Songs like Rescue Mission by Luka Bloom
Based on a tempo of (+/- 10%) and a similar genre
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Luka Bloom
Sanctuary
122 bpm • G# min • 04:12 • -22.41db
9% Popularity • 53% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
9% Popularity • 53% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
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Silkstone
Rain Has Come - Tjeerd & Reyn
122 bpm • G Maj • 03:53 • -4.73db
15% Popularity • 53% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 53% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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The Serenes
Follow the Rural Coast
122 bpm • F# min • 02:40 • -10.76db
13% Popularity • 54% Danceability • 46% Energy • 10% Liveness
4% Instrumentalness • 22% Positiveness
13% Popularity • 54% Danceability • 46% Energy • 10% Liveness
4% Instrumentalness • 22% Positiveness
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The Waterboys
Gala - Unedited
122 bpm • C Maj • 09:31 • -7.85db
16% Popularity • 74% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 74% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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JOHAN
How Does It Feel
122 bpm • A# Maj • 03:33 • -7.23db
21% Popularity • 46% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 46% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mike Scott
What Do You Want Me to Do
122 bpm • C# min • 03:01 • -10.33db
37% Popularity • 73% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 73% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Luka Bloom
Rescue Mission
122 bpm • D min • 03:10 • -13.82db
19% Popularity • 63% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 63% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Camden
Black Paper - Black Ink
123 bpm • C min • 03:32 • -5.67db
14% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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John Cale
Close Watch - Music For a New Society
121 bpm • D# Maj • 03:07 • -9.83db
22% Popularity • 38% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
22% Popularity • 38% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Claw Boys Claw
I Am Sea
121 bpm • F Maj • 03:18 • -7.04db
28% Popularity • 82% Danceability • 83% Energy • 4% Liveness
56% Instrumentalness • 65% Positiveness
28% Popularity • 82% Danceability • 83% Energy • 4% Liveness
56% Instrumentalness • 65% Positiveness
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JOHAN
Everybody Knows
122 bpm • A Maj • 03:23 • -5.92db
24% Popularity • 50% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 50% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Colin Blunstone
Wild Places
121 bpm • C Maj • 04:00 • -6.75db
14% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Nits
The Bauhaus Chair
121 bpm • A Maj • 02:44 • -17.77db
17% Popularity • 48% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 48% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Tanita Tikaram
Valentine Heart
121 bpm • E Maj • 04:06 • -22db
35% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Luka Bloom
Bones
121 bpm • G# Maj • 02:11 • -8.96db
9% Popularity • 59% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 59% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Claw Boys Claw
Toscamoon
121 bpm • A min • 03:28 • -11.25db
13% Popularity • 55% Danceability • 47% Energy • 7% Liveness
79% Instrumentalness • 24% Positiveness
13% Popularity • 55% Danceability • 47% Energy • 7% Liveness
79% Instrumentalness • 24% Positiveness
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Stash
Carving The Pain
123 bpm • F min • 04:29 • -7.52db
14% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sophia
Oh My Love - Live
123 bpm • C Maj • 04:23 • -10.9db
8% Popularity • 44% Danceability • 60% Energy • 61% Liveness
1% Instrumentalness • 50% Positiveness
8% Popularity • 44% Danceability • 60% Energy • 61% Liveness
1% Instrumentalness • 50% Positiveness
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Gorki
Monstertje
123 bpm • E min • 04:31 • -10db
22% Popularity • 52% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
22% Popularity • 52% Danceability • 37% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Elvis Costello & The Attractions
I Want You
123 bpm • E min • 06:41 • -17.75db
44% Popularity • 50% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 50% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Luka Bloom
To Begin To
121 bpm • C Maj • 05:06 • -16db
9% Popularity • 61% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 61% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Luna Twist
African Time (Single Version)
123 bpm • A min • 04:37 • -7.45db
16% Popularity • 81% Danceability • 88% Energy • 20% Liveness
55% Instrumentalness • 98% Positiveness
16% Popularity • 81% Danceability • 88% Energy • 20% Liveness
55% Instrumentalness • 98% Positiveness
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Nits
Sketches of Spain
121 bpm • D min • 04:23 • -20db
25% Popularity • 66% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 66% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Sinéad O'Connor
Troy - 2009 Remaster
121 bpm • A# Maj • 06:41 • -8db
19% Popularity • 41% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 41% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 16% Positiveness
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The Waterboys
The Pan Within - 2004 Remaster
124 bpm • A min • 06:12 • -7.29db
44% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Simple Minds
Waterfront
120 bpm • D Maj • 05:15 • -9db
29% Popularity • 55% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 55% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 8% Positiveness
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Blaudzun
Elephants
124 bpm • C Maj • 03:34 • -6db
26% Popularity • 55% Danceability • 77% Energy • 11% Liveness
7% Instrumentalness • 48% Positiveness
26% Popularity • 55% Danceability • 77% Energy • 11% Liveness
7% Instrumentalness • 48% Positiveness
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Luna Twist
African Time (12" Version)
123 bpm • A min • 07:46 • -7.33db
14% Popularity • 79% Danceability • 83% Energy • 18% Liveness
66% Instrumentalness • 96% Positiveness
14% Popularity • 79% Danceability • 83% Energy • 18% Liveness
66% Instrumentalness • 96% Positiveness
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dEUS
Keep You Close
120 bpm • D# Maj • 05:16 • -7db
22% Popularity • 50% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 50% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Brady
Crazy Dreams
124 bpm • D# Maj • 04:56 • -12db
36% Popularity • 63% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 63% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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TC Matic
Elle Adore Le Noir Pour Sortir Le Soir
119 bpm • F Maj • 04:21 • -8.24db
25% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Luka Bloom
Exploring the Blue - Live
119 bpm • C# Maj • 04:12 • -11.86db
7% Popularity • 46% Danceability • 47% Energy • 70% Liveness
7% Instrumentalness • 13% Positiveness
7% Popularity • 46% Danceability • 47% Energy • 70% Liveness
7% Instrumentalness • 13% Positiveness
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The Silencers
A Blues For Buddha
119 bpm • F Maj • 03:06 • -22.27db
11% Popularity • 59% Danceability • 5% Energy • 17% Liveness
1% Instrumentalness • 24% Positiveness
11% Popularity • 59% Danceability • 5% Energy • 17% Liveness
1% Instrumentalness • 24% Positiveness
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Stef Kamil Carlens
Back On The Road
125 bpm • E min • 03:41 • -6.81db
12% Popularity • 68% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 66% Positiveness
12% Popularity • 68% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 66% Positiveness
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Rick Tubbax & The Taxi's
Bojangle Plays Tonight
125 bpm • A Maj • 02:53 • -11.36db
7% Popularity • 84% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 84% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Marble Sounds
The First Try
119 bpm • D Maj • 03:50 • -6.03db
19% Popularity • 57% Danceability • 69% Energy • 15% Liveness
96% Instrumentalness • 50% Positiveness
19% Popularity • 57% Danceability • 69% Energy • 15% Liveness
96% Instrumentalness • 50% Positiveness
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Tindersticks
Sometimes It Hurts
119 bpm • C Maj • 04:38 • -11.72db
23% Popularity • 41% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 41% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Luka Bloom
Exploring the Blue
119 bpm • C# Maj • 04:01 • -16.32db
42% Popularity • 41% Danceability • 23% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
42% Popularity • 41% Danceability • 23% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
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Duncan Browne
The Wild Places
119 bpm • A Maj • 06:00 • -8.72db
29% Popularity • 41% Danceability • 72% Energy • 10% Liveness
7% Instrumentalness • 49% Positiveness
29% Popularity • 41% Danceability • 72% Energy • 10% Liveness
7% Instrumentalness • 49% Positiveness
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The Fatal Flowers
Well Baby (Part 1 & 2)
119 bpm • D Maj • 04:36 • -6.29db
10% Popularity • 49% Danceability • 86% Energy • 7% Liveness
1% Instrumentalness • 34% Positiveness
10% Popularity • 49% Danceability • 86% Energy • 7% Liveness
1% Instrumentalness • 34% Positiveness
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dEUS
Instant Street - Remastered
119 bpm • G Maj • 06:15 • -5.55db
42% Popularity • 52% Danceability • 88% Energy • 17% Liveness
1% Instrumentalness • 44% Positiveness
42% Popularity • 52% Danceability • 88% Energy • 17% Liveness
1% Instrumentalness • 44% Positiveness
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Luk Vankessel
Hotel Paradiso
118 bpm • D Maj • 03:29 • -8.01db
16% Popularity • 69% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 69% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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JOHAN
Pergola
126 bpm • F min • 03:28 • -5.98db
24% Popularity • 64% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 64% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Luka Bloom
Holding Back the River
126 bpm • C Maj • 03:47 • -11.65db
8% Popularity • 55% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 55% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Deacon Blue
Your Town
126 bpm • C# min • 05:21 • -10db
35% Popularity • 54% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 35% Positiveness
35% Popularity • 54% Danceability • 84% Energy • 12% Liveness
10% Instrumentalness • 35% Positiveness
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Nits
Two Skaters
118 bpm • F Maj • 06:51 • -20db
19% Popularity • 69% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
19% Popularity • 69% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
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Dez Mona
A Little Bit of a Dream
118 bpm • B min • 03:16 • -9db
18% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Wolf Banes
Miles Away from Here - 1994 Remaster
118 bpm • G Maj • 03:29 • -10.38db
18% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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John Watts
I Smelt Roses (In the Underground)
126 bpm • D Maj • 03:56 • -13.44db
12% Popularity • 65% Danceability • 48% Energy • 9% Liveness
22% Instrumentalness • 89% Positiveness
12% Popularity • 65% Danceability • 48% Energy • 9% Liveness
22% Instrumentalness • 89% Positiveness
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Luka Bloom
The Acoustic Motorbike
118 bpm • A# min • 04:15 • -10.51db
17% Popularity • 56% Danceability • 93% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
17% Popularity • 56% Danceability • 93% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
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dEUS
Roses
118 bpm • C# Maj • 04:52 • -12.28db
33% Popularity • 36% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 36% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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The Waterboys
A Man is in Love
126 bpm • F Maj • 03:50 • -13.28db
39% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Sheila Divine
Like a Crminal
127 bpm • B min • 03:48 • -6.74db
25% Popularity • 50% Danceability • 73% Energy • 32% Liveness
11% Instrumentalness • 45% Positiveness
25% Popularity • 50% Danceability • 73% Energy • 32% Liveness
11% Instrumentalness • 45% Positiveness
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SX
Gold - Unplugged
127 bpm • A min • 03:44 • -8.39db
31% Popularity • 74% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
31% Popularity • 74% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
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John Trudell
Rockin the Res
127 bpm • D Maj • 03:34 • -11.03db
13% Popularity • 66% Danceability • 61% Energy • 8% Liveness
4% Instrumentalness • 63% Positiveness
13% Popularity • 66% Danceability • 61% Energy • 8% Liveness
4% Instrumentalness • 63% Positiveness
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Luka Bloom
Dreams in America
118 bpm • G Maj • 06:11 • -8.4db
17% Popularity • 56% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 56% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Thompson
I Misunderstood
117 bpm • C min • 03:57 • -12db
31% Popularity • 70% Danceability • 28% Energy • 10% Liveness
33% Instrumentalness • 64% Positiveness
31% Popularity • 70% Danceability • 28% Energy • 10% Liveness
33% Instrumentalness • 64% Positiveness
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Arno
Jive to the Beat
117 bpm • A Maj • 04:36 • -14.88db
20% Popularity • 76% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 76% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Mintzkov
Mimosa
127 bpm • B min • 03:26 • -7db
19% Popularity • 53% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 53% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Noordkaap
Het Zou Niet Mogen Zijn (Mensenzee)
127 bpm • A# Maj • 03:58 • -13.64db
18% Popularity • 56% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
18% Popularity • 56% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
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Simple Minds
New Gold Dream
127 bpm • A Maj • 04:57 • -6.71db
23% Popularity • 57% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 57% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Luka Bloom
Don't Be Afraid Of The Light That Shines...
126 bpm • D Maj • 04:45 • -8.67db
11% Popularity • 31% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 31% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Novastar
Because
117 bpm • B min • 03:39 • -5.65db
38% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Nits
Nescio
127 bpm • G min • 04:47 • -12.83db
36% Popularity • 55% Danceability • 52% Energy • 10% Liveness
25% Instrumentalness • 60% Positiveness
36% Popularity • 55% Danceability • 52% Energy • 10% Liveness
25% Instrumentalness • 60% Positiveness
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Melissa Etheridge
Bring Me Some Water - 2 Meter Session
127 bpm • A Maj • 03:38 • -10.78db
18% Popularity • 64% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 64% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Herman Brood & His Wild Romance
When I Get Home
117 bpm • C Maj • 01:39 • -15.94db
25% Popularity • 61% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 61% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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David McComb
Setting You Free
117 bpm • E min • 04:04 • -6.16db
12% Popularity • 55% Danceability • 55% Energy • 13% Liveness
34% Instrumentalness • 39% Positiveness
12% Popularity • 55% Danceability • 55% Energy • 13% Liveness
34% Instrumentalness • 39% Positiveness
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Luka Bloom
Warrior
126 bpm • C Maj • 03:30 • -12.71db
20% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Mad Dog Loose
Versa
117 bpm • E Maj • 03:02 • -11.95db
18% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Mike Scott
Sensitive Children
116 bpm • A Maj • 02:40 • -12.03db
31% Popularity • 40% Danceability • 41% Energy • 24% Liveness
42% Instrumentalness • 45% Positiveness
31% Popularity • 40% Danceability • 41% Energy • 24% Liveness
42% Instrumentalness • 45% Positiveness
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Nits
Home Before Dark
128 bpm • F Maj • 03:03 • -17.33db
16% Popularity • 58% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 58% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Gorki
Soms vraagt een mens zich af
128 bpm • C Maj • 03:51 • -9.74db
24% Popularity • 54% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 54% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
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Mary Coughlan
Double Cross
128 bpm • G Maj • 03:50 • -9.62db
27% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Luka Bloom
Right Here, Right Now
126 bpm • G Maj • 03:09 • -11.51db
8% Popularity • 43% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 43% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Bob Geldof
The Great Song of Indifference - 2 Meter...
128 bpm • C# Maj • 03:34 • -12.46db
12% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Mooneye
Not the One
128 bpm • F Maj • 03:43 • -6.04db
24% Popularity • 59% Danceability • 77% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
24% Popularity • 59% Danceability • 77% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
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Sinéad O'Connor
Troy
116 bpm • A# Maj • 06:31 • -9db
53% Popularity • 32% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 18% Positiveness
53% Popularity • 32% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 18% Positiveness
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Joe Jackson
Fools In Love - The Night And Day Tour /...
116 bpm • E min • 07:34 • -7.89db
13% Popularity • 63% Danceability • 50% Energy • 68% Liveness
5% Instrumentalness • 65% Positiveness
13% Popularity • 63% Danceability • 50% Energy • 68% Liveness
5% Instrumentalness • 65% Positiveness
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Gruppo Sportivo
Beep Beep Love
116 bpm • B min • 02:56 • -8.19db
27% Popularity • 73% Danceability • 77% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 73% Danceability • 77% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
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Luka Bloom
Cold Comfort
118 bpm • B Maj • 04:05 • -15.81db
20% Popularity • 61% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 61% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Heather Nova
Island
116 bpm • A min • 06:20 • -11.96db
33% Popularity • 49% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 49% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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TC Matic
Le Java
128 bpm • C Maj • 03:06 • -8.73db
14% Popularity • 73% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 73% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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The Scabs
Time - Royalty In Exile
116 bpm • A min • 03:34 • -5.19db
25% Popularity • 73% Danceability • 77% Energy • 10% Liveness
24% Instrumentalness • 96% Positiveness
25% Popularity • 73% Danceability • 77% Energy • 10% Liveness
24% Instrumentalness • 96% Positiveness
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Mike Scott
Rare, Precious and Gone
116 bpm • F# min • 04:06 • -9db
27% Popularity • 70% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 70% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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John Cale
(I Keep A) Close Watch - Fragments
128 bpm • G min • 02:33 • -12.99db
23% Popularity • 44% Danceability • 39% Energy • 97% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 44% Danceability • 39% Energy • 97% Liveness
0% Instrumentalness • 29% Positiveness
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The Fatal Flowers
Younger Days
116 bpm • D Maj • 03:06 • -6.95db
20% Popularity • 53% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 53% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 59% Positiveness
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Stash
All That's Left
128 bpm • A# Maj • 03:57 • -7.63db
12% Popularity • 73% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 73% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Gavin Friday
I Want To Live
116 bpm • F# Maj • 04:02 • -12.79db
12% Popularity • 62% Danceability • 58% Energy • 16% Liveness
17% Instrumentalness • 69% Positiveness
12% Popularity • 62% Danceability • 58% Energy • 16% Liveness
17% Instrumentalness • 69% Positiveness
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Gorki
Wie Zal Er Voor De Kinderen Zorgen
116 bpm • B min • 04:51 • -8.08db
21% Popularity • 41% Danceability • 68% Energy • 88% Liveness
2% Instrumentalness • 28% Positiveness
21% Popularity • 41% Danceability • 68% Energy • 88% Liveness
2% Instrumentalness • 28% Positiveness
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Daniel Lanois
The Unbreakable Chain
116 bpm • E Maj • 04:19 • -13.14db
17% Popularity • 69% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 69% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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An Emotional Fish
Grey Matter
129 bpm • E Maj • 03:36 • -11.2db
12% Popularity • 53% Danceability • 67% Energy • 33% Liveness
3% Instrumentalness • 90% Positiveness
12% Popularity • 53% Danceability • 67% Energy • 33% Liveness
3% Instrumentalness • 90% Positiveness
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The Fatal Flowers
Younger Days
116 bpm • D Maj • 03:08 • -6.96db
30% Popularity • 54% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 54% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Dead Man Ray
Chemical
116 bpm • F# min • 04:23 • -10.05db
26% Popularity • 74% Danceability • 58% Energy • 7% Liveness
11% Instrumentalness • 88% Positiveness
26% Popularity • 74% Danceability • 58% Energy • 7% Liveness
11% Instrumentalness • 88% Positiveness
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The Scabs
Crystal Eyes
129 bpm • A min • 03:47 • -15.28db
27% Popularity • 64% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 70% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 70% Positiveness
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Bob Geldof
Crucified Me
115 bpm • F# Maj • 02:09 • -24.18db
17% Popularity • 56% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 56% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sioen
Too Good to Be True
115 bpm • A min • 05:25 • -12.8db
21% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Phil Lynott
Old Town
129 bpm • C# Maj • 03:25 • -12db
43% Popularity • 63% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 63% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
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Arno
Forget the Cold Sweat
115 bpm • A min • 07:11 • -12.66db
19% Popularity • 91% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
19% Popularity • 91% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
