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Recercada 3ª
Songs like
Recercada 3ª
by
Diego Ortiz
Based on a tempo of (+/- 10%) and a similar genre
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Vincenzo Ruffo
La Gamba in Basso e Soprano
86 bpm • D# min • 01:24 • -36.45db
22% Popularity • 27% Danceability • 0% Energy • 12% Liveness
58% Instrumentalness • 50% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 34 in D Minor: I. Prelud...
86 bpm • C min • 01:44 • -26.62db
23% Popularity • 37% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Hans Neusidler
Welscher Tantz Wascha mesa - Hupfauff
86 bpm • C Maj • 01:31 • -23.09db
14% Popularity • 41% Danceability • 26% Energy • 30% Liveness
96% Instrumentalness • 73% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Andante
86 bpm • B Maj • 03:31 • -24.8db
11% Popularity • 58% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 30% Positiveness
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Christopher Tye
In Nomine No. 14, 'Reporte'
86 bpm • C# min • 02:15 • -28db
18% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Giovanni Paolo Foscarini
Folia
86 bpm • C Maj • 02:31 • -18db
19% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Luis de Narváez
La cancion del emperador. Mille Regres (...
85 bpm • G min • 02:07 • -30.28db
18% Popularity • 39% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 46% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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Antonio de Cabezón
Differencias Sobre La Gallarda Milanesa
87 bpm • F Maj • 02:19 • -20db
9% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Francesco Corbetta
Corrente
87 bpm • C# Maj • 02:01 • -35.28db
17% Popularity • 34% Danceability • 1% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
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Bartolomeo Tromboncino
Ostinato vos seguire
87 bpm • F Maj • 03:32 • -15db
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
87 bpm • E Maj • 03:00 • -21.81db
10% Popularity • 13% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 11% Positiveness
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Innocentio Alberti
Pavin
85 bpm • E Maj • 01:12 • -25.71db
15% Popularity • 16% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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François Couperin
Pieces de violes avec la basse chifree: ...
85 bpm • F Maj • 02:00 • -20.04db
13% Popularity • 32% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Antonio Vivaldi
Trio Sonata in G Minor, RV 85: II. Largh...
88 bpm • G min • 02:06 • -33.96db
10% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 49% Positiveness
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John Dowland
Une jeune fillette
84 bpm • B min • 05:58 • -21db
15% Popularity • 41% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
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Giovanni Girolamo Kapsberger
Passacaglia
88 bpm • A min • 02:58 • -27db
20% Popularity • 44% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Gaspar Sanz
Maricapalos
84 bpm • A min • 03:48 • -25db
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
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Francesco Corbetta
Concert for 2 Guitars in E Minor: Passac...
88 bpm • F# Maj • 02:22 • -28db
16% Popularity • 43% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Salomone Rossi
Sinfonia grave
84 bpm • C Maj • 03:41 • -17.44db
9% Popularity • 17% Danceability • 33% Energy • 15% Liveness
99% Instrumentalness • 27% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada quinta
84 bpm • F# min • 03:12 • -17db
8% Popularity • 28% Danceability • 23% Energy • 18% Liveness
97% Instrumentalness • 19% Positiveness
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John Dowland
Preludium, P. 98
88 bpm • F min • 01:13 • -22.95db
21% Popularity • 40% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 68% Positiveness
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Michael Praetorius
Terpsichore*: Spagnoletta
84 bpm • A# Maj • 00:56 • -26.39db
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
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William Byrd
Byrd: Prelude & Goodnight Ground a 5
84 bpm • D# Maj • 05:58 • -21.22db
9% Popularity • 15% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Hopkinson Smith
Elizabeth and Essex - Queen Elizabeth's ...
88 bpm • A min • 02:06 • -22.85db
20% Popularity • 30% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
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Francesco Corbetta
Suite in C Major: I. Preludio
84 bpm • B Maj • 01:10 • -36db
20% Popularity • 28% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 59% Positiveness
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Maddalena Casulana
Maddalena Casulana : O notte o ciel o ma...
84 bpm • C Maj • 01:30 • -22.34db
14% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Stubbs
Arpeggiata a mio modo (2004)
84 bpm • D# min • 03:12 • -35.04db
18% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Jordi Savall
Recercadas Sobre El Canto Llano "La Spag...
88 bpm • D min • 01:53 • -23.7db
15% Popularity • 24% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
18% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Argentum et aurum
88 bpm • A min • 03:08 • -14.68db
15% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Monsieur de Sainte-Colombe
Concert XXV
83 bpm • C min • 05:55 • -24.52db
9% Popularity • 11% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 9% Positiveness
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Diego Ortiz
Recercada 4ª
83 bpm • D min • 01:32 • -26.99db
2% Popularity • 21% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 11% Positiveness
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Juan del Encina
Si abra en este baldres
83 bpm • F Maj • 01:28 • -15db
18% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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James Oswald
A Sonata of Scots Tunes: IV. Cromlit's L...
83 bpm • C# Maj • 01:32 • -23.86db
19% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 27% Positiveness
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Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
89 bpm • G# min • 04:51 • -16.35db
14% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Genevieve Lacey
Recercada Primera (Arr. James Crabb and ...
83 bpm • A min • 01:59 • -18.35db
1% Popularity • 27% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 23% Positiveness
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Diego Pisador
Si la noche haze escura
89 bpm • G min • 02:46 • -25db
11% Popularity • 22% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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John Dowland
Mr. Dowland's Midnight, P. 99
89 bpm • C min • 01:55 • -27.71db
24% Popularity • 38% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Robert de Visée
Suite in G Major: IV. Sarabande: La du h...
83 bpm • D min • 03:58 • -29.57db
9% Popularity • 22% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Giovanni Zamboni
Lute Sonata No. 9: IV. Sarabanda
83 bpm • C# min • 01:42 • -27db
30% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Charles Mouton
Prélude
83 bpm • G# min • 01:01 • -23db
22% Popularity • 49% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: V. Bourée
83 bpm • F min • 01:21 • -22.54db
20% Popularity • 34% Danceability • 24% Energy • 21% Liveness
90% Instrumentalness • 33% Positiveness
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Luis de Narváez
La Canción del Emperador
83 bpm • F# min • 02:34 • -34db
18% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Edward Martin
Haulberroys (Attaignant)
82 bpm • G min • 01:29 • -23.5db
21% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
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William Lawes
Pieces for 2 Lutes: III. Corant
90 bpm • A Maj • 01:46 • -31db
26% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
34% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
90 bpm • C# Maj • 01:29 • -18db
15% Popularity • 21% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Allegro 1 an...
90 bpm • B Maj • 08:15 • -21db
13% Popularity • 44% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Robert de Visée
Suite in C Minor: V. Gigue
82 bpm • F min • 01:53 • -33.5db
16% Popularity • 26% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Giovanni Paolo Foscarini
Corrente
90 bpm • C# min • 01:22 • -32.84db
27% Popularity • 52% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 42% Positiveness
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Stephen Stubbs
Recercar
90 bpm • A# Maj • 01:13 • -34db
29% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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Alessandro Piccinini
Ciaccona in G major
82 bpm • G Maj • 01:55 • -35.43db
18% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
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Vincenzo Ruffo
La Gamba
90 bpm • F Maj • 01:24 • -26db
22% Popularity • 45% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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William Byrd
Byrd: Miserere a 4
90 bpm • A# Maj • 01:33 • -25.78db
13% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Monsieur de Sainte-Colombe
Le Retrouvé
82 bpm • C# min • 06:07 • -29.78db
8% Popularity • 19% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Thoinot Arbeau
Canaries
90 bpm • G Maj • 03:24 • -16.99db
10% Popularity • 34% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 71% Positiveness
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Fahmi Alqhai
La dama le demanda
82 bpm • F# min • 03:12 • -18db
12% Popularity • 24% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Hopkinson Smith
Fortune My Foe
90 bpm • G min • 04:31 • -26.51db
14% Popularity • 37% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Michael Praetorius
Terpsichore*: a. Ballet des Baccanales b...
90 bpm • C Maj • 03:20 • -18.06db
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
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Christopher Simpson
Ground in D Major
82 bpm • C# Maj • 04:42 • -13.78db
8% Popularity • 23% Danceability • 48% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Robert de Visée
Passacaille en si mineur
81 bpm • A# min • 02:51 • -26.34db
15% Popularity • 46% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 30% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
81 bpm • F# Maj • 01:45 • -30.89db
22% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
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Matthew Locke
Suite No. 1 in G Minor: III. Courante
91 bpm • A Maj • 01:10 • -19db
16% Popularity • 29% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Miguel de Fuenllana
Con que la lavare
91 bpm • C min • 02:48 • -23db
18% Popularity • 21% Danceability • 5% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
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Michael Praetorius
Terpsichore*: Bransle de la Torche
91 bpm • C Maj • 02:14 • -26.03db
22% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Bellerofonte Castaldi
Cecchina (Corrente)
81 bpm • G Maj • 01:19 • -32db
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Vincenzo Capirola
Balletto
81 bpm • D Maj • 01:52 • -31db
26% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
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Gaspar Sanz
Españoletas
91 bpm • D min • 04:15 • -26.95db
14% Popularity • 33% Danceability • 7% Energy • 10% Liveness
52% Instrumentalness • 32% Positiveness
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Francesco Spinacino
Recercare (I)
92 bpm • G min • 02:09 • -37.09db
34% Popularity • 35% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Andrea Falconieri
La soave melodia
91 bpm • E min • 01:50 • -35db
17% Popularity • 24% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 28% Positiveness
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Johann Sebastian Bach
Suite in E Major, BWV 1006a: V. Bourrée
81 bpm • E Maj • 02:01 • -24.16db
17% Popularity • 36% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Juan de Araujo
Los coflades de la estleya
81 bpm • F# Maj • 04:09 • -22.24db
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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John Bull
In Nomine à 5 I
92 bpm • C min • 02:46 • -22.15db
10% Popularity • 18% Danceability • 6% Energy • 11% Liveness
26% Instrumentalness • 7% Positiveness
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Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
32% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
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Diego Ortiz
Salmo 109 Dixit Dominus a 4 Alternatim
92 bpm • C Maj • 04:15 • -18.22db
1% Popularity • 22% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Hopkinson Smith
Three Feminine Portraits - Lady Hunsdon'...
80 bpm • A# Maj • 01:36 • -20.04db
26% Popularity • 34% Danceability • 17% Energy • 21% Liveness
89% Instrumentalness • 53% Positiveness
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Robert Parsons
A Song of Mr Robert Parsons
92 bpm • G# min • 01:55 • -29db
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Stephen Stubbs
Refrain 2
93 bpm • A min • 01:43 • -41db
30% Popularity • 42% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
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Monsieur de Sainte-Colombe
Tombeau Les Regrets
80 bpm • F# Maj • 08:51 • -33.74db
8% Popularity • 9% Danceability • 1% Energy • 32% Liveness
87% Instrumentalness • 6% Positiveness
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Andrea Falconieri
Passacalle
93 bpm • G min • 02:46 • -19.19db
19% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Diego Ortiz
Passamezzo Antiguo. Recercada 5ª
93 bpm • F Maj • 02:46 • -25.53db
1% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Matthew Locke
Suite No. 1 in G Minor: IV. Saraband
93 bpm • F# min • 00:59 • -16.86db
20% Popularity • 42% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Robert de Visée
Visée: Pièces de théorbe, Suite No. 2...
80 bpm • C# Maj • 02:48 • -29db
8% Popularity • 41% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Thomas Tallis
In Nomine
93 bpm • C# min • 02:45 • -29.04db
15% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Diego Ortiz
Felici Occhi Miei. Recercada 1ª
93 bpm • G min • 01:53 • -27.78db
1% Popularity • 26% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Hopkinson Smith
Three Feminine Portraits - La Mia Barbar...
93 bpm • D min • 05:01 • -23.45db
13% Popularity • 29% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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John Dowland
Fortune my foe
93 bpm • C Maj • 02:17 • -39.57db
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
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Ennemond Gaultier
Suite in D Minor: III. L'adieu
79 bpm • C min • 02:48 • -26.69db
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Recercada 3ª