Songs like Rebellion (Lies) by Arcade Fire
Based on a tempo of (+/- 10%) and a similar genre
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Foster The People
Helena Beat
127 bpm • F min • 04:36 • -4.91db
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Chemical Brothers
Let Forever Be
127 bpm • G# Maj • 03:56 • -4db
56% Popularity • 25% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 25% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Arcade Fire
Neighborhood #1 (Tunnels)
127 bpm • C Maj • 04:48 • -5.57db
55% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
55% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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The Smashing Pumpkins
1979 - Remastered 2012
127 bpm • D# Maj • 04:26 • -9.9db
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
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Arctic Monkeys
Fake Tales Of San Francisco
127 bpm • A Maj • 02:57 • -4.23db
64% Popularity • 45% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 45% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Radiohead
There, There
126 bpm • A min • 05:23 • -8.32db
61% Popularity • 61% Danceability • 68% Energy • 11% Liveness
52% Instrumentalness • 72% Positiveness
61% Popularity • 61% Danceability • 68% Energy • 11% Liveness
52% Instrumentalness • 72% Positiveness
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PJ Harvey
This Mess We're In
126 bpm • C Maj • 03:55 • -9.63db
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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The Black Keys
Fever
128 bpm • A min • 04:06 • -6.51db
67% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
67% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Phoenix
Rome
126 bpm • D Maj • 04:38 • -7.06db
48% Popularity • 63% Danceability • 68% Energy • 10% Liveness
9% Instrumentalness • 39% Positiveness
48% Popularity • 63% Danceability • 68% Energy • 10% Liveness
9% Instrumentalness • 39% Positiveness
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The Kills
Future Starts Slow
128 bpm • F# Maj • 04:08 • -5.88db
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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The Airborne Toxic Event
Sometime Around Midnight
126 bpm • G# Maj • 05:03 • -5.17db
53% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Hot Chip
Boy From School
126 bpm • G# min • 05:19 • -3.96db
51% Popularity • 63% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 63% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Grizzly Bear
Mourning Sound
128 bpm • G Maj • 04:22 • -6db
45% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
45% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
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Arcade Fire
No Cars Go
128 bpm • G# Maj • 06:04 • -7.89db
27% Popularity • 27% Danceability • 69% Energy • 18% Liveness
32% Instrumentalness • 21% Positiveness
27% Popularity • 27% Danceability • 69% Energy • 18% Liveness
32% Instrumentalness • 21% Positiveness
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Foals
My Number
128 bpm • F# min • 03:58 • -8.95db
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Black Rebel Motorcycle Club
Spread Your Love
128 bpm • D Maj • 03:45 • -3.12db
53% Popularity • 42% Danceability • 90% Energy • 14% Liveness
38% Instrumentalness • 42% Positiveness
53% Popularity • 42% Danceability • 90% Energy • 14% Liveness
38% Instrumentalness • 42% Positiveness
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The White Stripes
The Hardest Button to Button
128 bpm • E min • 03:32 • -8.66db
62% Popularity • 69% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 57% Positiveness
62% Popularity • 69% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 57% Positiveness
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Julian Casablancas
11th Dimension
126 bpm • F# min • 04:03 • -2.77db
52% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
52% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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PJ Harvey
Down By The Water
125 bpm • D Maj • 03:14 • -12.26db
60% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
60% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
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Arcade Fire
City with No Children
128 bpm • F# Maj • 03:11 • -4.92db
41% Popularity • 51% Danceability • 68% Energy • 10% Liveness
53% Instrumentalness • 64% Positiveness
41% Popularity • 51% Danceability • 68% Energy • 10% Liveness
53% Instrumentalness • 64% Positiveness
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Interpol
C'mere
125 bpm • D min • 03:12 • -4.44db
60% Popularity • 40% Danceability • 93% Energy • 7% Liveness
12% Instrumentalness • 65% Positiveness
60% Popularity • 40% Danceability • 93% Energy • 7% Liveness
12% Instrumentalness • 65% Positiveness
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MGMT
Congratulations
125 bpm • G Maj • 03:55 • -8.17db
59% Popularity • 76% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 76% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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The xx
On Hold
125 bpm • C Maj • 03:44 • -6.78db
58% Popularity • 72% Danceability • 67% Energy • 11% Liveness
18% Instrumentalness • 35% Positiveness
58% Popularity • 72% Danceability • 67% Energy • 11% Liveness
18% Instrumentalness • 35% Positiveness
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Young the Giant
Cough Syrup
129 bpm • B min • 04:09 • -7.31db
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Hot Chip
Ready For The Floor
129 bpm • C# min • 03:54 • -5.44db
55% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Interpol
Evil
129 bpm • F Maj • 03:35 • -3.52db
65% Popularity • 49% Danceability • 77% Energy • 7% Liveness
56% Instrumentalness • 64% Positiveness
65% Popularity • 49% Danceability • 77% Energy • 7% Liveness
56% Instrumentalness • 64% Positiveness
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The Stone Roses
I Am the Resurrection - Remastered
129 bpm • E Maj • 08:12 • -6.32db
57% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
57% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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The Smashing Pumpkins
Disarm - 2011 Remaster
130 bpm • E min • 03:16 • -10.21db
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
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Blur
Song 2 - 2012 Remaster
130 bpm • G# Maj • 02:01 • -6.9db
80% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
80% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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The Clash
Rock the Casbah - Remastered
130 bpm • A min • 03:42 • -6.73db
71% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
71% Popularity • 80% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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The Flaming Lips
Do You Realize??
130 bpm • C Maj • 03:33 • -5.24db
63% Popularity • 46% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
63% Popularity • 46% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Metronomy
Everything Goes My Way
130 bpm • D min • 03:30 • -8.2db
60% Popularity • 86% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 86% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Echo & the Bunnymen
The Killing Moon
124 bpm • G Maj • 05:48 • -7.07db
61% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Shins
New Slang - 2021 Remaster
130 bpm • C Maj • 03:50 • -10.62db
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
74% Popularity • 67% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 62% Positiveness
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Arcade Fire
Black Mirror
124 bpm • A# min • 04:13 • -9.73db
40% Popularity • 53% Danceability • 83% Energy • 11% Liveness
40% Instrumentalness • 19% Positiveness
40% Popularity • 53% Danceability • 83% Energy • 11% Liveness
40% Instrumentalness • 19% Positiveness
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The xx
Islands
124 bpm • E Maj • 02:40 • -11.08db
65% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
65% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
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Yeah Yeah Yeahs
Zero
124 bpm • B Maj • 04:25 • -4.11db
46% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
46% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
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LCD Soundsystem
Home
124 bpm • A Maj • 07:53 • -8.71db
51% Popularity • 75% Danceability • 84% Energy • 8% Liveness
13% Instrumentalness • 78% Positiveness
51% Popularity • 75% Danceability • 84% Energy • 8% Liveness
13% Instrumentalness • 78% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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The Black Keys
Gold on the Ceiling
130 bpm • C Maj • 03:44 • -4.63db
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Beck
Devils Haircut
124 bpm • G Maj • 03:12 • -4.85db
49% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Arcade Fire
Neighborhood #2 (Laika)
131 bpm • B min • 03:32 • -5.63db
51% Popularity • 56% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
51% Popularity • 56% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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The Flaming Lips
Race for the Prize - 2017 Remaster
131 bpm • C Maj • 04:18 • -7.14db
48% Popularity • 33% Danceability • 84% Energy • 25% Liveness
3% Instrumentalness • 45% Positiveness
48% Popularity • 33% Danceability • 84% Energy • 25% Liveness
3% Instrumentalness • 45% Positiveness
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Franz Ferdinand
Do You Want To
123 bpm • C Maj • 03:35 • -2.9db
61% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
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Talking Heads
Psycho Killer - 2005 Remaster
123 bpm • D Maj • 04:21 • -8.12db
75% Popularity • 72% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 94% Positiveness
75% Popularity • 72% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 94% Positiveness
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Tame Impala
Elephant
123 bpm • A min • 03:31 • -6.74db
73% Popularity • 60% Danceability • 55% Energy • 26% Liveness
16% Instrumentalness • 53% Positiveness
73% Popularity • 60% Danceability • 55% Energy • 26% Liveness
16% Instrumentalness • 53% Positiveness
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Editors
Smokers Outside The Hospital Doors
123 bpm • G Maj • 04:57 • -3.79db
51% Popularity • 53% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
51% Popularity • 53% Danceability • 68% Energy • 12% Liveness
7% Instrumentalness • 53% Positiveness
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Arcade Fire
Put Your Money on Me
123 bpm • G Maj • 05:53 • -6.48db
52% Popularity • 60% Danceability • 77% Energy • 75% Liveness
2% Instrumentalness • 64% Positiveness
52% Popularity • 60% Danceability • 77% Energy • 75% Liveness
2% Instrumentalness • 64% Positiveness
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Kasabian
Shoot the Runner
131 bpm • G Maj • 03:27 • -4db
45% Popularity • 52% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 52% Positiveness
45% Popularity • 52% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 52% Positiveness
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MGMT
Kids
123 bpm • A Maj • 05:02 • -3.87db
79% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Beirut
Nantes
131 bpm • C# Maj • 03:50 • -9.55db
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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The xx
Crystalised
123 bpm • B min • 03:21 • -12.37db
69% Popularity • 76% Danceability • 48% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
69% Popularity • 76% Danceability • 48% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Band of Horses
The Funeral
122 bpm • C min • 05:22 • -6.12db
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Pulp
Do You Remember The First Time?
132 bpm • G min • 04:22 • -5.69db
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Beirut
Santa Fe
132 bpm • B Maj • 04:14 • -7db
53% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
53% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Arcade Fire
Modern Man
122 bpm • A Maj • 04:39 • -7.35db
48% Popularity • 68% Danceability • 69% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
48% Popularity • 68% Danceability • 69% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
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Yeah Yeah Yeahs
Y Control
132 bpm • C Maj • 04:00 • -4.28db
51% Popularity • 43% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 43% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
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Perfume Genius
Queen
132 bpm • C# Maj • 03:50 • -4.93db
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
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LCD Soundsystem
Tribulations
132 bpm • F# min • 04:59 • -5.61db
50% Popularity • 69% Danceability • 77% Energy • 8% Liveness
88% Instrumentalness • 90% Positiveness
50% Popularity • 69% Danceability • 77% Energy • 8% Liveness
88% Instrumentalness • 90% Positiveness
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White Lies
To Lose My Life
132 bpm • A# min • 03:11 • -4.71db
53% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
53% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Elliott Smith
Waltz #2 (XO)
132 bpm • A# Maj • 04:40 • -7.67db
59% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Cribs
Men's Needs
122 bpm • C# min • 03:15 • -2.26db
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Yeah Yeah Yeahs
Heads Will Roll
132 bpm • G# min • 03:41 • -4.46db
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
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Bombay Bicycle Club
Luna
122 bpm • F Maj • 03:10 • -5db
54% Popularity • 58% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 58% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Midlake
Roscoe
122 bpm • G# min • 04:46 • -8.3db
49% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Blur
Coffee & TV
122 bpm • D Maj • 05:58 • -10.12db
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
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Peter Bjorn and John
Second Chance
133 bpm • G Maj • 04:12 • -1.55db
52% Popularity • 60% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 60% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Muse
Starlight
122 bpm • E Maj • 04:00 • -4.05db
74% Popularity • 55% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
74% Popularity • 55% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Arcade Fire
Intervention
121 bpm • C Maj • 04:19 • -7db
47% Popularity • 36% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 36% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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The Jesus and Mary Chain
Just Like Honey
121 bpm • G# Maj • 03:02 • -10.5db
57% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
57% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Metronomy
The Bay
121 bpm • F# min • 04:50 • -7.23db
65% Popularity • 80% Danceability • 47% Energy • 7% Liveness
9% Instrumentalness • 89% Positiveness
65% Popularity • 80% Danceability • 47% Energy • 7% Liveness
9% Instrumentalness • 89% Positiveness
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Placebo
Every You Every Me
133 bpm • A# Maj • 03:33 • -7.55db
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
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The Dandy Warhols
The Last High
121 bpm • B min • 04:46 • -6.74db
46% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
46% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
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Bombay Bicycle Club
Always Like This
121 bpm • C# Maj • 04:05 • -6.71db
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Vampire Weekend
Prep-School Gangsters
121 bpm • A# Maj • 03:48 • -3.84db
58% Popularity • 71% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 28% Positiveness
58% Popularity • 71% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 28% Positiveness
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Spoon
Don't You Evah
121 bpm • F# Maj • 03:36 • -6.27db
33% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Arcade Fire
We Used to Wait
121 bpm • G# Maj • 05:01 • -7.21db
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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Jake Bugg
Two Fingers
121 bpm • F Maj • 03:15 • -5.23db
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Clash
London Calling - Remastered
134 bpm • C Maj • 03:20 • -7.34db
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Strokes
You Only Live Once
121 bpm • B Maj • 03:09 • -2.42db
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
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Interpol
Obstacle 1
121 bpm • F Maj • 04:11 • -4.9db
63% Popularity • 38% Danceability • 94% Energy • 7% Liveness
58% Instrumentalness • 38% Positiveness
63% Popularity • 38% Danceability • 94% Energy • 7% Liveness
58% Instrumentalness • 38% Positiveness
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Kasabian
Where Did All the Love Go?
134 bpm • C# Maj • 04:18 • -5.13db
53% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
53% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
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Arcade Fire
Deep Blue
120 bpm • G min • 04:28 • -6.68db
41% Popularity • 52% Danceability • 82% Energy • 13% Liveness
24% Instrumentalness • 52% Positiveness
41% Popularity • 52% Danceability • 82% Energy • 13% Liveness
24% Instrumentalness • 52% Positiveness
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The National
I Should Live in Salt
134 bpm • F Maj • 04:08 • -7.1db
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Morrissey
First of the Gang to Die
134 bpm • B Maj • 03:38 • -4.24db
59% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
59% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The War On Drugs
Under The Pressure
134 bpm • F# Maj • 08:52 • -6.55db
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
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Blur
Girls & Boys
120 bpm • G min • 04:19 • -8.35db
70% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
70% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Kasabian
You're in Love with a Psycho
120 bpm • B min • 03:35 • -5.05db
58% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Arcade Fire
Joan of Arc
134 bpm • A# min • 05:26 • -8.23db
37% Popularity • 52% Danceability • 61% Energy • 35% Liveness
54% Instrumentalness • 35% Positiveness
37% Popularity • 52% Danceability • 61% Energy • 35% Liveness
54% Instrumentalness • 35% Positiveness
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Hot Chip
Over And Over
120 bpm • F min • 05:47 • -4.45db
56% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
56% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
