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Resurgam
Songs like
Resurgam
by
Anne Dudley
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
45% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
38% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Samuel Sim
Blind Endeavours
82 bpm • G Maj • 03:15 • -19db
27% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
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Panu Aaltio
Boys Decide to Stay
82 bpm • F min • 01:34 • -23.55db
46% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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Anne Dudley
Truth and Consequence
82 bpm • G Maj • 04:35 • -20.3db
8% Popularity • 8% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Regency Players
North and South Title Theme [2004 Versi...
82 bpm • D min • 02:44 • -11.32db
26% Popularity • 13% Danceability • 23% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Rael Jones
Memory of a Happy Day
82 bpm • G min • 01:28 • -15.84db
23% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
43% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Mark Isham
Time Passing II
82 bpm • A Maj • 01:17 • -24db
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Anne Dudley
Little Psycho
82 bpm • G min • 01:49 • -18.11db
15% Popularity • 25% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Martin Phipps
New Start
81 bpm • G Maj • 03:41 • -17.54db
42% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Peter Gregson
6.6 Gigue
83 bpm • D Maj • 02:48 • -10.52db
52% Popularity • 37% Danceability • 35% Energy • 10% Liveness
71% Instrumentalness • 9% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
34% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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BBC Concert Orchestra
Fairy Circles
83 bpm • A# Maj • 01:49 • -11.79db
11% Popularity • 23% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Jóhann Jóhannsson
Cambridge, 1963
83 bpm • A# Maj • 01:41 • -16.91db
58% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
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Anne Dudley
A Seam of Ironstone
81 bpm • D min • 01:30 • -10.82db
27% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Carter Burwell
Silent Whispers
81 bpm • A min • 01:33 • -19.96db
15% Popularity • 14% Danceability • 11% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Government
81 bpm • D min • 04:06 • -27.76db
32% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Howard Shore
Bilbo's Song
81 bpm • A Maj • 02:57 • -29db
45% Popularity • 18% Danceability • 6% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Thomas Newman
Fellowship
81 bpm • G min • 05:06 • -19.93db
38% Popularity • 31% Danceability • 15% Energy • 22% Liveness
94% Instrumentalness • 6% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
41% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Carter Burwell
Ride to Death
83 bpm • G Maj • 02:28 • -20.92db
29% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
35% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Kerry Muzzey
The Heart Wants
84 bpm • G min • 05:45 • -14.15db
37% Popularity • 13% Danceability • 18% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
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Anne Dudley
Where the Land Meets the Sea
80 bpm • D Maj • 02:52 • -12.43db
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Let's Run Away Together
80 bpm • G Maj • 02:57 • -19db
44% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
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The Chamber Orchestra Of London
A Dangerous Path
80 bpm • G min • 03:12 • -19.4db
30% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Anne Dudley
Parole Denied
84 bpm • G min • 01:55 • -17.51db
9% Popularity • 10% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
33% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Howard Shore
The Council of Elrond [Theme for Aragor...
84 bpm • C# Maj • 03:49 • -20.03db
62% Popularity • 10% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
28% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
34% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
55% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Anne Dudley
The Crossroads
84 bpm • D min • 02:05 • -17db
17% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Atli Örvarsson
The Hug
84 bpm • G Maj • 02:11 • -26db
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Thomas Newman
Victoria & Abdul
80 bpm • B min • 01:58 • -19db
50% Popularity • 14% Danceability • 15% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Violet
84 bpm • A min • 01:54 • -16db
33% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
45% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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Howard Shore
The Leave Taking
85 bpm • E min • 03:41 • -30.26db
42% Popularity • 11% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Pain, Loss & Love
85 bpm • F Maj • 05:27 • -25.51db
33% Popularity • 8% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Kerry Muzzey
An Invincible Summer
85 bpm • F# min • 04:59 • -14.83db
30% Popularity • 10% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 1, Sebastian
85 bpm • D# Maj • 02:11 • -23.06db
28% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Anne Dudley
Justice of the Peace
84 bpm • G Maj • 02:15 • -13.78db
6% Popularity • 9% Danceability • 31% Energy • 14% Liveness
75% Instrumentalness • 3% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
27% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
28% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
52% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Guy Farley
Jeanne's Death
79 bpm • G min • 01:34 • -15.52db
35% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
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Stephen Warbeck
Pelagia's Song
79 bpm • C Maj • 04:04 • -16.38db
38% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Volker Bertelmann
Salvation
78 bpm • F Maj • 05:25 • -17db
27% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
51% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Nicholas Britell
Song of Hal: Strings in C# Minor
78 bpm • C# min • 05:12 • -19.06db
39% Popularity • 7% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
35% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Nico Cartosio
Melting
86 bpm • C# Maj • 02:38 • -17.17db
29% Popularity • 15% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Anne Dudley
A Different Ending
78 bpm • A min • 03:01 • -14.31db
11% Popularity • 12% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Togetherness
78 bpm • F# min • 01:44 • -18.38db
26% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Panu Aaltio
Forgiveness
86 bpm • D min • 02:55 • -15db
36% Popularity • 22% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 5% Positiveness
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Guy Farley
The Hat First
78 bpm • D min • 02:30 • -25.57db
29% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Thomas Newman
Danger of Hell
78 bpm • C min • 02:27 • -36.61db
46% Popularity • 20% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Angèle Dubeau
Suite Harry Potter: Lily’s Theme – H...
78 bpm • B min • 06:26 • -18.85db
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
43% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
46% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
54% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Martin Phipps
Andrei
77 bpm • C Maj • 03:19 • -20.13db
36% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Newman
Starlit
87 bpm • D Maj • 03:12 • -31.79db
35% Popularity • 32% Danceability • 1% Energy • 7% Liveness
12% Instrumentalness • 5% Positiveness
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Anne Dudley
Grieve for the Departed
77 bpm • C min • 01:36 • -16.05db
6% Popularity • 17% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Howard Shore
Rivendell
87 bpm • C Maj • 03:26 • -23db
50% Popularity • 9% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Bear McCreary
Eye of the Storm
77 bpm • C min • 06:08 • -17db
27% Popularity • 7% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Thomas Wander
Edward's Theme
87 bpm • C min • 01:33 • -25.77db
38% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Thomas Newman
Spacewalk
87 bpm • D Maj • 03:06 • -22.85db
38% Popularity • 30% Danceability • 3% Energy • 10% Liveness
55% Instrumentalness • 5% Positiveness
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Anne Dudley
A Blood Red Moon
77 bpm • A Maj • 03:49 • -14.69db
6% Popularity • 9% Danceability • 14% Energy • 33% Liveness
41% Instrumentalness • 3% Positiveness
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Carter Burwell
Two Such Souls
77 bpm • D min • 05:52 • -18.48db
18% Popularity • 10% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
34% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Bear McCreary
A Fraser Officer Survived
77 bpm • D min • 04:15 • -16.73db
28% Popularity • 13% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
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Rob Lane
First Meeting
88 bpm • A min • 01:53 • -23.52db
32% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Resurgam