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Rentre chez toi
Songs like
Rentre chez toi
by
Ridan
Based on a tempo of (+/- 10%) and a similar genre
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Ridan
Rentre chez toi
131 bpm • G# Maj • 04:35 • -4.54db
27% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Sinsémilia
La mauvaise réputation
131 bpm • B min • 02:37 • -6db
46% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Mes Souliers Sont Rouges
Faut se mêler
131 bpm • C# Maj • 03:58 • -11.3db
32% Popularity • 73% Danceability • 65% Energy • 76% Liveness
0% Instrumentalness • 58% Positiveness
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Balbino Medellin
Gitan de Paname
131 bpm • F min • 04:03 • -4.96db
13% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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As De Trêfle
Jessica
131 bpm • G Maj • 02:44 • -10.44db
42% Popularity • 46% Danceability • 70% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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Da Silva
Rien n'a vraiment changé
131 bpm • D min • 02:15 • -4.69db
35% Popularity • 54% Danceability • 67% Energy • 16% Liveness
12% Instrumentalness • 84% Positiveness
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Ridan
L'agriculteur
131 bpm • B min • 05:10 • -9.04db
43% Popularity • 78% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Alexis HK
Gaspard
131 bpm • C# Maj • 04:39 • -7.4db
17% Popularity • 52% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Les Amis D'ta Femme
Le tango du viagra
130 bpm • F# Maj • 04:31 • -8.66db
12% Popularity • 80% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Syrano
Le prix des choses
130 bpm • B min • 02:38 • -10.2db
23% Popularity • 84% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Louise Attaque
Fatigante
132 bpm • D Maj • 02:51 • -5.6db
52% Popularity • 38% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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As De Trêfle
Jessica
132 bpm • G Maj • 02:50 • -7.29db
22% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Da Silva
Au moment des amours
130 bpm • F Maj • 02:50 • -5db
39% Popularity • 71% Danceability • 80% Energy • 12% Liveness
74% Instrumentalness • 56% Positiveness
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Barcella
Ma douce
130 bpm • D Maj • 03:37 • -8.52db
26% Popularity • 68% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Pigalle
Sens Comme Le Temps Il Est Lourd
132 bpm • C Maj • 02:40 • -9db
26% Popularity • 67% Danceability • 62% Energy • 53% Liveness
2% Instrumentalness • 87% Positiveness
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Ridan
Partie de golf
130 bpm • F min • 05:01 • -12db
12% Popularity • 79% Danceability • 48% Energy • 30% Liveness
10% Instrumentalness • 76% Positiveness
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La Belle Bleue
Morceau de papier
130 bpm • C min • 02:16 • -6.84db
40% Popularity • 87% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Sinsémilia
Ça s'régale
130 bpm • G min • 04:27 • -6.78db
25% Popularity • 78% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Da Silva
Tout va pour le mieux
132 bpm • F# Maj • 03:11 • -9.25db
39% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
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Tété
Fils de Cham
132 bpm • E min • 04:03 • -5db
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Le Pied De La Pompe
Courage
130 bpm • B min • 03:02 • -5.87db
20% Popularity • 88% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Ridan
Le petit prince
130 bpm • D# min • 03:22 • -6.37db
16% Popularity • 85% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Barcella
Salope
130 bpm • G min • 03:23 • -9.02db
21% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Les Wriggles
Tant pis !
130 bpm • D Maj • 02:14 • -7db
3% Popularity • 78% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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La Belle Bleue
Les éléphants du Morimondo
130 bpm • C Maj • 03:45 • -9.07db
35% Popularity • 87% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Zebda
En groupe en ligue en procession
130 bpm • F Maj • 03:20 • -6.03db
18% Popularity • 65% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Cali
Je ne vivrai pas sans toi
130 bpm • C min • 03:43 • -4.04db
17% Popularity • 53% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ridan
Alerte à la bombe
130 bpm • C min • 03:41 • -8.25db
22% Popularity • 84% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Monsieur Roux
P'tite Pouff
132 bpm • G Maj • 02:44 • -10.58db
22% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Les Wriggles
Petit bonhomme
130 bpm • E min • 03:23 • -15.49db
33% Popularity • 82% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Mes Souliers Sont Rouges
Sainte-Cécile
132 bpm • D min • 05:05 • -8.12db
27% Popularity • 49% Danceability • 84% Energy • 94% Liveness
0% Instrumentalness • 74% Positiveness
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La Belle Bleue
Le type à la tête du truc
132 bpm • F Maj • 02:35 • -5.29db
25% Popularity • 84% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Tarmac
Ce Sourire Est Pour Moi
130 bpm • G min • 03:54 • -6.55db
30% Popularity • 68% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
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Ridan
Demain
130 bpm • E Maj • 03:37 • -13.1db
26% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Merzhin
Bandit
133 bpm • G min • 03:38 • -5.88db
30% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Da Silva
La traversée
132 bpm • A min • 01:54 • -11.22db
38% Popularity • 72% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Sinsémilia
Bienvenue en chiraquie
133 bpm • B Maj • 04:21 • -6.78db
26% Popularity • 76% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Oldelaf et Monsieur D.
Rue de Nantes
129 bpm • G Maj • 04:10 • -8.47db
31% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Les VRP
Ah ! Le Papayou
133 bpm • E Maj • 03:35 • -10.7db
9% Popularity • 67% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Karpatt
En pleine mer
129 bpm • G Maj • 03:15 • -5.64db
31% Popularity • 68% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Ridan
Woman
129 bpm • C# Maj • 05:04 • -7.45db
12% Popularity • 90% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Frédéric Fromet
Je suis plus de gauche que vous
129 bpm • C Maj • 02:11 • -9.38db
20% Popularity • 60% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Louise Attaque
Tu dis rien
134 bpm • D min • 02:21 • -5.86db
48% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Les Wriggles
Papillons
128 bpm • E min • 03:26 • -9.76db
24% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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La Chanson Du Dimanche
Comme Un Lundi
134 bpm • E Maj • 02:55 • -3.71db
26% Popularity • 90% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Karpatt
Des gnons pour des pelles
128 bpm • D Maj • 02:16 • -12.32db
26% Popularity • 86% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Ridan
Ulysse
134 bpm • D min • 03:39 • -7.36db
55% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Da Silva
Les loges de la colère
128 bpm • G min • 02:31 • -6.86db
26% Popularity • 80% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Soan
Next Time
128 bpm • G Maj • 02:43 • -7.92db
26% Popularity • 74% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
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Matmatah
Nous y sommes
128 bpm • E min • 04:17 • -6db
41% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Cali
Elle m'a dit
134 bpm • E min • 03:33 • -3.75db
48% Popularity • 57% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Pierre Perret
Estelle
128 bpm • E min • 02:23 • -7.36db
37% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Ridan
Le quotidien
128 bpm • A# min • 03:57 • -8.07db
22% Popularity • 94% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Les Amis D'ta Femme
Hoch-cul.
134 bpm • G Maj • 04:46 • -6db
19% Popularity • 85% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Les P'tits Gars Laids
Lâcher prise
127 bpm • F Maj • 03:16 • -6.16db
33% Popularity • 55% Danceability • 92% Energy • 92% Liveness
0% Instrumentalness • 41% Positiveness
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Monsieur Roux
J'habite une rue
128 bpm • E Maj • 01:59 • -9.38db
22% Popularity • 73% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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La Belle Bleue
Un pied dans l'plat
135 bpm • C# min • 04:09 • -6db
33% Popularity • 82% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Les Blérots de R.A.V.E.L.
Le retour de Petrouchka
127 bpm • F min • 06:08 • -8.83db
11% Popularity • 60% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Les Wriggles
La petite olive
127 bpm • A Maj • 02:53 • -9.43db
32% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Louise Attaque
L'imposture
135 bpm • B min • 02:23 • -5.78db
44% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Gaëtan Roussel
J’entends des voix
127 bpm • C min • 03:04 • -6.42db
38% Popularity • 69% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Monsieur Roux
Le Bouffon De La Cité
135 bpm • A Maj • 03:11 • -6.71db
15% Popularity • 79% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Oldelaf et Monsieur D.
Raoul mon pitbull
127 bpm • E min • 03:33 • -6.33db
32% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Olivia Ruiz
Non-dits
127 bpm • A# min • 04:01 • -6.61db
30% Popularity • 57% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Les Wriggles
Des laisses
127 bpm • G Maj • 02:48 • -9.6db
3% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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As De Trêfle
Si T'es Bonne
136 bpm • E Maj • 02:55 • -8.76db
32% Popularity • 93% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Les VRP
La Grande Traversée
136 bpm • B min • 01:28 • -12.72db
15% Popularity • 30% Danceability • 72% Energy • 86% Liveness
20% Instrumentalness • 11% Positiveness
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Merzhin
Les nains de jardin
136 bpm • D min • 03:28 • -3.41db
39% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
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Soan
En chemin
136 bpm • E min • 03:09 • -9.46db
19% Popularity • 74% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Pigalle
Madame Louise, Elle Est Exquise
126 bpm • A min • 03:23 • -10db
28% Popularity • 73% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Karpatt
Les mains douces
126 bpm • D Maj • 04:07 • -5.2db
16% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Mes Souliers Sont Rouges
Les souliers rouges
126 bpm • G Maj • 05:05 • -6.57db
34% Popularity • 55% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 81% Positiveness
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Acorps de Rue
Égaré ma vie
126 bpm • D min • 04:26 • -5.88db
21% Popularity • 62% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Merzhin
Nains de jardins
136 bpm • D min • 03:43 • -3db
36% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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La Tordue
La rose et le réséda
126 bpm • D Maj • 03:33 • -19.44db
13% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hubert-Félix Thiéfaine
La cancoillotte - Remastered
137 bpm • D min • 02:02 • -4.7db
33% Popularity • 62% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Karpatt
Le monsieur du canal
126 bpm • D Maj • 03:18 • -4.64db
16% Popularity • 79% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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As De Trêfle
Levons Nos Verres
137 bpm • A min • 04:25 • -5.5db
27% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Mon Cote Punk
Inch-allah
137 bpm • G min • 03:00 • -12.55db
24% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Merzhin
Conscience
126 bpm • E min • 03:44 • -4db
25% Popularity • 63% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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La Tordue
A une mendiante rousse
125 bpm • G min • 03:33 • -18db
10% Popularity • 77% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Le trottoir
Le voile noir
125 bpm • C min • 03:09 • -4.82db
28% Popularity • 68% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Karpatt
Un jeu
125 bpm • A min • 04:08 • -6.5db
23% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Tarmac
Tordu Tour Du Monde
137 bpm • G Maj • 02:23 • -21.22db
29% Popularity • 43% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Sinsémilia
Simple d'esprit
125 bpm • B min • 04:48 • -7.92db
25% Popularity • 78% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Merzhin
Et toi et moi
125 bpm • C min • 03:27 • -7db
33% Popularity • 54% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
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Didier Super
Rien à foutre
138 bpm • F Maj • 02:36 • -6db
36% Popularity • 56% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Frédéric Fromet
Coulibaly Coulibalo
125 bpm • A# Maj • 02:07 • -7.21db
30% Popularity • 73% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Les Blérots de R.A.V.E.L.
Le sol
138 bpm • G min • 03:07 • -8.73db
30% Popularity • 90% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Louise Attaque
See You Later Alligator
124 bpm • B min • 02:56 • -10.09db
34% Popularity • 74% Danceability • 69% Energy • 14% Liveness
14% Instrumentalness • 63% Positiveness
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Les Amis D'ta Femme
Marie-Odile
138 bpm • D Maj • 03:06 • -6.2db
25% Popularity • 76% Danceability • 72% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
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Merzhin
Conscience
125 bpm • E min • 04:38 • -3.97db
19% Popularity • 66% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Da Silva
Se fendre les joues
138 bpm • F# min • 02:32 • -6.88db
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Sinsémilia
Douanier 007
124 bpm • C# min • 03:37 • -4.09db
33% Popularity • 81% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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As De Trêfle
Dans les bibliothèques
124 bpm • C# min • 04:57 • -8db
28% Popularity • 66% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Ridan
Le syndrome du petit beur - Original ver...
124 bpm • C# Maj • 03:13 • -10.24db
18% Popularity • 92% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Matmatah
L'apologie
124 bpm • G# Maj • 03:18 • -3.41db
52% Popularity • 77% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Leila Huissoud
La vieille
124 bpm • D Maj • 04:33 • -13.67db
33% Popularity • 60% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 78% Positiveness
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Da Silva
L'averse
138 bpm • A min • 03:01 • -4.68db
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
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Monsieur Roux
Les Matins
124 bpm • E min • 03:46 • -9.98db
9% Popularity • 70% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Rentre chez toi