya - Raga Begada
162 bpm • C min • 06:14 • -17db
9% Popularity • 42% Danceability • 48% Energy • 8% Liveness
73% Instrumentalness • 45% Positiveness
9% Popularity • 42% Danceability • 48% Energy • 8% Liveness
73% Instrumentalness • 45% Positiveness
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Bismillah Khan
Banarasi Dhun - Taal Dadra
161 bpm • C# Maj • 07:14 • -17.55db
17% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
17% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
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U. Srinivas
Raghupathi Raghava Rajaram
159 bpm • A min • 03:06 • -17db
17% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
17% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
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Rajan & Sajan Mishra & Shruti Sadolikar
Shankara Jeevan Varada
158 bpm • C# Maj • 06:23 • -13db
10% Popularity • 28% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 28% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Girija Devi, Kishan Maharaj, Ramesh Mishra
Jhama Jham - Thumri
184 bpm • E Maj • 09:02 • -12db
16% Popularity • 23% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 23% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
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Amjad Ali Khan
Raga Darbari - Drut Gat - Teentaal - Ins...
178 bpm • A# min • 09:34 • -7.12db
18% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
18% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
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Shahid Parvez
Raga Kirwani Gat
158 bpm • B Maj • 08:47 • -13db
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Shivkumar Sharma & Zakir Hussain
Raga Hameer, Gat In Teentaal
185 bpm • D Maj • 05:06 • -17.03db
25% Popularity • 24% Danceability • 45% Energy • 33% Liveness
24% Instrumentalness • 34% Positiveness
25% Popularity • 24% Danceability • 45% Energy • 33% Liveness
24% Instrumentalness • 34% Positiveness
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Ronu Majumdar
Remembering Kabir (Raga Khamaj)
185 bpm • B Maj • 09:54 • -13db
21% Popularity • 31% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 31% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Veena Sahasrabuddhe
Mahadeva Deva
158 bpm • C# Maj • 04:32 • -19db
18% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Lalgudi G. Jayaraman
Krishnanee Begane - Ragam: Yaman / Talam...
157 bpm • C# Maj • 04:55 • -12.05db
24% Popularity • 35% Danceability • 34% Energy • 28% Liveness
77% Instrumentalness • 42% Positiveness
24% Popularity • 35% Danceability • 34% Energy • 28% Liveness
77% Instrumentalness • 42% Positiveness
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Hariprasad Chaurasia
Kirwani
157 bpm • D min • 04:54 • -9.88db
22% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 62% Positiveness
22% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 62% Positiveness
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Pandit Chhannulal Mishra
Jai Shiv Shankar Aughar Dani; Shiv Stuti...
157 bpm • D# Maj • 07:19 • -9db
14% Popularity • 37% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 37% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Pandit Debashish Bhattacharya
Raag Shankar Dhwani Taal-Teentaal Part 2
156 bpm • G Maj • 04:38 • -12.1db
9% Popularity • 43% Danceability • 71% Energy • 6% Liveness
4% Instrumentalness • 59% Positiveness
9% Popularity • 43% Danceability • 71% Energy • 6% Liveness
4% Instrumentalness • 59% Positiveness
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Ronu Majumdar
Raaga Bhairav - Dadra
158 bpm • E Maj • 10:31 • -18db
31% Popularity • 39% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
31% Popularity • 39% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Apoorva Krishna
Hamir Kalyani (Violin Solo)
156 bpm • E Maj • 06:44 • -7.46db
18% Popularity • 70% Danceability • 56% Energy • 9% Liveness
19% Instrumentalness • 69% Positiveness
18% Popularity • 70% Danceability • 56% Energy • 9% Liveness
19% Instrumentalness • 69% Positiveness
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Shruti Sadolikar
Tilak Kamod
156 bpm • G# Maj • 04:06 • -18.8db
10% Popularity • 27% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
10% Popularity • 27% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Lalgudi G.J.R. Krishnan
Siddhivinayakama
156 bpm • B Maj • 09:38 • -12.84db
10% Popularity • 48% Danceability • 51% Energy • 79% Liveness
37% Instrumentalness • 83% Positiveness
10% Popularity • 48% Danceability • 51% Energy • 79% Liveness
37% Instrumentalness • 83% Positiveness
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Ajoy Chakrabarty
Khelun Piya Sang Hori
156 bpm • F# Maj • 08:01 • -7db
8% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Rajhesh Vaidhya
Sri Chakra Raja
155 bpm • G# Maj • 06:53 • -6.45db
16% Popularity • 35% Danceability • 91% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
16% Popularity • 35% Danceability • 91% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
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Bageshree Vaze
Lucknow's Jewel
155 bpm • B min • 06:28 • -8db
11% Popularity • 40% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 40% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Sunanda Sharma
Bolan Lagi Koyaliya
153 bpm • C Maj • 12:29 • -8.75db
21% Popularity • 23% Danceability • 55% Energy • 27% Liveness
18% Instrumentalness • 19% Positiveness
21% Popularity • 23% Danceability • 55% Energy • 27% Liveness
18% Instrumentalness • 19% Positiveness
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Srila Prabhupada
Jagannath Rath Yatra Hari Naam Sankirtan
153 bpm • C min • 05:32 • -6.7db
15% Popularity • 38% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 38% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Shruti Sadolikar
Bhatiyar
191 bpm • G# Maj • 04:10 • -17.4db
16% Popularity • 19% Danceability • 32% Energy • 28% Liveness
4% Instrumentalness • 26% Positiveness
16% Popularity • 19% Danceability • 32% Energy • 28% Liveness
4% Instrumentalness • 26% Positiveness
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Kumar Gandharva
Avdhuta Kudarat Ki Gat Nyari - Kabir
152 bpm • F Maj • 10:21 • -12.98db
12% Popularity • 36% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 36% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Shahid Parvez
Raga Yaman Gat
153 bpm • C# Maj • 11:39 • -15db
13% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
13% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
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Quraishi
Tears
152 bpm • D# Maj • 05:32 • -12.27db
11% Popularity • 63% Danceability • 64% Energy • 20% Liveness
88% Instrumentalness • 93% Positiveness
11% Popularity • 63% Danceability • 64% Energy • 20% Liveness
88% Instrumentalness • 93% Positiveness
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Jayanthi Kumaresh
Kamach Thillana
152 bpm • A Maj • 05:07 • -12db
9% Popularity • 69% Danceability • 40% Energy • 19% Liveness
33% Instrumentalness • 69% Positiveness
9% Popularity • 69% Danceability • 40% Energy • 19% Liveness
33% Instrumentalness • 69% Positiveness
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mrmsongys
Close Activity
192 bpm • G Maj • 01:40 • -18.72db
7% Popularity • 54% Danceability • 38% Energy • 7% Liveness
88% Instrumentalness • 60% Positiveness
7% Popularity • 54% Danceability • 38% Energy • 7% Liveness
88% Instrumentalness • 60% Positiveness
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Bismillah Khan
Meeting of Hearts
152 bpm • A Maj • 09:53 • -13.15db
3% Popularity • 34% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 58% Positiveness
3% Popularity • 34% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 58% Positiveness
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Pandit Chhannulal Mishra
Durga Stuti (Raga Hamsadhwani)
151 bpm • D# Maj • 09:22 • -9db
9% Popularity • 36% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 36% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Iqubal Huein
Raga Kirwani - Alap Gat - Teental
151 bpm • C min • 10:13 • -11db
10% Popularity • 45% Danceability • 60% Energy • 28% Liveness
50% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 60% Energy • 28% Liveness
50% Instrumentalness • 36% Positiveness
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Birju Maharaj
Kanha Main Tose Haari
151 bpm • C# min • 05:46 • -11.01db
5% Popularity • 44% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
5% Popularity • 44% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
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Apoorva Krishna
Charukesi (Violin Solo)
150 bpm • A Maj • 06:24 • -8.06db
19% Popularity • 64% Danceability • 64% Energy • 7% Liveness
20% Instrumentalness • 65% Positiveness
19% Popularity • 64% Danceability • 64% Energy • 7% Liveness
20% Instrumentalness • 65% Positiveness
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Shivkumar Sharma
Twilight Shadows
150 bpm • F Maj • 03:56 • -15db
21% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
21% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
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Niladri Kumar
Calling Ganesha
150 bpm • G Maj • 09:43 • -6.72db
10% Popularity • 48% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 48% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
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Ustad Bismillahkhan
Todi - Instrumental
148 bpm • D# Maj • 03:30 • -15db
12% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
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Bismillah Khan
Mishra Bhairavi
149 bpm • C# Maj • 05:53 • -11.62db
23% Popularity • 40% Danceability • 49% Energy • 17% Liveness
65% Instrumentalness • 60% Positiveness
23% Popularity • 40% Danceability • 49% Energy • 17% Liveness
65% Instrumentalness • 60% Positiveness
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Vaiyasaki Das
Nitai Mile Na
147 bpm • D# Maj • 07:30 • -12.33db
10% Popularity • 43% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 43% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Mayapuris
Mridanga 2.0
148 bpm • E min • 05:01 • -8.41db
20% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Ram Narayan
Raga Mishra Khamal: Thumri in Teentaal
147 bpm • E Maj • 09:45 • -16.47db
20% Popularity • 33% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 33% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Shahid Parvez
Raga Yaman Drut
147 bpm • C# Maj • 08:56 • -13db
18% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
18% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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ISKCON Bangalore
Narasimha Gayathri Mantra
146 bpm • F Maj • 02:59 • -7.9db
27% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Bismillah Khan
The Beloveds Call
147 bpm • D Maj • 09:57 • -12.84db
3% Popularity • 43% Danceability • 61% Energy • 13% Liveness
92% Instrumentalness • 75% Positiveness
3% Popularity • 43% Danceability • 61% Energy • 13% Liveness
92% Instrumentalness • 75% Positiveness
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Ahmed Jan Thirakwa
Drut Laya
146 bpm • F# Maj • 11:08 • -10.34db
17% Popularity • 54% Danceability • 72% Energy • 67% Liveness
80% Instrumentalness • 63% Positiveness
17% Popularity • 54% Danceability • 72% Energy • 67% Liveness
80% Instrumentalness • 63% Positiveness
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Shujaat Khan
Rangi Saari
145 bpm • F# Maj • 08:55 • -11.1db
15% Popularity • 34% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 34% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Ram Narayan
Raga Baïragi-Bhaïrav - Drut Tîn-Tal
146 bpm • A# min • 02:32 • -20db
32% Popularity • 41% Danceability • 33% Energy • 16% Liveness
83% Instrumentalness • 79% Positiveness
32% Popularity • 41% Danceability • 33% Energy • 16% Liveness
83% Instrumentalness • 79% Positiveness