Songs like red (feat. Morgan Wallen) by HARDY
Based on a tempo of (+/- 10%) and a similar genre
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ella Langley
Country Boy's Dream Girl
140 bpm • G# Maj • 03:05 • -4.56db
63% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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HIXTAPE
Hometown Boys
140 bpm • C Maj • 03:44 • -3.78db
39% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
58% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Blake Shelton
God's Country
140 bpm • A# Maj • 03:24 • -5.1db
67% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
67% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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HARDY
THIS OLE BOY
140 bpm • G# Maj • 03:16 • -4.37db
49% Popularity • 52% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 52% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Dylan Scott
Livin' My Best Life
140 bpm • G Maj • 03:22 • -3.68db
52% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Muscadine Bloodline
Can't Tell You No
140 bpm • F# Maj • 03:11 • -7.79db
62% Popularity • 87% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
62% Popularity • 87% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Warren Zeiders
Pain Killer
140 bpm • G min • 02:47 • -4.23db
58% Popularity • 53% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 53% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Robert Counts
What Do I Know
140 bpm • C Maj • 03:28 • -6db
46% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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HARDY
red
140 bpm • B Maj • 03:25 • -4.56db
71% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
71% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Marlowe
Record High
140 bpm • C# Maj • 03:28 • -5.32db
56% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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HIXTAPE
He Went To Jared (HARDY Morgan Wallen)
140 bpm • A min • 03:33 • -5.11db
68% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
68% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Dylan Scott
Boys Back Home
140 bpm • A# Maj • 02:45 • -2.01db
57% Popularity • 48% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 48% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Megan Moroney
Fix You Too
141 bpm • A# Maj • 03:19 • -7.79db
65% Popularity • 32% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 32% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lainey Wilson
Dirty Looks
140 bpm • D Maj • 03:14 • -5.05db
70% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Cole Swindell
Down to the Bar
140 bpm • G# Maj • 03:15 • -3.28db
45% Popularity • 42% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 42% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Combs
Love You Anyway
140 bpm • E Maj • 03:49 • -7.42db
73% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
73% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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HIXTAPE
Life Had Plans For Me
140 bpm • C# Maj • 03:45 • -4.83db
53% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Warren Zeiders
Heavy Pour
139 bpm • G# Maj • 02:27 • -6.04db
54% Popularity • 56% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 56% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lainey Wilson
Watermelon Moonshine
140 bpm • C# Maj • 03:28 • -6.71db
76% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
76% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Corey Kent
Gold
141 bpm • D Maj • 03:02 • -6db
59% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Koe Wetzel
Fuss and Fight
141 bpm • D min • 04:00 • -5.59db
61% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
61% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Old Dominion
Can't Break Up Now
139 bpm • E Maj • 03:20 • -5.85db
56% Popularity • 46% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 46% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Chase Matthew
This Side of Town
141 bpm • E min • 03:20 • -5.28db
53% Popularity • 64% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 64% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
59% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 02:56 • -6db
68% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Dylan Marlowe
I'll Keep the Country
142 bpm • C# Maj • 03:31 • -5db
48% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Lainey Wilson
Weak-End
142 bpm • C Maj • 03:28 • -7.4db
60% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Keith Urban
Brown Eyes Baby
142 bpm • G# Maj • 03:44 • -6.99db
62% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Morgan Wallen
One Thing At A Time
142 bpm • G Maj • 03:26 • -5.15db
75% Popularity • 61% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
75% Popularity • 61% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Nate Smith
I Found You
142 bpm • C Maj • 03:26 • -5.12db
46% Popularity • 50% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 50% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
65% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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HARDY
.30-06
142 bpm • D Maj • 02:20 • -3.55db
61% Popularity • 52% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 52% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Lainey Wilson
Atta Girl
142 bpm • B Maj • 03:26 • -7.44db
61% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Austin Williams
Wanna Be Saved
142 bpm • C min • 03:08 • -6.93db
47% Popularity • 60% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 60% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Bailey Zimmerman
Trainwreck
138 bpm • G Maj • 03:30 • -6db
56% Popularity • 51% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 51% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Redferrin
Jack and Diet Coke
138 bpm • E min • 03:13 • -6.46db
72% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Colt Ford
Slow Ride
142 bpm • B min • 02:54 • -4.73db
59% Popularity • 67% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
59% Popularity • 67% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Meloy
Porch Light
142 bpm • F# Maj • 03:04 • -8.26db
79% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
79% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
61% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Hayden Coffman
Better Off
142 bpm • C Maj • 03:18 • -4.91db
63% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Koe Wetzel
So Low
137 bpm • C# min • 03:53 • -6.38db
54% Popularity • 51% Danceability • 56% Energy • 13% Liveness
6% Instrumentalness • 24% Positiveness
54% Popularity • 51% Danceability • 56% Energy • 13% Liveness
6% Instrumentalness • 24% Positiveness
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Larry Fleet
Where I Find God
138 bpm • B Maj • 04:09 • -6.2db
64% Popularity • 59% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
64% Popularity • 59% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Chase Rice
Key West & Colorado
137 bpm • D Maj • 03:26 • -4.77db
45% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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HARDY
I'LL QUIT LOVIN' YOU
136 bpm • G# Maj • 03:27 • -4.92db
51% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Mason Horne
Cheap Shots
144 bpm • G Maj • 03:31 • -4.99db
46% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Muscadine Bloodline
Porch Swing Angel
136 bpm • D Maj • 03:50 • -7.9db
67% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
51% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Morgan Wallen
I Wrote The Book
144 bpm • D Maj • 03:01 • -3.76db
71% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
56% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Gavin Adcock
A Cigarette
136 bpm • G Maj • 02:59 • -11.95db
73% Popularity • 61% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 61% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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HARDY
BOYFRIEND
144 bpm • D Maj • 03:39 • -4.69db
50% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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HIXTAPE
Something A Lil' Stronger (HARDY Mitchel...
144 bpm • E Maj • 03:17 • -4.73db
51% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Jessie Murph
Wild Ones
136 bpm • C Maj • 02:21 • -3.54db
83% Popularity • 65% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
83% Popularity • 65% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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HIXTAPE
One Of Y’all
144 bpm • A Maj • 03:05 • -2.68db
48% Popularity • 55% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 55% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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HARDY
i in country
136 bpm • D Maj • 03:48 • -5.19db
47% Popularity • 54% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Kelsea Ballerini
IF YOU GO DOWN (I'M GOIN' DOWN TOO)
144 bpm • B Maj • 02:46 • -4db
69% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
69% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Chase Rice
Way Down Yonder
144 bpm • F# min • 03:38 • -4.26db
49% Popularity • 48% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 48% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Dustin Lynch
Huntin' Land
136 bpm • E Maj • 03:01 • -3.64db
50% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Bailey Zimmerman
Fall In Love
136 bpm • A Maj • 03:52 • -6.06db
76% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
58% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Hayden Coffman
Take the Lonely
136 bpm • G min • 03:08 • -4.41db
63% Popularity • 54% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 54% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Parker McCollum
Tails I Lose
136 bpm • D Maj • 03:45 • -7.2db
57% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Riley Green
When She Comes Home Tonight
145 bpm • F# Maj • 04:10 • -7.32db
62% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
62% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Cole Swindell
She Had Me At Heads Carolina
135 bpm • G# Maj • 03:26 • -3.45db
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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HARDY
SOLD OUT
145 bpm • A Maj • 03:22 • -5db
63% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Ian Munsick
More Than Me
146 bpm • A# Maj • 03:31 • -5.57db
53% Popularity • 50% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 50% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Stapleton
White Horse
145 bpm • C# min • 04:27 • -11.07db
74% Popularity • 35% Danceability • 77% Energy • 11% Liveness
60% Instrumentalness • 22% Positiveness
74% Popularity • 35% Danceability • 77% Energy • 11% Liveness
60% Instrumentalness • 22% Positiveness
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Riley Green
Mississippi Or Me
146 bpm • F# Maj • 03:31 • -5.23db
62% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Treaty Oak Revival
See You in Court
146 bpm • D Maj • 03:54 • -3.27db
66% Popularity • 50% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 50% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Warren Zeiders
Weeping Willow
146 bpm • C# Maj • 03:01 • -3.75db
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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HARDY
drink one for me
145 bpm • D Maj • 03:31 • -5.55db
48% Popularity • 47% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 47% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Jelly Roll
She
146 bpm • F# Maj • 02:54 • -5.39db
63% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
