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Red Dirt, Blue Eyes
Songs like
Red Dirt, Blue Eyes
by
Dustin Lynch
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
49% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
53% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Dustin Lynch
Dirt Road
160 bpm • C# min • 03:22 • -4.17db
39% Popularity • 51% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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James Barker Band
Summer Time
160 bpm • A Maj • 03:06 • -3.92db
40% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Tyler Rich
Adrenaline
160 bpm • F# Maj • 03:26 • -5.17db
30% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
64% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Jon Pardi
What I Can't Put Down
160 bpm • G Maj • 03:23 • -4db
62% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Jon Langston
She's so Georgia
160 bpm • C# Maj • 03:21 • -5db
39% Popularity • 42% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 64% Positiveness
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Dustin Lynch
Red Dirt, Blue Eyes
160 bpm • G# Maj • 03:17 • -4.52db
44% Popularity • 51% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Janson
Waitin' on 5
160 bpm • C# Maj • 02:54 • -2.97db
45% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Kip Moore
Red White Blue Jean American Dream
160 bpm • C Maj • 03:00 • -5.97db
46% Popularity • 56% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
64% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Nate Smith
Wildfire
160 bpm • F# Maj • 03:10 • -4.99db
57% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Canaan Smith
This Night Back
160 bpm • A Maj • 03:04 • -5db
43% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Dustin Lynch
Good Girl (Acoustic)
160 bpm • G Maj • 03:10 • -6.73db
32% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
62% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Walker McGuire
I'm On It
161 bpm • C# Maj • 02:51 • -4.39db
27% Popularity • 46% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Combs
Be Careful What You Wish For
159 bpm • D# Maj • 02:55 • -5db
61% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Russell Dickerson
Never Get Old
162 bpm • G Maj • 03:05 • -4.86db
31% Popularity • 49% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Dylan Schneider
Fireworks
162 bpm • G Maj • 03:13 • -7db
36% Popularity • 53% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Dustin Lynch
Where It's At
158 bpm • D# Maj • 03:24 • -5.75db
59% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Kip Moore
That Was Us
158 bpm • D Maj • 03:59 • -7db
47% Popularity • 60% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
60% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Combs
A Long Way
162 bpm • D Maj • 03:37 • -5.03db
59% Popularity • 48% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Old Dominion
I'm On It
162 bpm • B Maj • 03:07 • -3.44db
37% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Stell
Better Than That
158 bpm • A min • 03:18 • -3.37db
35% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Paslay
Young Forever
162 bpm • C Maj • 03:17 • -5.39db
42% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Dustin Lynch
Mind Reader
162 bpm • E min • 03:05 • -4.17db
56% Popularity • 39% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Darius Rucker
My Masterpiece
162 bpm • F# Maj • 03:30 • -4.7db
47% Popularity • 52% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Eli Young Band
Break It In
158 bpm • D Maj • 03:13 • -7db
32% Popularity • 49% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Riley Green
Outlaws Like Us
157 bpm • F# Maj • 03:24 • -5.05db
42% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jon Pardi
Up All Night
163 bpm • A Maj • 03:29 • -4.94db
60% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Combs
All Over Again
157 bpm • G Maj • 03:28 • -5.37db
58% Popularity • 50% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Dustin Lynch
Party Song
158 bpm • G Maj • 03:11 • -5db
26% Popularity • 56% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Blake Shelton
A Guy with a Girl
164 bpm • C Maj • 03:09 • -4.59db
61% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Walker McGuire
Best Kinda Bad
163 bpm • D Maj • 03:41 • -2.78db
39% Popularity • 44% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Justin Moore
Good Times Don’t
164 bpm • F# Maj • 02:46 • -4.22db
39% Popularity • 50% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Dylan Schneider
No Problem
164 bpm • F Maj • 03:03 • -4.38db
41% Popularity • 48% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Craig Campbell
See You Try
164 bpm • E Maj • 03:02 • -5.42db
34% Popularity • 56% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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LOCASH
Beers to Catch Up On
164 bpm • F# Maj • 03:00 • -3.47db
36% Popularity • 45% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Bryan
Pick It Up
156 bpm • G# min • 02:59 • -3.79db
35% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Jake Owen
Best Thing Since Backroads
156 bpm • G Maj • 03:07 • -3.8db
56% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
61% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Dylan Schneider
Bad Thing About A Backroad
156 bpm • A Maj • 03:13 • -5.18db
34% Popularity • 55% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Dylan Scott
Do You Think About Me
156 bpm • B min • 03:23 • -6.45db
35% Popularity • 62% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Joe Nichols
Yeah
166 bpm • B Maj • 03:51 • -4.65db
55% Popularity • 40% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Filmore
Other Girl
166 bpm • C Maj • 03:15 • -5.84db
28% Popularity • 44% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Jake Owen
Drink All Day
166 bpm • D# Maj • 02:59 • -4.97db
44% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Brett Young
1, 2, 3 Mississippi
156 bpm • F# Maj • 03:26 • -6.23db
43% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
62% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Riley Green
Runnin' With An Angel
166 bpm • F# Maj • 03:55 • -5.91db
45% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
50% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Keith Urban
Cop Car
154 bpm • C# Maj • 04:16 • -6.32db
58% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Rich
Take It Or Leave It
154 bpm • C Maj • 03:00 • -6.1db
28% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Luke Bryan
She's A Hot One
154 bpm • F min • 02:55 • -1.9db
40% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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HIXTAPE
What They Make Backroads For (HARDY Trac...
154 bpm • E Maj • 03:18 • -6.56db
47% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Riley Green
Runnin’ With An Angel
166 bpm • F# Maj • 03:56 • -6db
43% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Scotty McCreery
Home in My Mind
154 bpm • F# Maj • 03:35 • -6.49db
41% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Brett Young
Makin' Me Say
168 bpm • G Maj • 03:08 • -6db
40% Popularity • 60% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Old Dominion
Not Everything's About You
168 bpm • D# Maj • 03:54 • -4.26db
45% Popularity • 46% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
59% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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LOCASH
Feels Like a Party
168 bpm • E Maj • 02:48 • -4.67db
50% Popularity • 56% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Janson
Power of Positive Drinkin'
168 bpm • B Maj • 03:30 • -4.89db
44% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Scotty McCreery
Same Truck
167 bpm • G Maj • 03:34 • -5.1db
33% Popularity • 40% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Dustin Lynch
What You Wanna Hear
152 bpm • G# Maj • 03:31 • -5.87db
33% Popularity • 45% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
56% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
48% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
58% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
64% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
69% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Eli Young Band
Crazy Girl - Acoustic
151 bpm • E Maj • 03:07 • -4.64db
38% Popularity • 27% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Canaan Smith
Life Ain't Fair
151 bpm • C# Maj • 03:01 • -4.45db
27% Popularity • 44% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Rich
The Difference
170 bpm • A Maj • 03:06 • -5db
55% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Tyler Hubbard
I'm The Only One
170 bpm • C# Maj • 02:48 • -4.17db
50% Popularity • 49% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Luke Bryan
What She Wants Tonight
170 bpm • G# min • 03:07 • -3.86db
47% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Janson
Everybody's Going Through Something
170 bpm • C Maj • 02:47 • -2.24db
19% Popularity • 47% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Scotty McCreery
Seasons Change
170 bpm • G Maj • 03:46 • -5.79db
34% Popularity • 53% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 92% Positiveness
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Brett Young
Not Yet
170 bpm • C# Maj • 02:54 • -6.11db
53% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Maddie & Tae
Woman You Got
170 bpm • A# Maj • 02:57 • -3.55db
48% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Jordan Davis
Made That Way
170 bpm • G# Maj • 02:53 • -5db
49% Popularity • 48% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Reklaws
Feels Like That
170 bpm • F Maj • 03:30 • -6db
41% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Kip Moore
Wild World
150 bpm • G Maj • 03:40 • -9.09db
44% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jake Owen
Catch A Cold One
150 bpm • D# Maj • 02:50 • -4.77db
45% Popularity • 59% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Brett Young
Don’t Wanna Write This Song
150 bpm • D Maj • 03:48 • -8db
49% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
51% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Eli Young Band
Always The Love Songs
150 bpm • E Maj • 03:41 • -3.42db
42% Popularity • 47% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
59% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Dustin Lynch
The World Ain't Yours and Mine
150 bpm • E Maj • 03:24 • -6.06db
31% Popularity • 66% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
58% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Jon Pardi
Old Hat
150 bpm • D Maj • 03:14 • -3.87db
43% Popularity • 60% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Dylan Scott
You Got Me
150 bpm • G Maj • 02:34 • -6.79db
42% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Farr
Soundtrack to a Small Town Sundown
150 bpm • G# Maj • 03:00 • -4.7db
34% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
53% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Dustin Lynch
Break It On A Beach
150 bpm • A min • 03:11 • -3.42db
32% Popularity • 58% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Sam Hunt
2016
150 bpm • F# Maj • 03:55 • -8.17db
53% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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ERNEST
Cheers
172 bpm • E Maj • 02:45 • -5.15db
48% Popularity • 51% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Jordan Davis
Leaving New Orleans
172 bpm • A Maj • 03:30 • -5.38db
45% Popularity • 48% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Old Dominion
No Such Thing as a Broken Heart
172 bpm • G# Maj • 02:56 • -4.3db
63% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Easton Corbin
Clockwork
172 bpm • C Maj • 03:09 • -4.85db
49% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
73% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Red Dirt, Blue Eyes