Songs like Requiem, Op. 9: Lux aeterna by Maurice Duruflé
Based on a tempo of (+/- 10%) and a similar genre
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Victor Kalinnikov
Svete tikhii (Gentle light)
74 bpm • F Maj • 02:58 • -25.1db
17% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 2, Until the Daybre...
74 bpm • F min • 02:32 • -36.49db
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Our Father
74 bpm • F Maj • 01:46 • -41.35db
4% Popularity • 7% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
4% Popularity • 7% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 4. Hot sun,...
74 bpm • B Maj • 03:11 • -20db
11% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
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John Stainer
The Crucifixion: IX. Chorus – God so l...
74 bpm • D Maj • 03:49 • -24.2db
9% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
73 bpm • A min • 02:56 • -24db
8% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
35% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
75 bpm • E min • 09:33 • -20.28db
16% Popularity • 7% Danceability • 8% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 8% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Wie Lieblich Sind Deine Wohnungen, Op. 3...
73 bpm • A# Maj • 05:43 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
73 bpm • C# min • 05:37 • -18db
17% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
17% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Edgar Leslie Bainton
And I Saw a New Heaven
75 bpm • G Maj • 05:20 • -23.58db
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Child of Song
73 bpm • C min • 04:51 • -32.13db
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem pour soli, choeurs et orgue, Op....
75 bpm • G min • 03:06 • -21.35db
4% Popularity • 7% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
4% Popularity • 7% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 3. Otche nash (Our F...
73 bpm • D# Maj • 04:25 • -27db
12% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle, Op. 16: I. Kyrie
73 bpm • C# min • 05:37 • -20.81db
10% Popularity • 7% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: III. Credo
75 bpm • A min • 05:44 • -22db
14% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Taaveti laul 141, "Issand, ma huuan Su p...
73 bpm • B min • 02:26 • -29.13db
17% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Maurice Duruflé
Requiem, Op. 9: I. Introit
73 bpm • F Maj • 03:50 • -27.55db
3% Popularity • 7% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
3% Popularity • 7% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:10 • -23.73db
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: III. Night
72 bpm • E min • 03:30 • -35db
24% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Ubi caritas et amor
76 bpm • A# Maj • 02:01 • -23.62db
11% Popularity • 15% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Lux Aurumque
72 bpm • C# min • 04:15 • -28.43db
41% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
41% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
76 bpm • B Maj • 08:46 • -25.09db
0% Popularity • 7% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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James Whitbourn
Requiem canticorum: Introit
72 bpm • F# min • 05:27 • -29.14db
15% Popularity • 10% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Sequentia: Pie Jesu
76 bpm • D# Maj • 01:48 • -26db
25% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Messe Cum Jubilo, Op. 11: II. Glória in...
72 bpm • D# min • 05:47 • -17.21db
3% Popularity • 9% Danceability • 16% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
3% Popularity • 9% Danceability • 16% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
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James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
35% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Gibbons: The Silver Swan
71 bpm • E Maj • 01:42 • -28.06db
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
Funeral Sentences for the death of Queen...
77 bpm • A# Maj • 02:12 • -27db
13% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Mikhail Ippolitov-Ivanov
Vespers, Op. 43 O Gentle Light o Holy Gl...
71 bpm • B Maj • 03:08 • -24.23db
4% Popularity • 22% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
4% Popularity • 22% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IV. Sanctus
72 bpm • G min • 03:43 • -25.61db
1% Popularity • 15% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • G# Maj • 02:47 • -24db
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 04. Ecce Enim Verita...
71 bpm • G min • 01:07 • -33.77db
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: In paradisum
71 bpm • B Maj • 03:25 • -35.75db
4% Popularity • 6% Danceability • 1% Energy • 19% Liveness
89% Instrumentalness • 4% Positiveness
4% Popularity • 6% Danceability • 1% Energy • 19% Liveness
89% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
O Nata Lux
77 bpm • D Maj • 04:31 • -30db
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • F Maj • 02:10 • -30db
28% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Maurice Duruflé
4 Motets sur des themes gregoriens, Op. ...
77 bpm • F# min • 01:53 • -28.7db
12% Popularity • 19% Danceability • 5% Energy • 24% Liveness
59% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 24% Liveness
59% Instrumentalness • 4% Positiveness
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Benjamin Britten
Benjamin Britten: A Hymn to the Virgin
71 bpm • A min • 03:21 • -25.89db
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi caritas
78 bpm • F# min • 03:06 • -35db
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9: Libera me
70 bpm • D Maj • 05:14 • -20.69db
8% Popularity • 10% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Lodovico Grossi da Viadana
Exultate Justi
78 bpm • A Maj • 01:57 • -21db
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Magn...
70 bpm • A# Maj • 07:19 • -27.41db
16% Popularity • 13% Danceability • 5% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 5% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
► Preview
Laurence Equilbey
Sept chansons - La Blanche Neige
78 bpm • D min • 01:10 • -29.9db
17% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
17% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
► Preview
Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
37% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
37% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Maurice Duruflé
4 Motets sur des themes gregoriens, Op. ...
78 bpm • B Maj • 00:54 • -23.53db
13% Popularity • 22% Danceability • 23% Energy • 24% Liveness
9% Instrumentalness • 18% Positiveness
13% Popularity • 22% Danceability • 23% Energy • 24% Liveness
9% Instrumentalness • 18% Positiveness
► Preview
James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Lorenzo Perosi
Missa Pontificalis: Kyrie
70 bpm • D min • 04:03 • -27.08db
13% Popularity • 9% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Alexander Gretchaninov
Passion Week, Op. 58: II. I See Thy Brid...
70 bpm • G# min • 02:40 • -26db
10% Popularity • 14% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Maurice Duruflé
4 Motets sur des themes gregoriens, Op. ...
78 bpm • D Maj • 02:05 • -32db
12% Popularity • 9% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 9% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
78 bpm • G Maj • 06:48 • -25.56db
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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Richard Farrant
Lord, for thy tender mercy's sake
78 bpm • G# Maj • 01:49 • -30db
17% Popularity • 15% Danceability • 3% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
17% Popularity • 15% Danceability • 3% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Hubert Parry
Crossing the Bar
70 bpm • D Maj • 02:40 • -27.74db
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
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Maurice Duruflé
Méditation, Op. post.
78 bpm • G Maj • 03:53 • -39.69db
4% Popularity • 7% Danceability • 0% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
4% Popularity • 7% Danceability • 0% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Kyrie
70 bpm • C# min • 05:54 • -14.16db
13% Popularity • 6% Danceability • 18% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
13% Popularity • 6% Danceability • 18% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Gabriel Jackson
O Sacrum Convivium
69 bpm • D# Maj • 06:22 • -36.59db
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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St. Albans Cathedral Choir
Brahms: Geistliches lied Op. 30
70 bpm • D# Maj • 05:49 • -25db
9% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
78 bpm • G# min • 07:50 • -20.32db
6% Popularity • 9% Danceability • 13% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 13% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 2, Ave Maria
79 bpm • F Maj • 04:39 • -35.82db
11% Popularity • 8% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Abendlied
79 bpm • F Maj • 02:54 • -20.72db
13% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
13% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Palestrina: Sicut Lilium Inter Spinas 1
79 bpm • B min • 04:42 • -24.11db
19% Popularity • 8% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Blessed Be the Man
79 bpm • D# min • 05:37 • -25.91db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Prélude, Adagio et Choral varié sur le...
78 bpm • B min • 08:02 • -36.42db
3% Popularity • 7% Danceability • 0% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
3% Popularity • 7% Danceability • 0% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Joanna Marsh
Evening Prayer
69 bpm • A# min • 03:42 • -21.71db
20% Popularity • 19% Danceability • 14% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 14% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
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William Walton
Belshazzar's Feast: The trumpeters and p...
79 bpm • A min • 01:02 • -34.79db
13% Popularity • 8% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Magnificat | Magnificat in C
79 bpm • C Maj • 05:04 • -23.78db
8% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Evening Service in G Minor, Z. 231: No. ...
79 bpm • A min • 04:03 • -21.42db
12% Popularity • 16% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 16% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness