Songs like Remembrance by Saddest Girl In The World
Based on a tempo of (+/- 10%) and a similar genre
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Jonathan Coffey
No Struggle - No Progress
78 bpm • D min • 02:44 • -25.6db
24% Popularity • 73% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 29% Positiveness
24% Popularity • 73% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 29% Positiveness
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Jensine Fleischer
Adalene
78 bpm • G# Maj • 01:50 • -23db
35% Popularity • 45% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
35% Popularity • 45% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
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Pacific Humble
Lost But Not Forgotten
78 bpm • F Maj • 02:03 • -20.32db
33% Popularity • 50% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
33% Popularity • 50% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Saddest Girl In The World
Remembrance
78 bpm • A# Maj • 03:44 • -25.95db
31% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
31% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
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Elliot Ziegler
Sleepless
78 bpm • G Maj • 02:35 • -22db
34% Popularity • 49% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 49% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Kylian Rebour
Different Beginning
78 bpm • F Maj • 01:15 • -25.32db
40% Popularity • 28% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
40% Popularity • 28% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
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Charles Bolt
New Night, New Dream
78 bpm • D# Maj • 03:01 • -20.96db
37% Popularity • 47% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
37% Popularity • 47% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
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Dawn Huntley
The Edge of Love
78 bpm • A# Maj • 02:02 • -27.57db
49% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
49% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Lummus Park
Ocean And 17th
77 bpm • C Maj • 03:09 • -23db
38% Popularity • 50% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
38% Popularity • 50% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Maurice Windham
A Way to Heaven
78 bpm • G# Maj • 01:02 • -24.03db
37% Popularity • 51% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
37% Popularity • 51% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Elliot Ziegler
Zéphyrine
78 bpm • G min • 02:20 • -24.65db
27% Popularity • 51% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 45% Positiveness
27% Popularity • 51% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 45% Positiveness
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Leon Noel
Le Parfum des Roses
77 bpm • C# Maj • 02:35 • -31.65db
32% Popularity • 58% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
32% Popularity • 58% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
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Jitka Kubr
Komorebi
79 bpm • D# Maj • 01:52 • -25db
29% Popularity • 42% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
29% Popularity • 42% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
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Kendra Logozar
Equilibrium
79 bpm • C Maj • 02:35 • -18.96db
38% Popularity • 52% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
38% Popularity • 52% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Serouj
Monmartre
77 bpm • A min • 01:41 • -20.57db
38% Popularity • 66% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
38% Popularity • 66% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Mark Mintuny
Mending
77 bpm • G# Maj • 02:12 • -26.51db
24% Popularity • 46% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
24% Popularity • 46% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Lorraine J. Kovach
Dear Lara
77 bpm • G min • 01:23 • -20.5db
25% Popularity • 58% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
25% Popularity • 58% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Alida Sørby
Svanninge Bakker
79 bpm • D Maj • 01:57 • -22db
34% Popularity • 33% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
34% Popularity • 33% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Saddest Girl In The World
Hopes
79 bpm • F min • 03:03 • -23.19db
25% Popularity • 43% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
25% Popularity • 43% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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S.A. Karl
Pollux
77 bpm • C Maj • 02:22 • -25db
40% Popularity • 46% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
40% Popularity • 46% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
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Vilhelm Brandt
Soft Waves and Relaxing Piano 4
77 bpm • F min • 03:05 • -34.19db
27% Popularity • 31% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
27% Popularity • 31% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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Carl Stark Willgold
Grace
76 bpm • D# Maj • 02:15 • -25db
41% Popularity • 24% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
41% Popularity • 24% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Réka Ioescu
Amadeus
76 bpm • E Maj • 01:35 • -20.72db
34% Popularity • 47% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
34% Popularity • 47% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Alida Sørby
Kjæreste
76 bpm • C# Maj • 02:23 • -26db
38% Popularity • 46% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
38% Popularity • 46% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
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Charles Bolt
Distance
80 bpm • C Maj • 02:26 • -25.27db
35% Popularity • 70% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
35% Popularity • 70% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
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Kasper Schill
Ava
76 bpm • F Maj • 02:48 • -27.79db
42% Popularity • 39% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
42% Popularity • 39% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
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Domitila James
Guinevere
80 bpm • F# Maj • 01:54 • -24.5db
29% Popularity • 44% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
29% Popularity • 44% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
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Roman Nadler
Cerulean
80 bpm • C Maj • 02:22 • -21.33db
30% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
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Jonathan Coffey
Too Much of Enough
80 bpm • G# min • 03:13 • -29.71db
23% Popularity • 47% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 27% Positiveness
23% Popularity • 47% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 27% Positiveness
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Once Proven
Purple Distant
76 bpm • A# min • 02:26 • -31db
25% Popularity • 54% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
25% Popularity • 54% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
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Joaquin Mans
Requiem
76 bpm • A min • 02:02 • -26.26db
36% Popularity • 58% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
36% Popularity • 58% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Arden Forest
Coral Red
76 bpm • G# Maj • 02:17 • -25db
32% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
32% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Jen Libby
Remembrance
76 bpm • F Maj • 02:28 • -24db
38% Popularity • 43% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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Fiona Elyse
Flourescent Fields
76 bpm • C min • 02:41 • -25.37db
27% Popularity • 18% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Serouj
Promenade du vendredi
81 bpm • C Maj • 02:31 • -24.6db
17% Popularity • 44% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
17% Popularity • 44% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
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Vittoria Emanuelle
Time to Heal
75 bpm • C Maj • 02:34 • -23db
31% Popularity • 34% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
31% Popularity • 34% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Sigimund
My Father's Tears
75 bpm • A# Maj • 01:40 • -30.93db
33% Popularity • 28% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
33% Popularity • 28% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Jonas Holmes
Ouroboros
81 bpm • C min • 02:05 • -25.64db
39% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Alec Windt
In Love
75 bpm • D Maj • 01:56 • -24db
30% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
30% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
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Amanda Mancini
Calm Yourself
75 bpm • G min • 02:13 • -26.97db
39% Popularity • 60% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
39% Popularity • 60% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Josef Passagio
Unrequited
75 bpm • D Maj • 02:06 • -25db
39% Popularity • 31% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
39% Popularity • 31% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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Figgy Malone
Hope And Glory
75 bpm • A min • 03:24 • -25.02db
30% Popularity • 54% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
30% Popularity • 54% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Domenik Kalinsky
Reflection of the Unknown
75 bpm • G Maj • 03:03 • -27.11db
32% Popularity • 43% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
32% Popularity • 43% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Mark Mintuny
Beloved
81 bpm • D Maj • 02:13 • -25db
39% Popularity • 30% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
39% Popularity • 30% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
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Peighton
Carry Me
75 bpm • F min • 02:09 • -25.73db
25% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
25% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
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Charlotte Funke
Episode
75 bpm • G Maj • 02:30 • -30.75db
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Joan Sterling
Pulses
75 bpm • C Maj • 02:10 • -32.91db
35% Popularity • 46% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 35% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 35% Positiveness
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Samuel Lindon
Meadow Mornings
75 bpm • A min • 02:18 • -26.77db
31% Popularity • 35% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
31% Popularity • 35% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Per Magnusson
Moments Passing
75 bpm • E min • 02:43 • -23.73db
11% Popularity • 29% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
11% Popularity • 29% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Levi Stills
Gently
75 bpm • B Maj • 02:07 • -22db
35% Popularity • 34% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
35% Popularity • 34% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Vala Capon
Quando sorridi
74 bpm • G Maj • 02:03 • -23.42db
43% Popularity • 40% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 31% Positiveness
43% Popularity • 40% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 31% Positiveness
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Adelisé
Unmasked
74 bpm • A min • 01:38 • -23.3db
35% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
35% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Jill Corazina
Melts Into Air
74 bpm • G# Maj • 02:46 • -23.1db
32% Popularity • 41% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 23% Positiveness
32% Popularity • 41% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 23% Positiveness
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Bruno Joel
Holding Hands
74 bpm • C Maj • 02:45 • -25.87db
39% Popularity • 63% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
39% Popularity • 63% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
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S.A. Karl
Near Dawn
74 bpm • C Maj • 02:47 • -22.72db
35% Popularity • 14% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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SIMO
Don't Stay Up
82 bpm • C# Maj • 01:55 • -21.1db
28% Popularity • 47% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
28% Popularity • 47% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Michel Brown
The First Rain
74 bpm • A min • 02:16 • -22.95db
35% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Esperanza
Drops
82 bpm • B Maj • 02:36 • -27.9db
29% Popularity • 36% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 59% Positiveness
29% Popularity • 36% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 59% Positiveness
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Zoé de Vera
19
82 bpm • A min • 01:42 • -24db
32% Popularity • 48% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
32% Popularity • 48% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Pierre Koenigs
After the Fest
74 bpm • D Maj • 04:00 • -23.8db
23% Popularity • 44% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
23% Popularity • 44% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
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Floriscope
Petals
74 bpm • B Maj • 02:37 • -23.47db
46% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
46% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Viljar Iversen
Novaturient
74 bpm • D# min • 01:52 • -22.37db
34% Popularity • 40% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
34% Popularity • 40% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 54% Positiveness
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Aaron Lansing
Asleep In My Arms
74 bpm • F Maj • 02:07 • -24.69db
40% Popularity • 41% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 55% Positiveness
40% Popularity • 41% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 55% Positiveness
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Belle Margaux
Un demi coeur
74 bpm • B Maj • 02:28 • -26.67db
29% Popularity • 31% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
29% Popularity • 31% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Chieloka
Hiraeth
74 bpm • G min • 03:01 • -33.74db
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Novo Talos
Carry On
74 bpm • G# Maj • 01:55 • -24.93db
38% Popularity • 29% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
38% Popularity • 29% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
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Auguste Léon
Solitaire
73 bpm • D Maj • 03:04 • -28.35db
32% Popularity • 32% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
32% Popularity • 32% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
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Bryan Colbert
With Certainty of Tides
73 bpm • G# Maj • 02:13 • -28.2db
31% Popularity • 28% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
31% Popularity • 28% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Mia Strass
Approaching Storm
73 bpm • G Maj • 02:57 • -31.41db
21% Popularity • 38% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
21% Popularity • 38% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Elder Lockhart
Fac, si facis
73 bpm • E Maj • 01:44 • -31.16db
35% Popularity • 38% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
35% Popularity • 38% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
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Keira Conlon
Lyrebird
73 bpm • C# min • 02:33 • -34.69db
49% Popularity • 23% Danceability • 0% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
49% Popularity • 23% Danceability • 0% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
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Charlie Key
Love of Us
73 bpm • G# Maj • 02:46 • -28.06db
26% Popularity • 66% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
26% Popularity • 66% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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Sigrid Vass
Legato
73 bpm • E min • 01:47 • -23.08db
25% Popularity • 44% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
25% Popularity • 44% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Aron Risa
Whenever You Are With Me
83 bpm • G# min • 02:26 • -20.78db
30% Popularity • 53% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 71% Positiveness
30% Popularity • 53% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 71% Positiveness
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Eline Neteland
Nora
73 bpm • C# min • 02:22 • -25.37db
19% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
19% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Elder Lockhart
Ex Nihilo Nihil Fit
73 bpm • B Maj • 02:35 • -27.46db
34% Popularity • 41% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 41% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Will Kaufman
Hymn
73 bpm • C Maj • 02:23 • -26.79db
24% Popularity • 56% Danceability • 1% Energy • 16% Liveness
97% Instrumentalness • 24% Positiveness
24% Popularity • 56% Danceability • 1% Energy • 16% Liveness
97% Instrumentalness • 24% Positiveness
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GÃ…EL
Touch
73 bpm • G Maj • 03:02 • -31.45db
26% Popularity • 34% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
26% Popularity • 34% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Charlie Key
Into The Light
73 bpm • E min • 01:40 • -24.91db
43% Popularity • 47% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 17% Positiveness
43% Popularity • 47% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 17% Positiveness
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Clarence Öfwerman
April
83 bpm • E Maj • 03:21 • -23.81db
38% Popularity • 47% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 17% Positiveness
38% Popularity • 47% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 17% Positiveness
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Ruben Galloway
The Ocean and Me
73 bpm • E min • 02:50 • -27.43db
24% Popularity • 43% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 18% Positiveness
24% Popularity • 43% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 18% Positiveness
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Viljar Iversen
Silhuett
73 bpm • G Maj • 02:35 • -21.39db
22% Popularity • 41% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
22% Popularity • 41% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Martin Greenbaum
Two By Two
73 bpm • D min • 02:03 • -24.64db
22% Popularity • 34% Danceability • 7% Energy • 22% Liveness
96% Instrumentalness • 20% Positiveness
22% Popularity • 34% Danceability • 7% Energy • 22% Liveness
96% Instrumentalness • 20% Positiveness
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Yonder Dale
Benevolent
84 bpm • A min • 03:08 • -17.19db
36% Popularity • 12% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
36% Popularity • 12% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Yitzhak Benjamin
Tomorrow
73 bpm • C Maj • 02:07 • -28.27db
30% Popularity • 38% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
30% Popularity • 38% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Josh McCausland
Opus 30
73 bpm • D# Maj • 03:32 • -22.21db
13% Popularity • 27% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
13% Popularity • 27% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Kolorascze
Aion
72 bpm • F min • 02:04 • -25.4db
31% Popularity • 45% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
31% Popularity • 45% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
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Eamonn Watt
Embrace You
72 bpm • G Maj • 02:47 • -33.53db
33% Popularity • 38% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
33% Popularity • 38% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Alexander Molina
Linger
72 bpm • C min • 02:43 • -27.27db
35% Popularity • 29% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 18% Positiveness
35% Popularity • 29% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 18% Positiveness
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Davorka Poljak
Kozjak
84 bpm • B Maj • 02:28 • -25.41db
28% Popularity • 42% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
28% Popularity • 42% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Nova Meme
Eyes closed
72 bpm • C# Maj • 02:56 • -21.03db
27% Popularity • 49% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
27% Popularity • 49% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Saga Rosen
Gentle Waltz
72 bpm • G# Maj • 02:14 • -20.75db
31% Popularity • 63% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
31% Popularity • 63% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Mia Strass
In Between
72 bpm • C min • 03:11 • -24.11db
23% Popularity • 80% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
23% Popularity • 80% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
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Luna Meguise
Noches rojas
72 bpm • A min • 02:13 • -24.71db
33% Popularity • 40% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
33% Popularity • 40% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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Sarah Spring
Under Cold Water
85 bpm • A# min • 02:06 • -26.35db
42% Popularity • 26% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
42% Popularity • 26% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Davorka Poljak
Isonzo
72 bpm • D Maj • 01:47 • -21.64db
42% Popularity • 37% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
42% Popularity • 37% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Luis Rigano
Yours
72 bpm • C Maj • 02:50 • -21.25db
23% Popularity • 36% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
23% Popularity • 36% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Mona Chu
Serenity Now
72 bpm • D Maj • 02:10 • -25db
18% Popularity • 35% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
18% Popularity • 35% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
