Songs like Reckless Night on Board An Ocean Liner by Ray Ventura Et Ses Collégiens
Based on a tempo of (+/- 10%) and a similar genre
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Édith Piaf
Hymne à l'amour (Live Musicorama à l'O...
117 bpm • D# Maj • 03:55 • -8.23db
9% Popularity • 28% Danceability • 37% Energy • 92% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 28% Danceability • 37% Energy • 92% Liveness
0% Instrumentalness • 16% Positiveness
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Ella Logan
My Bonnie Lies Over The Ocean
117 bpm • F Maj • 02:56 • -11.45db
8% Popularity • 84% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 84% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Mills Brothers
Sweet Lucy Brown - Alt
117 bpm • F Maj • 02:24 • -14.3db
13% Popularity • 83% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 83% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Choeur de nonnes La Mélodie Du Bonheur
Maria
117 bpm • A Maj • 01:50 • -15.88db
13% Popularity • 45% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 45% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Luis Mariano
Si tu n'es pas la
117 bpm • G# Maj • 03:10 • -16.12db
9% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ray Ventura Et Ses Collégiens
Reckless Night on Board An Ocean Liner
117 bpm • D min • 03:19 • -9.75db
0% Popularity • 65% Danceability • 56% Energy • 35% Liveness
90% Instrumentalness • 71% Positiveness
0% Popularity • 65% Danceability • 56% Energy • 35% Liveness
90% Instrumentalness • 71% Positiveness
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Rudy Vallee and His Connecticut Yankees
My Song
116 bpm • G# Maj • 03:15 • -19.15db
10% Popularity • 48% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 48% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Dalida
Guitare et tambourin - 2024 Remastered
116 bpm • G# Maj • 02:27 • -9.67db
20% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Berthe Sylva
C'est mon gigolo
118 bpm • F Maj • 02:58 • -9.08db
17% Popularity • 69% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 69% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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John Kirby
Schubert's Serenade (c. 10/11-41)
118 bpm • D min • 02:31 • -11.58db
8% Popularity • 46% Danceability • 25% Energy • 17% Liveness
59% Instrumentalness • 69% Positiveness
8% Popularity • 46% Danceability • 25% Energy • 17% Liveness
59% Instrumentalness • 69% Positiveness
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Luis Mariano
Allo i c'est un coeur que vous parle
116 bpm • G# Maj • 02:58 • -15db
9% Popularity • 41% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 41% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Charlie Kunz
I Couldn't Sleep a Wink Last Night
118 bpm • C Maj • 02:55 • -23db
10% Popularity • 61% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 53% Positiveness
10% Popularity • 61% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 53% Positiveness
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Comedian Harmonists
Sous Le Ciel D'Afrique - 1996 Digital Re...
116 bpm • C min • 03:19 • -20.43db
5% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
5% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Fujiyama Ichiro
燃ゆる大空
116 bpm • D# Maj • 03:29 • -9.76db
2% Popularity • 90% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 90% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Chaplin
Later That Night
118 bpm • F Maj • 02:01 • -6.06db
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
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Josef Stelibsky
Ostrov milování: "Kosí fox"
116 bpm • G Maj • 03:01 • -17.38db
14% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Daniel Clerice
Bonjour mon vieux Paris
116 bpm • D Maj • 03:18 • -9.02db
7% Popularity • 59% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 59% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Parezzi And Me
Quand on a que l'amour
118 bpm • F# min • 01:51 • -4.99db
32% Popularity • 65% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 65% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Xavier Cugat & His Orchestra
Mexicali Rose
119 bpm • F Maj • 02:47 • -15.83db
15% Popularity • 44% Danceability • 18% Energy • 25% Liveness
80% Instrumentalness • 30% Positiveness
15% Popularity • 44% Danceability • 18% Energy • 25% Liveness
80% Instrumentalness • 30% Positiveness
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Leif Smoke Rings Anderson
Sand in My Shoes
119 bpm • G min • 03:13 • -18.66db
10% Popularity • 68% Danceability • 8% Energy • 40% Liveness
39% Instrumentalness • 38% Positiveness
10% Popularity • 68% Danceability • 8% Energy • 40% Liveness
39% Instrumentalness • 38% Positiveness
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Cristina Jorio
Ciao
119 bpm • D Maj • 02:36 • -18.06db
15% Popularity • 78% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 78% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Andre Bourvil
Bien si bien
115 bpm • C Maj • 02:41 • -10.77db
6% Popularity • 81% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 81% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Ray Ventura Et Ses Collégiens
It's a Long, Long Way to Tipperary
119 bpm • G min • 02:50 • -7.06db
2% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Lys Gauty
Obsession
115 bpm • G Maj • 03:04 • -15.03db
13% Popularity • 45% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 45% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Luis Mariano
Il est un coin de France
115 bpm • D Maj • 02:47 • -10.91db
8% Popularity • 57% Danceability • 37% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 57% Danceability • 37% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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Fernandel
Ne me dis plus tu
119 bpm • C min • 02:30 • -8.91db
17% Popularity • 54% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 54% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Kunz
In the Blue of Evening
119 bpm • F Maj • 03:08 • -22.23db
9% Popularity • 60% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
9% Popularity • 60% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Mark Lemanche
Soleils couchants
119 bpm • F Maj • 01:14 • -14.7db
31% Popularity • 50% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
31% Popularity • 50% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
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Koichi Sugii
Ouryokkou-Bushi (鴨緑江節)
119 bpm • C Maj • 03:21 • -10.3db
11% Popularity • 69% Danceability • 42% Energy • 77% Liveness
75% Instrumentalness • 67% Positiveness
11% Popularity • 69% Danceability • 42% Energy • 77% Liveness
75% Instrumentalness • 67% Positiveness
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Alice Faye
Never In a Million Years - 78 rpm Versi...
115 bpm • A# Maj • 02:38 • -15.3db
10% Popularity • 52% Danceability • 6% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 52% Danceability • 6% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Bert Lown & His Orchestra
Bye bye blues
115 bpm • F min • 03:26 • -10.91db
0% Popularity • 56% Danceability • 35% Energy • 10% Liveness
67% Instrumentalness • 30% Positiveness
0% Popularity • 56% Danceability • 35% Energy • 10% Liveness
67% Instrumentalness • 30% Positiveness
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Léo Ferré
L'Ile Saint-Louis
119 bpm • A min • 03:18 • -15.51db
12% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Léo Marjane
Seule ce soir
115 bpm • D# Maj • 03:20 • -13.17db
9% Popularity • 41% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 41% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Ray Ventura Et Ses Collégiens
On ira pendre notre linge sur la ligne S...
115 bpm • C Maj • 03:08 • -20.95db
0% Popularity • 81% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 81% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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John Kirby
Blues Petite (05-27-40)
115 bpm • A# Maj • 03:12 • -17.97db
10% Popularity • 67% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 56% Positiveness
10% Popularity • 67% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 56% Positiveness
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Luis Mariano
Sous le ciel Argentin
119 bpm • D Maj • 03:12 • -12.97db
8% Popularity • 49% Danceability • 19% Energy • 44% Liveness
1% Instrumentalness • 39% Positiveness
8% Popularity • 49% Danceability • 19% Energy • 44% Liveness
1% Instrumentalness • 39% Positiveness
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Albert Préjean
La valse à Dédé de Montmartre
114 bpm • E Maj • 02:37 • -9.43db
10% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Mills Brothers
Sweet Lucy Brown
120 bpm • A# Maj • 02:21 • -15.34db
17% Popularity • 72% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 72% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Carroll Gibbons & His Boyfriends
Isn't It a Lovely Day?
114 bpm • A# Maj • 02:58 • -22.01db
1% Popularity • 40% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 40% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Frankie Masters & His Orchestra
Let's Sing a Gay Little Spring Song
114 bpm • F min • 02:48 • -9.11db
4% Popularity • 68% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
4% Popularity • 68% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Bonet de San Pedro
Yo Le Cuento a las Estrellas
120 bpm • F Maj • 02:38 • -19.87db
2% Popularity • 59% Danceability • 10% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
2% Popularity • 59% Danceability • 10% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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The Barry Sisters
Oh Mama, I'm So In Love
120 bpm • B Maj • 01:52 • -13.95db
14% Popularity • 65% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 65% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Alf Rick
Levi's Monkey Mike
121 bpm • D Maj • 03:04 • -15.76db
13% Popularity • 91% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 91% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Cole Porter
From Alpha to Omega
113 bpm • A# Maj • 02:02 • -18.97db
10% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Koichi Sugii
A-A-Waga-Senyu (あゝ我が戦友)
121 bpm • F min • 03:06 • -15.57db
10% Popularity • 66% Danceability • 27% Energy • 21% Liveness
63% Instrumentalness • 92% Positiveness
10% Popularity • 66% Danceability • 27% Energy • 21% Liveness
63% Instrumentalness • 92% Positiveness
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Al Martino
Before
113 bpm • C Maj • 02:14 • -9.44db
12% Popularity • 59% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 59% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Ilse Werner
Wann Wirst Du Wieder Bei Mir Sein?
121 bpm • C Maj • 02:37 • -15db
13% Popularity • 44% Danceability • 19% Energy • 37% Liveness
1% Instrumentalness • 35% Positiveness
13% Popularity • 44% Danceability • 19% Energy • 37% Liveness
1% Instrumentalness • 35% Positiveness
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Victor Silvester
Manhattan
121 bpm • C min • 02:14 • -13.62db
12% Popularity • 45% Danceability • 27% Energy • 52% Liveness
88% Instrumentalness • 39% Positiveness
12% Popularity • 45% Danceability • 27% Energy • 52% Liveness
88% Instrumentalness • 39% Positiveness
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Bourvil
Pin-Up - Remastered
121 bpm • G# Maj • 02:42 • -7.61db
9% Popularity • 68% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 68% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Édith Piaf
Les Flons Flons Du Bal
113 bpm • G Maj • 02:35 • -7.81db
8% Popularity • 44% Danceability • 57% Energy • 92% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 44% Danceability • 57% Energy • 92% Liveness
0% Instrumentalness • 69% Positiveness
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Jams FL
Les Flamandes
121 bpm • E Maj • 02:07 • -5.29db
33% Popularity • 67% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 67% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Ray Ventura Et Ses Collégiens
Ah ! Viv'ment dimanche
113 bpm • D Maj • 03:03 • -8.49db
0% Popularity • 63% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 63% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Fernand Gignac
Le tango des fauvettes
113 bpm • A min • 02:09 • -5.7db
14% Popularity • 42% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 42% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Berthe Sylva
On n'a pas tous les jours vingt ans
122 bpm • C# Maj • 03:00 • -10db
25% Popularity • 63% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 63% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Bourvil
En rév'nant d' la revue
121 bpm • F Maj • 02:59 • -4.91db
8% Popularity • 78% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 78% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Raymond Scott
Girl With the Light Blue Hair - 1939 Orc...
122 bpm • F min • 02:49 • -11.1db
10% Popularity • 60% Danceability • 49% Energy • 13% Liveness
88% Instrumentalness • 87% Positiveness
10% Popularity • 60% Danceability • 49% Energy • 13% Liveness
88% Instrumentalness • 87% Positiveness
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Jams FL
On oublie rien
113 bpm • F# Maj • 02:25 • -5.71db
33% Popularity • 61% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 61% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Line Renaud
Ma Petite Folie
112 bpm • D Maj • 02:43 • -6.63db
11% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ray Ventura Et Ses Collégiens
Piccolino - Du film "Top Hat"
121 bpm • D# Maj • 02:59 • -7.4db
0% Popularity • 65% Danceability • 44% Energy • 5% Liveness
72% Instrumentalness • 90% Positiveness
0% Popularity • 65% Danceability • 44% Energy • 5% Liveness
72% Instrumentalness • 90% Positiveness
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Bonet de San Pedro
Triste Esperar
112 bpm • D min • 03:17 • -19.49db
1% Popularity • 50% Danceability • 5% Energy • 12% Liveness
67% Instrumentalness • 45% Positiveness
1% Popularity • 50% Danceability • 5% Energy • 12% Liveness
67% Instrumentalness • 45% Positiveness
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Bert Ambrose Orchestra
You Ought to Be in Pictures
122 bpm • C Maj • 02:55 • -11.46db
13% Popularity • 42% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 42% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Fabienne Thibeault
Le petit bonheur
112 bpm • B Maj • 02:43 • -9.87db
11% Popularity • 74% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 74% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Georges Moustaki
Dire qu'il faudra mourir un jour - Versi...
112 bpm • C# min • 02:26 • -11.53db
10% Popularity • 74% Danceability • 37% Energy • 8% Liveness
5% Instrumentalness • 92% Positiveness
10% Popularity • 74% Danceability • 37% Energy • 8% Liveness
5% Instrumentalness • 92% Positiveness
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Jams FL
Le prochain amour
122 bpm • E min • 02:43 • -6.03db
33% Popularity • 41% Danceability • 56% Energy • 63% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 41% Danceability • 56% Energy • 63% Liveness
0% Instrumentalness • 40% Positiveness
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Rina Ketty
Plaisir d'amour
112 bpm • F Maj • 02:42 • -9db
20% Popularity • 57% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 57% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Bob Crosby
Day In, Day Out
122 bpm • G min • 02:57 • -8.15db
4% Popularity • 41% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
4% Popularity • 41% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Ray Ventura Et Ses Collégiens
La petite île
122 bpm • G Maj • 03:06 • -12.96db
0% Popularity • 70% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 74% Positiveness
0% Popularity • 70% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 74% Positiveness
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Charles Trenet
Souvenirs - Remasterisé en 2017
123 bpm • C Maj • 02:45 • -12.57db
12% Popularity • 51% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 51% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Harry Roy And His Mayfair Hotel Orchestra
Be Careful It's My Heart
112 bpm • A# min • 03:16 • -13.77db
10% Popularity • 38% Danceability • 14% Energy • 17% Liveness
1% Instrumentalness • 26% Positiveness
10% Popularity • 38% Danceability • 14% Energy • 17% Liveness
1% Instrumentalness • 26% Positiveness
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Fréhel
La java bleue
112 bpm • A# Maj • 02:45 • -9.83db
37% Popularity • 71% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 71% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Rina Ketty
J'attendrai - Tornerai
112 bpm • G# Maj • 02:59 • -13.3db
30% Popularity • 36% Danceability • 29% Energy • 41% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 36% Danceability • 29% Energy • 41% Liveness
0% Instrumentalness • 25% Positiveness
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Raymond Scott
Evening Star - 1941
123 bpm • F# Maj • 03:10 • -11.14db
11% Popularity • 72% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
11% Popularity • 72% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
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Billy Cotton
That Lindy Hop
123 bpm • F Maj • 03:10 • -12db
16% Popularity • 76% Danceability • 45% Energy • 9% Liveness
82% Instrumentalness • 83% Positiveness
16% Popularity • 76% Danceability • 45% Energy • 9% Liveness
82% Instrumentalness • 83% Positiveness
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Billy Cotton Band
Aurora
111 bpm • D Maj • 02:19 • -10.49db
13% Popularity • 78% Danceability • 34% Energy • 5% Liveness
12% Instrumentalness • 67% Positiveness
13% Popularity • 78% Danceability • 34% Energy • 5% Liveness
12% Instrumentalness • 67% Positiveness
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Manos Hadjidakis
Tihea Sinantisi
123 bpm • C Maj • 01:01 • -12.77db
19% Popularity • 39% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 39% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Jack Shaindlin
Just Whisper
111 bpm • B min • 01:49 • -13.52db
10% Popularity • 26% Danceability • 33% Energy • 37% Liveness
88% Instrumentalness • 35% Positiveness
10% Popularity • 26% Danceability • 33% Energy • 37% Liveness
88% Instrumentalness • 35% Positiveness
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Will Glahé
Fräulein Mathilde
111 bpm • D# Maj • 03:01 • -8db
10% Popularity • 85% Danceability • 51% Energy • 5% Liveness
79% Instrumentalness • 86% Positiveness
10% Popularity • 85% Danceability • 51% Energy • 5% Liveness
79% Instrumentalness • 86% Positiveness
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Jo Privat & Les Manouches De Paris
Les Deux Guitares
124 bpm • D min • 02:54 • -10.44db
0% Popularity • 61% Danceability • 33% Energy • 8% Liveness
42% Instrumentalness • 64% Positiveness
0% Popularity • 61% Danceability • 33% Energy • 8% Liveness
42% Instrumentalness • 64% Positiveness
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Damia
Chansons Gitanes Chanson De Route
111 bpm • A# min • 02:36 • -13db
11% Popularity • 36% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 36% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Alain Barrière
Les Baleines - Remastered
124 bpm • A Maj • 01:50 • -7db
11% Popularity • 44% Danceability • 29% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 44% Danceability • 29% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
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Fréhel
Tel qu'il est
124 bpm • G Maj • 02:47 • -12db
19% Popularity • 73% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 73% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Bourvil
La dondon dodue
124 bpm • C Maj • 02:21 • -5.99db
10% Popularity • 86% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 86% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Les Comedian Harmonists
Avec les pompiers
110 bpm • F# Maj • 03:08 • -14.33db
6% Popularity • 79% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
6% Popularity • 79% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Sacha Distel
Brigitte
124 bpm • G# Maj • 02:18 • -10.3db
9% Popularity • 54% Danceability • 40% Energy • 10% Liveness
18% Instrumentalness • 44% Positiveness
9% Popularity • 54% Danceability • 40% Energy • 10% Liveness
18% Instrumentalness • 44% Positiveness
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Luis Mariano
Jardin D'Andalousie
124 bpm • G Maj • 03:24 • -15db
8% Popularity • 37% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
8% Popularity • 37% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Ducasse d'Ath
Le Faubourg de Tournai
124 bpm • A# Maj • 04:48 • -14.23db
10% Popularity • 76% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 76% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Gus Viseur
Gracieusette
110 bpm • A Maj • 02:40 • -7.99db
9% Popularity • 74% Danceability • 48% Energy • 6% Liveness
50% Instrumentalness • 96% Positiveness
9% Popularity • 74% Danceability • 48% Energy • 6% Liveness
50% Instrumentalness • 96% Positiveness
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Hans Rehmstedt
Wenn froh ein Lied erklingt
110 bpm • G# Maj • 02:50 • -5.07db
9% Popularity • 53% Danceability • 52% Energy • 26% Liveness
86% Instrumentalness • 72% Positiveness
9% Popularity • 53% Danceability • 52% Energy • 26% Liveness
86% Instrumentalness • 72% Positiveness
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Lina Margy
Brin d'amour
110 bpm • C Maj • 02:48 • -7db
15% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Marcel Amont
Aïe Mon Cur
124 bpm • G min • 02:38 • -9.11db
17% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Boris Vian
Wild Man Blues
124 bpm • G min • 02:08 • -11.04db
9% Popularity • 73% Danceability • 37% Energy • 9% Liveness
89% Instrumentalness • 78% Positiveness
9% Popularity • 73% Danceability • 37% Energy • 9% Liveness
89% Instrumentalness • 78% Positiveness
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Line Renaud
Mademoiselle from Armentières - Remaste...
124 bpm • G Maj • 02:40 • -7db
8% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Jacques Laurent
La Fin
124 bpm • C Maj • 02:13 • -13.48db
17% Popularity • 58% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 58% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Comedian Harmonists
Quand Il Pleut
110 bpm • A# Maj • 03:13 • -24.24db
9% Popularity • 43% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 43% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Léo Marjane
L'Âme au diable
110 bpm • A# min • 02:00 • -14db
8% Popularity • 53% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 53% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Emile Prud'homme Et Son Orchestre
Pinsonnette II
125 bpm • C Maj • 02:51 • -9.24db
16% Popularity • 89% Danceability • 66% Energy • 30% Liveness
90% Instrumentalness • 98% Positiveness
16% Popularity • 89% Danceability • 66% Energy • 30% Liveness
90% Instrumentalness • 98% Positiveness
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Luis Mariano
Danse danse ma romance
124 bpm • D# Maj • 03:01 • -12.52db
8% Popularity • 52% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 52% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Jacques Pills
Dans un coin de mon pays
110 bpm • C Maj • 02:53 • -10.78db
19% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
