Songs like Re: Stacks by Bon Iver
Based on a tempo of (+/- 10%) and a similar genre
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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The National
Light Years
125 bpm • E Maj • 03:33 • -11.67db
59% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
60% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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RY X
Love Like This
125 bpm • B Maj • 04:10 • -14.97db
45% Popularity • 37% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
45% Popularity • 37% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
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Bon Iver
Naeem
125 bpm • C Maj • 04:22 • -10.38db
47% Popularity • 37% Danceability • 41% Energy • 68% Liveness
2% Instrumentalness • 17% Positiveness
47% Popularity • 37% Danceability • 41% Energy • 68% Liveness
2% Instrumentalness • 17% Positiveness
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Manchester Orchestra
I Can Feel a Hot One
124 bpm • G# Maj • 04:19 • -11.37db
44% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
44% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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James Vincent McMorrow
We Don't Eat
124 bpm • G Maj • 04:55 • -12db
30% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
30% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Benjamin Francis Leftwich
1904
126 bpm • G# Maj • 04:07 • -8.81db
30% Popularity • 60% Danceability • 50% Energy • 33% Liveness
12% Instrumentalness • 54% Positiveness
30% Popularity • 60% Danceability • 50% Energy • 33% Liveness
12% Instrumentalness • 54% Positiveness
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Iron & Wine
Boy With a Coin
126 bpm • C Maj • 04:05 • -8.22db
53% Popularity • 66% Danceability • 55% Energy • 14% Liveness
84% Instrumentalness • 31% Positiveness
53% Popularity • 66% Danceability • 55% Energy • 14% Liveness
84% Instrumentalness • 31% Positiveness
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Volcano Choir
Alaskans
126 bpm • D Maj • 04:55 • -14.48db
32% Popularity • 48% Danceability • 22% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 22% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
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Bon Iver
8 (circle)
125 bpm • A Maj • 05:09 • -10.77db
51% Popularity • 41% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
51% Popularity • 41% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Keaton Henson
Sweetheart, What Have You Done to Us
126 bpm • A min • 03:30 • -13.11db
39% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Wilco
How to Fight Loneliness
124 bpm • B min • 03:52 • -12.67db
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
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Phoebe Bridgers
Friday I’m In Love - Recorded at Spoti...
123 bpm • G Maj • 03:40 • -15.19db
58% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Bon Iver
PDLIF
126 bpm • F# Maj • 02:57 • -8.79db
45% Popularity • 33% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 33% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Of Monsters and Men
King And Lionheart
127 bpm • D# Maj • 04:33 • -6.52db
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Band of Horses
Detlef Schrempf
127 bpm • B Maj • 04:28 • -8db
51% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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The National
England
123 bpm • C min • 05:40 • -9db
46% Popularity • 49% Danceability • 65% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
46% Popularity • 49% Danceability • 65% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
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Phoebe Bridgers
Killer + The Sound
127 bpm • C Maj • 07:55 • -15db
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Billie Marten
Mice
123 bpm • F Maj • 04:04 • -12.57db
51% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Bon Iver
00000 Million
127 bpm • F Maj • 03:53 • -17.05db
46% Popularity • 38% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 38% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Death Cab for Cutie
Transatlanticism
127 bpm • A Maj • 07:55 • -10db
55% Popularity • 44% Danceability • 45% Energy • 18% Liveness
59% Instrumentalness • 20% Positiveness
55% Popularity • 44% Danceability • 45% Energy • 18% Liveness
59% Instrumentalness • 20% Positiveness
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Lucy Rose
Shiver
123 bpm • A Maj • 03:53 • -13.23db
50% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Milk Carton Kids
Michigan
122 bpm • A# Maj • 05:30 • -15db
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Iron & Wine
Love Vigilantes
122 bpm • D# Maj • 03:26 • -13.64db
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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James Blake
I Need A Forest Fire
128 bpm • D Maj • 04:17 • -12db
56% Popularity • 29% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
56% Popularity • 29% Danceability • 29% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Fleet Foxes
Wading In Waist-High Water
128 bpm • G Maj • 02:15 • -15.27db
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Leon Bridges
River
128 bpm • G# Maj • 04:00 • -10.79db
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Volcano Choir
Tiderays
121 bpm • B Maj • 04:57 • -10db
38% Popularity • 27% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
38% Popularity • 27% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
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Little May
Boardwalks - Remastered 2015/ Bonus Trac...
129 bpm • F# Maj • 03:19 • -13db
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Sampha
(No One Knows Me) Like the Piano
129 bpm • A# Maj • 03:38 • -13.79db
56% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Novo Amor
Embody Me
121 bpm • C Maj • 03:10 • -12.04db
58% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
58% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Taylor Swift
evermore
121 bpm • C# Maj • 05:04 • -10.67db
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Harrison Storm
Change It All
121 bpm • A# Maj • 04:07 • -13db
54% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
54% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Sufjan Stevens
Fourth of July
120 bpm • F# min • 04:39 • -22.39db
79% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
79% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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John Vincent III
Slow Song
120 bpm • A# Maj • 04:51 • -7db
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Chris Staples
Dark Side of the Moon
120 bpm • D Maj • 03:27 • -10db
51% Popularity • 71% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
51% Popularity • 71% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
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Maggie Rogers
New Song
120 bpm • E Maj • 06:22 • -7.44db
55% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
55% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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James Vincent McMorrow
Higher Love
120 bpm • F Maj • 03:35 • -14db
45% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Big Thief
Masterpiece - solo
131 bpm • E Maj • 04:00 • -8.58db
51% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Alabama Shakes
This Feeling
131 bpm • G Maj • 04:28 • -11.51db
56% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Sufjan Stevens
Concerning the UFO sighting near Highlan...
131 bpm • G Maj • 02:08 • -14.99db
54% Popularity • 45% Danceability • 15% Energy • 16% Liveness
30% Instrumentalness • 39% Positiveness
54% Popularity • 45% Danceability • 15% Energy • 16% Liveness
30% Instrumentalness • 39% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
46% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
46% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Caamp
So Long, Honey
131 bpm • E Maj • 04:51 • -13db
55% Popularity • 57% Danceability • 26% Energy • 16% Liveness
8% Instrumentalness • 8% Positiveness
55% Popularity • 57% Danceability • 26% Energy • 16% Liveness
8% Instrumentalness • 8% Positiveness
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The Head And The Heart
Let's Be Still
131 bpm • A Maj • 04:28 • -10.72db
58% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
58% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Hozier
In A Week
131 bpm • C Maj • 05:18 • -12db
54% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Phosphorescent
Wolves
131 bpm • C# Maj • 06:14 • -11.07db
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Iron & Wine
This Must Be The Place
119 bpm • C Maj • 03:32 • -10.39db
51% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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City and Colour
As Much As I Ever Could
119 bpm • A min • 05:25 • -12.61db
18% Popularity • 56% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 56% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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The Staves
Mexico
132 bpm • F Maj • 04:06 • -15db
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Elliott Smith
Angeles
118 bpm • E min • 02:57 • -23.53db
59% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
59% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
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Benjamin Francis Leftwich
Shine
118 bpm • E Maj • 03:02 • -10.5db
51% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Big Thief
Change
133 bpm • A# Maj • 04:55 • -13db
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Dan Auerbach
Never in My Wildest Dreams
117 bpm • F Maj • 02:56 • -6.77db
61% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Damien Rice
The Blower's Daughter
133 bpm • E Maj • 04:46 • -13.57db
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 34% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Patrick Watson
Love Songs For Robots
117 bpm • F# Maj • 03:37 • -15db
50% Popularity • 42% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
50% Popularity • 42% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
78% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
78% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Caamp
Strawberries
117 bpm • D# Maj • 03:39 • -19db
60% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
60% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Bon Iver
33 “GOD”
133 bpm • E Maj • 03:33 • -10.47db
53% Popularity • 47% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
53% Popularity • 47% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
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Roo Panes
Silver Moon - EP Version
117 bpm • D Maj • 04:51 • -13db
40% Popularity • 40% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 5% Positiveness
40% Popularity • 40% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 5% Positiveness
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Ray LaMontagne
Shelter
117 bpm • C Maj • 04:36 • -14.75db
45% Popularity • 48% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 48% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Phoebe Bridgers
That Funny Feeling
117 bpm • E Maj • 06:40 • -11db
63% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Old Sea Brigade
Love Brought Weight
117 bpm • G Maj • 03:05 • -16db
64% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
64% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
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Bon Iver
Blood Bank
117 bpm • G Maj • 04:45 • -11.89db
62% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
62% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
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The National
I Should Live in Salt
134 bpm • F Maj • 04:08 • -7.1db
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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John Mayer
Slow Dancing in a Burning Room
134 bpm • C# min • 04:02 • -8.69db
75% Popularity • 67% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
75% Popularity • 67% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Damien Rice
Colour Me In
116 bpm • D# Maj • 05:18 • -14.06db
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Bird
Three White Horses
116 bpm • G Maj • 03:09 • -9.53db
28% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Old Sea Brigade
Call Me When You Land
116 bpm • F Maj • 04:47 • -10.17db
58% Popularity • 69% Danceability • 48% Energy • 44% Liveness
4% Instrumentalness • 58% Positiveness
58% Popularity • 69% Danceability • 48% Energy • 44% Liveness
4% Instrumentalness • 58% Positiveness
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Bon Iver
The Wolves (Act I and II)
116 bpm • F Maj • 05:22 • -16db
52% Popularity • 47% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 47% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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The National
Fireproof
116 bpm • D# min • 02:58 • -10.54db
50% Popularity • 48% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
50% Popularity • 48% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Iron & Wine
Autumn Town Leaves
116 bpm • C# Maj • 03:15 • -15db
61% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Elliott Smith
Between The Bars
135 bpm • G min • 02:21 • -23.63db
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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Bon Iver
iMi
134 bpm • G# Maj • 03:16 • -11.54db
48% Popularity • 48% Danceability • 40% Energy • 20% Liveness
1% Instrumentalness • 52% Positiveness
48% Popularity • 48% Danceability • 40% Energy • 20% Liveness
1% Instrumentalness • 52% Positiveness
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Winter Aid
The Wisp Sings
115 bpm • E Maj • 05:13 • -19.46db
69% Popularity • 52% Danceability • 9% Energy • 10% Liveness
18% Instrumentalness • 5% Positiveness
69% Popularity • 52% Danceability • 9% Energy • 10% Liveness
18% Instrumentalness • 5% Positiveness
