Songs like Requiem: The Lord is my Shepherd by John Rutter
Based on a tempo of (+/- 10%) and a similar genre
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Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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William Henry Harris
Holy Is the True Light
72 bpm • D min • 01:54 • -21.55db
18% Popularity • 9% Danceability • 15% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 15% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
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Pierre de la Rue
O salutaris hostia
72 bpm • F Maj • 03:08 • -31db
13% Popularity • 13% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
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John Rutter
Requiem: The Lord is my Shepherd
72 bpm • C Maj • 05:10 • -26.27db
12% Popularity • 14% Danceability • 7% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 7% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Gibbons: The Silver Swan
71 bpm • E Maj • 01:42 • -28.06db
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Jubilate Deo omnis terra, Ch.136 (Arr. f...
73 bpm • B Maj • 05:08 • -21db
17% Popularity • 14% Danceability • 14% Energy • 8% Liveness
83% Instrumentalness • 13% Positiveness
17% Popularity • 14% Danceability • 14% Energy • 8% Liveness
83% Instrumentalness • 13% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere mei
71 bpm • F# min • 14:04 • -27.42db
10% Popularity • 8% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
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Rowland H. Pritchard
Love Divine, all loves excelling
71 bpm • E Maj • 03:45 • -23.31db
16% Popularity • 9% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 9% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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John Rutter
Wings of the morning
72 bpm • G# Maj • 05:44 • -23.25db
10% Popularity • 12% Danceability • 7% Energy • 10% Liveness
16% Instrumentalness • 5% Positiveness
10% Popularity • 12% Danceability • 7% Energy • 10% Liveness
16% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Vesperae Solennes de confessore K. 339: ...
71 bpm • F Maj • 03:56 • -15.53db
17% Popularity • 10% Danceability • 14% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
17% Popularity • 10% Danceability • 14% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
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Paul Noble
Five Meditations: V. The Lord Bless You ...
73 bpm • F Maj • 02:45 • -25.77db
1% Popularity • 13% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
71 bpm • C Maj • 03:03 • -28.15db
31% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Traditional
Deep River
71 bpm • C# Maj • 05:04 • -27.96db
5% Popularity • 11% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
5% Popularity • 11% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
71 bpm • G Maj • 05:52 • -25.58db
14% Popularity • 16% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
4 Quartette, Op. 92: I. O schöne Nacht
71 bpm • E Maj • 03:37 • -28.07db
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
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The Concordia Choir
When Jesus Wept
71 bpm • E min • 01:45 • -30db
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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John Rutter
A Choral Amen
71 bpm • E Maj • 01:08 • -21.32db
20% Popularity • 23% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Josquin des Prez
Ave Maria, Virgo Serena
71 bpm • C Maj • 05:55 • -19.83db
18% Popularity • 17% Danceability • 11% Energy • 6% Liveness
14% Instrumentalness • 6% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 6% Liveness
14% Instrumentalness • 6% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
73 bpm • G Maj • 02:25 • -27.09db
23% Popularity • 22% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
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Paul Noble
Mass of the Children: Agnus Dei - Arr. f...
73 bpm • G Maj • 06:00 • -22.86db
0% Popularity • 7% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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The Cambridge Singers
Christ Our Emmanuel
73 bpm • D min • 04:41 • -27.47db
22% Popularity • 18% Danceability • 4% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
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John Rutter
Mass of the Children: Sanctus and Benedi...
70 bpm • D Maj • 07:12 • -20.79db
18% Popularity • 9% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Ave Maria: Ave Maria (for 4 voices)
70 bpm • F min • 01:52 • -30.05db
14% Popularity • 24% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
14% Popularity • 24% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Herbert Howells
Nunc dimittis
74 bpm • D min • 03:06 • -18.64db
1% Popularity • 10% Danceability • 18% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 18% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Harvard University Choir
For the Splendor of Creation
74 bpm • A# Maj • 02:11 • -14.53db
19% Popularity • 19% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
19% Popularity • 19% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Hoagy Carmichael
Skylark (arr. J. Rutter): Skylark
70 bpm • F Maj • 04:42 • -25db
3% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Josquin des Prez
Praeter rerum seriem: I. Prima pars
70 bpm • G min • 03:35 • -22.02db
18% Popularity • 11% Danceability • 16% Energy • 35% Liveness
71% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 16% Energy • 35% Liveness
71% Instrumentalness • 6% Positiveness
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John Rutter
Magnificat: V. Fecit potentiam
70 bpm • F# min • 03:37 • -23.14db
10% Popularity • 30% Danceability • 9% Energy • 18% Liveness
7% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 9% Energy • 18% Liveness
7% Instrumentalness • 4% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Johannes Brahms
O Schöne Nacht, Op. 92, No. 1
70 bpm • E Maj • 03:29 • -18.59db
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
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Anton Bruckner
Anton Bruckner: Ave Maria
74 bpm • F Maj • 03:19 • -24db
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Messe basse: Benedictus
70 bpm • G# Maj • 02:34 • -25db
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 5% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Samuel Barber
Agnus Dei (Arr. from Adagio for Strings,...
74 bpm • F# Maj • 06:30 • -26.98db
12% Popularity • 7% Danceability • 4% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 4% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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John Rutter
The Peace of God
70 bpm • F Maj • 03:06 • -21db
18% Popularity • 11% Danceability • 15% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 15% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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John Ireland
Communion Service in C Major: Sanctus
74 bpm • F Maj • 01:26 • -23db
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Chamber Choir Ireland
Stanford: The Blue Bird
70 bpm • F# Maj • 03:28 • -36db
14% Popularity • 7% Danceability • 1% Energy • 6% Liveness
25% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 1% Energy • 6% Liveness
25% Instrumentalness • 3% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: Pilgrims Chorus
75 bpm • D# Maj • 04:35 • -23.15db
20% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Abendlied, Op. 69 No. 3
69 bpm • F Maj • 03:31 • -26.66db
38% Popularity • 20% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
38% Popularity • 20% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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John Rutter
The Falcon: The Falcon: II. Lento
74 bpm • C Maj • 10:03 • -25.46db
0% Popularity • 14% Danceability • 5% Energy • 20% Liveness
54% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 5% Energy • 20% Liveness
54% Instrumentalness • 4% Positiveness
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Paul Noble
Five Meditations: IV. Lord, Make Me An I...
69 bpm • D# Maj • 03:00 • -18.95db
1% Popularity • 18% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
22% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Sjaella
Morgengesang
75 bpm • F# Maj • 03:25 • -24db
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Messe basse: Sanctus
69 bpm • G Maj • 02:13 • -20.16db
14% Popularity • 30% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 30% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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William Byrd
O Christ Who Art the Light and Day
75 bpm • G min • 04:32 • -27.79db
15% Popularity • 10% Danceability • 6% Energy • 9% Liveness
30% Instrumentalness • 7% Positiveness
15% Popularity • 10% Danceability • 6% Energy • 9% Liveness
30% Instrumentalness • 7% Positiveness
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John Rutter
I believe in springtime
75 bpm • C Maj • 03:10 • -27.26db
11% Popularity • 24% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
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Paul Noble
Distant Land - Arr. for Concert/Wind Ban...
69 bpm • C# Maj • 06:20 • -15.25db
2% Popularity • 8% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 8% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Herbert Sumsion
Nunc dimittis in A Major
69 bpm • F# min • 03:05 • -24.02db
9% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
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Gottfried Heinrich Stölzel
Diomedes: Anna Magdalena Notenbuch (Clav...
69 bpm • C# Maj • 03:49 • -19.08db
22% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
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Thomas Tallis
Te lucis ante terminum
75 bpm • A# min • 02:31 • -26.88db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
14% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
14% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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John Rutter
Lord of the Dance
75 bpm • D Maj • 03:19 • -20.84db
11% Popularity • 26% Danceability • 12% Energy • 7% Liveness
5% Instrumentalness • 30% Positiveness
11% Popularity • 26% Danceability • 12% Energy • 7% Liveness
5% Instrumentalness • 30% Positiveness
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Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Gerald Finzi
Eclogue Op. 10
69 bpm • F min • 11:05 • -24.09db
13% Popularity • 21% Danceability • 4% Energy • 9% Liveness
70% Instrumentalness • 8% Positiveness
13% Popularity • 21% Danceability • 4% Energy • 9% Liveness
70% Instrumentalness • 8% Positiveness
► Preview
Maurice Duruflé
Ubi caritas et amor
76 bpm • A# Maj • 02:01 • -23.62db
11% Popularity • 15% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Sjaella
Abendliedchen
68 bpm • C Maj • 01:42 • -24.31db
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Rutter
Requiem: VI. The Lord is my Shepherd
76 bpm • F Maj • 05:11 • -30.45db
17% Popularity • 15% Danceability • 3% Energy • 7% Liveness
71% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 3% Energy • 7% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Thomas Tallis
If ye love me
76 bpm • E Maj • 02:16 • -34db
40% Popularity • 18% Danceability • 2% Energy • 10% Liveness
18% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 10% Liveness
18% Instrumentalness • 6% Positiveness
► Preview
John Tavener
2 Hymns to the Mother of God: A Hymn to ...
68 bpm • A# Maj • 02:40 • -22.25db
4% Popularity • 23% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
4% Popularity • 23% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Ola Gjeilo
Northern Lights
68 bpm • C# min • 04:26 • -30db
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
The Salley Gardens
68 bpm • F# Maj • 02:46 • -22db
18% Popularity • 20% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
18% Popularity • 20% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
► Preview
T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Paul Noble
A Gaelic Blessing - Arr. for Concert/Win...
76 bpm • D# Maj • 02:33 • -24.04db
1% Popularity • 12% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
John Rutter
Loving Shepherd of thy sheep
76 bpm • G Maj • 03:26 • -26.85db
18% Popularity • 14% Danceability • 7% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 7% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
► Preview
Wolfgang Amadeus Mozart
Sancta Maria, mater Dei, K. 273
77 bpm • F Maj • 04:02 • -24db
10% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
► Preview
John Sheppard
In manus tuas Domine: In manus tuas
68 bpm • F# Maj • 04:07 • -31.38db
3% Popularity • 8% Danceability • 2% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
3% Popularity • 8% Danceability • 2% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Messe basse: Kyrie
77 bpm • G# Maj • 02:14 • -22.63db
19% Popularity • 17% Danceability • 6% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 6% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
William Byrd
In manus tuas
77 bpm • G Maj • 03:30 • -27.02db
9% Popularity • 15% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 8% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
William Henry Monk
Abide with me
77 bpm • D# Maj • 03:44 • -26.88db
15% Popularity • 16% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 16% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
John Rutter
Gloria: II. Andante
77 bpm • G# Maj • 06:58 • -33.56db
15% Popularity • 11% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
15% Popularity • 11% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus
77 bpm • D Maj • 03:30 • -31.28db
11% Popularity • 7% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Hubert Parry
I Was Glad
67 bpm • A# Maj • 07:28 • -15.27db
11% Popularity • 8% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
11% Popularity • 8% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Ave verum, Op. 65, No. 1
77 bpm • F Maj • 03:42 • -24.36db
15% Popularity • 23% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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William Byrd
Bow thine ear, O Lord
77 bpm • G Maj • 04:16 • -29.93db
9% Popularity • 20% Danceability • 4% Energy • 9% Liveness
7% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 9% Liveness
7% Instrumentalness • 6% Positiveness
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Michael Praetorius
Es ist ein Ros' entsprungen (Arr. J. Rut...
67 bpm • E Maj • 03:23 • -28.5db
17% Popularity • 26% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 5% Positiveness
17% Popularity • 26% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 5% Positiveness
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John Rutter
Requiem: VII. Lux aeterna
77 bpm • G Maj • 07:18 • -29.34db
15% Popularity • 7% Danceability • 3% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 3% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Frederick Delius
To be Sung of a Summer Night on the Wate...
67 bpm • C# min • 02:14 • -25.36db
11% Popularity • 25% Danceability • 13% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
11% Popularity • 25% Danceability • 13% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
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Nordic Chamber Choir - Nicol Matt
O Nata Lux
77 bpm • D Maj • 04:31 • -30db
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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James Whitbourn
Luminosity: V. Castle of Diamonds
67 bpm • A min • 01:21 • -28.74db
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
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William Mundy
O Lord, the Maker of All Thing
78 bpm • F min • 02:55 • -25.79db
13% Popularity • 12% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
13% Popularity • 12% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Ubi caritas
78 bpm • F# min • 03:06 • -35db
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Andrew Lloyd Webber
Requiem: 7. Pie Jesu
67 bpm • G# Maj • 03:55 • -28.68db
38% Popularity • 13% Danceability • 2% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 2% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Tantum ergo, Op. 65, No. 2
67 bpm • E Maj • 02:33 • -24.54db
18% Popularity • 19% Danceability • 5% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
18% Popularity • 19% Danceability • 5% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Patrick Hawes
Song of Songs - Love's Promise
78 bpm • C Maj • 03:08 • -18.42db
11% Popularity • 27% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 27% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
78 bpm • C# Maj • 04:10 • -21db
16% Popularity • 10% Danceability • 7% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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John Rutter
A Gaelic Blessing
78 bpm • E Maj • 01:54 • -24.95db
31% Popularity • 21% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Andrew Lloyd Webber
Pie Jesu
78 bpm • G# Maj • 03:41 • -24.4db
37% Popularity • 9% Danceability • 5% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 5% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
