Songs like Requiem: Pie Jesu Domine - Cristóbal de Morales by Claude Goudimel
Based on a tempo of (+/- 10%) and a similar genre
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John Dowland
Lachrimæ, or Seven Teares: XI. The King...
74 bpm • C Maj • 01:32 • -19db
20% Popularity • 43% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
20% Popularity • 43% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
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John Taverner
Taverner: Leroy Kyrie
74 bpm • C# Maj • 03:33 • -19.95db
12% Popularity • 14% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Francisco de Peñalosa
Missa Nunca Fue Pena Major: V. Agnus Dei
74 bpm • G# min • 03:26 • -22.83db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: XII. Ite Missa est
74 bpm • G Maj • 01:20 • -25.2db
16% Popularity • 22% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Guillaume Dufay
Motets: Alma redemptoris mater
74 bpm • C Maj • 03:38 • -27db
11% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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Le Concert Des Nations
Concert Donné A Louis XIII En 1627 Par ...
74 bpm • A# Maj • 01:51 • -17.01db
4% Popularity • 46% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
4% Popularity • 46% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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JoĂŁo IV of Portugal
Crux fidelis
74 bpm • F Maj • 02:20 • -34db
32% Popularity • 19% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Thomas Stoltzer
Psalmus quarti toni Beatus vir
74 bpm • F# min • 03:46 • -30.36db
9% Popularity • 14% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
9% Popularity • 14% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Jordi Savall
O Virgo splendens (canon a 3 & monodic)
74 bpm • A min • 04:36 • -17.93db
11% Popularity • 21% Danceability • 27% Energy • 9% Liveness
13% Instrumentalness • 16% Positiveness
11% Popularity • 21% Danceability • 27% Energy • 9% Liveness
13% Instrumentalness • 16% Positiveness
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Claude Goudimel
Requiem: Pie Jesu Domine - CristĂłbal de...
74 bpm • A# Maj • 01:40 • -17.08db
18% Popularity • 17% Danceability • 20% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 20% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Giovanni Maria Nanino
Nanino: Adoramus te, Christe
74 bpm • A# Maj • 03:16 • -25.15db
16% Popularity • 23% Danceability • 6% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
16% Popularity • 23% Danceability • 6% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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Orlando Gibbons
Short Service: Nunc dimittis (Short Serv...
74 bpm • G# Maj • 02:37 • -22.49db
10% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Marin Marais
Alcione, Acte I Scène 1 : "Vous voyez l...
75 bpm • C min • 02:30 • -22.02db
3% Popularity • 47% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 47% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Francesco Landini
Che chos'è quest'amor
75 bpm • A Maj • 03:03 • -24.89db
8% Popularity • 23% Danceability • 3% Energy • 22% Liveness
10% Instrumentalness • 13% Positiveness
8% Popularity • 23% Danceability • 3% Energy • 22% Liveness
10% Instrumentalness • 13% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: D'Una Verge Naixerďż˝...
73 bpm • G min • 01:55 • -24db
12% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Fanfare des MĂ©dicis: Palle, palle (Inst...
73 bpm • F Maj • 02:08 • -17.7db
9% Popularity • 28% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
9% Popularity • 28% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
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Cipriano de Rore
Ancor che col partire
73 bpm • A min • 02:50 • -18db
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
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Jacopo da Bologna
Fenice fu’ e vissi (Madrigale)
75 bpm • A# min • 02:24 • -27db
8% Popularity • 34% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Marin Marais
Alcione, Acte II Scène 2: "L’injuste ...
73 bpm • A# min • 03:13 • -22.65db
1% Popularity • 30% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 30% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ladonchs No HaurĂ ...
73 bpm • F Maj • 02:50 • -25.77db
10% Popularity • 20% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Montserrat Figueras
Segunda Parte - Morir Cuerdo Y Vivir Loc...
73 bpm • G min • 01:09 • -26.68db
14% Popularity • 15% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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LĂ©onin
Viderunt omnes No. 1: ...salutare suum a...
73 bpm • C# Maj • 03:43 • -22db
19% Popularity • 15% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Credo
75 bpm • C Maj • 06:34 • -22.66db
11% Popularity • 26% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 26% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Marin Marais
Alcione, Prologue: 1er Menuet (pour les ...
75 bpm • G min • 02:57 • -22.78db
3% Popularity • 30% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 30% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Marc-Antoine Charpentier
Concert pour quatre parties de violes, H...
75 bpm • C# min • 05:47 • -19.06db
4% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
4% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Suites des airs Ă ...
76 bpm • F# Maj • 01:38 • -18.23db
9% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Jordi Savall
Canarios (Improvisations Instr.) (Jordi ...
76 bpm • G Maj • 03:13 • -25.97db
16% Popularity • 20% Danceability • 3% Energy • 9% Liveness
4% Instrumentalness • 17% Positiveness
16% Popularity • 20% Danceability • 3% Energy • 9% Liveness
4% Instrumentalness • 17% Positiveness
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Claude Le Jeune
Le Jeune: Le Printemps: No. 1, Revecy ve...
72 bpm • F Maj • 03:48 • -19.62db
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: D'Alt Dels Cels Dev...
76 bpm • G min • 02:09 • -24.5db
14% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Marin Marais
Alcione, Prologue: "Règne, règne, fill...
76 bpm • G min • 03:06 • -18.87db
3% Popularity • 24% Danceability • 17% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 24% Danceability • 17% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
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Marc-Antoine Charpentier
Prélude pour le Salve Regina, H. 23a
76 bpm • D# Maj • 01:04 • -23.68db
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • A min • 03:52 • -28.47db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Jordi Savall
Polorum regina
76 bpm • D Maj • 06:57 • -18.98db
18% Popularity • 21% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 21% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Kyrie
76 bpm • C Maj • 08:39 • -23.53db
23% Popularity • 7% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 7% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Marin Marais
Alcione, Acte I Scène 2: "Que rien ne t...
76 bpm • G Maj • 01:02 • -21.95db
3% Popularity • 31% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
3% Popularity • 31% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Suites des airs Ă ...
72 bpm • C# Maj • 02:22 • -29.27db
8% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Francisco de Peñalosa
Por Las Sierras De Madrid
72 bpm • D min • 04:17 • -20db
26% Popularity • 25% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 25% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Jordi Savall
Si La Noche Haze Escura
76 bpm • D min • 04:34 • -23db
2% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Sequentia: Pie Jesu
76 bpm • D# Maj • 01:48 • -26db
25% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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John Taverner
Quemadmodum
76 bpm • C min • 06:30 • -24db
9% Popularity • 7% Danceability • 11% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 11% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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Claudin de Sermisy
Tant que vivrai
72 bpm • F Maj • 02:17 • -24db
19% Popularity • 37% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Guillaume de Machaut
Collectio: Veneranda nobis
72 bpm • D# Maj • 01:06 • -35db
16% Popularity • 29% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 29% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jean L'héritier
Nigra sum sed formosa II
72 bpm • C min • 05:31 • -26.68db
24% Popularity • 8% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Philippe de Vitry
Garrit Gallus flendo dolorose - In nova ...
71 bpm • C Maj • 01:38 • -20.76db
14% Popularity • 26% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 26% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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John Dunstable
Veni Sancte Spiritus - Veni Creator, JD ...
77 bpm • C# Maj • 06:56 • -23db
13% Popularity • 7% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 7% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: PortarĂ CascĂş Esc...
77 bpm • G min • 02:34 • -26db
7% Popularity • 28% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 28% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Domenico del Giovane da Nola
Fontana che dai acqua
71 bpm • E Maj • 02:36 • -21db
16% Popularity • 47% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 47% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Marin Marais
Alcione, Acte V Scène 3: Ritournelle (f...
77 bpm • F min • 01:41 • -21.21db
1% Popularity • 25% Danceability • 9% Energy • 13% Liveness
9% Instrumentalness • 17% Positiveness
1% Popularity • 25% Danceability • 9% Energy • 13% Liveness
9% Instrumentalness • 17% Positiveness
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Georg Philipp Telemann
Ouverture-Suite G-Dur “La Bizarre”, ...
77 bpm • F# Maj • 01:37 • -22.53db
7% Popularity • 52% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 96% Positiveness
7% Popularity • 52% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 96% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Apostolo glorioso - ...
71 bpm • C Maj • 03:02 • -23.43db
18% Popularity • 18% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Matthias Spaeter
Cantus Caravaggio IV « In Memoriam » (...
78 bpm • G min • 01:16 • -40db
22% Popularity • 24% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 14% Positiveness
22% Popularity • 24% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 14% Positiveness
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Montserrat Figueras
Lamento D'Ariana, 1608 (Monteverdi)
70 bpm • E Maj • 11:35 • -21.13db
6% Popularity • 23% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 23% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Monsieur de Sainte-Colombe
Concert XLIV: Tombeau les regrets - Le t...
70 bpm • F# min • 01:36 • -29db
18% Popularity • 13% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Marin Marais
Alcione, Prologue: "Fuyez, fuyez, mortel...
77 bpm • G# Maj • 02:08 • -21.76db
3% Popularity • 31% Danceability • 18% Energy • 13% Liveness
15% Instrumentalness • 66% Positiveness
3% Popularity • 31% Danceability • 18% Energy • 13% Liveness
15% Instrumentalness • 66% Positiveness
► Preview
Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
21% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
21% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
► Preview
La Capella Reial De Catalunya
Audi, benigne Conditor (C. M. Montecassi...
78 bpm • A min • 03:46 • -29.6db
0% Popularity • 8% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 8% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Alexander Agricola
Ay je rien fet
78 bpm • D min • 03:11 • -16db
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
► Preview
Marchetto Cara
O mia cieca e dura sorte
70 bpm • A min • 04:29 • -21db
10% Popularity • 26% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Guillaume Dufay
Ave maris stella
70 bpm • A min • 04:46 • -28.4db
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Le Concert Des Nations
Musice De L'Enfance Du Dauphin: Pavane F...
70 bpm • C Maj • 02:38 • -17.22db
6% Popularity • 51% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
6% Popularity • 51% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
► Preview
La Capella Reial De Catalunya
Sibil-La Mallorquina: E DirĂ CascĂş Axďż˝...
70 bpm • G min • 02:19 • -28.67db
8% Popularity • 19% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jacob de Senleches
La harpe de mélodie
70 bpm • E min • 04:11 • -25.57db
9% Popularity • 18% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Jean-Baptiste Lully
Alceste, LWV 50: La Pompe Funèbre (1674...
78 bpm • F min • 03:24 • -27db
9% Popularity • 10% Danceability • 18% Energy • 10% Liveness
99% Instrumentalness • 22% Positiveness
9% Popularity • 10% Danceability • 18% Energy • 10% Liveness
99% Instrumentalness • 22% Positiveness
► Preview
Marin Marais
Deuxième suite, Airs pour les eoliens e...
70 bpm • G min • 02:06 • -25.18db
6% Popularity • 42% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 42% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
10% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
16% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
La Capella Reial De Catalunya
Pie Jesu (Requiem)
70 bpm • A# Maj • 01:37 • -31.41db
38% Popularity • 21% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
38% Popularity • 21% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Jordi Savall
O Virgo splendens (canon a 2 i a 3)
79 bpm • G min • 02:21 • -15.34db
17% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
17% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
31% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
31% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: III. E...
79 bpm • E min • 03:57 • -20.39db
18% Popularity • 18% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Victoria: Requiem (Missa pro defunctis) ...
79 bpm • E min • 04:36 • -21.36db
9% Popularity • 9% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Landini
Ecco la Primavera
69 bpm • G Maj • 01:14 • -23.26db
20% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: R/ Al Jord Del Judi...
79 bpm • D min • 00:56 • -23db
11% Popularity • 25% Danceability • 12% Energy • 13% Liveness
10% Instrumentalness • 6% Positiveness
11% Popularity • 25% Danceability • 12% Energy • 13% Liveness
10% Instrumentalness • 6% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Marc-Antoine Charpentier
Te Deum: III. Te aeternum patrem
79 bpm • C# Maj • 01:55 • -18.63db
12% Popularity • 19% Danceability • 15% Energy • 23% Liveness
84% Instrumentalness • 28% Positiveness
12% Popularity • 19% Danceability • 15% Energy • 23% Liveness
84% Instrumentalness • 28% Positiveness
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Guillaume de Machaut
Messe de Notre Dame: Kyrie
79 bpm • D Maj • 06:31 • -19db
13% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
13% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
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Montserrat Figueras
Tourdion: Quand je bois du vin (Anonyme)
79 bpm • B min • 04:05 • -19.11db
22% Popularity • 38% Danceability • 35% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
22% Popularity • 38% Danceability • 35% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
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Marin Marais
Alcione, Acte I Scène 3: "Ce n’est po...
69 bpm • D Maj • 00:56 • -21.73db
3% Popularity • 39% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 39% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Le Concert Des Nations
Les Musiques Royales De 1643 À 1650: In...
79 bpm • C Maj • 02:31 • -17.84db
4% Popularity • 35% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
4% Popularity • 35% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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LĂ©onin
Viderunt omnes No. 1: Notum fecit... (2-...
79 bpm • C# Maj • 00:44 • -21db
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
21% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Guillaume Costeley
J'ayme trop mieux souffrir la mort
80 bpm • C Maj • 02:09 • -26.87db
13% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Hespèrion XXI
Lachrimae Coactae
80 bpm • A min • 04:53 • -20db
8% Popularity • 9% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
69 bpm • D# Maj • 02:04 • -32.16db
26% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
O quam gloriosum
80 bpm • D# Maj • 02:39 • -23.17db
10% Popularity • 16% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Guillaume Dufay
Flos florum
68 bpm • G min • 03:54 • -22.77db
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Le Concert Des Nations
Musiques Pour Le Mariage Du Roy Louis XI...
80 bpm • D min • 03:29 • -18.78db
4% Popularity • 16% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 41% Positiveness
4% Popularity • 16% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 41% Positiveness
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Biagio Marini
Per ogni sorte di strumenti musicale, Op...
80 bpm • G min • 05:47 • -20db
12% Popularity • 9% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
12% Popularity • 9% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Tallis: O Lord, Give Thy Holy Spirit
80 bpm • A# min • 02:17 • -26.94db
31% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Richard I of England
Ja nus hons pris
80 bpm • D min • 02:27 • -29db
12% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness