Songs like Requiem For John Hurt by John Fahey
Based on a tempo of (+/- 10%) and a similar genre
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Simon Finn
Laughing 'Til Tomorrow
102 bpm • D Maj • 02:54 • -11.74db
15% Popularity • 55% Danceability • 23% Energy • 22% Liveness
17% Instrumentalness • 20% Positiveness
15% Popularity • 55% Danceability • 23% Energy • 22% Liveness
17% Instrumentalness • 20% Positiveness
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Marisa Anderson
Sant Feliu de GuÃxols
102 bpm • D Maj • 03:53 • -11.54db
9% Popularity • 39% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
9% Popularity • 39% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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John Fahey
The Last Steam Engine Train
102 bpm • B Maj • 02:15 • -17.23db
23% Popularity • 33% Danceability • 32% Energy • 24% Liveness
87% Instrumentalness • 91% Positiveness
23% Popularity • 33% Danceability • 32% Energy • 24% Liveness
87% Instrumentalness • 91% Positiveness
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Captain Beefheart & His Magic Band
A Carrot Is As Close As A Rabbit Gets To...
102 bpm • C Maj • 01:38 • -16.2db
38% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
38% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
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Louis Hardin
Theme - Instrumental
102 bpm • G Maj • 02:59 • -14.87db
30% Popularity • 54% Danceability • 56% Energy • 13% Liveness
82% Instrumentalness • 82% Positiveness
30% Popularity • 54% Danceability • 56% Energy • 13% Liveness
82% Instrumentalness • 82% Positiveness
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Dylan Golden Aycock
Lord It Over
102 bpm • G Maj • 04:38 • -10.93db
15% Popularity • 30% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 14% Positiveness
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Gwenifer Raymond
Idumea
102 bpm • C Maj • 02:41 • -12.1db
24% Popularity • 35% Danceability • 43% Energy • 18% Liveness
85% Instrumentalness • 72% Positiveness
24% Popularity • 35% Danceability • 43% Energy • 18% Liveness
85% Instrumentalness • 72% Positiveness
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Link Wray
Fallin' Rain
101 bpm • G# Maj • 03:45 • -13.9db
45% Popularity • 44% Danceability • 38% Energy • 12% Liveness
19% Instrumentalness • 42% Positiveness
45% Popularity • 44% Danceability • 38% Energy • 12% Liveness
19% Instrumentalness • 42% Positiveness
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John Fahey
Requiem For John Hurt
102 bpm • C Maj • 05:10 • -13.8db
28% Popularity • 19% Danceability • 38% Energy • 10% Liveness
83% Instrumentalness • 18% Positiveness
28% Popularity • 19% Danceability • 38% Energy • 10% Liveness
83% Instrumentalness • 18% Positiveness
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Hailu Mergia
Minlbelesh
101 bpm • D# Maj • 05:57 • -11.42db
36% Popularity • 44% Danceability • 66% Energy • 32% Liveness
40% Instrumentalness • 90% Positiveness
36% Popularity • 44% Danceability • 66% Energy • 32% Liveness
40% Instrumentalness • 90% Positiveness
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Daniel Bachman
Wine and Peanuts
101 bpm • C Maj • 03:13 • -10db
9% Popularity • 50% Danceability • 45% Energy • 11% Liveness
87% Instrumentalness • 50% Positiveness
9% Popularity • 50% Danceability • 45% Energy • 11% Liveness
87% Instrumentalness • 50% Positiveness
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Skyway Man
Driving to Milwaukee
101 bpm • F# min • 05:15 • -19.43db
32% Popularity • 42% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 26% Positiveness
32% Popularity • 42% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 26% Positiveness
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Glenn Jones
June Too Soon, October All Over
103 bpm • D Maj • 03:21 • -13.89db
21% Popularity • 23% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
21% Popularity • 23% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Nathan Salsburg
New Bold Ruler’s Joy
101 bpm • D# Maj • 02:28 • -10.74db
28% Popularity • 43% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
28% Popularity • 43% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
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William Tyler
Missionary Ridge
103 bpm • A# Maj • 06:03 • -14.48db
13% Popularity • 36% Danceability • 36% Energy • 53% Liveness
94% Instrumentalness • 13% Positiveness
13% Popularity • 36% Danceability • 36% Energy • 53% Liveness
94% Instrumentalness • 13% Positiveness
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Furry Lewis
When My Baby Left Me
101 bpm • C Maj • 03:23 • -21.02db
26% Popularity • 39% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 39% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 7% Positiveness
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Ted Hawkins
I Gave Up All I Had
101 bpm • F Maj • 02:56 • -13.51db
31% Popularity • 56% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 56% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Hayden Pedigo
Madrid
101 bpm • C Maj • 04:10 • -13.72db
16% Popularity • 22% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Glenn Jones
Cléo Asleep
101 bpm • A Maj • 01:42 • -17.39db
30% Popularity • 53% Danceability • 20% Energy • 6% Liveness
75% Instrumentalness • 23% Positiveness
30% Popularity • 53% Danceability • 20% Energy • 6% Liveness
75% Instrumentalness • 23% Positiveness
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John Fahey
Revelation On The Banks Of The Pawtuxent
101 bpm • G# Maj • 02:32 • -14.09db
15% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 61% Positiveness
15% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 61% Positiveness
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Kinloch Nelson
Kittens
101 bpm • E Maj • 03:21 • -16.75db
24% Popularity • 39% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
24% Popularity • 39% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Ryley Walker
Rocks on Rainbow
104 bpm • G Maj • 01:45 • -13.43db
39% Popularity • 42% Danceability • 40% Energy • 16% Liveness
89% Instrumentalness • 90% Positiveness
39% Popularity • 42% Danceability • 40% Energy • 16% Liveness
89% Instrumentalness • 90% Positiveness
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The Clean
Holdin’ On
100 bpm • F Maj • 02:42 • -13.5db
30% Popularity • 59% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
30% Popularity • 59% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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Elizabeth Cotten
Vastopol
104 bpm • F# Maj • 02:10 • -21.81db
36% Popularity • 38% Danceability • 21% Energy • 13% Liveness
96% Instrumentalness • 72% Positiveness
36% Popularity • 38% Danceability • 21% Energy • 13% Liveness
96% Instrumentalness • 72% Positiveness
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Fred Neil
Felicity
104 bpm • E min • 01:37 • -13.87db
30% Popularity • 50% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 50% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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John Fahey
When The Springtime Comes Again - Re-Rec...
104 bpm • F# Maj • 04:52 • -17.95db
17% Popularity • 26% Danceability • 27% Energy • 11% Liveness
61% Instrumentalness • 9% Positiveness
17% Popularity • 26% Danceability • 27% Energy • 11% Liveness
61% Instrumentalness • 9% Positiveness
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Six Organs Of Admittance
Awaken
104 bpm • C# Maj • 01:43 • -19.66db
22% Popularity • 58% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
22% Popularity • 58% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Sandy Bull
Last Date
100 bpm • C Maj • 02:35 • -14.21db
22% Popularity • 52% Danceability • 62% Energy • 68% Liveness
60% Instrumentalness • 66% Positiveness
22% Popularity • 52% Danceability • 62% Energy • 68% Liveness
60% Instrumentalness • 66% Positiveness
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William Tyler
I’m Gonna Live Forever (If It Kills Me...
104 bpm • D Maj • 05:25 • -11.29db
30% Popularity • 56% Danceability • 52% Energy • 12% Liveness
93% Instrumentalness • 39% Positiveness
30% Popularity • 56% Danceability • 52% Energy • 12% Liveness
93% Instrumentalness • 39% Positiveness
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Elizabeth Cotten
Take Me Back to Baltimore
104 bpm • A# Maj • 01:59 • -17.5db
30% Popularity • 40% Danceability • 20% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
30% Popularity • 40% Danceability • 20% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
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Jack Rose
Rappahanock River Rag (For William Moore...
104 bpm • E Maj • 02:46 • -5.18db
17% Popularity • 28% Danceability • 74% Energy • 25% Liveness
98% Instrumentalness • 39% Positiveness
17% Popularity • 28% Danceability • 74% Energy • 25% Liveness
98% Instrumentalness • 39% Positiveness
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John Fahey
The Siege Of Sevastopol - Bonus Track
100 bpm • E Maj • 01:19 • -9db
29% Popularity • 41% Danceability • 46% Energy • 33% Liveness
88% Instrumentalness • 68% Positiveness
29% Popularity • 41% Danceability • 46% Energy • 33% Liveness
88% Instrumentalness • 68% Positiveness
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Loren Connors
Now Who Are These Guys?
104 bpm • B min • 05:20 • -34.13db
21% Popularity • 44% Danceability • 0% Energy • 13% Liveness
72% Instrumentalness • 10% Positiveness
21% Popularity • 44% Danceability • 0% Energy • 13% Liveness
72% Instrumentalness • 10% Positiveness
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Bill MacKay
I Heard Them Singing
104 bpm • B min • 02:17 • -12.9db
35% Popularity • 49% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 63% Positiveness
35% Popularity • 49% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 63% Positiveness
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Nathan Salsburg
Bold Ruler's Joys
100 bpm • D Maj • 02:17 • -15.55db
42% Popularity • 54% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
42% Popularity • 54% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
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James Blackshaw
The Cloud Of Unknowing
100 bpm • A Maj • 10:55 • -9.54db
9% Popularity • 14% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Jack Rose
Flirtin' With The Undertaker
100 bpm • A Maj • 02:25 • -9.78db
19% Popularity • 26% Danceability • 55% Energy • 32% Liveness
89% Instrumentalness • 66% Positiveness
19% Popularity • 26% Danceability • 55% Energy • 32% Liveness
89% Instrumentalness • 66% Positiveness
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John Fahey
The Portland Cement Factory At Monolith ...
104 bpm • C Maj • 04:24 • -11.9db
19% Popularity • 33% Danceability • 43% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
19% Popularity • 33% Danceability • 43% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Glenn Jones
Bergen County Farewell
105 bpm • C Maj • 03:34 • -11.85db
18% Popularity • 41% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
18% Popularity • 41% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Alexander 'Skip' Spence
Weighted Down (The Prison Song)
99 bpm • A Maj • 06:24 • -21.81db
21% Popularity • 43% Danceability • 11% Energy • 21% Liveness
15% Instrumentalness • 11% Positiveness
21% Popularity • 43% Danceability • 11% Energy • 21% Liveness
15% Instrumentalness • 11% Positiveness
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Jackson C. Frank
Here Come the Blues
105 bpm • G# Maj • 04:01 • -10.57db
27% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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The Incredible String Band
The Half-Remarkable Question - 2010 Rema...
105 bpm • D Maj • 05:03 • -12.51db
18% Popularity • 42% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 42% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Six Organs Of Admittance
They Fixed The Broken Windmill Today
105 bpm • F Maj • 07:18 • -15.6db
25% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
25% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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John Fahey
Take A Look At That Baby
105 bpm • A# Maj • 01:24 • -14.99db
24% Popularity • 40% Danceability • 45% Energy • 22% Liveness
94% Instrumentalness • 94% Positiveness
24% Popularity • 40% Danceability • 45% Energy • 22% Liveness
94% Instrumentalness • 94% Positiveness
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Mimi And Richard Farina
Dog Blue - Instrumental
105 bpm • E min • 01:46 • -18.48db
28% Popularity • 36% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
28% Popularity • 36% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Glenn Jones
The Great Pacific Northwest
105 bpm • E Maj • 04:56 • -20.62db
23% Popularity • 29% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 29% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Blaze Foley
Fat Boy
99 bpm • F Maj • 02:37 • -14.9db
31% Popularity • 52% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 52% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jack Rose
Moon In The Gutter
99 bpm • G min • 03:04 • -6.56db
11% Popularity • 47% Danceability • 66% Energy • 8% Liveness
26% Instrumentalness • 26% Positiveness
11% Popularity • 47% Danceability • 66% Energy • 8% Liveness
26% Instrumentalness • 26% Positiveness
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Fred Neil
That's The Bag I'm In
99 bpm • C Maj • 03:35 • -12.46db
34% Popularity • 58% Danceability • 38% Energy • 17% Liveness
9% Instrumentalness • 48% Positiveness
34% Popularity • 58% Danceability • 38% Energy • 17% Liveness
9% Instrumentalness • 48% Positiveness
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Robbie Basho
Lost Lagoon Suite - Instrumental
99 bpm • A# Maj • 12:11 • -9.88db
12% Popularity • 24% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
12% Popularity • 24% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Harry Taussig
Water Verses
99 bpm • B Maj • 01:50 • -16.2db
31% Popularity • 46% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
31% Popularity • 46% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Glenn Jones
Anchor Chain Blues
105 bpm • E Maj • 05:21 • -16.8db
14% Popularity • 30% Danceability • 21% Energy • 10% Liveness
62% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 21% Energy • 10% Liveness
62% Instrumentalness • 15% Positiveness
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Robert Wyatt
Heaps Of Sheeps
98 bpm • C# Maj • 04:56 • -10.1db
32% Popularity • 54% Danceability • 69% Energy • 9% Liveness
9% Instrumentalness • 43% Positiveness
32% Popularity • 54% Danceability • 69% Energy • 9% Liveness
9% Instrumentalness • 43% Positiveness
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Jack Rose
Dark Was The Night, Cold Was The Ground
106 bpm • D# Maj • 02:39 • -12.89db
9% Popularity • 44% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
9% Popularity • 44% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Fred Neil
I've Got A Secret (Didn't We Shake Sugar...
106 bpm • D Maj • 04:38 • -12db
29% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Nora Brown
Cumberland Gap
98 bpm • F Maj • 01:08 • -24.81db
41% Popularity • 51% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
41% Popularity • 51% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
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Elizabeth Cotten
Street Blues
98 bpm • G Maj • 02:17 • -21.33db
24% Popularity • 33% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 71% Positiveness
24% Popularity • 33% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 71% Positiveness
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Blaze Foley
Sittin' by the Road
98 bpm • F min • 02:18 • -14.97db
34% Popularity • 60% Danceability • 20% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
34% Popularity • 60% Danceability • 20% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
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Ben von Wildenhaus
Easy Opium
106 bpm • G min • 05:17 • -13.57db
11% Popularity • 77% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 19% Positiveness
11% Popularity • 77% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 19% Positiveness
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Jack Rose
Blessed Be The Name Of The Lord
98 bpm • C# Maj • 05:02 • -11.79db
11% Popularity • 20% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 20% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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John Fahey
Wine And Roses
98 bpm • E Maj • 03:25 • -21.44db
28% Popularity • 32% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
28% Popularity • 32% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Nora Brown
Miner's Dream
106 bpm • F# Maj • 02:01 • -17.44db
34% Popularity • 49% Danceability • 38% Energy • 25% Liveness
95% Instrumentalness • 91% Positiveness
34% Popularity • 49% Danceability • 38% Energy • 25% Liveness
95% Instrumentalness • 91% Positiveness
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Palace Music
The Mountain Low
98 bpm • G# Maj • 02:44 • -18.13db
25% Popularity • 68% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 68% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Javelin
Winchesters
98 bpm • C# Maj • 02:14 • -17.27db
5% Popularity • 73% Danceability • 28% Energy • 16% Liveness
93% Instrumentalness • 56% Positiveness
5% Popularity • 73% Danceability • 28% Energy • 16% Liveness
93% Instrumentalness • 56% Positiveness
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Penguin Cafe Orchestra
Zopf: Giles Farnaby's Dream - 2008 Digit...
107 bpm • D Maj • 02:19 • -15.97db
27% Popularity • 45% Danceability • 45% Energy • 12% Liveness
95% Instrumentalness • 78% Positiveness
27% Popularity • 45% Danceability • 45% Energy • 12% Liveness
95% Instrumentalness • 78% Positiveness
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Glenn Jones
Cléo Awake
107 bpm • A Maj • 01:35 • -15.24db
34% Popularity • 52% Danceability • 21% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness
34% Popularity • 52% Danceability • 21% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness
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John Fahey
Days Have Gone By
98 bpm • E min • 02:52 • -16.13db
22% Popularity • 28% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
22% Popularity • 28% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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Ted Hawkins
Stay Close To Me
107 bpm • A Maj • 03:15 • -14.26db
26% Popularity • 72% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 72% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Ted Lucas
Sonny Boy Blues
97 bpm • B min • 07:17 • -19.13db
23% Popularity • 52% Danceability • 21% Energy • 65% Liveness
73% Instrumentalness • 6% Positiveness
23% Popularity • 52% Danceability • 21% Energy • 65% Liveness
73% Instrumentalness • 6% Positiveness
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Jack Rose
Luck In The Valley
97 bpm • C Maj • 02:20 • -7.44db
12% Popularity • 53% Danceability • 53% Energy • 19% Liveness
79% Instrumentalness • 25% Positiveness
12% Popularity • 53% Danceability • 53% Energy • 19% Liveness
79% Instrumentalness • 25% Positiveness
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Bill MacKay
Honey Time
107 bpm • C Maj • 03:09 • -11.83db
28% Popularity • 54% Danceability • 41% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
28% Popularity • 54% Danceability • 41% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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Glenn Jones
Of Its Own Kind
107 bpm • G# Maj • 07:25 • -14db
29% Popularity • 27% Danceability • 36% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
29% Popularity • 27% Danceability • 36% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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John Fahey
On The Beach At Waikiki - Version 1
107 bpm • E Maj • 02:55 • -14.89db
21% Popularity • 44% Danceability • 48% Energy • 32% Liveness
94% Instrumentalness • 56% Positiveness
21% Popularity • 44% Danceability • 48% Energy • 32% Liveness
94% Instrumentalness • 56% Positiveness
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Richard Dawson
Juniper Berries Float Down The Stream
107 bpm • G Maj • 05:22 • -16.33db
10% Popularity • 52% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 25% Positiveness
10% Popularity • 52% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 25% Positiveness
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Josephine Foster
Child of God
97 bpm • C Maj • 03:41 • -9db
31% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jack Rose
Blues For Percy Danforth
97 bpm • C Maj • 07:36 • -7.36db
8% Popularity • 23% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
8% Popularity • 23% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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William Tyler
Terrace of the Leper King
108 bpm • F Maj • 08:31 • -14.24db
8% Popularity • 34% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Glenn Jones
Gone Before
107 bpm • C Maj • 02:44 • -12.32db
16% Popularity • 36% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
16% Popularity • 36% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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The Durutti Column
Jacqueline
107 bpm • D Maj • 02:15 • -13db
36% Popularity • 66% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
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John Fahey
Knoxville Blues
107 bpm • G Maj • 03:07 • -18.88db
17% Popularity • 28% Danceability • 24% Energy • 26% Liveness
88% Instrumentalness • 25% Positiveness
17% Popularity • 28% Danceability • 24% Energy • 26% Liveness
88% Instrumentalness • 25% Positiveness
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Sandy Bull
Manha De Carnival
108 bpm • F# min • 13:04 • -23.03db
9% Popularity • 63% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
9% Popularity • 63% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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Fred Neil
Sweet Cocaine
108 bpm • C Maj • 02:03 • -12.04db
34% Popularity • 59% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 59% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Jack Rose
Kensington Blues
97 bpm • E Maj • 03:35 • -6db
29% Popularity • 22% Danceability • 64% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 64% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Glenn Jones
Mother's Day
107 bpm • D# min • 05:09 • -16.59db
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
80% Instrumentalness • 26% Positiveness
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
80% Instrumentalness • 26% Positiveness
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Tin Hat Trio
Bill
108 bpm • G Maj • 04:25 • -12db
26% Popularity • 29% Danceability • 20% Energy • 11% Liveness
15% Instrumentalness • 17% Positiveness
26% Popularity • 29% Danceability • 20% Energy • 11% Liveness
15% Instrumentalness • 17% Positiveness
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John Fahey
John Henry Variations
97 bpm • D# Maj • 05:40 • -17.19db
19% Popularity • 32% Danceability • 31% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
19% Popularity • 32% Danceability • 31% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
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The Incredible String Band
Dandelion Blues - 2010 Remaster
108 bpm • E Maj • 02:58 • -15.53db
18% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Roy Harper
Goldfish
108 bpm • C min • 02:49 • -10.22db
26% Popularity • 46% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 59% Positiveness
26% Popularity • 46% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 59% Positiveness
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Minutemen
Cohesion
96 bpm • G Maj • 01:56 • -22.88db
40% Popularity • 39% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
40% Popularity • 39% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Jerry Garcia
Love Scene
109 bpm • E Maj • 07:02 • -17.9db
20% Popularity • 52% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 19% Positiveness
20% Popularity • 52% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 19% Positiveness
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Glenn Jones
In Durance Vile
109 bpm • A Maj • 04:36 • -17.51db
14% Popularity • 40% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 21% Positiveness
14% Popularity • 40% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 21% Positiveness
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John Fahey
Brenda's Blues
97 bpm • D# Maj • 01:47 • -5.44db
19% Popularity • 52% Danceability • 72% Energy • 12% Liveness
94% Instrumentalness • 98% Positiveness
19% Popularity • 52% Danceability • 72% Energy • 12% Liveness
94% Instrumentalness • 98% Positiveness
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Sandy Bull
Driftin'
96 bpm • A Maj • 05:56 • -17.16db
10% Popularity • 62% Danceability • 25% Energy • 34% Liveness
81% Instrumentalness • 69% Positiveness
10% Popularity • 62% Danceability • 25% Energy • 34% Liveness
81% Instrumentalness • 69% Positiveness
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Roy Harper
Forever
96 bpm • F# Maj • 03:32 • -19.79db
25% Popularity • 37% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 30% Positiveness
25% Popularity • 37% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 30% Positiveness
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Daniel Bachman
Song For The Setting Sun I
109 bpm • B min • 08:16 • -8.55db
10% Popularity • 31% Danceability • 55% Energy • 20% Liveness
90% Instrumentalness • 11% Positiveness
10% Popularity • 31% Danceability • 55% Energy • 20% Liveness
90% Instrumentalness • 11% Positiveness
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Alan Lomax
All the Pretty Little Horses
109 bpm • A min • 01:49 • -18.04db
27% Popularity • 47% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 47% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Babe Rainbow
2nd of April
109 bpm • G# Maj • 02:38 • -18.12db
32% Popularity • 39% Danceability • 18% Energy • 13% Liveness
96% Instrumentalness • 36% Positiveness
32% Popularity • 39% Danceability • 18% Energy • 13% Liveness
96% Instrumentalness • 36% Positiveness
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John Fahey
Sunflower River Blues
96 bpm • C Maj • 02:35 • -13.84db
39% Popularity • 45% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 25% Positiveness
39% Popularity • 45% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 25% Positiveness
