Songs like Raja Yang Hebat by JPCC Worship

174 bpm • C# Maj • 02:28 • -7db

45% Popularity • 30% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness

176 bpm • A Maj • 02:46 • -13.16db

42% Popularity • 29% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness

172 bpm • F Maj • 03:46 • -8db

37% Popularity • 28% Danceability • 34% Energy • 44% Liveness
0% Instrumentalness • 38% Positiveness

171 bpm • G Maj • 06:00 • -5db

50% Popularity • 44% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness

180 bpm • E Maj • 04:25 • -9.51db

28% Popularity • 36% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness

168 bpm • C Maj • 04:08 • -5db

36% Popularity • 36% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 54% Positiveness

162 bpm • A Maj • 03:03 • -11.78db

50% Popularity • 32% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness

180 bpm • E Maj • 03:13 • -14.76db

41% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness

168 bpm • C Maj • 05:05 • -7db

26% Popularity • 39% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness

160 bpm • C Maj • 04:00 • -6db

33% Popularity • 42% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness

160 bpm • F# min • 04:31 • -5.84db

45% Popularity • 50% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness

160 bpm • F Maj • 06:07 • -6db

51% Popularity • 39% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness

160 bpm • C Maj • 04:35 • -5db

47% Popularity • 37% Danceability • 90% Energy • 88% Liveness
0% Instrumentalness • 60% Positiveness

155 bpm • A Maj • 05:21 • -4db

39% Popularity • 52% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness

160 bpm • C Maj • 03:44 • -6db

31% Popularity • 46% Danceability • 81% Energy • 84% Liveness
0% Instrumentalness • 41% Positiveness

155 bpm • F Maj • 04:20 • -5.75db

48% Popularity • 52% Danceability • 90% Energy • 94% Liveness
0% Instrumentalness • 67% Positiveness

154 bpm • G Maj • 03:51 • -11.68db

40% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness

156 bpm • E Maj • 04:06 • -6.48db

41% Popularity • 44% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness

155 bpm • G Maj • 05:29 • -4.19db

38% Popularity • 39% Danceability • 93% Energy • 68% Liveness
0% Instrumentalness • 51% Positiveness

154 bpm • D Maj • 07:16 • -7db

39% Popularity • 47% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 24% Positiveness

160 bpm • F Maj • 05:31 • -6.91db

40% Popularity • 42% Danceability • 66% Energy • 60% Liveness
0% Instrumentalness • 28% Positiveness

154 bpm • F Maj • 05:38 • -6.97db

37% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness

153 bpm • G Maj • 05:24 • -7db

29% Popularity • 26% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness

156 bpm • E Maj • 04:04 • -6.7db

40% Popularity • 58% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness

190 bpm • D Maj • 04:39 • -4.71db

44% Popularity • 32% Danceability • 96% Energy • 94% Liveness
0% Instrumentalness • 47% Positiveness

150 bpm • F Maj • 04:16 • -4.74db

25% Popularity • 43% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness

156 bpm • A Maj • 06:38 • -7.72db

41% Popularity • 48% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness

150 bpm • F Maj • 03:30 • -6db

35% Popularity • 60% Danceability • 71% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness

150 bpm • C Maj • 04:24 • -4.23db

47% Popularity • 54% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness

154 bpm • C Maj • 04:24 • -5.43db

41% Popularity • 40% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness

150 bpm • E Maj • 04:43 • -4.56db

46% Popularity • 47% Danceability • 93% Energy • 86% Liveness
0% Instrumentalness • 57% Positiveness

150 bpm • D Maj • 07:21 • -9.52db

55% Popularity • 32% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness

152 bpm • D Maj • 04:13 • -6db

25% Popularity • 40% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness

148 bpm • E Maj • 03:56 • -6db

33% Popularity • 39% Danceability • 46% Energy • 59% Liveness
0% Instrumentalness • 15% Positiveness

148 bpm • F Maj • 05:24 • -5.85db

50% Popularity • 37% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness

150 bpm • E Maj • 05:51 • -4.98db

46% Popularity • 42% Danceability • 94% Energy • 93% Liveness
0% Instrumentalness • 22% Positiveness

150 bpm • G Maj • 04:29 • -3.84db

42% Popularity • 47% Danceability • 97% Energy • 90% Liveness
0% Instrumentalness • 59% Positiveness

148 bpm • C Maj • 06:18 • -8db

46% Popularity • 46% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness

148 bpm • C Maj • 03:47 • -5db

58% Popularity • 32% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness

150 bpm • G Maj • 04:29 • -5.32db

30% Popularity • 48% Danceability • 92% Energy • 86% Liveness
0% Instrumentalness • 25% Positiveness

150 bpm • C Maj • 05:26 • -6.34db

41% Popularity • 48% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness

150 bpm • G Maj • 05:23 • -4.75db

39% Popularity • 44% Danceability • 97% Energy • 95% Liveness
0% Instrumentalness • 59% Positiveness

150 bpm • E Maj • 04:45 • -5.12db

42% Popularity • 48% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness

150 bpm • G Maj • 05:21 • -5db

44% Popularity • 43% Danceability • 94% Energy • 98% Liveness
0% Instrumentalness • 34% Positiveness