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Rapunzel's Hair
Songs like
Rapunzel's Hair
by
Stephen Sondheim
Based on a tempo of (+/- 10%) and a similar genre
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Marin Mazzie
When There's No One
88 bpm • C Maj • 03:16 • -9.3db
24% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Fiddler on the Rooof 2016 Broadway Cast
Wedding Procession
88 bpm • G Maj • 01:39 • -12.89db
21% Popularity • 18% Danceability • 22% Energy • 52% Liveness
94% Instrumentalness • 7% Positiveness
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Maury Yeston
The Launching: Godspeed Titanic
88 bpm • F Maj • 02:03 • -12.7db
27% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Mandy Patinkin
A Girl in the Valley
88 bpm • G Maj • 02:38 • -14.57db
23% Popularity • 29% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Christopher Willis
Score: "It wasn't meant to happen."
88 bpm • G Maj • 01:08 • -22.04db
11% Popularity • 23% Danceability • 10% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
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Stephen Sondheim
Rapunzel's Hair
88 bpm • D# Maj • 01:22 • -34.69db
31% Popularity • 10% Danceability • 2% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
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Sutton Foster
Morning Person (Reprise)
88 bpm • G# Maj • 01:05 • -13.02db
35% Popularity • 54% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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The Cast of 101 Dalmatians
Through the Snow/Shelter - Original
88 bpm • C Maj • 01:55 • -11db
16% Popularity • 9% Danceability • 14% Energy • 15% Liveness
93% Instrumentalness • 23% Positiveness
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Mary Beth Peil
Close the Door
88 bpm • G min • 03:11 • -11.19db
38% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Why We Like Spelling
88 bpm • F Maj • 02:51 • -8.67db
29% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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John Treacy Egan as Chef Louis
Les Poissons
88 bpm • D Maj • 01:54 • -14db
33% Popularity • 47% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 46% Positiveness
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Harry Stott as Michael Banks
Brimstone and Treacle - London Cast Reco...
88 bpm • D min • 02:38 • -14.79db
24% Popularity • 55% Danceability • 22% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
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Molly Ranson
Evening Prayers
87 bpm • F Maj • 04:23 • -7.12db
30% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mark Watters
Magic Carpet/Parting The Seas
87 bpm • D min • 02:23 • -19.74db
22% Popularity • 13% Danceability • 21% Energy • 34% Liveness
82% Instrumentalness • 14% Positiveness
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Brian Stokes Mitchell
Coalhouse's Soliloquy
87 bpm • G min • 01:36 • -7.31db
22% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
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Hadestown Original Broadway Band
Papers - Instrumental
87 bpm • C min • 01:13 • -7.7db
25% Popularity • 42% Danceability • 74% Energy • 49% Liveness
64% Instrumentalness • 72% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
26% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Christopher Willis
Score: "I'm so glad I found you."
89 bpm • F Maj • 01:07 • -21.99db
14% Popularity • 24% Danceability • 11% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Josh Groban
A Little Priest
89 bpm • F# Maj • 07:45 • -11.51db
45% Popularity • 57% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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How To Succeed Orchestra
Overture
87 bpm • C Maj • 02:26 • -8.36db
18% Popularity • 48% Danceability • 54% Energy • 64% Liveness
1% Instrumentalness • 47% Positiveness
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My Fair Lady Orchestra
Overture
87 bpm • C min • 03:16 • -9db
20% Popularity • 23% Danceability • 39% Energy • 14% Liveness
86% Instrumentalness • 25% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
33% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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New Broadway Cast of Funny Girl
Dream Ballet
90 bpm • B Maj • 01:48 • -26.25db
19% Popularity • 12% Danceability • 3% Energy • 9% Liveness
29% Instrumentalness • 6% Positiveness
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Alice Ripley
The Break
90 bpm • E min • 01:23 • -8.41db
30% Popularity • 54% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Marin Mazzie
Stay Here Instead
86 bpm • A# Maj • 02:25 • -11.19db
24% Popularity • 46% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
29% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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George Bruns
Safe
90 bpm • F min • 00:56 • -16.21db
13% Popularity • 40% Danceability • 12% Energy • 42% Liveness
91% Instrumentalness • 23% Positiveness
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Robert Westenberg
Lily's Eyes
90 bpm • E min • 03:09 • -13.56db
33% Popularity • 23% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Stephen Sondheim
"You have a good third husband, Joanne"
86 bpm • A# min • 02:59 • -17.33db
22% Popularity • 63% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
28% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Jordan Donica
C'est Moi
86 bpm • C Maj • 03:47 • -9.99db
21% Popularity • 48% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Marin Mazzie
What Kind of Woman
90 bpm • F min • 02:35 • -16.65db
22% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Groban
My Friends
86 bpm • F# min • 03:51 • -10.03db
27% Popularity • 26% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Berstein
MarÃa - West Side History
91 bpm • G Maj • 03:57 • -12.74db
17% Popularity • 22% Danceability • 25% Energy • 9% Liveness
80% Instrumentalness • 7% Positiveness
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Anna Kendrick
A Very Nice Prince
91 bpm • D Maj • 01:31 • -15.21db
41% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Maury Yeston
I Have Danced
91 bpm • F Maj • 01:58 • -22.7db
21% Popularity • 30% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Oklahoma! 1998 National Theatre Cast Recording Orchestra
Ballet
85 bpm • G# Maj • 10:56 • -15.06db
16% Popularity • 23% Danceability • 19% Energy • 23% Liveness
47% Instrumentalness • 9% Positiveness
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Annaleigh Ashford
The Worst Pies in London
91 bpm • F# Maj • 02:33 • -8.24db
46% Popularity • 66% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Jeanine Tesori
"This Is What I Have of You..."
85 bpm • A min • 01:44 • -21.9db
22% Popularity • 46% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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André De Shields
Why We Build the Wall ("Behind closed do...
85 bpm • D min • 00:57 • -11.71db
25% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Stephen Sondheim
The Slipper Fits
85 bpm • B Maj • 01:12 • -20.22db
28% Popularity • 20% Danceability • 18% Energy • 37% Liveness
73% Instrumentalness • 6% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
26% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Colm Wilkinson
Prologue: What Have I Done?
91 bpm • A# min • 03:17 • -13.75db
37% Popularity • 39% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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D. Sabella
A Little Bit of Good
85 bpm • D# Maj • 03:14 • -13.63db
29% Popularity • 41% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
39% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Faith Prince
Adelaide's Lament (Reprise)
92 bpm • F# Maj • 01:26 • -19.44db
25% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Stephen Sondheim
No Place Like London
85 bpm • F min • 06:10 • -11.88db
17% Popularity • 38% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Joanna Riding
Cinderella at the Grave
92 bpm • B Maj • 01:40 • -18.27db
37% Popularity • 32% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Alice Ripley
Better Than Before
92 bpm • C Maj • 04:28 • -13.61db
30% Popularity • 48% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
27% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Christine Ebersole
Save Your Applause 'Til The End
84 bpm • D min • 02:57 • -5.25db
22% Popularity • 45% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
23% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Stephen Sondheim
Company: Company Medley (Arr. by R. Haym...
85 bpm • F Maj • 08:11 • -16.46db
6% Popularity • 18% Danceability • 28% Energy • 7% Liveness
81% Instrumentalness • 23% Positiveness
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George Bruns
Cold Nights/No Cats
84 bpm • C Maj • 02:03 • -27.83db
13% Popularity • 14% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Marc Shaiman
Kite Takes Off
92 bpm • F Maj • 02:40 • -12.21db
31% Popularity • 18% Danceability • 46% Energy • 16% Liveness
16% Instrumentalness • 6% Positiveness
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Laura Michelle Kelly
Alms Alms
84 bpm • F Maj • 01:16 • -12.54db
16% Popularity • 40% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Patina Miller
Witch's Lament
84 bpm • A min • 02:18 • -13.12db
33% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Mia Williamson
Some Say
92 bpm • C# Maj • 03:04 • -8.65db
25% Popularity • 69% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Lin-Manuel Miranda
Hundreds of Stories
92 bpm • G# Maj • 03:40 • -9.56db
36% Popularity • 61% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Mark Harelik
Let's Walk
84 bpm • D# Maj • 03:08 • -20.69db
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Marc Shaiman
Rescuing Georgie
92 bpm • E min • 04:01 • -12.1db
28% Popularity • 20% Danceability • 52% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
34% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
42% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Douglas Hodge
Strike That, Reverse It
84 bpm • C# Maj • 05:28 • -7.65db
27% Popularity • 63% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
33% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Michael McGrath
Sounds While Selling
92 bpm • E Maj • 02:02 • -8db
27% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Brandon Uranowitz
Making a Home
84 bpm • G min • 03:07 • -10.26db
35% Popularity • 27% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
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George Bruns
Nice Melody
84 bpm • D min • 02:01 • -26.53db
17% Popularity • 28% Danceability • 1% Energy • 27% Liveness
35% Instrumentalness • 6% Positiveness
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Ramin Karimloo
The Neva Flows
93 bpm • A# Maj • 02:53 • -11.85db
43% Popularity • 36% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Groban
Epiphany
84 bpm • C min • 03:07 • -8.26db
34% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Marc Shaiman
Into the Royal Doulton Bowl
93 bpm • D Maj • 01:58 • -14.73db
34% Popularity • 45% Danceability • 13% Energy • 9% Liveness
21% Instrumentalness • 38% Positiveness
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J.A.C. Redford
Fightin' Irish: Strike Action
84 bpm • G Maj • 01:50 • -16.79db
28% Popularity • 42% Danceability • 46% Energy • 31% Liveness
97% Instrumentalness • 52% Positiveness
► Preview
Barbara Rosenblat
Scene: A Train Platform in Yorkshire / T...
83 bpm • D# min • 03:08 • -18.32db
22% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Richard Rodgers
Cinderella: Overture
93 bpm • C Maj • 02:59 • -13.72db
13% Popularity • 60% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 78% Positiveness
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André Previn
The Transylvanian March* - Voice
83 bpm • D min • 01:18 • -14.65db
18% Popularity • 59% Danceability • 12% Energy • 33% Liveness
24% Instrumentalness • 56% Positiveness
► Preview
25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
30% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Marc Shaiman
Chase Through the Bank
83 bpm • F Maj • 01:11 • -18.19db
34% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
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Stephen Sondheim
Almost Midnight
83 bpm • C Maj • 01:07 • -18.81db
27% Popularity • 23% Danceability • 20% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
35% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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The Cast of Alice in Wonderland
What Genus Are You? - Original
93 bpm • G Maj • 01:14 • -15.31db
15% Popularity • 29% Danceability • 13% Energy • 22% Liveness
71% Instrumentalness • 33% Positiveness
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Aaron Tveit
The Death Of Gavroche
83 bpm • C min • 02:45 • -18.04db
37% Popularity • 57% Danceability • 20% Energy • 74% Liveness
0% Instrumentalness • 13% Positiveness
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Premiere Cast
Why Not Me?
93 bpm • A Maj • 03:18 • -7db
27% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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J.A.C. Redford
Rooftop
83 bpm • D Maj • 03:13 • -21.13db
27% Popularity • 13% Danceability • 13% Energy • 34% Liveness
73% Instrumentalness • 4% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
33% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Rebecca Luker
How Could I Ever Know
83 bpm • C# Maj • 04:07 • -16.71db
29% Popularity • 15% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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'Come From Away' Company
Darkness And Trees - Reprise
82 bpm • E min • 01:44 • -9.78db
39% Popularity • 54% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Marc Shaiman
Race to Big Ben
82 bpm • B min • 04:55 • -12.96db
26% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Bertie Carvel
Chalk Writing
94 bpm • C Maj • 01:24 • -11.09db
27% Popularity • 40% Danceability • 44% Energy • 88% Liveness
0% Instrumentalness • 54% Positiveness
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Maury Yeston
The Launching: I Must Get on That Ship
94 bpm • F Maj • 02:37 • -15.51db
24% Popularity • 47% Danceability • 27% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Laura Benanti
No More Candy
94 bpm • G# Maj • 01:37 • -11.75db
23% Popularity • 43% Danceability • 23% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Chefs - The Little Mermaid Original Broadway Cast
Les Poissons (Reprise)
82 bpm • A# Maj • 01:56 • -14.62db
29% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Alun Armstrong
Plumet Attack
95 bpm • C# min • 01:57 • -8db
33% Popularity • 60% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
25th Annual Putnam County Spelling Bee Original Cast
Woe Is Me - Reprise
95 bpm • F Maj • 01:00 • -13.28db
30% Popularity • 63% Danceability • 8% Energy • 36% Liveness
1% Instrumentalness • 36% Positiveness
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Jordan Fisher
Ah, Miss
82 bpm • D# Maj • 02:02 • -12.24db
41% Popularity • 49% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
41% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Dirty Rotten Scoundrels Original Broadway Cast
Overture
82 bpm • E Maj • 01:44 • -10.18db
18% Popularity • 57% Danceability • 44% Energy • 6% Liveness
70% Instrumentalness • 77% Positiveness
► Preview
Sutton Foster
This Is Our Story
82 bpm • A Maj • 03:17 • -6.05db
40% Popularity • 55% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Bring It On: The Musical - Original Broadway Cast
Something Isn't Right Here
95 bpm • F min • 02:44 • -7.06db
36% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Oliver Wallace
Cat and Mice / The King's Plans
82 bpm • G Maj • 03:50 • -20.83db
16% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Ethan Slater
The Ballad of Guiteau
95 bpm • C Maj • 05:16 • -11.18db
16% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Rapunzel's Hair