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Songs like
Repetition
by
Marques Toliver
Based on a tempo of (+/- 10%) and a similar genre
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Natalie Duncan
Devil In Me
136 bpm • F min • 04:52 • -8.06db
9% Popularity • 44% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Slow Club
Suffering You, Suffering Me
137 bpm • F# min • 03:25 • -9.12db
17% Popularity • 42% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Active Child
She Was A Vision
137 bpm • C Maj • 05:06 • -10.25db
0% Popularity • 22% Danceability • 38% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
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WE ARE TWIN
True Love
135 bpm • C# min • 04:02 • -6.82db
11% Popularity • 52% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Willis Earl Beal
Everything Unwinds
135 bpm • B Maj • 03:30 • -14.52db
8% Popularity • 35% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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NewVillager
Lighthouse
135 bpm • F# Maj • 05:24 • -7.77db
6% Popularity • 63% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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How To Dress Well
Face Again
135 bpm • A min • 04:28 • -10.72db
14% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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kwes.
Bashful
135 bpm • C# Maj • 04:10 • -8.6db
11% Popularity • 47% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Active Child
When Your Love Is Safe
135 bpm • E min • 04:26 • -5.52db
1% Popularity • 49% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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MONEY
Hold Me Forever
137 bpm • C Maj • 05:41 • -9.89db
11% Popularity • 24% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Jens Lekman
An Argument With Myself
134 bpm • F# Maj • 03:49 • -7.27db
25% Popularity • 67% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Laura Marling
False Hope
134 bpm • G min • 03:12 • -9.43db
22% Popularity • 47% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Doe Paoro
Born Whole
138 bpm • A min • 04:02 • -9.87db
12% Popularity • 65% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Yellow Ostrich
Ghost
138 bpm • F# min • 03:40 • -12.16db
11% Popularity • 40% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Marble Sounds
Two And Still Counting
138 bpm • D Maj • 03:57 • -6.94db
10% Popularity • 57% Danceability • 70% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Young Dreams
Fog Of War
138 bpm • A# Maj • 04:25 • -8.09db
9% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gayngs
Crystal Rope
138 bpm • A min • 03:24 • -7.6db
18% Popularity • 83% Danceability • 28% Energy • 14% Liveness
86% Instrumentalness • 41% Positiveness
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Jonquil
Point of Go Pt.2
138 bpm • E Maj • 04:08 • -8.33db
12% Popularity • 55% Danceability • 76% Energy • 21% Liveness
10% Instrumentalness • 50% Positiveness
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Marques Toliver
Repetition
134 bpm • C# min • 02:53 • -12.74db
0% Popularity • 20% Danceability • 22% Energy • 10% Liveness
29% Instrumentalness • 6% Positiveness
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Damien Jurado
Magic Number
139 bpm • G min • 03:08 • -7db
22% Popularity • 26% Danceability • 76% Energy • 10% Liveness
3% Instrumentalness • 36% Positiveness
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Francis
Traktor
139 bpm • A# Maj • 03:23 • -7.62db
20% Popularity • 68% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Lucy Rose
All I've Got
139 bpm • C Maj • 03:19 • -10.27db
22% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Gayngs
Cry
138 bpm • E Maj • 05:22 • -7.41db
20% Popularity • 56% Danceability • 70% Energy • 37% Liveness
21% Instrumentalness • 27% Positiveness
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The Blow
Make It Up
133 bpm • E Maj • 03:17 • -8.93db
11% Popularity • 91% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Active Child
Evening Ceremony
133 bpm • F# Maj • 04:32 • -13.76db
12% Popularity • 59% Danceability • 35% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
A Liminal Movement
133 bpm • F# Maj • 02:28 • -8.8db
0% Popularity • 25% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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James Blake
DLM
133 bpm • D Maj • 02:25 • -15.08db
37% Popularity • 40% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Feist
The Bad In Each Other
132 bpm • F# min • 04:44 • -5.32db
35% Popularity • 40% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
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AlunaGeorge
We Are Chosen
139 bpm • B min • 03:31 • -9.72db
13% Popularity • 58% Danceability • 54% Energy • 10% Liveness
3% Instrumentalness • 57% Positiveness
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Peter and Kerry
Knees
140 bpm • B Maj • 03:39 • -11db
18% Popularity • 40% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Sufjan Stevens
A Little Lost
140 bpm • C Maj • 05:04 • -10.76db
26% Popularity • 74% Danceability • 60% Energy • 10% Liveness
75% Instrumentalness • 80% Positiveness
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Natalie Prass
My Baby Don't Understand Me
140 bpm • G# Maj • 05:12 • -10.39db
17% Popularity • 52% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Lulu James
Be Safe
140 bpm • F# Maj • 03:54 • -9.66db
17% Popularity • 72% Danceability • 49% Energy • 13% Liveness
10% Instrumentalness • 14% Positiveness
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Fanfarlo
Replicate
140 bpm • C Maj • 03:14 • -11db
11% Popularity • 82% Danceability • 50% Energy • 34% Liveness
43% Instrumentalness • 60% Positiveness
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Lucy Rose
Middle of the Bed - Radio Edit
140 bpm • G Maj • 03:13 • -9.37db
12% Popularity • 64% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Dirty Gold
North
132 bpm • F Maj • 01:11 • -13db
14% Popularity • 75% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Gang Colours
Fancy Restaurant
140 bpm • D Maj • 02:59 • -15.68db
19% Popularity • 69% Danceability • 26% Energy • 10% Liveness
64% Instrumentalness • 59% Positiveness
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Young Dreams
Young Dreams
140 bpm • G Maj • 03:52 • -7db
13% Popularity • 42% Danceability • 74% Energy • 6% Liveness
2% Instrumentalness • 20% Positiveness
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Jamie Lidell
She Needs Me
140 bpm • F min • 05:55 • -5db
10% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Laura Marling
Short Movie
132 bpm • D Maj • 04:36 • -11db
16% Popularity • 44% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Lucy Rose
Middle of the Bed
140 bpm • B min • 03:11 • -9db
39% Popularity • 70% Danceability • 45% Energy • 7% Liveness
7% Instrumentalness • 41% Positiveness
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Hospitality
Liberal Arts
132 bpm • E Maj • 02:35 • -7db
11% Popularity • 60% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Marques Toliver
Sitting Up in My Room
140 bpm • G Maj • 03:21 • -8.02db
0% Popularity • 37% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
Getting There
132 bpm • F# Maj • 01:52 • -9.3db
1% Popularity • 21% Danceability • 60% Energy • 81% Liveness
0% Instrumentalness • 30% Positiveness
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Slow Club
If We're Still Alive
140 bpm • G# Maj • 03:17 • -5.51db
19% Popularity • 41% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 44% Positiveness
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Benjamin Francis Leftwich
In the Open
131 bpm • G# Maj • 03:33 • -8.8db
19% Popularity • 53% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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How To Dress Well
Say My Name Or Say Whatever
131 bpm • A Maj • 04:29 • -15.84db
8% Popularity • 28% Danceability • 34% Energy • 23% Liveness
10% Instrumentalness • 12% Positiveness
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Daniel Merriweather
For Your Money
141 bpm • F# Maj • 04:52 • -4.66db
3% Popularity • 32% Danceability • 62% Energy • 66% Liveness
0% Instrumentalness • 46% Positiveness
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James Vincent McMorrow
This Old Dark Machine
131 bpm • G min • 04:14 • -7.16db
10% Popularity • 58% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
Stolen Hours
142 bpm • F# Maj • 03:03 • -10.49db
0% Popularity • 18% Danceability • 54% Energy • 56% Liveness
1% Instrumentalness • 26% Positiveness
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Hudson and Troop
See Her Dance
142 bpm • E Maj • 03:47 • -9db
13% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Tobias Jesso Jr.
How Could You Babe
130 bpm • E Maj • 03:52 • -7.96db
28% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jamie Lidell
Out of My System
130 bpm • F min • 03:58 • -6.15db
15% Popularity • 71% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Alex Clare
I Love You
130 bpm • B Maj • 04:39 • -6.56db
22% Popularity • 64% Danceability • 50% Energy • 15% Liveness
3% Instrumentalness • 20% Positiveness
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Tessa Rose Jackson
Lost and Found
130 bpm • C# min • 04:22 • -8.24db
9% Popularity • 72% Danceability • 55% Energy • 13% Liveness
7% Instrumentalness • 38% Positiveness
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JR JR
Nothing but Our Love
130 bpm • B Maj • 04:05 • -8db
22% Popularity • 57% Danceability • 62% Energy • 43% Liveness
10% Instrumentalness • 26% Positiveness
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Come on Live Long
Little Ones
142 bpm • F# min • 04:21 • -8.94db
8% Popularity • 40% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Lucius
Don't Just Sit There
130 bpm • E Maj • 03:46 • -7db
3% Popularity • 46% Danceability • 66% Energy • 11% Liveness
51% Instrumentalness • 26% Positiveness
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My Brightest Diamond
Pressure
130 bpm • B min • 03:57 • -10.77db
22% Popularity • 75% Danceability • 42% Energy • 27% Liveness
1% Instrumentalness • 19% Positiveness
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The Deer Tracks
Ram Ram
130 bpm • D Maj • 04:38 • -9.52db
8% Popularity • 61% Danceability • 80% Energy • 12% Liveness
14% Instrumentalness • 37% Positiveness
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Air Review
Waiting Lessons
130 bpm • C Maj • 03:36 • -10db
8% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Kele
Coasting
130 bpm • B min • 04:34 • -8db
13% Popularity • 63% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Fanfarlo
Shiny Things
143 bpm • B Maj • 04:35 • -7.58db
13% Popularity • 53% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Active Child
Playing House
143 bpm • G# Maj • 03:23 • -12.5db
9% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Tune-Yards
Hey Life
129 bpm • D Maj • 03:37 • -11.85db
14% Popularity • 76% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Benjamin Clementine
London - Version piano-voix
129 bpm • F min • 04:04 • -6.49db
13% Popularity • 54% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Jonquil
It's My Part
129 bpm • G# Maj • 04:07 • -6.63db
17% Popularity • 66% Danceability • 80% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Laura Veirs
Summer Is the Champion
144 bpm • F# Maj • 04:22 • -6.85db
11% Popularity • 59% Danceability • 56% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
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Elli Ingram
Sober
144 bpm • C Maj • 03:31 • -8.27db
18% Popularity • 54% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Ok Sweetheart
We've Got Love
144 bpm • A min • 03:56 • -11.7db
11% Popularity • 62% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Emily King
Sides
144 bpm • C Maj • 03:30 • -12.47db
20% Popularity • 65% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Alex Cornish
Breathe Slow
144 bpm • G# Maj • 04:00 • -13.36db
10% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ed Harcourt
Hey Little Bruiser
144 bpm • F# min • 04:17 • -9.49db
9% Popularity • 28% Danceability • 37% Energy • 11% Liveness
62% Instrumentalness • 26% Positiveness
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Dark Horses
Road To Nowhere
128 bpm • A min • 03:35 • -11.02db
0% Popularity • 76% Danceability • 37% Energy • 26% Liveness
1% Instrumentalness • 57% Positiveness
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Laura Veirs
Don't Lose Yourself
144 bpm • B Maj • 04:01 • -9.94db
18% Popularity • 63% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Cody Chesnutt
Where Is All The Money Going
145 bpm • G# min • 02:48 • -4.79db
14% Popularity • 66% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Austin Brown
Menage a Trois
128 bpm • G min • 03:50 • -3.83db
12% Popularity • 77% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Scott Matthews
Bad Apple
145 bpm • C Maj • 04:59 • -16.76db
9% Popularity • 42% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Kishi Bashi
Manchester - EP Mix
145 bpm • D Maj • 04:07 • -10.06db
10% Popularity • 42% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Hey Marseilles
Elegy
145 bpm • F Maj • 04:14 • -14.56db
10% Popularity • 42% Danceability • 20% Energy • 13% Liveness
5% Instrumentalness • 21% Positiveness
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Active Child
Calling In The Name Of Love
145 bpm • A# Maj • 04:16 • -5.29db
4% Popularity • 61% Danceability • 72% Energy • 14% Liveness
6% Instrumentalness • 39% Positiveness
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Villagers
Rhythm Composer
145 bpm • C# Maj • 05:06 • -9.28db
12% Popularity • 53% Danceability • 55% Energy • 35% Liveness
10% Instrumentalness • 32% Positiveness
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HAIM
Go Slow
145 bpm • B min • 04:15 • -9.25db
10% Popularity • 71% Danceability • 56% Energy • 12% Liveness
4% Instrumentalness • 83% Positiveness
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Jamie Lidell
All I Wanna Do
146 bpm • G Maj • 05:12 • -12db
22% Popularity • 41% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Quadron
It's Gonna Get You
146 bpm • G Maj • 03:26 • -7.4db
19% Popularity • 66% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Miracle Fortress
Everything Works
127 bpm • D Maj • 04:01 • -8db
9% Popularity • 91% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Zero 7
Swing
146 bpm • F Maj • 03:57 • -8db
37% Popularity • 57% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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PHOX
Leisure
146 bpm • G min • 03:26 • -10.9db
18% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Feist
Comfort Me
127 bpm • E min • 04:03 • -8db
24% Popularity • 67% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Milagres
Glowing Mouth
146 bpm • D min • 06:28 • -8.9db
16% Popularity • 51% Danceability • 51% Energy • 15% Liveness
43% Instrumentalness • 20% Positiveness
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Ed Harcourt
The Pretty Girls
125 bpm • F Maj • 03:02 • -12.94db
12% Popularity • 48% Danceability • 15% Energy • 12% Liveness
12% Instrumentalness • 27% Positiveness
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Family of the Year
Feel Good Track of Rosemead
125 bpm • C min • 04:03 • -8.48db
15% Popularity • 70% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 47% Positiveness
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Kevin Drew
Good Sex
147 bpm • C Maj • 03:09 • -7.63db
18% Popularity • 49% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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How To Dress Well
Repeat Pleasure
125 bpm • C Maj • 03:35 • -8.16db
22% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Marcus Foster
Worn Down by Time
148 bpm • F# Maj • 04:12 • -2.86db
15% Popularity • 60% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Sunny Levine
As for Tonight
148 bpm • C Maj • 03:58 • -12.79db
16% Popularity • 67% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Glen Hansard
Talking With The Wolves
148 bpm • B min • 04:43 • -12.51db
4% Popularity • 69% Danceability • 48% Energy • 10% Liveness
20% Instrumentalness • 57% Positiveness
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Matthew E. White
One of These Days
124 bpm • A min • 05:19 • -14.81db
17% Popularity • 45% Danceability • 29% Energy • 15% Liveness
65% Instrumentalness • 57% Positiveness
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The Antlers
Hotel
124 bpm • D Maj • 04:59 • -9.99db
22% Popularity • 54% Danceability • 46% Energy • 10% Liveness
30% Instrumentalness • 44% Positiveness
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Young & Sick
Heartache Fetish
124 bpm • G min • 03:09 • -7.08db
17% Popularity • 73% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
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