Songs like Rhythm and Romance by Chick Webb
Based on a tempo of (+/- 10%) and a similar genre
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Chick Webb
I Got Rhythm
140 bpm • A# Maj • 02:37 • -8.89db
4% Popularity • 54% Danceability • 67% Energy • 32% Liveness
92% Instrumentalness • 94% Positiveness
4% Popularity • 54% Danceability • 67% Energy • 32% Liveness
92% Instrumentalness • 94% Positiveness
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The Merry Macs
Mairzy Doats (Alternate Take)
141 bpm • A# min • 02:41 • -11db
24% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Lucky Millinder
Big Fat Mama
140 bpm • G min • 03:03 • -10db
17% Popularity • 61% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 61% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Glenn Crytzer
Ten 'Til Five
139 bpm • G Maj • 02:49 • -15.81db
16% Popularity • 61% Danceability • 46% Energy • 13% Liveness
38% Instrumentalness • 74% Positiveness
16% Popularity • 61% Danceability • 46% Energy • 13% Liveness
38% Instrumentalness • 74% Positiveness
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Andy Kirk
Little Joe From Chicago
141 bpm • A Maj • 02:51 • -11db
8% Popularity • 69% Danceability • 34% Energy • 25% Liveness
64% Instrumentalness • 69% Positiveness
8% Popularity • 69% Danceability • 34% Energy • 25% Liveness
64% Instrumentalness • 69% Positiveness
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Jimmy Dorsey & His Orchestra
Sorghum Switch
139 bpm • F Maj • 03:24 • -10.74db
23% Popularity • 79% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
23% Popularity • 79% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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Kid Ory
My Bucket's Got A Hole In It
139 bpm • F Maj • 04:55 • -13.1db
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
15% Popularity • 68% Danceability • 41% Energy • 63% Liveness
23% Instrumentalness • 86% Positiveness
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Rex Stewart
Dutch Treat
141 bpm • C# Maj • 02:59 • -12.18db
13% Popularity • 67% Danceability • 31% Energy • 43% Liveness
90% Instrumentalness • 68% Positiveness
13% Popularity • 67% Danceability • 31% Energy • 43% Liveness
90% Instrumentalness • 68% Positiveness
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Lucky Millinder
Apollo Jump
141 bpm • F# Maj • 03:26 • -8db
37% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
37% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
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Jack Shaindlin
Let's Go Sunning
138 bpm • C min • 01:44 • -16.02db
55% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Cootie Williams
Do Some War Work Baby
138 bpm • F Maj • 03:09 • -11.28db
8% Popularity • 68% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 68% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Gene Krupa & His Orchestra; Vocal by Anita O'Day
Just A Little Bit South Of North Carolin...
142 bpm • A min • 02:41 • -8db
14% Popularity • 70% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 60% Positiveness
14% Popularity • 70% Danceability • 36% Energy • 8% Liveness
4% Instrumentalness • 60% Positiveness
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Johnny Hodges & His Orchestra
Junior Hop
138 bpm • F Maj • 03:09 • -10.37db
22% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
22% Popularity • 80% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
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Rex Stewart
Tain't Like That
138 bpm • G min • 03:03 • -9.43db
20% Popularity • 77% Danceability • 38% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
20% Popularity • 77% Danceability • 38% Energy • 9% Liveness
52% Instrumentalness • 64% Positiveness
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Glenn Crytzer
You Don't Say
142 bpm • G# Maj • 03:51 • -16db
16% Popularity • 49% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 49% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Joe Venuti
Goin' Places
137 bpm • F min • 03:00 • -11.52db
18% Popularity • 74% Danceability • 35% Energy • 6% Liveness
71% Instrumentalness • 90% Positiveness
18% Popularity • 74% Danceability • 35% Energy • 6% Liveness
71% Instrumentalness • 90% Positiveness
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Johnny Mercer & The Pied Pipers
I'm Gonna See My Baby
137 bpm • C# Maj • 02:29 • -9.29db
12% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Ella Mae Morse
Rip Van Winkle
138 bpm • F min • 02:57 • -7.75db
14% Popularity • 67% Danceability • 22% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 67% Danceability • 22% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Condon
Makin' Friends
143 bpm • F min • 03:05 • -14.01db
22% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
22% Popularity • 56% Danceability • 27% Energy • 17% Liveness
91% Instrumentalness • 79% Positiveness
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Lucky Millinder
Apollo Jump
143 bpm • D min • 03:27 • -4db
4% Popularity • 60% Danceability • 57% Energy • 32% Liveness
89% Instrumentalness • 57% Positiveness
4% Popularity • 60% Danceability • 57% Energy • 32% Liveness
89% Instrumentalness • 57% Positiveness
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Larry Clinton
Glen Island Hop
144 bpm • F# Maj • 03:13 • -9.61db
20% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Erskine Hawkins
Tippin' In
144 bpm • A# Maj • 03:20 • -4db
11% Popularity • 58% Danceability • 68% Energy • 28% Liveness
84% Instrumentalness • 56% Positiveness
11% Popularity • 58% Danceability • 68% Energy • 28% Liveness
84% Instrumentalness • 56% Positiveness
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Hot Sugar Band
Harlem Swing
136 bpm • C min • 03:05 • -7.3db
34% Popularity • 61% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 72% Positiveness
34% Popularity • 61% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 72% Positiveness
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Woody Herman & His Orchestra
The Northwest Passage
136 bpm • D# Maj • 03:04 • -8.08db
18% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
18% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Betty Hutton
It's a Man
144 bpm • D Maj • 02:29 • -9.77db
25% Popularity • 64% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 64% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
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Earl Hines
GT Stomp
135 bpm • E Maj • 02:31 • -13.92db
16% Popularity • 78% Danceability • 35% Energy • 25% Liveness
56% Instrumentalness • 76% Positiveness
16% Popularity • 78% Danceability • 35% Energy • 25% Liveness
56% Instrumentalness • 76% Positiveness
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James P. Johnson
Charleston
145 bpm • F# min • 01:47 • -9db
26% Popularity • 52% Danceability • 48% Energy • 18% Liveness
93% Instrumentalness • 73% Positiveness
26% Popularity • 52% Danceability • 48% Energy • 18% Liveness
93% Instrumentalness • 73% Positiveness
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Chick Webb
Rhythm and Romance
135 bpm • G min • 03:06 • -11.83db
2% Popularity • 70% Danceability • 36% Energy • 9% Liveness
10% Instrumentalness • 81% Positiveness
2% Popularity • 70% Danceability • 36% Energy • 9% Liveness
10% Instrumentalness • 81% Positiveness
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Johnny Mercer & The Pied Pipers
The Peanut Vendor
145 bpm • F Maj • 03:12 • -11.61db
13% Popularity • 63% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 63% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Shine
145 bpm • D Maj • 02:50 • -10.51db
23% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 66% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Kid Ory
The Bucket's Got a Hole in It
145 bpm • F Maj • 02:30 • -8.52db
29% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
29% Popularity • 65% Danceability • 59% Energy • 31% Liveness
36% Instrumentalness • 91% Positiveness
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Betty Hutton
It's a Man (Alternate Take)
145 bpm • D Maj • 02:23 • -6.98db
22% Popularity • 62% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 62% Danceability • 37% Energy • 60% Liveness
0% Instrumentalness • 94% Positiveness
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Kay Kyser
If I Only Had a Brain
135 bpm • C Maj • 02:42 • -12.27db
7% Popularity • 70% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 70% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Woody Herman & His Orchestra
Yardbird Shuffle
135 bpm • F Maj • 02:40 • -13.09db
21% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
21% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
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Chick Webb
I May Be Wrong
135 bpm • D# Maj • 03:06 • -15.71db
1% Popularity • 56% Danceability • 21% Energy • 15% Liveness
37% Instrumentalness • 50% Positiveness
1% Popularity • 56% Danceability • 21% Energy • 15% Liveness
37% Instrumentalness • 50% Positiveness
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Hoagy Carmichael
Huggin' Chalkin'
145 bpm • D# Maj • 02:37 • -9.14db
10% Popularity • 68% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 68% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Naomi & Her Handsome Devils
Take It Easy Greasy
134 bpm • G min • 03:45 • -9.46db
37% Popularity • 76% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 76% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Erskine Hawkins
Tuxedo Junction (Alternate Take)
146 bpm • F min • 03:19 • -11db
11% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
11% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
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Kid Ory's Creole Jazz Band
Ballin' The Jack
146 bpm • A# Maj • 03:13 • -14.87db
27% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
27% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
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Rex Stewart
That's Rhythm
147 bpm • A# Maj • 02:51 • -10db
14% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Woody Herman & His Orchestra
Caldonia
134 bpm • G# Maj • 03:01 • -11db
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Rudy Vallee
Kitty from Kansas City
133 bpm • D Maj • 03:09 • -11.38db
21% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Bunny Berigan
Devil's Holiday
133 bpm • F min • 02:41 • -12.23db
8% Popularity • 59% Danceability • 73% Energy • 65% Liveness
73% Instrumentalness • 30% Positiveness
8% Popularity • 59% Danceability • 73% Energy • 65% Liveness
73% Instrumentalness • 30% Positiveness
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Rudy Vallee and His Connecticut Yankees
Let's Put Out the Lights
133 bpm • D Maj • 03:43 • -17.67db
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Earl Hines
Way Down Yonder In New Orleans
148 bpm • F Maj • 03:53 • -7db
24% Popularity • 60% Danceability • 46% Energy • 7% Liveness
39% Instrumentalness • 82% Positiveness
24% Popularity • 60% Danceability • 46% Energy • 7% Liveness
39% Instrumentalness • 82% Positiveness
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Les Brown
Bizet Has His Day
148 bpm • C min • 03:15 • -10db
25% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
25% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
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Charlie Barnet & His Orchestra
Wild Mab Of Fish Pond
132 bpm • A# Maj • 03:15 • -6.51db
24% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
24% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
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Nat Gonella And His Georgians
Swingin' The Jinx Away
132 bpm • D# Maj • 03:04 • -19.94db
8% Popularity • 79% Danceability • 29% Energy • 16% Liveness
20% Instrumentalness • 94% Positiveness
8% Popularity • 79% Danceability • 29% Energy • 16% Liveness
20% Instrumentalness • 94% Positiveness
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Lucky Millinder
Silent George
132 bpm • A# Maj • 02:39 • -5.15db
14% Popularity • 68% Danceability • 50% Energy • 74% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 68% Danceability • 50% Energy • 74% Liveness
0% Instrumentalness • 79% Positiveness
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Charlie Barnet
Shake Rattle and Roll
132 bpm • F min • 03:24 • -7.71db
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
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Mills Blue Rhythm Band
Let's Have a Jubilee
132 bpm • F min • 02:52 • -12.34db
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
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Erskine Hawkins
Dolomite
132 bpm • C min • 03:37 • -15.66db
17% Popularity • 69% Danceability • 13% Energy • 44% Liveness
33% Instrumentalness • 70% Positiveness
17% Popularity • 69% Danceability • 13% Energy • 44% Liveness
33% Instrumentalness • 70% Positiveness
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Roy Eldridge
Jump Through The Window (11-16-43)
149 bpm • C Maj • 02:43 • -9.52db
17% Popularity • 63% Danceability • 48% Energy • 30% Liveness
38% Instrumentalness • 83% Positiveness
17% Popularity • 63% Danceability • 48% Energy • 30% Liveness
38% Instrumentalness • 83% Positiveness
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Charlie Barnet & His Orchestra
Scotch and Soda
131 bpm • D# Maj • 02:46 • -10db
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
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Lucky Millinder
Are You Ready?
132 bpm • G min • 03:05 • -12.51db
15% Popularity • 73% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 73% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Louis Jordan
Salt Pork, West Virginia (Alternate Take...
131 bpm • G# Maj • 03:00 • -13.42db
21% Popularity • 65% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 65% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The Big 18
Celery Stalks at Midnight
149 bpm • C Maj • 04:10 • -15db
13% Popularity • 50% Danceability • 30% Energy • 17% Liveness
12% Instrumentalness • 81% Positiveness
13% Popularity • 50% Danceability • 30% Energy • 17% Liveness
12% Instrumentalness • 81% Positiveness
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Woody Herman And His Orchestra - vocal: Woody Herman
(There'll Be A) Hot Time In The Old Town...
131 bpm • F Maj • 02:47 • -6.17db
12% Popularity • 74% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
12% Popularity • 74% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
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Chick Webb
It's Swell of You
150 bpm • F Maj • 03:15 • -12.24db
1% Popularity • 56% Danceability • 27% Energy • 28% Liveness
1% Instrumentalness • 57% Positiveness
1% Popularity • 56% Danceability • 27% Energy • 28% Liveness
1% Instrumentalness • 57% Positiveness
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Kay Kyser
Praise the Lord and Pass the Ammunition
131 bpm • G Maj • 02:31 • -9.13db
31% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
33% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
21% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
21% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Amos Milburn
Atomic Baby (01-04-50)
130 bpm • D min • 02:44 • -11.8db
14% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Glenn Crytzer
Mr. Rhythm
130 bpm • F min • 04:08 • -16db
28% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
28% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
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Woody Herman & His Orchestra
Who Dat up Dere?
130 bpm • D min • 03:09 • -14.31db
21% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Stan Kenton & His Orchestra
Eager Beaver
151 bpm • F min • 03:09 • -11db
25% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
25% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Charlie Barnet & His Orchestra
Southern Fried
129 bpm • A# Maj • 03:24 • -9.23db
30% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
30% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
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Lucky Millinder
Let It Roll Again
129 bpm • G# Maj • 02:58 • -3.24db
13% Popularity • 62% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 62% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
19% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Rudy Vallee and His Connecticut Yankees
Old Man Harlem
129 bpm • A min • 03:15 • -13.51db
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Jelly Roll Morton
Black Bottom Stomp - 2002 Remastered
129 bpm • C min • 03:12 • -12.89db
32% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
32% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
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Red Norvo
Says My Heart
152 bpm • D# Maj • 02:56 • -13.29db
14% Popularity • 67% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
14% Popularity • 67% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
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Ella Mae Morse
Captain Kidd
129 bpm • A# min • 02:54 • -5.47db
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Tex Beneke
The Beautiful Blond from Bashful Bend
128 bpm • D Maj • 02:55 • -9.6db
17% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Kay Starr
Was That The Human Thing To Do
128 bpm • B min • 02:25 • -10.15db
36% Popularity • 65% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 65% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Lucky Millinder
Ram-Bunk-Shush
128 bpm • C Maj • 02:35 • -6.28db
16% Popularity • 71% Danceability • 50% Energy • 22% Liveness
13% Instrumentalness • 77% Positiveness
16% Popularity • 71% Danceability • 50% Energy • 22% Liveness
13% Instrumentalness • 77% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
26% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
26% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
31% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Hodges & His Orchestra
Going Out The Back Way
154 bpm • A# min • 02:44 • -11db
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
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Muggsy Spanier
I Wish I Could Shimmy Like My Sister Kat...
154 bpm • F min • 02:55 • -9.93db
25% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
25% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
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Louis Jordan
Keep a Knockin' (But You Can't Come In)
155 bpm • C# Maj • 02:32 • -10.52db
48% Popularity • 76% Danceability • 29% Energy • 5% Liveness
38% Instrumentalness • 83% Positiveness
48% Popularity • 76% Danceability • 29% Energy • 5% Liveness
38% Instrumentalness • 83% Positiveness
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Henry "Red" Allen
Whose Honey Are You
127 bpm • A Maj • 02:46 • -10.85db
14% Popularity • 84% Danceability • 51% Energy • 12% Liveness
39% Instrumentalness • 88% Positiveness
14% Popularity • 84% Danceability • 51% Energy • 12% Liveness
39% Instrumentalness • 88% Positiveness
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Ella Mae Morse
Mister Five by Five
128 bpm • D Maj • 03:02 • -10.26db
27% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
40% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Hodges & His Orchestra
Good Queen Bess
155 bpm • F min • 03:03 • -12.3db
31% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
31% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
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Erskine Hawkins
Tuxedo Junction (Re-Recorded)
155 bpm • B Maj • 05:50 • -15db
5% Popularity • 41% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
5% Popularity • 41% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
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Louis Jordan
Keep a Knockin' but You Can't Come in (A...
155 bpm • F# Maj • 02:31 • -9.05db
19% Popularity • 74% Danceability • 28% Energy • 3% Liveness
8% Instrumentalness • 71% Positiveness
19% Popularity • 74% Danceability • 28% Energy • 3% Liveness
8% Instrumentalness • 71% Positiveness
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Earl Hines
G.T. Stomp
126 bpm • G# Maj • 02:45 • -10.89db
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
20% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
20% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
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Andy Kirk
Bearcat Shuffle
155 bpm • A min • 03:02 • -15.12db
23% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
23% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Kid Ory's Creole Jazz Band
Savoy Blues
126 bpm • G min • 03:03 • -9db
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
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Bunny Berigan
Sophisticated Swing
126 bpm • C# Maj • 03:32 • -10.66db
11% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
11% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
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Lily Wilde and her Jumpin' Jubilee Orchestra
Mister Five By Five
125 bpm • D Maj • 03:07 • -9.66db
29% Popularity • 72% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 72% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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The Merry Macs
Breezin' Along with the Breeze
157 bpm • F min • 03:01 • -14.54db
23% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
23% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
