Songs like Return Of The Mack - Oliver Heldens Radio Edit by Lady Bee
Based on a tempo of (+/- 10%) and a similar genre
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Lady Bee
One More Night
125 bpm • G min • 02:12 • -8.48db
18% Popularity • 74% Danceability • 75% Energy • 44% Liveness
2% Instrumentalness • 25% Positiveness
18% Popularity • 74% Danceability • 75% Energy • 44% Liveness
2% Instrumentalness • 25% Positiveness
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Irfan Baldan
Swingin'
125 bpm • C# min • 04:03 • -6.13db
21% Popularity • 73% Danceability • 98% Energy • 7% Liveness
88% Instrumentalness • 37% Positiveness
21% Popularity • 73% Danceability • 98% Energy • 7% Liveness
88% Instrumentalness • 37% Positiveness
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Faya
Time Will Tell - (Lady Bee & Mr. Wonder ...
125 bpm • C min • 03:08 • -7.19db
6% Popularity • 73% Danceability • 74% Energy • 47% Liveness
0% Instrumentalness • 40% Positiveness
6% Popularity • 73% Danceability • 74% Energy • 47% Liveness
0% Instrumentalness • 40% Positiveness
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CASHEW
2009
125 bpm • C# Maj • 02:37 • -4.69db
26% Popularity • 77% Danceability • 90% Energy • 35% Liveness
86% Instrumentalness • 36% Positiveness
26% Popularity • 77% Danceability • 90% Energy • 35% Liveness
86% Instrumentalness • 36% Positiveness
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Landis
Beggin'
125 bpm • F min • 02:56 • -3.43db
29% Popularity • 74% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 74% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Sentinel
Hallucinate
125 bpm • C Maj • 02:52 • -4.29db
28% Popularity • 66% Danceability • 98% Energy • 83% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 66% Danceability • 98% Energy • 83% Liveness
0% Instrumentalness • 25% Positiveness
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Lady Bee
10 Bands
125 bpm • F# Maj • 02:36 • -4.66db
7% Popularity • 83% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 83% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 63% Positiveness
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Control Room
Feeling Like 50 Again
125 bpm • B Maj • 02:10 • -4.25db
22% Popularity • 66% Danceability • 97% Energy • 44% Liveness
3% Instrumentalness • 76% Positiveness
22% Popularity • 66% Danceability • 97% Energy • 44% Liveness
3% Instrumentalness • 76% Positiveness
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Arthur Baker
Born To Be Wild - HUGEL Remix
125 bpm • D Maj • 03:05 • -7.63db
19% Popularity • 78% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 78% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
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CASHEW
Gotta Do It
125 bpm • A# min • 03:23 • -5.73db
39% Popularity • 77% Danceability • 94% Energy • 37% Liveness
83% Instrumentalness • 78% Positiveness
39% Popularity • 77% Danceability • 94% Energy • 37% Liveness
83% Instrumentalness • 78% Positiveness
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Landis
Like Honey
125 bpm • A min • 02:18 • -4.13db
27% Popularity • 77% Danceability • 96% Energy • 16% Liveness
64% Instrumentalness • 54% Positiveness
27% Popularity • 77% Danceability • 96% Energy • 16% Liveness
64% Instrumentalness • 54% Positiveness
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Matt Steffanina
Drop The Mic
125 bpm • G Maj • 03:10 • -2.45db
23% Popularity • 81% Danceability • 98% Energy • 6% Liveness
11% Instrumentalness • 58% Positiveness
23% Popularity • 81% Danceability • 98% Energy • 6% Liveness
11% Instrumentalness • 58% Positiveness
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Lady Bee
I Go
125 bpm • G Maj • 02:28 • -5.18db
17% Popularity • 78% Danceability • 89% Energy • 7% Liveness
24% Instrumentalness • 62% Positiveness
17% Popularity • 78% Danceability • 89% Energy • 7% Liveness
24% Instrumentalness • 62% Positiveness
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Banx & Ranx
Headphones - DLMT Remix
125 bpm • G# Maj • 02:37 • -4db
30% Popularity • 77% Danceability • 95% Energy • 8% Liveness
16% Instrumentalness • 73% Positiveness
30% Popularity • 77% Danceability • 95% Energy • 8% Liveness
16% Instrumentalness • 73% Positiveness
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Neon Steve
Drug Test
125 bpm • B min • 02:51 • -5.21db
24% Popularity • 72% Danceability • 92% Energy • 7% Liveness
9% Instrumentalness • 53% Positiveness
24% Popularity • 72% Danceability • 92% Energy • 7% Liveness
9% Instrumentalness • 53% Positiveness
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Dave Winnel
Saxamaphone - Extended Night Mix
125 bpm • C# Maj • 04:12 • -4.17db
11% Popularity • 76% Danceability • 64% Energy • 5% Liveness
77% Instrumentalness • 62% Positiveness
11% Popularity • 76% Danceability • 64% Energy • 5% Liveness
77% Instrumentalness • 62% Positiveness
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Kallaghan
TO (Todo)
125 bpm • C# Maj • 03:22 • -3.29db
26% Popularity • 82% Danceability • 88% Energy • 29% Liveness
65% Instrumentalness • 79% Positiveness
26% Popularity • 82% Danceability • 88% Energy • 29% Liveness
65% Instrumentalness • 79% Positiveness
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WAVES
Jalapeño
125 bpm • G# Maj • 02:18 • -3.85db
34% Popularity • 80% Danceability • 89% Energy • 56% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 80% Danceability • 89% Energy • 56% Liveness
0% Instrumentalness • 39% Positiveness
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JUNTARO
Amerindio
125 bpm • B Maj • 03:00 • -4.08db
37% Popularity • 77% Danceability • 93% Energy • 19% Liveness
60% Instrumentalness • 48% Positiveness
37% Popularity • 77% Danceability • 93% Energy • 19% Liveness
60% Instrumentalness • 48% Positiveness
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No Thanks
The Underground
125 bpm • F min • 03:54 • -2.66db
16% Popularity • 78% Danceability • 82% Energy • 11% Liveness
53% Instrumentalness • 74% Positiveness
16% Popularity • 78% Danceability • 82% Energy • 11% Liveness
53% Instrumentalness • 74% Positiveness
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Dessic
Nights into Days
125 bpm • C min • 02:12 • -4.46db
27% Popularity • 74% Danceability • 68% Energy • 12% Liveness
65% Instrumentalness • 15% Positiveness
27% Popularity • 74% Danceability • 68% Energy • 12% Liveness
65% Instrumentalness • 15% Positiveness
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CASHEW
Rakata Rakata
125 bpm • C# Maj • 03:38 • -5.78db
48% Popularity • 81% Danceability • 92% Energy • 32% Liveness
79% Instrumentalness • 52% Positiveness
48% Popularity • 81% Danceability • 92% Energy • 32% Liveness
79% Instrumentalness • 52% Positiveness
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Lukas Vane
Forget You
125 bpm • B Maj • 02:21 • -6.25db
29% Popularity • 78% Danceability • 72% Energy • 39% Liveness
68% Instrumentalness • 23% Positiveness
29% Popularity • 78% Danceability • 72% Energy • 39% Liveness
68% Instrumentalness • 23% Positiveness
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Nash Hawkins
U And Me
125 bpm • F# min • 02:44 • -8.44db
25% Popularity • 79% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 20% Positiveness
25% Popularity • 79% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 20% Positiveness
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Yellow Claw
DJ Turn It Up - €URO TRA$H Remix
125 bpm • G# min • 03:10 • -6.39db
31% Popularity • 73% Danceability • 75% Energy • 48% Liveness
91% Instrumentalness • 62% Positiveness
31% Popularity • 73% Danceability • 75% Energy • 48% Liveness
91% Instrumentalness • 62% Positiveness
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Shelco Garcia & Teenwolf
You're Makin' Me High
125 bpm • G Maj • 02:54 • -5.27db
25% Popularity • 73% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
25% Popularity • 73% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Tom & Jame
Time To Go
125 bpm • F# Maj • 02:38 • -7.54db
16% Popularity • 75% Danceability • 95% Energy • 5% Liveness
59% Instrumentalness • 35% Positiveness
16% Popularity • 75% Danceability • 95% Energy • 5% Liveness
59% Instrumentalness • 35% Positiveness
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Tujamo
Get Get Down
125 bpm • F Maj • 02:43 • -3.43db
44% Popularity • 67% Danceability • 97% Energy • 22% Liveness
87% Instrumentalness • 37% Positiveness
44% Popularity • 67% Danceability • 97% Energy • 22% Liveness
87% Instrumentalness • 37% Positiveness
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PLS&TY
Listen to My Heart
125 bpm • E Maj • 03:08 • -4.25db
25% Popularity • 73% Danceability • 88% Energy • 27% Liveness
91% Instrumentalness • 46% Positiveness
25% Popularity • 73% Danceability • 88% Energy • 27% Liveness
91% Instrumentalness • 46% Positiveness
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BRANDON
Going Gone
125 bpm • C Maj • 02:37 • -5.95db
28% Popularity • 76% Danceability • 82% Energy • 25% Liveness
32% Instrumentalness • 86% Positiveness
28% Popularity • 76% Danceability • 82% Energy • 25% Liveness
32% Instrumentalness • 86% Positiveness
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Sunnery James & Ryan Marciano
Ducati
125 bpm • G Maj • 03:00 • -8.07db
29% Popularity • 77% Danceability • 81% Energy • 12% Liveness
25% Instrumentalness • 28% Positiveness
29% Popularity • 77% Danceability • 81% Energy • 12% Liveness
25% Instrumentalness • 28% Positiveness
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IILO
Can’t Have It
125 bpm • D Maj • 02:05 • -4.46db
33% Popularity • 84% Danceability • 94% Energy • 8% Liveness
38% Instrumentalness • 78% Positiveness
33% Popularity • 84% Danceability • 94% Energy • 8% Liveness
38% Instrumentalness • 78% Positiveness
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Guantanamo Bae
Lost and Found - Radio Mix
125 bpm • B Maj • 02:43 • -4.56db
31% Popularity • 80% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 80% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Tujamo
Lose Control
125 bpm • F# min • 02:50 • -3.07db
43% Popularity • 66% Danceability • 94% Energy • 7% Liveness
82% Instrumentalness • 31% Positiveness
43% Popularity • 66% Danceability • 94% Energy • 7% Liveness
82% Instrumentalness • 31% Positiveness
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Coal Minors
Scrubs
125 bpm • B Maj • 02:08 • -8.54db
28% Popularity • 76% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 76% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Marten Hørger
On The Move
125 bpm • D Maj • 03:21 • -4.84db
27% Popularity • 88% Danceability • 84% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
27% Popularity • 88% Danceability • 84% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
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Blinders
Side 2 Side (SWACQ Edit) - Mix Cut
125 bpm • C# min • 01:01 • -7.77db
37% Popularity • 73% Danceability • 92% Energy • 40% Liveness
13% Instrumentalness • 37% Positiveness
37% Popularity • 73% Danceability • 92% Energy • 40% Liveness
13% Instrumentalness • 37% Positiveness
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Lady Bee
Gang Gang
125 bpm • C# Maj • 02:29 • -5.94db
13% Popularity • 70% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
13% Popularity • 70% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
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Vato Gonzalez
Wavy Riddim
125 bpm • G Maj • 02:37 • -1.25db
27% Popularity • 75% Danceability • 98% Energy • 8% Liveness
81% Instrumentalness • 42% Positiveness
27% Popularity • 75% Danceability • 98% Energy • 8% Liveness
81% Instrumentalness • 42% Positiveness
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Swatkat
Feel That Bass
125 bpm • C# Maj • 02:00 • -3.87db
23% Popularity • 78% Danceability • 90% Energy • 16% Liveness
30% Instrumentalness • 64% Positiveness
23% Popularity • 78% Danceability • 90% Energy • 16% Liveness
30% Instrumentalness • 64% Positiveness
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Marvin Aloys
Lose You
125 bpm • A# min • 03:28 • -8.87db
31% Popularity • 62% Danceability • 80% Energy • 6% Liveness
22% Instrumentalness • 41% Positiveness
31% Popularity • 62% Danceability • 80% Energy • 6% Liveness
22% Instrumentalness • 41% Positiveness
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EMDI
L.S.D
125 bpm • A Maj • 02:22 • -5.54db
15% Popularity • 64% Danceability • 91% Energy • 20% Liveness
40% Instrumentalness • 50% Positiveness
15% Popularity • 64% Danceability • 91% Energy • 20% Liveness
40% Instrumentalness • 50% Positiveness
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Space Ducks
Basic
125 bpm • F# min • 02:23 • -6.54db
25% Popularity • 86% Danceability • 62% Energy • 6% Liveness
25% Instrumentalness • 54% Positiveness
25% Popularity • 86% Danceability • 62% Energy • 6% Liveness
25% Instrumentalness • 54% Positiveness
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Sevek
Bang Bang
125 bpm • F min • 02:24 • -6.74db
46% Popularity • 64% Danceability • 80% Energy • 16% Liveness
6% Instrumentalness • 36% Positiveness
46% Popularity • 64% Danceability • 80% Energy • 16% Liveness
6% Instrumentalness • 36% Positiveness
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ESSEL
Where My Girls At?
125 bpm • F min • 02:28 • -4.07db
49% Popularity • 81% Danceability • 94% Energy • 27% Liveness
6% Instrumentalness • 84% Positiveness
49% Popularity • 81% Danceability • 94% Energy • 27% Liveness
6% Instrumentalness • 84% Positiveness
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Dave Winnel
Saxamaphone - Day Mix
125 bpm • D# min • 02:42 • -5.57db
39% Popularity • 62% Danceability • 95% Energy • 34% Liveness
83% Instrumentalness • 55% Positiveness
39% Popularity • 62% Danceability • 95% Energy • 34% Liveness
83% Instrumentalness • 55% Positiveness
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Deerock
Fly Me To Tulum
125 bpm • F# Maj • 02:29 • -7.04db
27% Popularity • 70% Danceability • 75% Energy • 36% Liveness
46% Instrumentalness • 58% Positiveness
27% Popularity • 70% Danceability • 75% Energy • 36% Liveness
46% Instrumentalness • 58% Positiveness
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MelyJones
Muy Fuente (ESH Edit)
125 bpm • D min • 02:14 • -5.74db
11% Popularity • 83% Danceability • 81% Energy • 1% Liveness
8% Instrumentalness • 73% Positiveness
11% Popularity • 83% Danceability • 81% Energy • 1% Liveness
8% Instrumentalness • 73% Positiveness
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Melsen
Heart
125 bpm • A min • 02:53 • -3.86db
27% Popularity • 67% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 67% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
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Bruno Martini
BAD
125 bpm • A# min • 02:21 • -6.89db
43% Popularity • 81% Danceability • 92% Energy • 35% Liveness
4% Instrumentalness • 68% Positiveness
43% Popularity • 81% Danceability • 92% Energy • 35% Liveness
4% Instrumentalness • 68% Positiveness
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Mazdem
Somebody to Love
125 bpm • F# min • 03:20 • -5.33db
37% Popularity • 64% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
37% Popularity • 64% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 11% Positiveness
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Lady Bee
Hard Times
125 bpm • G min • 02:58 • -8.36db
3% Popularity • 56% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 56% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Iceleak
Name
125 bpm • G# Maj • 02:34 • -6.76db
20% Popularity • 77% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
20% Popularity • 77% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
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Thomas Newson
Raining On
125 bpm • C# min • 02:28 • -8.18db
20% Popularity • 64% Danceability • 89% Energy • 26% Liveness
28% Instrumentalness • 28% Positiveness
20% Popularity • 64% Danceability • 89% Energy • 26% Liveness
28% Instrumentalness • 28% Positiveness
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Westend
Moderation (At Night)
125 bpm • F# Maj • 02:54 • -6.45db
34% Popularity • 67% Danceability • 86% Energy • 4% Liveness
1% Instrumentalness • 31% Positiveness
34% Popularity • 67% Danceability • 86% Energy • 4% Liveness
1% Instrumentalness • 31% Positiveness
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NO SIGNE
Public
125 bpm • C# Maj • 02:52 • -5.11db
27% Popularity • 83% Danceability • 75% Energy • 19% Liveness
2% Instrumentalness • 65% Positiveness
27% Popularity • 83% Danceability • 75% Energy • 19% Liveness
2% Instrumentalness • 65% Positiveness
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Zonderling
Clouds - Mix Cut
125 bpm • C# Maj • 01:16 • -9.11db
38% Popularity • 62% Danceability • 85% Energy • 12% Liveness
83% Instrumentalness • 18% Positiveness
38% Popularity • 62% Danceability • 85% Energy • 12% Liveness
83% Instrumentalness • 18% Positiveness
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Ravell
Baila
125 bpm • E min • 02:48 • -6.74db
22% Popularity • 68% Danceability • 82% Energy • 18% Liveness
63% Instrumentalness • 28% Positiveness
22% Popularity • 68% Danceability • 82% Energy • 18% Liveness
63% Instrumentalness • 28% Positiveness
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No Thanks
Bring It Back
125 bpm • D Maj • 03:00 • -2.76db
30% Popularity • 79% Danceability • 79% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
30% Popularity • 79% Danceability • 79% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
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Sam Collins
La Revolution
125 bpm • A Maj • 03:10 • -5.2db
50% Popularity • 72% Danceability • 99% Energy • 35% Liveness
70% Instrumentalness • 28% Positiveness
50% Popularity • 72% Danceability • 99% Energy • 35% Liveness
70% Instrumentalness • 28% Positiveness
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PANKIDZ
Players
125 bpm • G# Maj • 02:22 • -7.28db
24% Popularity • 84% Danceability • 92% Energy • 12% Liveness
13% Instrumentalness • 84% Positiveness
24% Popularity • 84% Danceability • 92% Energy • 12% Liveness
13% Instrumentalness • 84% Positiveness
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FOMO
EVERYBODY TO THE DANCE FLOOR
125 bpm • C Maj • 02:48 • -4.2db
15% Popularity • 76% Danceability • 97% Energy • 38% Liveness
59% Instrumentalness • 54% Positiveness
15% Popularity • 76% Danceability • 97% Energy • 38% Liveness
59% Instrumentalness • 54% Positiveness
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Carta
Designer
125 bpm • E min • 02:27 • -4.7db
13% Popularity • 73% Danceability • 99% Energy • 5% Liveness
40% Instrumentalness • 82% Positiveness
13% Popularity • 73% Danceability • 99% Energy • 5% Liveness
40% Instrumentalness • 82% Positiveness
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Rivas (BR)
Know About
125 bpm • A# Maj • 03:12 • -5.38db
25% Popularity • 64% Danceability • 88% Energy • 40% Liveness
84% Instrumentalness • 31% Positiveness
25% Popularity • 64% Danceability • 88% Energy • 40% Liveness
84% Instrumentalness • 31% Positiveness
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Ape Rave Club
The System
125 bpm • D Maj • 04:20 • -7.17db
11% Popularity • 78% Danceability • 82% Energy • 9% Liveness
82% Instrumentalness • 44% Positiveness
11% Popularity • 78% Danceability • 82% Energy • 9% Liveness
82% Instrumentalness • 44% Positiveness
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Dave Winnel
Saxamaphone - Night Mix
125 bpm • C# Maj • 02:30 • -4.72db
34% Popularity • 68% Danceability • 83% Energy • 10% Liveness
83% Instrumentalness • 57% Positiveness
34% Popularity • 68% Danceability • 83% Energy • 10% Liveness
83% Instrumentalness • 57% Positiveness
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Chapter & Verse
Amnesia
125 bpm • G min • 03:24 • -7.12db
41% Popularity • 52% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 52% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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MADDOW
Be The Reason
126 bpm • F# Maj • 02:20 • -4.79db
20% Popularity • 58% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 58% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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GUMMiBEAR
Dreamer
125 bpm • C# Maj • 02:25 • -5.54db
33% Popularity • 72% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 72% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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TELYKAST
Move It
126 bpm • G Maj • 02:15 • -4.64db
42% Popularity • 71% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 71% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Yves Larock
Zookey 2021
124 bpm • G Maj • 02:29 • -7.97db
31% Popularity • 71% Danceability • 83% Energy • 44% Liveness
2% Instrumentalness • 45% Positiveness
31% Popularity • 71% Danceability • 83% Energy • 44% Liveness
2% Instrumentalness • 45% Positiveness
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TV Noise
The Afterparty
126 bpm • C# Maj • 02:25 • -6.56db
36% Popularity • 72% Danceability • 91% Energy • 34% Liveness
5% Instrumentalness • 40% Positiveness
36% Popularity • 72% Danceability • 91% Energy • 34% Liveness
5% Instrumentalness • 40% Positiveness
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Neon Steve
Hip Hop - Cheyenne Giles Remix
126 bpm • D Maj • 04:10 • -6.2db
18% Popularity • 64% Danceability • 98% Energy • 77% Liveness
29% Instrumentalness • 24% Positiveness
18% Popularity • 64% Danceability • 98% Energy • 77% Liveness
29% Instrumentalness • 24% Positiveness
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Kooyman
Collision
126 bpm • C# Maj • 03:05 • -7.24db
22% Popularity • 75% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 15% Positiveness
22% Popularity • 75% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 15% Positiveness
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Billy The Kit
I've Seen It All
126 bpm • G# Maj • 02:34 • -6.14db
23% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Michael Amani
Shifting Gears
124 bpm • A Maj • 02:32 • -6.66db
23% Popularity • 75% Danceability • 71% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
23% Popularity • 75% Danceability • 71% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
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Lady Bee
Set - VIP Mix
126 bpm • E min • 02:35 • -7.51db
9% Popularity • 71% Danceability • 93% Energy • 36% Liveness
40% Instrumentalness • 78% Positiveness
9% Popularity • 71% Danceability • 93% Energy • 36% Liveness
40% Instrumentalness • 78% Positiveness
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ZOOTAH
Aura
126 bpm • C Maj • 02:24 • -4.67db
33% Popularity • 68% Danceability • 90% Energy • 27% Liveness
10% Instrumentalness • 26% Positiveness
33% Popularity • 68% Danceability • 90% Energy • 27% Liveness
10% Instrumentalness • 26% Positiveness
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daevo
Flashback
126 bpm • F min • 02:12 • -5.98db
40% Popularity • 72% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 72% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 71% Positiveness
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Gaddi
Look At Me
126 bpm • D# Maj • 02:11 • -3.87db
36% Popularity • 86% Danceability • 68% Energy • 12% Liveness
33% Instrumentalness • 49% Positiveness
36% Popularity • 86% Danceability • 68% Energy • 12% Liveness
33% Instrumentalness • 49% Positiveness
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Eleganto
Uncontrollable
126 bpm • F# Maj • 03:06 • -4.71db
20% Popularity • 66% Danceability • 93% Energy • 14% Liveness
20% Instrumentalness • 63% Positiveness
20% Popularity • 66% Danceability • 93% Energy • 14% Liveness
20% Instrumentalness • 63% Positiveness
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Jay Hardway
Red Alert
126 bpm • C# Maj • 02:26 • -4.81db
35% Popularity • 62% Danceability • 90% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
35% Popularity • 62% Danceability • 90% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
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Lady Bee
Hunter Or The Prey
126 bpm • E min • 02:18 • -7.6db
18% Popularity • 60% Danceability • 94% Energy • 24% Liveness
2% Instrumentalness • 13% Positiveness
18% Popularity • 60% Danceability • 94% Energy • 24% Liveness
2% Instrumentalness • 13% Positiveness
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Pink Panda
All Around
126 bpm • E min • 02:20 • -4.76db
20% Popularity • 64% Danceability • 91% Energy • 31% Liveness
15% Instrumentalness • 48% Positiveness
20% Popularity • 64% Danceability • 91% Energy • 31% Liveness
15% Instrumentalness • 48% Positiveness
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WeDamnz
Feeling This
126 bpm • A# Maj • 03:28 • -5.45db
19% Popularity • 76% Danceability • 83% Energy • 29% Liveness
64% Instrumentalness • 69% Positiveness
19% Popularity • 76% Danceability • 83% Energy • 29% Liveness
64% Instrumentalness • 69% Positiveness
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Matisse & Sadko
ALALA
126 bpm • C# Maj • 02:56 • -5.12db
20% Popularity • 67% Danceability • 94% Energy • 67% Liveness
89% Instrumentalness • 20% Positiveness
20% Popularity • 67% Danceability • 94% Energy • 67% Liveness
89% Instrumentalness • 20% Positiveness
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NO SIGNE
Be Good
124 bpm • D Maj • 02:51 • -4.38db
42% Popularity • 82% Danceability • 83% Energy • 11% Liveness
27% Instrumentalness • 82% Positiveness
42% Popularity • 82% Danceability • 83% Energy • 11% Liveness
27% Instrumentalness • 82% Positiveness
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HYPELEZZ
So Lonely
126 bpm • D# min • 02:18 • -4.93db
31% Popularity • 72% Danceability • 92% Energy • 16% Liveness
53% Instrumentalness • 12% Positiveness
31% Popularity • 72% Danceability • 92% Energy • 16% Liveness
53% Instrumentalness • 12% Positiveness
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Lady Bee
Vitamin Bee
124 bpm • E Maj • 02:25 • -8.76db
17% Popularity • 71% Danceability • 87% Energy • 21% Liveness
72% Instrumentalness • 19% Positiveness
17% Popularity • 71% Danceability • 87% Energy • 21% Liveness
72% Instrumentalness • 19% Positiveness
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Tom Westy
Work It To The Bone
126 bpm • D Maj • 02:38 • -5.67db
37% Popularity • 65% Danceability • 94% Energy • 61% Liveness
73% Instrumentalness • 27% Positiveness
37% Popularity • 65% Danceability • 94% Energy • 61% Liveness
73% Instrumentalness • 27% Positiveness
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KAAZE
Why - BLK RSE Remix
126 bpm • B min • 02:52 • -5.4db
22% Popularity • 72% Danceability • 81% Energy • 14% Liveness
4% Instrumentalness • 59% Positiveness
22% Popularity • 72% Danceability • 81% Energy • 14% Liveness
4% Instrumentalness • 59% Positiveness
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Andrew Mathers
OMG
124 bpm • C# Maj • 02:53 • -6.01db
21% Popularity • 72% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
21% Popularity • 72% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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INGEK
MDMA
124 bpm • C# min • 02:56 • -5.9db
32% Popularity • 70% Danceability • 89% Energy • 20% Liveness
36% Instrumentalness • 32% Positiveness
32% Popularity • 70% Danceability • 89% Energy • 20% Liveness
36% Instrumentalness • 32% Positiveness
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ZOOTAH
Cherry Pop
126 bpm • F# Maj • 02:02 • -5.33db
32% Popularity • 78% Danceability • 97% Energy • 34% Liveness
40% Instrumentalness • 68% Positiveness
32% Popularity • 78% Danceability • 97% Energy • 34% Liveness
40% Instrumentalness • 68% Positiveness
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Vieratto
Now!
126 bpm • C# Maj • 03:08 • -4.24db
31% Popularity • 72% Danceability • 96% Energy • 35% Liveness
25% Instrumentalness • 59% Positiveness
31% Popularity • 72% Danceability • 96% Energy • 35% Liveness
25% Instrumentalness • 59% Positiveness
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Future Class
Saxfaction
124 bpm • G Maj • 02:21 • -7.4db
38% Popularity • 85% Danceability • 87% Energy • 24% Liveness
15% Instrumentalness • 77% Positiveness
38% Popularity • 85% Danceability • 87% Energy • 24% Liveness
15% Instrumentalness • 77% Positiveness
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Alesso
Zig Zag
126 bpm • C Maj • 04:14 • -3.89db
58% Popularity • 72% Danceability • 97% Energy • 15% Liveness
84% Instrumentalness • 48% Positiveness
58% Popularity • 72% Danceability • 97% Energy • 15% Liveness
84% Instrumentalness • 48% Positiveness
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Damon Sharpe
Hollaback Girl
126 bpm • C# min • 02:40 • -4.17db
26% Popularity • 78% Danceability • 89% Energy • 7% Liveness
61% Instrumentalness • 62% Positiveness
26% Popularity • 78% Danceability • 89% Energy • 7% Liveness
61% Instrumentalness • 62% Positiveness
