Songs like Requiem canticorum: Pie Jesu by James Whitbourn
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
66 bpm • C Maj • 03:11 • -19db
17% Popularity • 21% Danceability • 12% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
17% Popularity • 21% Danceability • 12% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
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James Whitbourn
Eternal Rest (Version for Choir, Organ &...
66 bpm • G Maj • 04:18 • -21.12db
0% Popularity • 21% Danceability • 12% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 12% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 05. Auditui Meo Dabi...
66 bpm • A Maj • 01:11 • -26db
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Henry Purcell
Miserere mei, Z. 109
66 bpm • A min • 01:22 • -25.22db
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Paul Mealor
The Beatitudes
66 bpm • B Maj • 05:56 • -26.17db
14% Popularity • 16% Danceability • 1% Energy • 14% Liveness
14% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 1% Energy • 14% Liveness
14% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Lagrime di San Pietro: V. Giovane donna ...
66 bpm • G min • 02:14 • -23.7db
31% Popularity • 17% Danceability • 9% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 9% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
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Olivier Messiaen
O sacrum convivium
66 bpm • F# Maj • 04:53 • -25.48db
9% Popularity • 12% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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James Whitbourn
Requiem canticorum: Pie Jesu
66 bpm • B min • 02:20 • -36db
29% Popularity • 14% Danceability • 1% Energy • 14% Liveness
80% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 1% Energy • 14% Liveness
80% Instrumentalness • 3% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Paul Mealor
A Welsh Prayer
67 bpm • F Maj • 05:19 • -26.68db
3% Popularity • 17% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
3% Popularity • 17% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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François Couperin
Couperin: Les Baricades mistérieuses
65 bpm • A# Maj • 02:44 • -37db
43% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
43% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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John Tavener
Magnificat and Nunc Dimittis: Nunc Dimit...
65 bpm • B min • 02:56 • -30.21db
0% Popularity • 19% Danceability • 10% Energy • 17% Liveness
9% Instrumentalness • 6% Positiveness
0% Popularity • 19% Danceability • 10% Energy • 17% Liveness
9% Instrumentalness • 6% Positiveness
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James Whitbourn
White Gold: III. The Rose
67 bpm • A# min • 03:09 • -23.78db
0% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
68 bpm • D# min • 04:10 • -29.55db
9% Popularity • 6% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
9% Popularity • 6% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: IV. Sanctus
64 bpm • D# Maj • 03:09 • -21db
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Josquin des Prez
Nunc Dimittis
68 bpm • A min • 06:54 • -29.72db
17% Popularity • 7% Danceability • 3% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 3% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
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Rebecca Dale
Materna Requiem: 4. Lacrimosa
64 bpm • A min • 08:52 • -27db
11% Popularity • 6% Danceability • 3% Energy • 10% Liveness
70% Instrumentalness • 3% Positiveness
11% Popularity • 6% Danceability • 3% Energy • 10% Liveness
70% Instrumentalness • 3% Positiveness
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Thomas LaVoy
Songs of the Questioner: I. What of the ...
68 bpm • A min • 06:44 • -25.25db
0% Popularity • 8% Danceability • 6% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 6% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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James Whitbourn
White Gold: I. The Kiss
67 bpm • A# min • 03:10 • -21.03db
0% Popularity • 19% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
0% Popularity • 19% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
64 bpm • C Maj • 01:10 • -18.12db
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Northern Lights
68 bpm • C# min • 04:26 • -30db
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Aaron Copland
Old American Songs II: No. 4, At the Riv...
68 bpm • F Maj • 03:11 • -25.95db
2% Popularity • 23% Danceability • 4% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
2% Popularity • 23% Danceability • 4% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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Sjaella
Abendliedchen
68 bpm • C Maj • 01:42 • -24.31db
35% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Dan Forrest
Abide
68 bpm • F# Maj • 09:49 • -29.51db
8% Popularity • 8% Danceability • 1% Energy • 7% Liveness
73% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 1% Energy • 7% Liveness
73% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Lava me
68 bpm • C# min • 04:56 • -26.28db
11% Popularity • 6% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 3% Positiveness
11% Popularity • 6% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 3% Positiveness
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The Same Stream
Abraham and Isaac
68 bpm • B min • 06:00 • -17.66db
2% Popularity • 23% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
2% Popularity • 23% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 9, "Jesus Ca...
68 bpm • A min • 02:43 • -17.09db
36% Popularity • 20% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 20% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
34% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
34% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
69 bpm • D# Maj • 02:04 • -32.16db
25% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Max Reger
Nachtlied, Op. 138, No. 3
69 bpm • B min • 03:01 • -25.5db
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
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James Whitbourn
Son of god mass ; Pax domini
67 bpm • F Maj • 02:00 • -29.02db
0% Popularity • 21% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 5% Positiveness
0% Popularity • 21% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 5% Positiveness
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Thomas LaVoy
I Shall Not Live in Vain
63 bpm • D Maj • 04:49 • -22.41db
2% Popularity • 14% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 14% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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William Byrd
Ave verum corpus
63 bpm • G min • 04:21 • -25db
35% Popularity • 20% Danceability • 9% Energy • 13% Liveness
39% Instrumentalness • 3% Positiveness
35% Popularity • 20% Danceability • 9% Energy • 13% Liveness
39% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 02. Amplius Lava Me
69 bpm • G# Maj • 01:10 • -35.6db
47% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
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Gabriel Jackson
O Sacrum Convivium
69 bpm • D# Maj • 06:22 • -36.59db
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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James Whitbourn
Son of God Mass: Gloria (Live)
68 bpm • E min • 03:40 • -18.45db
0% Popularity • 18% Danceability • 11% Energy • 70% Liveness
60% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 11% Energy • 70% Liveness
60% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Cantus Missae in E-Flat: Kyrie
63 bpm • D# Maj • 03:39 • -22.27db
1% Popularity • 8% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
1% Popularity • 8% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Reflections
70 bpm • C# Maj • 01:53 • -31.98db
33% Popularity • 8% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
14% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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La Capella Reial De Catalunya
Pie Jesu (Requiem)
70 bpm • A# Maj • 01:37 • -31.41db
39% Popularity • 21% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Blake R. Henson
My Flight for Heaven
70 bpm • C# Maj • 04:48 • -24.87db
16% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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James Whitbourn
A brief story of Peter Abelard (verson f...
68 bpm • A# min • 07:30 • -20.44db
9% Popularity • 9% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Josquin des Prez
Praeter rerum seriem: I. Prima pars
70 bpm • G min • 03:35 • -22.02db
17% Popularity • 11% Danceability • 16% Energy • 35% Liveness
71% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 16% Energy • 35% Liveness
71% Instrumentalness • 6% Positiveness
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Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
33% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introït
71 bpm • A# Maj • 02:00 • -24db
40% Popularity • 9% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Son of god mass ; Lava me
68 bpm • G Maj • 04:07 • -24.08db
0% Popularity • 15% Danceability • 4% Energy • 7% Liveness
35% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 4% Energy • 7% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 04. Ecce Enim Verita...
71 bpm • G min • 01:07 • -33.77db
41% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
41% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
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Kiev Chamber Choir
Bless the Lord, Praise the Lord, Amen
72 bpm • F Maj • 03:44 • -18.9db
26% Popularity • 14% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Hugi Guðmundsson
HvÃld
72 bpm • A min • 03:34 • -28.38db
32% Popularity • 13% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Thomas Adès
Arcadiana, Op. 12: VI. O Albion
72 bpm • D# Maj • 02:43 • -41db
34% Popularity • 23% Danceability • 0% Energy • 8% Liveness
62% Instrumentalness • 3% Positiveness
34% Popularity • 23% Danceability • 0% Energy • 8% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 1. Domine Deus noster-...
72 bpm • C Maj • 02:59 • -52db
16% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Son of God Mass: Kyrie
64 bpm • E min • 04:07 • -26db
18% Popularity • 18% Danceability • 6% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 6% Energy • 11% Liveness
68% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Tallis: Loquebantur Variis Linguis - 2. ...
61 bpm • F min • 01:02 • -26.67db
43% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Kim André Arnesen
MAGNIFICAT: VI. Suscepit Israel
72 bpm • A# Maj • 04:04 • -23db
13% Popularity • 8% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Grace Williams
Hiraeth
61 bpm • D# Maj • 02:57 • -27.19db
12% Popularity • 48% Danceability • 0% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
12% Popularity • 48% Danceability • 0% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Pierre de la Rue
O salutaris hostia
72 bpm • F Maj • 03:08 • -31db
15% Popularity • 13% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Thomas LaVoy
Songs of the Questioner: II. A Lost Hour
72 bpm • D# min • 06:16 • -22.48db
1% Popularity • 14% Danceability • 5% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 5% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Son of God Mass: Introit
69 bpm • E min • 01:16 • -24.74db
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
► Preview
Sally Greenaway
Resonance
72 bpm • A Maj • 04:46 • -16.02db
7% Popularity • 11% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Meredith Monk
Early Morning Melody (Transcr. Parkin fo...
72 bpm • G min • 00:58 • -30.93db
33% Popularity • 34% Danceability • 0% Energy • 7% Liveness
20% Instrumentalness • 49% Positiveness
33% Popularity • 34% Danceability • 0% Energy • 7% Liveness
20% Instrumentalness • 49% Positiveness
► Preview
Ralph Vaughan Williams
The Call (Arr. Harry D Bennett)
73 bpm • F min • 02:23 • -22.48db
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Serenity
60 bpm • G Maj • 05:18 • -32db
26% Popularity • 6% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 6% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Venite exultemus Domino
73 bpm • C Maj • 02:32 • -19.08db
0% Popularity • 19% Danceability • 17% Energy • 22% Liveness
10% Instrumentalness • 17% Positiveness
0% Popularity • 19% Danceability • 17% Energy • 22% Liveness
10% Instrumentalness • 17% Positiveness
► Preview
James Whitbourn
Annelies (chamber version): XI. Passing ...
63 bpm • D min • 03:30 • -21.9db
6% Popularity • 9% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
6% Popularity • 9% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Kim André Arnesen
Child of Song
73 bpm • C min • 04:51 • -32.13db
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johannes Ockeghem
Deo gratias
60 bpm • C Maj • 06:02 • -26.32db
26% Popularity • 11% Danceability • 13% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 13% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Michael McGlynn
Where All Roses Go
73 bpm • B min • 04:58 • -22db
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Thomas LaVoy
O Great Beyond: III. In Silence
73 bpm • E Maj • 05:04 • -27.55db
1% Popularity • 6% Danceability • 2% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
1% Popularity • 6% Danceability • 2% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Andreas Scholl
Marco Rosano: Requiem
59 bpm • A# Maj • 05:12 • -14.64db
24% Popularity • 16% Danceability • 22% Energy • 13% Liveness
37% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 22% Energy • 13% Liveness
37% Instrumentalness • 3% Positiveness
► Preview
James Whitbourn
Son of god mass ; Kyrie meditation
69 bpm • E min • 02:15 • -24.66db
0% Popularity • 21% Danceability • 2% Energy • 22% Liveness
39% Instrumentalness • 5% Positiveness
0% Popularity • 21% Danceability • 2% Energy • 22% Liveness
39% Instrumentalness • 5% Positiveness
► Preview
Paul Mealor
The Beatitudes
73 bpm • B Maj • 05:11 • -28.65db
1% Popularity • 7% Danceability • 2% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
1% Popularity • 7% Danceability • 2% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Eleanor Daley
Grandmother Moon
73 bpm • A min • 03:47 • -28.53db
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Nadia Boulanger
Cantique
59 bpm • F Maj • 02:11 • -26.2db
6% Popularity • 33% Danceability • 5% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
6% Popularity • 33% Danceability • 5% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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John Tavener
Funeral Ikos
74 bpm • F min • 03:24 • -18.92db
24% Popularity • 11% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 5% Positiveness
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James Whitbourn
Sanctitude with Chants & Improvisations
70 bpm • C# Maj • 13:13 • -26.27db
0% Popularity • 16% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 16% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Kim André Arnesen
Pie Jesu
74 bpm • D Maj • 04:16 • -33db
27% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
27% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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Natalia Tsupryk
A Quiet Night - Tyhoyi Nochi
74 bpm • E min • 04:17 • -25.52db
8% Popularity • 7% Danceability • 1% Energy • 7% Liveness
30% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 1% Energy • 7% Liveness
30% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Kyrie
74 bpm • D min • 04:38 • -33.66db
17% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VIII. In Paradisum
74 bpm • D Maj • 03:18 • -25.56db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of god mass ; Kyrie
70 bpm • E min • 03:28 • -26db
1% Popularity • 18% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 3% Positiveness
1% Popularity • 18% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 3% Positiveness
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João IV of Portugal
Crux fidelis
74 bpm • F Maj • 02:20 • -34db
31% Popularity • 19% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Casper Clausen
In Pace
74 bpm • D# Maj • 08:05 • -29.06db
10% Popularity • 8% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Paul Mealor
O Sweetest Jesus
74 bpm • C min • 04:38 • -24.99db
1% Popularity • 12% Danceability • 4% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 4% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Westminster Williamson Voices
The Stars Now Rearrange Themselves
75 bpm • F# Maj • 05:04 • -35.49db
1% Popularity • 7% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
1% Popularity • 7% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Rubor Sanguinis: Antienne
75 bpm • F Maj • 01:32 • -30db
36% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
36% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Philip Glass
Tissue No. 7
75 bpm • A# Maj • 03:15 • -37.03db
46% Popularity • 11% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
6 Sprüche, Op. 79 (Ed. J. Jordan): No. ...
75 bpm • D min • 02:48 • -29.2db
12% Popularity • 16% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Sjaella
Morgengesang
75 bpm • F# Maj • 03:25 • -24db
29% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): IV. The last...
71 bpm • D min • 06:16 • -21.22db
11% Popularity • 14% Danceability • 9% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 9% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
