Songs like Remember That Night? by Sara Kays
Based on a tempo of (+/- 10%) and a similar genre
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Cothran
As the World Caves In
124 bpm • C Maj • 02:41 • -6.84db
72% Popularity • 42% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 42% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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The Neighbourhood
Sweater Weather
124 bpm • A# Maj • 04:00 • -2.81db
89% Popularity • 61% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
89% Popularity • 61% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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One Direction
18
124 bpm • F# min • 04:08 • -7.76db
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Sody
What We Had
124 bpm • G Maj • 03:02 • -7.44db
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sara Kays
Remember That Night? - Acoustic
124 bpm • G min • 03:42 • -13db
39% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Nessa Barrett
dying on the inside
125 bpm • C min • 03:24 • -4.6db
69% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Kygo
I'll Wait
123 bpm • C# Maj • 03:35 • -6.97db
56% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Myles Smith
Solo
123 bpm • C Maj • 03:19 • -7.99db
80% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
80% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Catie Turner
i luv him.
123 bpm • C Maj • 03:45 • -9.5db
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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James TW
When You Love Someone
126 bpm • G Maj • 03:36 • -6.09db
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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James Arthur
Rewrite The Stars
126 bpm • A# Maj • 03:38 • -4.99db
80% Popularity • 67% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
80% Popularity • 67% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
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Sara Kays
Show Me Off
123 bpm • G# Maj • 02:55 • -9.48db
44% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Miley Cyrus
Angels Like You
122 bpm • F Maj • 03:16 • -4.04db
85% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
85% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Sasha Alex Sloan
House With No Mirrors
122 bpm • D Maj • 03:47 • -12db
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Jaymes Young
Infinity
122 bpm • B min • 03:57 • -6.94db
79% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
79% Popularity • 67% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Kat Dahlia
I Think I'm In Love
122 bpm • G Maj • 03:22 • -6.73db
67% Popularity • 63% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 63% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Montell Fish
Fall in Love with You.
121 bpm • E Maj • 02:12 • -23.16db
80% Popularity • 54% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
80% Popularity • 54% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Sam Fischer
What Other People Say
127 bpm • G Maj • 03:15 • -8.08db
48% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Alec Benjamin
Devil Doesn’t Bargain
121 bpm • D# Maj • 02:43 • -4.57db
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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One Direction
Story of My Life
121 bpm • D# Maj • 04:05 • -5.8db
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Harry Styles
Fine Line
121 bpm • D Maj • 06:17 • -8.5db
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Alec Benjamin
If I Killed Someone For You
121 bpm • G Maj • 03:05 • -5.36db
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sasha Alex Sloan
Glad You Did
121 bpm • E Maj • 03:11 • -10.98db
45% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sufjan Stevens
Fourth of July
120 bpm • F# min • 04:39 • -22.39db
79% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
79% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Olivia Rodrigo
the grudge
128 bpm • A# Maj • 03:09 • -9.21db
79% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Alexander Stewart
echo
128 bpm • F min • 03:18 • -7db
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sasha Alex Sloan
Too Sad To Cry
120 bpm • A# Maj • 03:28 • -9.94db
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Kays
Future Kids
128 bpm • F Maj • 03:11 • -10.28db
37% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Kodaline
Brother
120 bpm • A# Maj • 03:23 • -5.91db
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Frawley
No One Can Fix Me
120 bpm • G Maj • 03:26 • -8.82db
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Brenn!
4runner
128 bpm • C# Maj • 04:25 • -10.64db
71% Popularity • 58% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 58% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Martin Garrix
Drown
120 bpm • A Maj • 02:54 • -5.46db
63% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Alec Benjamin
Match In The Rain
120 bpm • A# min • 02:39 • -7.34db
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Sara Kays
Struck by Lightning
128 bpm • D Maj • 02:34 • -9.74db
49% Popularity • 70% Danceability • 61% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 70% Danceability • 61% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Taylor Swift
You're On Your Own, Kid
120 bpm • D Maj • 03:14 • -10.29db
81% Popularity • 70% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
81% Popularity • 70% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Astrid S
Hurts So Good
120 bpm • G min • 03:28 • -5.07db
68% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Warren
Before You Leave Me
120 bpm • E Maj • 02:56 • -5.38db
83% Popularity • 70% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
83% Popularity • 70% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Edith Whiskers
Home
120 bpm • D Maj • 03:17 • -12.49db
72% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
72% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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New West
Those Eyes
120 bpm • E Maj • 03:40 • -8.27db
82% Popularity • 59% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
82% Popularity • 59% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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One Direction
Night Changes
120 bpm • G# Maj • 03:46 • -7.75db
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Billie Eilish
everything i wanted
120 bpm • F# min • 04:05 • -14.45db
83% Popularity • 70% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 24% Positiveness
83% Popularity • 70% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 24% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Alex Warren
Chasing Shadows
120 bpm • C# min • 02:44 • -8.04db
69% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
69% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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mxmtoon
prom dress
120 bpm • A# Maj • 03:17 • -6.05db
68% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Zeph
could you love me while i hate myself
120 bpm • A Maj • 01:00 • -11.31db
74% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Billie Eilish
Bored
120 bpm • G Maj • 03:00 • -12.7db
81% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
81% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Zevia
if depression gets the best of me
120 bpm • C Maj • 03:00 • -15db
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Kina
Get You The Moon
119 bpm • C# min • 02:59 • -16.54db
76% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
76% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Natalie Jane
Intrusive Thoughts
129 bpm • B Maj • 03:21 • -8.58db
65% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
65% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Becky Hill
Remember - Acoustic
119 bpm • D# Maj • 02:58 • -9db
56% Popularity • 63% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 63% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Camila Cabello
Shameless
130 bpm • E min • 03:39 • -5.44db
82% Popularity • 38% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
82% Popularity • 38% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Zach Hood
13 Missed Calls
130 bpm • G Maj • 03:29 • -6.35db
49% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Billie Eilish
Your Power
130 bpm • A min • 04:05 • -14.03db
73% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Sara Kays
When You Look at Me
130 bpm • D Maj • 02:50 • -10.71db
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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We Three
HALF HEARTED
130 bpm • E Maj • 03:52 • -10db
55% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
55% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Matt Hansen
LET EM GO
118 bpm • B min • 03:01 • -9.12db
74% Popularity • 36% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
74% Popularity • 36% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
79% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Sasha Alex Sloan
when was it over?
130 bpm • G Maj • 03:38 • -9.3db
58% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 63% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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Sara Kays
Is There Anything Else?
130 bpm • C# Maj • 03:01 • -11db
29% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Conan Gray
Miss You
130 bpm • G# Maj • 02:23 • -5.93db
58% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
58% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Forest Blakk
Fall Into Me
118 bpm • D Maj • 03:46 • -6.75db
63% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Kays
Down Low
130 bpm • D# Maj • 03:38 • -10db
32% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Chase Atlantic
Into It
130 bpm • A# min • 03:16 • -6.71db
79% Popularity • 52% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
79% Popularity • 52% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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David Kushner
Daylight
130 bpm • D min • 03:32 • -9.48db
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
90% Popularity • 51% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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AJ Mitchell
Used to Be
118 bpm • F Maj • 02:54 • -6.55db
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sleeping At Last
You Are Enough
118 bpm • C# Maj • 03:00 • -8.53db
71% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sara Kays
Watching TV
118 bpm • A Maj • 02:40 • -7db
38% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Noah Kahan
Stick Season
118 bpm • A Maj • 03:02 • -6.89db
94% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
94% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
